神奈川工科大学kait工房 -2008 -石上純也
喜歡蛋黃流動的溏心蛋，還是蛋黃近全熟但還有點濕潤的口感？冷藏蛋和室溫蛋要怎麼煮才能都煮出合心意的蛋黃？怎麼做才能避免剝出顏面傷殘的水煮蛋？小小一顆水煮蛋也能寫出一篇小論文，用幾張簡單的手繪圖幫大家總結心得哦！ 我的新書 【Rea手繪食譜：是便當也是餐桌料理/88道零失敗減醣食譜】各大網路/實體書店都可以買到囉！ 【關鍵字】：蛋黃、溏心蛋、水煮蛋、減醣、便當、雞蛋、簡單
苗栗縣苑裡鎮一年一度的「鬼門關夜市」只有農曆7月29日才會開市，每年都吸引超過300攤的攤商進駐，超過6000人造訪，苑裡鎮市區往苑裡火車站的主要道路為公路幾乎被塞滿，熱鬧程度完勝逢甲夜市、饒河夜市等知名觀光夜市。有網友驚訝表示：有這種日子啊！鄉民都出來了吧！」，還有人開玩笑說：「確定看到的都是人嗎
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South Korean officials are facing tough questions about preparations for Halloween celebrations and demands for accountability after a crowd surge at the festivities left more than 150 people dead. Seoul police assigned 137 officers to manage a crowd anticipated to number over 100,000 over the weekend. By comparison, nearly 7,000 police officers were sent to another part of the South Korean capital on Saturday to monitor dueling protests that drew tens of thousands — but still fewer people than flocked to the popular nightlife district the same night. Even the task force created to investigate why the crowd surged is more three times larger than the detail assigned to crowd control. The national government has insisted there was no way to predict the crowd would get out of control.
If you're looking for a new show to watch, I highly recommend The Queen's Gambit.
Bedrooms are rooms in residential buildings furnished as spaces for people to sleep. Sized proportionally in relation to a variety of standard bed
來到香格里樂園，離開水泥道路，腳底觸感變成濕潤柔軟的土壤大地，手機訊號漸弱，取而代之的，是比訊號格還要筆直的高聳杉木，還有恣意伸展枝葉的原始叢林。
Discover the artists who abandoned tradition and celebrated the world's imperfections, therefore revolutionising art in the 19th century.
Project designed by India Mahdavi - Arles
Is it just me or are the walls waving?
【記者林明佑／大村鄉報導】從香港到台灣大葉大學念書的盧冠燊，跟隨李清華教授投入廢車用鋰電池的回收技術研發，不只是取得專利，榮獲發明展金牌，今年9月他也以論文「廢車用鋰電池回收之研究」取得大葉大學環境工程學系碩士學位，成為新科碩士。
PS makes wellness more accessible through real-life stories, first-person perspectives, and expert-backed information. Our staff of journalists and subject-matter experts research, report, and produce articles, videos, and social content that help people feel good about their well-being choices, no matter what they are. Via our core verticals — Health, Fitness, Beauty, Balance, Identity, and Shopping — we help our audience proceed with confidence.
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GUCKI blog! My daily inspiration on DIY, LIFESTYLE, TRAVEL, ART, DESIGN, PASSION
在「我在進行資料視覺化時使用的幾個好用小工具」一文中，我介紹了4款工具，獲得不錯的迴響。這次我再介紹其他4款也很好用的小工具給大家。
다운로드 이찢어진 종이 가장자리 찢어진 종이 벡터 찢어진 종이 일러스트 편지지 일러스트, 찢어진 종이, 실감 나는, 가장자리 PNG 일러스트 및 벡터 파일 무료로. Pngtree에는 디자이너를위한 수백만 개의 무료 PNG, 일러스트, 벡터 및 PSD 그래픽 리소스가 있습니다.| 5335443
偌大的庭院、閒適的貓狗、安心開放著的大門，還有似乎永遠都會在那裡、不會被時光改變的一幢三合院老房，這樣的畫面幾 […]
九龍城寨可說是香港的一個「傳奇」，所謂三不管「中國政府不管，英國政府不管，香港政府不管」，使這座城寨成為各式各樣罪惡的溫床，充斥黃賭毒黑社會無牌經營，在拆毁之前有五萬多名居民，是全世界人口密度最高的地方，加拿大攝影師 Greg Girard，就在九龍城寨清拆之前，用了五年時間來拍攝，留下珍貴影像。
Discover the beauty of La Muralla Roja, the iconic red fortress of Calpe, Spain! This stunning architectural masterpiece features a striking geometric design and a vibrant color scheme that is sure to catch your eye. Whether you're an architecture enthusiast, a travel lover, or simply seeking inspir
Looking for cheap things to do in Bangkok? We've chosen the best things to do, one for every day of the week. Bangkok is a city full of...
