Mogu biti snite ili torta,kako vam se vise svida. Jedino sto se mora paziti jesu kore koje u sebi nemaju brasno ,pa se lako kidaju,stog...
Socan i prefini kolac koji uvijek dobija pohvale! Vjerojatno ima slican recept, ali pod drugim imenom – nisam ga uspjela naci, no neke curke su trazile recep...
Davno je bilo ali se rado sjetim moje najstarije sestre Ane i njenih prekrasnih kolaca... Ma koliko pokusavala da je kopiram,ja ne uspjevam....
Kao sto i sam naziv kolaca kaze - to su kokos snite moje mame, ali i njen prvi recept zapisan u njenoj knjizi sa receptima koju je pocela pisati prije 50 god...
Zuta boja .....Za ovaj kolac me vezu posebne emocije...Obozavala sam moju baku-nema je vec deset godina,a kao da mi je jucer price pricala!
Tema ovog meseca u okviru nase blogerske igrice KuVarijacije bila je torta Paganini sa Melitinog bloga, dok je originalni receptic za ova...
Sladokusci sigurna sam da necete samo jednom praviti :))Kora100g lesnika100g cokolade mlecne ili crne100g putera80g seceravanilin secerprasak za peciva4 jaja...
Prolecne snite - svaki zalogaj se topi u ustima !! Sastojci korice 4 jaja 200 gr secera 200 gr brasna 100 gr ulja kesica pr...
013 // S I N N E R - Check more at https://foundasomething.com/013-s-i-n-n-e-r-4/
Classic Cars on display at Snite Museum of Art shows that the Great Depression era was not only about unemployment and poverty, but also extravagance
The exterior of the Snite Museum of Art at The University of Notre Dame. This portion of the museum is part of O'Shaughnessy Hall. Photographed with a Minolta Autocord with a yellow filter on Fuji Neopan Acros 100 film. Exposure was by Sunny 16 as adjusted for the filter.
Indiana is home to the Hoosiers and a history that runs deep. And entertainment and attractions are embedded in all corners of the state. From fun things to do in the state capital, Indianapolis, to family-friendly tourist attractions in Fort Wayne, Bloomington, and Lafayette, Indiana has no shortage of exciting places to visit.Several museums across the state blend fun experiences with educational value. A few of these educational escapes include the Studebaker National Museum, the WonderLab Science Museum, and the Snite Museum of Art on the Notre Dame campus. And while the world-famous Indianapolis 500 only takes place once a year in May, the on-site museum celebrates the tracks history throughout the year.
Najpoznatija mađarska torta na svetu- Dobos torta. Prema jednoj internet kulinarskoj anketi,zauzima prvo mesto,po broju obozavaoca i ljubitelja iste u celom svetu. Tvorac ove torte je svakako Jozsef Dobos(1847-1924),poslasticar koji je bio naprednjak svoga vremena,veliki kulinar i pisac knjiga o poslasticarstvu. Dobos Torte je prvi put napravio za drzavnu izlozbu davne 1885.Sastojala se od osam tankih listova testa,te namazana kremom-buter kremom,koji je bio izum J.Dobosa i inovacija u tadasnjem poslasticarstvu. Taj buter krem,kasnije je koristio u kombinaciji sa kaakao prahom,ili vanilom,umesto tadasnjeg krema za torte,koji se pravio uglavnom sa mlekom i praskom za puding,sa naravno malim "nedostatkom",nemogucnosti duzeg stajanja. Kako je to bilo doba bez rashladnih uredjaja i frizidera,J.Dobos je sacinio tortu koja ce moci da "traje" duze nego ostale poslastice. Ono sto je bilo zadivljujuce i sto je ostalo kao "pecat" ove poslastice,je njen "top",gornji sloj