« Georg Baselitz – La rétrospective » est la première exposition exhaustive de l’artiste allemand au Centre Pompidou.
Contemporary Fine Arts honors the provocative bad boy of German painting with a mini retrospective in Berlin.
TASCHEN präsentiert ein nächstes großes Kunsthighlight - Georg Baselitz. Geradezu sprichwörtlich ist Georg Baselitz für die scheinbar...
In Basel, a major double exhibition celebrating the 80th birthday of Georg Baselitz and the career spanning sixty years of an artist who, by inverting his figures, has shown the gradual decline of European man from the post-war to today.
Pour célébrer les 80 ans de l’artiste, la Fondation Beyeler lui consacre une exposition d’envergure jusqu’au 29 avril.
They are monumental paintings, aggressive and defiant in their execution. At the same time, they possess a quality of ambivalence, fatefulness and vulnerability to this day – Georg Baselitz’s dramatic and contradictory “Heroes”.
Learn about the work and career of artist Georg Baselitz. Artworks, biography, exhibitions, news, museum exhibitions, press, and more.
The German artist talks about his own past and the ‘fascism’ of politicising art
Faire violence à la matière et à la sculpture. Ainsi pourrait se définir la démarche menée par l’artiste allemand au cours de ces trente dernières années. Car c’est à la tronçonneuse, à coups de hache et de ciseau, que Georg Baselitz attaque le bois, le violente et le mutile, afin de représenter corps et visages.…
Faire violence à la matière et à la sculpture. Ainsi pourrait se définir la démarche menée par l’artiste allemand au cours de ces trente dernières années. Car c’est à la tronçonneuse, à coups de hache et de ciseau, que Georg Baselitz attaque le bois, le violente et le mutile, afin de représenter corps et visages.…
Oil on linen; 240.7 x 195 cm. German painter, printmaker, and sculptor who is considered to be a pioneering Neo-Expressionist. Baselitz was part of a wave of German painters who in the late 1970s rejected abstraction for highly expressive paintings with recognizable subject matter ( Neo-Expressionism). His trademark work was painted and displayed upside down to emphasize its surface rather than its subject matter. Baselitz began art studies in 1956 at the Academy of Fine and Applied Art in East Berlin. He was expelled and left East Berlin in 1957 for West Berlin. There he entered the Academy of Fine Arts, completing postgraduate studies in 1962. During this period he also changed his surname to Baselitz. From his youth he was interested in the tradition of German Expressionist painting and its reliance on “primitive” sources such as non-Western art, folk art, children's art, and the art of the insane. Like his predecessors Ernst Ludwig Kirchner and Emil Nolde (both involved in a group known as Die Brücke), Baselitz employed a deliberately crude style of rendering and a heightened palette in order to convey raw emotion. In the mid-1960s Baselitz turned to the subject of heroes, rebels, and shepherds, often fragmenting the figures and continuing to make the thick impasto carry much of his paintings' emotional content. He also often used shocking or disturbing imagery to provoke a response in the viewer. In 1969 he began to paint and display his subjects upside down. Baselitz also created art in other media; his etchings, woodcuts, and wood sculptures are as direct and expressionistically charged as his mature paintings. His first American retrospective was organized in 1995 at the Guggenheim Museum in New York.
Pour célébrer les 80 ans de l’artiste, la Fondation Beyeler lui consacre une exposition d’envergure jusqu’au 29 avril.
Find our more about the exhibition Georg Baselitz: Years later at Hong Kong. Installation views, works, editorial content, press, and more.
They are monumental paintings, aggressive and defiant in their execution. At the same time, they possess a quality of ambivalence, fatefulness and vulnerability to this day – Georg Baselitz’s dramatic and contradictory “Heroes”.
Georg Baselitz “L’œuvre d’art doit être une provocation” Louis Calaferte De son véritable nom Hans Georg Kern . Né le 23 janvier 1938 à Deutschbaselitz , ce qui lui vaudra de prendre le nom de Baselitz. Elke VI, 1976 - Étude à l'acrylique sur toile....