“Kanye and team visiting the Roden Crater by James Turrell in Flagstaff, Arizona earlier this week. Kanye also visited the location on December 11.”
大阪站・梅田站不僅是做為大阪的觀光據點，也是許多美食及購物的景點，雖然造訪的人相當多，但其複雜的構造，可是連日本人都會迷路的程度呢！為了能讓訪日旅客不在大阪站・梅田站迷路，本篇文章附加了照片，詳細為您做解說。對於即將要來大阪旅行的人，請您也事先了解一下吧。
Rick reviews Superliminal, a puzzle game that definitely isn't about joining the Navy.
一所椭圆形的幼稚园，周长183米，为500名儿童设计。像是一座单独存在的村庄。内部空间是一体的，由家具简单地隔开。穿过屋面甲板的是三颗保存完好的高度为25米的榉树
Enjoy a collection of references for Character Design: Legs Anatomy. The collection contains illustrations, sketches, model sheets and tutorials… This
Trellick Tower, London On black !!!
ESPAÑOL The first part of the article on the famous Modernist masterpiece, Le Corbusier's the chapel of Notre-du-Haut, was devoted to discuss the building context, both about the importance of its location in the landscape of Ronchamp as well as the historical background before Le Corbusier to accept the commission of the chapel. This entry is dedicated to the architectural features of the building itself as well as some notes on its construction process. ARCHITECTURAL FEATURES OF THE CHAPEL It may seem paradoxical that the best-known work of Le Corbusier appears away from its traditional rationalist discourse (in the same way as the best-known work of Frank L. Wright 's, the Fallingwater House, seems to move away from its organicist principles). However, the building reflects some principles of modern architecture, as its austerity, its openness to the community and its conception as a contrasting element in the landscape. The chapel owes its shape to its relationship to the landscape. Each of the facades responds to different attitudes: welcome, celebration, service, symbolism. The roof sculptural character dramatizes the power and malleability of the concrete to compose organic volumes. All these elements come together to create a mystical and dramatic interior space in which light is the protagonist. Schematic plants and cutaways. 3D Model courtesy of Villa FACADES Le Corbusier's genius lies in providing the visitor of a different perception of the building from any angle he/she sees it, while maintaining harmony, dynamism and coherence. This feature forces the visitor to walk around chapel in order to fully understand it, adding a fourth dimension to the architectural composition: movement. The south facade The concave wall welcomes visitors ascending from the path. Its broad-based triangular section seems to be a continuation of the hill, rising to support the roof. The southern wall is quite wide in the vicinity of the entrance (3.7 m) but it narrows and gets higher at the other end (1.7 m). The wall thickness is evidenced by the random pattern of rectangular windows of different size and orientation, whose apparent disorder is used to create an interior lighting effect, as discussed below. The entrance is flanked by a vertical an semi-cylindrical element, one of the three chapels under the three minor chapels included in the church. The access is also stressed by changing its color to concrete and separating it from the white wall and curve. The door itself has an painting by Le Corbusier, in the manner of other of his works, such as the Assembly of Chandigarh , for example. However, for years this door has been closed, and the access to the chapel is through the back door. Other elements in the access are two small concrete blocks that form a virtual frame. East facade Facing a large concourse of the pilgrims, this concave façade also houses a small external chapel. This is where you can appreciate the power of the roof volume, protruding above the chapel. Besides the roof, the chapel is framed by the south wall and a semicircular volume, which together form a "cave" that emphasizes the receptive character that was to give in this area, or as a "stage" that emphasizes its vocation as a focal point in the landscape. The wall is perforated by tiny square fenestrations and there is a glass box which keeps a statue of the Virgin Mary. Complement the composition some elements of exposed concrete elements, as the table and the pulpit, and a simple metal cross. North facade The northern facade combines the functions of service: a secondary entrance and stairs. This more private character is characterized by its convex shape. Facing it, there is a space which is bounded by trees, where it originally stood a bell tower that was never built. The most striking features of the facade are the two chapels flanking the secondary access: both are symmetrically arranged around the axis of the door. However, their curved shape invite to access to the interior. West Facade It is the only blind facade, which links the convex front with the rear facade. From here the nature of the chapels is more evident, semi-cylindrical towers with lateral incisions. Their verticality is a counterpoint to the horizontality of the building. In the center of the wall is located