premazan karameliziranim secerom izrezanim na komade. Torta je na izlozbi za koju je te godine prvi put napravljena,dozivela ovacije,te je i nas poslasticar J.Dobos,preko noci postao slavan,a parce torte iz njegove poslasticarnice je postao luxus,prestiz za tadasnje gradjane Budimpeste. Pocetkom 20.veka ova torta je spadala u sam vrh poslasticarstva,a da se njen originalni recept nije znao,Evropom su kruzile cak 120 verzija recepta,da bi konacno 1906g,J.Dobos objavio originalan recept,nakon cega se povukao iz javnog zivota. Veliki ljubitelji ove torte bila je i knjeginjica Sisi,te car Franz Jozef,i inace poznati po svom istancanom ukusu kada su poslastice u pitanju. Danas,radi se u bezbroj varijacija,omotane sa pecenim lesnicima,seckanim bademima ili orasima,iako je original premazan samo kremom,te sa svakakvim dodacima-ruma,amareta.... Ja nisam ljubiteljica nikakvih dodataka,i smatram da se time ukus izvorne torte kvari,te dobija neka druga torta. Kako je ova torta vrlo poznata i u Slovackoj,te i kod vojvodjanskih slovaka,postoji samo jedna razlika,a to je mnostvo kora,uglavnom je to 14 tankih,pretankih korica u odnosu na originalnih sedam. Mi pravimo tortu sa sto vise kora. Za kore 8 jaja 8 kašika kristal šećera 8 kašika brašna Fil: 4 jaja 150 gr šećera u prahu 5 vanilin šećera 200 gr čokolade 250 gr putera -nikako margarina!!! Šećerna glazura- grilijaž: 300 gr kristal šećera Priprema kora: Prvo umutite belanca u cvrst sne-mikserom,potom dodajte 4 kasike secera i opet sve cvrsto umutite. Zumana kulinarskom zicom sjedinite-umutite sa 4 kasike secera dok smesa ne posvetli. Spojite ove dve smese,najbolje izmesati kulinarskom zicom. Pecite kore. Ove kore su se pekle u ovalnom pekacu sa stipaljkom,prekrivenog pek papirom.Mera za jednu koru je bila kutlaca srednje velicine. Od ove smese moze da se ispece i do 14 kora-vrlo,vrlo tankih. Pre nego sto pocnete da ih pecete: Treba biti svestan da se ova torta ne radi "na brzaka". Potrebno je dosta slobodnog vremena,volje i ozbiljnosti. # moja mama je ispekla ove kore. Fil: U posudi sa duplim dnom,za mesenje na pari,umutiti 4 jajeta,sa 150 g secera u prahu,te jednom kesicom vanil secera,dok masa ne postane gusta. Skinuti sud sa vatre i dodati cokoladu,koja ce se sama rastopiti u vrelom filu.Naravno da je potrebno svo vreme mesati dok se cokolada ne otopi. Penasto umutiti puter i kada se masa doobro ohladi sve spojiti. Zatim filovati kore, sve do poslednje, a na poslednju staviti šećernu glazuru,koja se priprema ovako: Secer "otopiti",preliti preko zadnje kore "odozgo,nozem premazanim puterom,napraviti snite. Najbolje je da u tome imate pomoc sa strane,u dodavanju noza,mozete imati dva,tri noza spremljena za secenje,jer je potrebna brzina. Na kraju korice izravnati i okolo je namazati, takodje čokoladnim filom. I originalni recept-poslasticarnice "Zerbo". Dobos torta Hozzávalók egy 16 szeletes tortához: A piskótához: 6 tojássárgája 105 gr kristálycukor 6 db tojásfehérje 53 gr porcukor 105 gr liszt 35 gr olvasztott vaj A krémhez: 4 db egész tojás 210 gr porcukor 17 gr vaníliás cukor 175 gr vaj 30 gr kakaóvaj 35 gr étcsokoládé Tetőhöz: 150 gr kockacukor Elkészítés: A kristálycukrot és a tojássárgáját felkeverjük, majd a tojásfehérjét a porcukorral kemény habbá verjük. A tojásfehérjehabot hozzáadjuk a tojássárgájához, figyelve, hogy a tojásfehérjehab ne törjön össze, majd a lisztet és az olvasztott vajat is hozzáadjuk. 