Faire violence à la matière et à la sculpture. Ainsi pourrait se définir la démarche menée par l’artiste allemand au cours de ces trente dernières années. Car c’est à la tronçonneuse, à coups de hache et de ciseau, que Georg Baselitz attaque le bois, le violente et le mutile, afin de représenter corps et visages.…
Learn about the work and career of artist Georg Baselitz. Artworks, biography, exhibitions, news, museum exhibitions, press, and more.
Faire violence à la matière et à la sculpture. Ainsi pourrait se définir la démarche menée par l’artiste allemand au cours de ces trente dernières années. Car c’est à la tronçonneuse, à coups de hache et de ciseau, que Georg Baselitz attaque le bois, le violente et le mutile, afin de représenter corps et visages.…
Faire violence à la matière et à la sculpture. Ainsi pourrait se définir la démarche menée par l’artiste allemand au cours de ces trente dernières années. Car c’est à la tronçonneuse, à coups de hache et de ciseau, que Georg Baselitz attaque le bois, le violente et le mutile, afin de représenter corps et visages.…
Faire violence à la matière et à la sculpture. Ainsi pourrait se définir la démarche menée par l’artiste allemand au cours de ces trente dernières années. Car c’est à la tronçonneuse, à coups de hache et de ciseau, que Georg Baselitz attaque le bois, le violente et le mutile, afin de représenter corps et visages.…
Monumental, figurative paintings and drawings of tattered and frail soldiers fill our galleries in autumn 2016. This exhibition focuses on two controversial series of works, Heroes and New Types, which Georg Baselitz created in 1965–66, in his early career.
Depuis leur mariage en 1962, l’Allemand Georg Baselitz n’a cessé de peindre son épouse adorée, Elke Kretzschmar. Des toiles, dont l’émotion et la fragilité bouleversent, présentées dans une somptueuse exposition à la galerie Thaddeus Ropac à Pantin.
JUN 21-SEP 16, 2018 Baselitz: Six Decades was the first major US retrospective in more than 20 years of one of Germany’s greatest living artists, marking the artist’s 80th birthday. […]
Contemporary Fine Arts honors the provocative bad boy of German painting with a mini retrospective in Berlin.
Georg Baselitz is a powerful and rebellious painter who admits to being a painter of
Find our more about the exhibition Georg Baselitz: Devotion at 555 West 24th Street, New York. Installation views, works, editorial content, press, and more.
Oil on linen; 249.8 x 200.3 cm. German painter, printmaker, and sculptor who is considered to be a pioneering Neo-Expressionist. Baselitz was part of a wave of German painters who in the late 1970s rejected abstraction for highly expressive paintings with recognizable subject matter ( Neo-Expressionism). His trademark work was painted and displayed upside down to emphasize its surface rather than its subject matter. Baselitz began art studies in 1956 at the Academy of Fine and Applied Art in East Berlin. He was expelled and left East Berlin in 1957 for West Berlin. There he entered the Academy of Fine Arts, completing postgraduate studies in 1962. During this period he also changed his surname to Baselitz. From his youth he was interested in the tradition of German Expressionist painting and its reliance on “primitive” sources such as non-Western art, folk art, children's art, and the art of the insane. Like his predecessors Ernst Ludwig Kirchner and Emil Nolde (both involved in a group known as Die Brücke), Baselitz employed a deliberately crude style of rendering and a heightened palette in order to convey raw emotion. In the mid-1960s Baselitz turned to the subject of heroes, rebels, and shepherds, often fragmenting the figures and continuing to make the thick impasto carry much of his paintings' emotional content. He also often used shocking or disturbing imagery to provoke a response in the viewer. In 1969 he began to paint and display his subjects upside down. Baselitz also created art in other media; his etchings, woodcuts, and wood sculptures are as direct and expressionistically charged as his mature paintings. His first American retrospective was organized in 1995 at the Guggenheim Museum in New York.
Faire violence à la matière et à la sculpture. Ainsi pourrait se définir la démarche menée par l’artiste allemand au cours de ces trente dernières années. Car c’est à la tronçonneuse, à coups de hache et de ciseau, que Georg Baselitz attaque le bois, le violente et le mutile, afin de représenter corps et visages.…