a gargoyle, the only visible part of the roof, which collects rain water and drain it to a concrete fountain sculpture underneath. ROOF "Above the drawing board I have the shell of a crab collected in Long Island near New York. It will be the roof of the chapel: two layers of concrete 5 cm thick and separations of 2.26 m. The shell will be sustained on recovered stone walls. " One detail that I had not realized until the visit was the fact that the roof is separated from the walls by a thin slot. This feature is most evident from the inside, and demonstrates the architect's interest in suggesting lightness of the cover, despite its massiveness. The roof is supported by hidden columns in the walls, which are not load bearing. "The shell has been placed on the walls that are absurdly but practically thick. Inside them however are reinforced concrete columns. The shell will rest in these columns but it will not touch the wall. A horizontal crack of light 10 cm wide will amaze." Le Corbusier. Photo courtesy of Pieter Morlion INTERIOR The protagonist of the interior is, without doubt, the light. But, unlike what I had imagined, the interior is not fully lit, as it is, for example, the Jubilee Church by Richard Meier . By contrast, the church is rather dark, as some Gothic churches are, emphasizing the drama of light and accenting the sacredness of the space. The most striking effect comes from the south wall, one that enjoys major solar incidence and where light penetrates through the small openings of colored glass. The shape of the windows in the thick wall, is cut obliquely and widen, allowing the light to gently fade inside. In contrast, the east wall, where the altar is placed, has small windows which from the inside look like stars. The edge of the walls is demarcated by a line of light, separating them from the roof. Another source of indirect light are the chapels. Light enters and diffuses laterally across the rough surface of the curved walls. The type of light coupled with verticality of the space produce an athmosphere of highness, elevation and sublimity, a resource that has since been used by many architects such as Kenzo Tange in his Tokyo Cathedral , for example. Photo courtesy of ilgattodiviadeimacci The exquisite conception of the light is emphasized by the simplicity and austerity of the interior furnishings. The floor is made of exposed and is inclined slightly towards the altar. The benches are arranged at an angle away from the altar, I think that is to strengthen it as a focal point in the space. CONSTRUCTION "The construction of the wall was made on the basis of angular columns. The lateral bracing shown in the section of the internal elements represented by the continuous line, while the external, by the discontinuous one". "In the preliminary sketches Le Corbusier shows how the cover was designed as supporting trusses arranged in a north / south direction and supported by walls corresponding to these orientation, which were built of stone. The necessary stiffness was provided by the form of the chapels and the irregularity of the northern wall. The south wall is made reinforced concrete. " G. Baker. DETAILS "The chapel is a statement of contrasts, formal contrasts in reference to a richness of referrals over vital circumstances. Figures are vigorous and serene: the walls contain fragments of interior space, but also they allow other points to extend; coexist stability and stress, anxiety and peace: the direct and indirect lighting is mysterious and glowing, sometimes variable, sometimes not. Photo courtesy of Ricardo avella The forms are continuous elements that are disrupted in precise incisions, in response to the program of external and internal needs, the chapel is extroverted and introverted. Nothing makes explicit the complexity of an exposure referred to in the same range of lighting and figures that induce the contours of the holes spread over the south wall. This "penetrable" wall, inside, becomes countless sparkling luminous figures, set against the its pressure, apparently suspended in the air as a result of their separation and elevation relative to the wall. The inclined inner wall is also opposed to its outer face with a castle look and massive appearance. The chapel features in many ways the maturity of the work Le Corbusier work... The meaning ... is not the explicit and literal transcription of the machine era, is a statement of allegorical interpretations of nature which, by reduction, interprets its own existence." Geoffrey Baker.(not a literal citation, but a translation from Spanish) SEE ALSO Chapelle Notre Dame du Haut, Ronchamp (introduction) Other Works by Le Corbusier Curutchet House, La Plata, Argentina. (1949-53) Museum of Western Art, Tokyo, Japan. (1959) Unité d'Habitation, Berlin, Germany. (1956-59) - "Beyond the mere theory, what didi you feel inside and outside this space?" a good friend asked me. - "In a word: POETRY"