21 cm átmérőjű kivajazott, lisztezett tortaformába öntjük a tészta 1/6-át, és 180 Cş fokon 4-5 percig sütjük. Ezt hatszor megismételjük, így kapunk 6 egyforma tortakarikát. A tortakarikákat hagyjuk kihűlni. A krémhez a tojást, porcukrot és a vaníliás cukrot csípős melegre felmelegítjük, és lehetőség szerint gépi habverővel kihűlésig kevergetjük. A vajat, kakaóvajat és a vízgőz felett megolvasztott étcsokoládét habosra keverjük. A vajas, és a tojásos masszát egybekeverjük, majd ezzel a krémmel 5 db piskótalapot egymásra rétegezve egyenletesen elkenünk, és a maradék krémmel a torta tetejét, oldalát is körbekenjük. A tortát hűtőben jól lehűtjük. A tetőhöz 150 gr kockacukrot felolvasztunk, így aranysárga karamellt kapunk. A megmaradt hatodik piskótalapot a meleg karamell cukorral áthúzzuk és 16 egyenlő részre felszeleteljük, majd kihűlés után a betöltött torta tetejére helyezzük, és ezen "cikkek" mentén felszeleteljük a tortát. Hungarian Dobosh Torte Recipe Cake: 1/2 pound unsalted butter, softened 1 cup granulated sugar 4 large eggs, lightly beaten 1 1/2 cups all-purpose flour 1 teaspoon vanilla extract . Filling: 8 ounces semisweet chocolate, chopped 2 ounces unsweetened chocolate, chopped 1 pound (4 sticks) unsalted butter, softened 5 large egg whites 1 cup granulated sugar . Caramel Glaze: 2/3 cup sugar 1/3 cup water Preparation: For the cake: Heat oven to 350 degrees. In a large bowl, cream butter and sugar until light and fluffy. Beat in eggs, then flour and vanilla until smooth. Lightly coat the bottom of 7 (9-inch) round pans (or bake as many layers at a time as you have 9-inch cake pans) with cooking spray. Weigh the batter (remembering to subtract for the weight of the bowl). Divide that number by 7 and that's how many ounces you will need for each pan in order to create even layers. Bake for 7 minutes or until edges are very lightly brown. Don't overbake. Remove from oven, loosen layer and invert onto a cake rack. Continue until all the batter is used. For the filling: Melt chocolate in a microwave and set aside. In a large bowl, beat butter on low for 2 minutes, then on medium for 3 minutes and finally on high for 5 minutes. Place egg whites and sugar in a double boiler over medium heat. Whisk gently to 120 degrees. Transfer to a mixing bowl and whip on high until stiff peaks form. Fold the melted chocolate into the butter, then fold in the egg whites until all traces of white are gone. Refrigerate until ready to use. Make caramel glaze: Place one cake layer on a cake rack set over a pan to catch the drips. Mix sugar and water in a small heavy saucepan. Without stirring, cook until sugar dissolves, boils and begins to darken in color. Swirling the pan, continue to boil until caramel becomes a golden brown. Immediately pour it over the layer. With a buttered knife, quickly mark the glaze into 16 equal wedges without cutting all the way through. Assembly: Place 1 cake layer on a serving plate, or in a 9-inch springform pan to use as a guide, and spread on 1/8-inch of filling. Repeat, finishing with the glazed layer on top. Use the rest of the filling to cover the sides of the cake. Sprinkle with ground nuts of choice, if desired. Refrigerate. To serve, slice along the lines marked in the caramel glaze. #recept na madjarskom i engleskom su copy paste,tek ako vam zatreba.
