A partir desta segunda-feira, os telespectadores do Globo Esporte MG perceberão novidades quando o programa entrar no ar, às 12h45m (de Brasília). A atração, comandada por Marcos Leandro, estará de cara nova. Com um cenário renovado, mais moderno, com novo ...
Explore photos of Univision Puerto Rico's TV set design in this interactive gallery of the studio.
#彩虹社en #petar#enna#maria#kyo #elira #虚拟主播
CCTV 13 | Studios 7 + 11 - Clickspring Design
被shoto翻牌了！ 让我康康是谁的xp动了 #shoto #虚拟主播 #cosplay #cos #vtu #vtuber #shxtou
由各大老牌时装屋与时尚品牌带来的家具及家居配饰系列，再一次以手工艺、自然材料与博物式的灵感，展现了家具与时装的同源所在——以灵巧手工艺转译材料，以全新视角和色彩演绎经典设计，以时尚嗅觉捕捉家具形变，还有拥抱自然风情的特质……在同质化设计与科技引人沉浸于虚拟的当下，这些新作重现创造力之绚烂。
转发 // 虚拟现实和增强现实正在慢慢渗透到我们的 生活中，影响着我们与环境互动的方式。这改变 了我们拥有的配件的外观，也改变了我们习惯与 它们互动的方式。以老式鼠标为例—它提供的 选项包括专用于游戏、编辑的鼠标、灵巧鼠标或 专用于左手或右手使用的鼠标。HIX/JHJEECT小TO 现在，元界为已经多样化的VR应用增加了 另一个维度。这就是由SuosiDesign设计的 Mozer鼠标以多种用途自由出现的地方，既适 用于计算机应用程序，也适用于VR应用程序和 游戏。鼠标适用于任何类型的场景—无论是在 PC上创建内容还是在3D虚拟现实中漫步。 Mozer的设计目的是从一个应用程序切换到另 一个对比应用程序，几乎无缝。 器设计工作室巧妙地设计了外围设备的形状 以实现360度自由度的VR功能，并在您的PC 上工作时恢复正常的鼠标使用。Mozer鼠标的 VR控制器位可轻松从主外壳上拆下，并可轻松 与兼容配件配对。这是鼠标的激光扫描仪和开！ 关切换按钮所在的位置。因此，当栓在底座上 时，它就像任何其他带有光学扫描仪的鼠标一 样，并在所需位置切换按钮。
漂浮的气泡，蒸腾的热气，翻滚的汤底，千言万语，尽在锅里。饱享美食之际，放松身心感受一场优雅的欢腾。火锅作为码头文化的民间食物，它的来源要追溯到码头上拉船的纤夫，这些干粗重体力活的劳动人民，就着最平易近人的食材一锅烩，放上辣椒、花椒，席地而坐，谈天说地，这已经是火锅的真谛。而这时的火锅，似乎与优雅谈不上关系。As folk food in dock culture, hotpot is with the originality dating back to boat trackers pulling boats on docks; these peopleliving by engaging in heavy manual labor braised the most common food materials in a pot, adding cayenne pepper and Chinese prickly ash to the pot; they sat onthe ground and talked of everything under the sun, and this is the essence of hot pot.随着社会的变迁和经济发展，越来越多注重装饰和体验的餐饮空间出现。火锅店也一步步升级为能登大雅之堂的场所了，甚至逐渐成为城市里忙碌的人们在食物里寻找归属与温暖的一种消费选择。With the social changes and economic development, thereare increasingly more dining places that pay attention to decoration and experience. Hotpot stores also gradually become places with elegance, and they even gradually become a consumption choice for busy urban people to find belongingness and warmth from food.向来以服务为突出卖点的连锁火锅品牌海底捞，近年来也开始了品牌升级的节奏，希望能够吸引更多年轻一代食客的青睐，在竞争越发激烈的火锅市场突围而出。而店铺终端升级就是他们革新的一项重要手段，海底捞期望以时尚创新的室内设计，颠覆食客对传统川式火锅店的一贯传统印象，为人们带来全新的消费体验。Chain hotpot brand Hidilao, which has been service-oriented,has also begun the rhythm of brand upgrading in recent years, wishing toattract more young generations of diners and profiting in the increasingly competitive hotpot market. And store upgrading is an important means of theirinnovation; Hidilao wishes to change diners' traditional impression oftraditional Sichuan style hotpot restaurants with interior design of fashion innovation and bring people brand new consumer experience.本项目除了是为单家海底捞门店形象进行全面升级外，还会作为设计参考模板，运用到品牌后续扩张的一众分店中。因而如何在模块化设计和标准化经营的条框下，做出创新，是我们最主要的考量因素。The project will adopt a design template to be applied toa number of branch stores of brand follow-up expansion of apart from comprehensively up grading the exterior of single Haidilao store. Therefore, itis our most important factor of consideration of how to innovate in the framework of replicable design and standardized operation.最终，我们从「Normcore」一词获得灵感。这词来自服装设计领域，由 Normal 和 Hardcore 组合而成，即极致的简约。我们选择摒弃冗杂的设计元素，适当保留设计的细节，这样既适应后续扩张店铺复制的需求，又给食客营造出一种在过往闹哄哄的火锅店内体验不到的「平静的舒适感」，使其沉浸在享受美食的欢欣中。