This is a selection of handpainted roof tiles, in a classic terracotta colour, a darker almost slate colour and finalyl a lighter sandstone colour

Handpainted floor texture made in Photoshop

Jun 9, 2015 - ArtStation is the leading showcase platform for games, film, media & entertainment artists.

---SIMPLE HANDPAINTED TEXTURE FOR BEGINNERS---In this video I show you how to make a VERY VERY simple hand painted texture in Krita and then import it into U...

toony handpainted Texture for a game called Kordex. It is for a fantasy tree (cave system) - seamless tileable texture

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Lily Makela

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I like to hand make all my textures and now I want to get the hand painted look and here is my attempt.

The goal with this one was to create a cracked paint material, like you might see in an old abandoned building or a post-apocalyptic environment. The main challenges with this were creating the curled up bits of paint and making the amount of decay controllable with a single slider. The colour and roughness can also easily be changed, allowing the user to set whether the paint is gloss, satin or matt. Available to buy on my Gumroad: https://matt-taylor.gumroad.com/l/ZQzQJ

About this item 💕[Living room art size]:24"W x 24"L (60X60CM). This is a handmade abstract canvas wall art, not a print. The images displayed online are taken from actual paintings in our studio. It is unique, 💕[Living room ocean decoration]: With pre connected metal hooks and hanging accessories. This textured blue wave oil painting is a modern artwork suitable for decorating rooms and office walls. It showcases abstract landscapes of white and blue waterfalls, adding art to the space and hanging it on the wall, making it easy and fast. 💕 [Art painting]: Hand drawn waterfall wall art oil painting. This is the perfect wall art for family and friends who enjoy surfing and sunbathing on the beach。 💕[Unique Design of Abstract Beach Wall Art] : Since each mural is 100% hand-painted, the actual work may differ slightly from the product image. Due to different brands of monitors, the actual wall art color may be slightly different from the product image. 💕[art painting]: Every cardboard box is printed with the "Cenoi Art" logo. There is no risk in purchasing our oil paintings. If you are not satisfied with your painting order, we are happy to offer a replacement or a full refund.

Ghibli art always amazed me, so tried my hands on creating such visual based stone wall texture inside Substance Designer, used Unreal Engine 5 for the showcase.

This work was done according to a beautiful sketch of Daria Silbern : House on the Hill https://www.artstation.com/artwork/nQDleo I really liked the combination of colors in this work. In creating this work, I was helped by a course New Unreal Engine Course for Beginners https://www.artstation.com/artwork/3dXOEg It was a very useful lesson that made my task much easier!

Procedural Fur material made fully in Substance Designer; going for a stylized look (hand painted-ish style).

Jan 8, 2022 - This Pin was discovered by Mette Christiansen. Discover (and save!) your own Pins on Pinterest

C-Girl Akito – Painting worn leather – the PRELUDE It’s time to get Akito down off the shelf and back onto the painting table. So far I’ve painted Akito around other projects but from now I’ll stick with her until she’s done. This was always my plan although it’s a little later in the year than I’d anticipated; but I’ve enjoyed taking my time on this bust. That’s just as well because I’ve found that slowing down seems to be the best way to progress with the next phase of Akito’s paint job. Next up I will be focusing on Painting Worn Leather, you can see the first part HERE! and the follow up HERE! TEXTURES AND DETAILS Painting worn leather textures to the jacket has taken my painting into new territory and I’ve had to focus a lot of time and attention on it. I’ve developed a routine of painting for a couple of hours each day and then reviewing and amending my work the next day before moving on to a new area. That makes for slow progress but progress nonetheless. The Akito bust screams out for painted material and texture contrasts and, having put a lot of effort into painting smooth skin, it’s time to paint a lot of texture on the leather jacket. I’d intended to paint Akito’s clothing in predominantly black tones but, as always, my plans have evolved as the paintjob developed. I’m now painting the leather a very battered and worn brown. I think this is both a more interesting painting challenge and a more realistic approach to Akito’s costume. Her clothing will have a randomly put together feel as opposed to a carefully colour co-ordinated fashion choice. That seems more appropriate for this character. I’ve been putting a lot of effort into painting textures in my recent projects and this bust feels like the next step. The larger scale gives a lot of scope for painting texture but it also creates a huge challenge! I’m right out of my comfort zone but that’s no bad thing as it’s keeping me on my toes. Simply stippling over the jacket, as I might in a smaller scale, will not create a distinctive enough texture. Stippling certainly has a place in this paintjob but too much stippling will only serve to create a generic texture. What’s needed here is something more nuanced and distinctive. BEYOND STIPPLING This has challenged me to experiment with the marks I make with my brush and I’ve had to work around the problem to find a solution. As I’ve painted the jacket I’ve developed an approach that, I think, is beginning to work. This is something I’ve found especially interesting as it reflects the ongoing development of my painting technique. Going back a few years my stippling was, quite literally, painting with dots now, however, it’s far more varied. More often than not when I stipple I allow the tip of the brush to skip and drag over the surface of the model making a combination of dots, dashes and scribbles. My colour palette has also undergone some trial and error to find a workable solution. Although predominantly brown I’ve painted the jackets highlights in cooler blue/grey tones as if reflecting the sky while the shadows go to black. This is similar to a NMM technique as leather can be a shiny reflective material. However, this leather is extremely old and worn and, in the most worn areas, the material would be rough and unreflective. To create these areas I’ve used a yellow brown tone and fairly course brush marks. COLOUR PALETTE Base: Flat Black/Brown Leather mix (Scalecolour) Mid Tones: Brown Leather (Scalecolour) Brown Gray (Scalecolour) Rucksack Tan (P3) Bering Blue (Scalecolour) Highlights: Midtone colours + Purity White (Scalecolour) Overall the painting of this bust has been a process of going back and forth to adjust the balance between the contrast, colours and textures. The jacket is still very much a work in progress but, after some fretting, I’m beginning to feel good about how it’s going. Join us for the next part soon (ish) David

Shop unique, one-of-a-kind hand painted and handmade clutches, handbags, totes, and jewellery created by Australian artist and designer Tiff Manuell.

★ Юлия – АНЮТИНЫ ГЛАЗКИ Анютины глазки из фарфора,обжиг-1210 градусов,расписаны акриловыми красками по бисквиту,размер 12х15 без оформления. Исходный файл: 1536×2048 px (178 Kb) Добавлено: 22.01.2015 Альбом: Картины из фаянсовых цветов.

This is a personal project I have worked on as an exercise for handpainted texturing. It was a fun one. Concept By: Daniel Denissenko (https://www.artstation.com/artwork/WAyGN)