SELECTED SOLO EXHIBITIONS 2016 de.structive dis.tillation, Everson Museum of Art, Syracuse, NY i am armed. i am an army., Pavel Zoubok Gallery, New York, NY i come to do a violence to the lie, MATRIX 174, Wadsworth Atheneum Museum of Art, Hartford, CT Introspective: Vanessa German, The August Wilson Center for African America Culture, Pittsburgh, PA 2015 The Ordinary Sacred, Concept Art Gallery, Pittsburgh, PA Bitter Root, Northcutt Stelle Gallery, Montana State University Billings, Billings, MT Bitter Root, Holter Museum of Art, Helena, MT 2014 Citizen Artist, Concept Art Gallery, Pittsburgh, PA Bitter Root, Montana Museum of Art & Culture, Missoula, MT 2013 Homewood, Pavel Zoubok Gallery, New York, New York, NY 2012 Emerging Artist of the Year, Pittsburgh Center for the Arts, Pittsburgh, PA 2011 Are You A Good Woman, Gallerie Chiz, Pittsburgh, PA HOME: HOMEWOOD Artist Residency, The Andy Warhol Museum, Pittsburgh, PA 2010 Tar Baby, Mendelson Gallery, Pittsburgh, PA Tar Baby Jane and Doo-Wop: Everything Useful For Your Modern Household, 709 Penn Gallery, Pittsburgh, PA SELECTED GROUP EXHIBITIONS 2017 Female\Feminist/2017, Lyme Academy College of Fine Arts, Old Lyme, CT New Installations: 40th Year, Mattress Factory, Pittsburgh, PA Supernature, Pavel Zoubok Gallery, New York, NY Innovative Approaches, Honored Traditions, Ruth and Elmer Wellin Museum of Art, Hamilton College, Clinton, NY 2016 AFRICA FORECAST: Fashioning Contemporary Life, Spelman College Museum of Fine Art, Atlanta, GA Platform, Lawrence Arts Center, Lawrence, KS Storytelling: The Georgia Review’s 70th Anniversary Art Retrospective, Georgia Museum of Art, University of Georgia, Athens, GA Tomorrow Never Happens, Samek Art Museum, Bucknell University, Lewisburg, PA Conjurers: Artists Imbue the Ordinary, Visual Arts Center of Richmond, VA State of the Art: Discovering American Art Now, Jepson Center for the Arts, Savannah, GA 2015 Black: Color, Material, Concept, Studio Museum in Harlem, New York, NY Re:Purposed, Ringling Museum of Art, Sarasota, FL UNLOADED, Space, Pittsburgh, PA Vices Peculiar to these Eclectics: Contemporary Collage, Dr. M.T. Geoffrey Art Gallery, St John’s University, Queens, NY Performing Blackness :: Performing Whiteness, Allegheny College, Meadville, PA Some Assembly Required, Hill Gallery, Birmingham, MI 2014 State of the Art: Discovering American Art Now, Crystal Bridges Museum of American Art, Bentonville, AR Pittsburgh Biennial, Pittsburgh Glass Center, Pittsburgh PA SOFA: Sculpture Objects Functional Art + Design, Chicago, IL Cabinets of Wonder, Children’s Museum of Art, New York, NY Afrotechtopia, Samek Art Museum, Bucknell University, Lewisburg, PA 2013 Remix: Selections from the International Collage Center, Katonah Museum of Art, Katonah, NY 2012 To Be A Lady: Forty-five Women in the Arts, curated by Jason Andrew, 1285 Avenue of the Americas Art Gallery, New York, NY Remix: Selections from the International Collage Center, The Duam Museum of Contemporary Art, Sedalia, MO The Art of Storytelling: Lies, Enchantment, Humor & Truth, American Visionary Art Museum, Baltimore, MD Ill Perceived, Curated by Kristin Rogers, Museum of Contemporary Art Cleveland, Cleveland, OH African American Art 1950-Present, Smithsonian Institution and David C. Driskell Center, College Park, MD 2011 Material Witness, Pavel Zoubok Gallery, New York, NY 2010 Responding, Future Tenant Gallery, Pittsburgh, PA Art of the State: Pennsylvania 2010, Pennsylvania State Museum, Harrisburg, PA Art For Life, Carnegie Museum of Art, Pittsburgh, PA Beyond Swastika and Jim Crow, I.P. Stanback Museuem, Orangeburg, SC 2009 Visionary Arts Festival, Pittsburgh, PA Associate Artists of Pittsburgh 99th Annual Exhibition, Carnegie Museum of Art, Pittsburgh, PA 2008 Black Clay in PA: A Dialogue in Flux, August Wilson Center, Pittsburgh, PA 2007 Objectification, Callerie Chiz, Pittsburgh, PA 2005 Gestures: An Exhibition of Small Site-Specific Works, Mattress Factory, Pittsburgh, PA PERFORMANCES 2014 Creative Summit, Crystal Bridges Museum of American Art, Bentonville, AR B.U.S. 9, Bricolage Theater, Pittsburgh, PA 2013 Homewood, Pavel Zoubok Gallery, New York, NY 2011 Pittsburgh Biennale Gertrude’s/Lot, The Andy Warhol Museum, Pittsburg, PA Too Shallow for Diving: the 21st Century is Treading Water, American Jewish Museum, Pittsburgh, PA Material Witness, Pavel Zoubok Gallery, New York, NY 2010 TEDx MIT, Cambridge, MA Reading on Mars: American Shorts Reading Series, Carnegie Museum of Art, Pittsburgh, PA 2009 Black Clay, National Council on Education for the Ceramic Arts (Feature performance), Erie, CO Testify, Multiple venues (Feature performance) Women in Politics, Chatham College (Feature Guest Performer), Pittsburgh, PA 2008 SNAP!, Science, Nature, Art and People Conference (Feature performance), Boulder, CO Testify, Pittsburgh Center for the Arts & PFM Biennale, Pittsburg, PA Boston College Center for Corporate Citizenship International Conference (Keynote Poem and performance), Boston, MA 2007 Pittsburgh International First Voice Festival, August Wilson Center, Pittsburgh, PA PopTech!, Camden, Maine 2005 She Said: Words by Women, Pittsburgh Cultural Trust, Pittsburgh, PA COLLECTIONS Crystal Bridges Museum of American Art, AR David C. Driskell Center, Collage Park, MD Flint Institute of Arts, Flint, MI Franciscan University, Steubenville, OH Frederick R. Weisman Art Foundation, Los Angeles, CA Girls Club Collection, Fort Lauderdale, FL IP Stanback Museum, South Carolina State University, Orangeburg, SC The Progressive Art Collection, Cleveland, OH The John and Mable Ringling Museum of Art, Sarasota, FL Snite Museum of Art, Notre Dame, IN Spelman College Museum of Fine Art, Atlanta, GA Wadsworth Antheneum Museum of Art, Hartford, CT AWARDS AND FELLOWSHIPS Louis Comfort Tiffany Foundation Grant Pittsburgh Foundation and The Heinz Endowments, Creative Development Grant Heinz Endowments Sprout Fund Ronald H Brown Leadership Award for Community Leadership, Urban League of Greater Pittsburgh National Organization for Blacks in Law Enforcement Community Leadership Award Women and Girls Foundation Award Inaugural August Wilson Center Fellow Inaugural Green For All Fellow Center for Victims of Violence and Crime Fellow Founding member August Wilson Center Theater Ensemble Community Leadership Initiative Fellow Creative Capital Flight School Fellow APPEARANCES AND TALKS Creative Mornings, Association of American Museums, Washington, DC Creative Summit Crystal Bridges, State of the Art Spotlight, Bentonville, AR TED Women National Association of Children’s Museums, Arlington, VA ART TABLE, New York, NY Montana State University, Bozeman, MT University of Pittsburgh, Pittsburgh, PA La Roche College, Pittsburgh, PA Marshall University Birke Fine Arts Festival, Huntington, WV Carnegie Mellon University, Pittsburgh, PA Rochester University, Chicago, IL Ball State University, Muncie, IN Indiana State University, Terre Haute, IN SUNY Cortland, New York, NY University of Pittsburgh, Pittsburgh, PA University of Cincinnati, Cincinnati, OH Slippery Rock University, Slippery Rock, PA Ohio Wesleyan University, Delaware, OH Clarion University, Clarion, PA La Roche College, Pittsburgh, PA Women and Girls Foundation Annual Meeting Jones Summer Dance Intensive Shuman Juvenile Detention Center Guest Artist Green For All Academy, Oakland, California Fed Ex Headquarters Women’s Month Western PA Writing Project Writers Renaissance Billy Strayhorn Birthday Celebration Pittsburgh Pride Magee Women’s Hospital Diversity Day Let Freedom Sing Urban & Suburban Choir TED x MIT, Cambridge, Mass ROOT, August Wilson Center ROOT, Vineyard Playhouse Martha’s Vineyard ROOT, AIR Kelly Strayhorn Theatre SELECTED BIBLIOGRAPHY 2016 Jessica Stafford Davis, "10 Female Artists of Color on the Rise," The Root, March 22, 2016 2015 Zoe Donaldson, “A Sculptor Creates a Bright Spot in a Struggling Community,” O, The Oprah Magazine, September Issue Marcia Davis, "Six years after the fire, Peggy Cooper Cafritz has a new home and collection," The Washington Post, September 24, 2015 2014 "This Sculptor Is Using Trash To Inspire One Of Pittsburgh's Toughest Neighborhoods To Make Art,” Huffington Post, October 7, 2014 Julia Halperin and Pac Pobric, “New York Fairs Let the Outsiders In,” The Art Newspaper, March 2014 “In Blue-Chip Precincts, a Shout-Out for the Undersung,” The New York Times, March 6, 2014 Mary Thomas, “Art Notes; An art-filled Saturday – Pick Between Two Major Exhibitions,” Pittsburgh Post-Gazette, January 8, 2014 2013 “30 Black Artist Under 40 You Should Know,” Huffington Post, February 26, 2013 Diana Nelson Jones, “Fighting the world view that ‘nobody cares’”, Pittsburgh Post-Gazette, October 31, 2013 Rachel Wolff, “The New Collage,” ARTnews, December 2013 2012 Thomas Micchelli, “City of Women,” Hyperallergic, October 12, 2012 Nadine Wasserman, Art Review, Pittsburgh City Paper, October 10, 2012 Geoffrey Himes, “Agony and Ecstasy,” City Paper, Baltimore, October 10, 2012 Michael Amy, “Vanessa German,” Sculpture Magazine, June 2012 “Artist Vanessa German’s Blessings,” Locally Toned, March 19, 2012 2011 Anna Venishnick, “My Generation / Female Power: Vanessa German,” Pittsburgh Post-Gazette, September 6, 2011 2010 Bill O’Driscoll, “Words and Worth,” Pittsburgh City Paper, May 2010 “In the Frame: Artists in Their Own Words,” Pittsburgh Post-Gazette, March 26, 2010 Mary Thomas, Art Review, Pittsburgh Post-Gazette, August 18, 2010 EXHIBITIONS PIECEWORK: VANESSA GERMAN, JOE LEWIS, DIANE SAMUELS, DONNA SHARRETT AND STEPHEN SOLLINS MARCH 1 - APRIL 21, 2018 SUPERNATURE JULY 13 - AUGUST 18, 2017 VANESSA GERMAN: I AM ARMED. I AM AN ARMY. OCTOBER 20 - NOVEMBER 30, 2016 VANESSA GERMAN: HOMEWOOD OCTOBER 10 - NOVEMBER 9, 2013 MATERIAL WITNESS: HANNELORE BARRON, DONNA SHARRETT, VANESSA GERMAN NOVEMBER 17 - DECEMBER 17, 2011