Finally, we got inspired by the word"Normcore". This term comes from the field of fashion design, whichis made up of Normal and Hardcore, meaning ultimate simplicity. We chose toabandon the miscellaneous design elements and appropriately retain the detailsof design; in this way, the requirement of follow up store replication was metand a sense of "clam comfort" was created and the diners would never experience in any common noisy hotpot restaurants. They are sure to enjoy delicacy in a good atmosphere.在台面面积和经营面积限定的条件之下，我们延续一贯「公共性 开放性 趣味性」的设计理念，通过处理天花造型的体块关系来重新组织空间，尝试用虚拟的界限进行空间划分。我们设计了多个组接的盒装天花造型，以取代实体的间隔板材。它们就如园林中的凉亭，只有屋顶造型，却又在无形之中构建出围合感。规整又不失变化的体块分布，营造了统一的店铺观感。空间的边界消失了以后，服务员能够自由穿梭在餐厅中服务食客，不受阻隔。Taking the restrictions of table and operating acreages,we continued the consistent design concept of "open, public andinteresting", attempting to divide space with virtual boundaries via theprocessing of ceiling to reorganize space. We've designed several boxed ceilingstylings to replace solis spacer plates. They are like the pavilions in thegardens, only with the shape of roof, but able to build a sense of enclosureintangibly. Regular and changeable mass distribution creates a unified storeimpression. After the boundaries of space disappear, waiters can freely shuttlein the restaurant to serve customers.区别于传统的围坐式用餐，门口吧台的设计提供了另一种火锅体验方式，也为空间增加了趣味性，同时还可以吸引更多在店铺外游走的潜在客群。Different from the traditional sitting-around dining, thedoorway bar design provides another experience of hotpot restaurant, also making the space more interesting; potential customers passing through storescan also be attracted.象征火锅文化的元素也通过巧妙的设计被融入到空间之中。球体顶灯幻化为沸腾的气泡漂浮在空间的顶部；烟雾如蒸腾的热气飘散在铝板上，构成墙体；玻璃上的瀑布流宛如沸腾的汤底，鲜活地涌动。不同的位置，不同的景致，一汪火锅慢慢熬煮，始吃清淡，逐渐浓香。Elements symbolizing the culture of hotpot are alsointegrated in the space via ingenious design. Spherical ceiling lights turninto boiling bubbles and float at the top of the space; smog floats on thealuminum plate like the heat of transpiration, forming wall patterns; Thewaterfall on glass is like a boiling soup, fresh and alive. Different places,different views, with food slowly braising in hotpot, people will feel the foodturn from lightness into thick aroma.谢英凯先生于2002年在广州成立汤物臣•肯文设计事务所，并提出“公共性 开放性 趣味性”这一设计理念，强调用设计改善人与人、人与环境、人与社会之间的关系。汤物臣·肯文设计事务所是一间创新的设计企业，用设计解决社会当下存在的问题，从社会学角度出发，找到释放生活善意的设计手法，创建善意空间，致力成为不断改善生活理念的社会型企业。谢英凯先生带领他的团队完成了多个优异且具影响力的项目，并多次荣膺国际奖项，其中包括英国美国Best of Year Award 2015 展览类别冠军、日本 GoodDesign Award 2015、德国 iF Design Award 等。除了不断创新设计力量，谢英凯先生还希望通过个人微小的力量为社会增添善举，他带领公司参与公益项目，并携手NGO组织投身新农村经济建设,设计新形态乡村；他还联合创办了“七+5”公益设计组织，策划城市公厕设计展，藉由设计的力量唤醒大众对城市公共环境的关注与思考；他还参与了上海东方卫视大型民生公益改造节目《梦想改造家》，将广州老城区旧宅进行改造，改善民生生活。致力于公益事业的同时，谢英凯先生受任很多社会职务，包括中国建筑学会室内设计分会第九(广州)专委会执行会长、羊城设计联盟副理事长、广州美术学院客座讲师等，将领先的设计思想“取之于民、用之于民”。
在每個人的人生當中，一定有一首歌，它會讓你跟著一起笑，或是一起淚流。而擁有這樣作品的歌手，提起曾沛慈大家一定都不陌生。睽違3年，我們終於等到她的新發行，究竟這次回歸，會有什麼樣的驚喜呢？本周【名人說生活】就來和沛慈聊聊！ via：Cbookphoto 「新專輯名稱偏怪對吧！？」 歡迎沛慈！今天帶來了一張名稱超長又特別的專輯，要不要先來跟大家分享一下？還是先為我們念一遍專輯名？（笑 「《今天陽光就是特別耀眼特別和諧》」 「名字偏怪對吧？但它其實就是我專輯裡其中一首歌的歌名。這首歌是跟韋禮安一起寫的，然後我們直接把其中一句歌詞拿來當專輯名稱。」 「本來是沒有想過要這樣取名，但是葛大為老師就說：很明顯吧！這張專輯就是要叫這個名字（《今天陽光就是特別耀眼特別和諧》）啊！」 從專輯取名就這麼特別，那整體的風格也就是走這樣的路線了嗎？ 「其實，就很謝謝葛大為老師，他的建議讓整個專輯的風格更明確。」 「以前可能大家會覺得說曾沛慈她沒有情歌，不對吧？！但其實這張專輯收到第8首歌的時候，還沒有情歌呢！」 「所以這就是這張專輯特別的地方，它是很自然而然的。然後有很多歌是我自己都沒有嘗試過的類型。」 「而也因為過去比較多催淚的作品，這次就更像是哭完了之後。」 via：Cbookphoto 「想讓作品有所不同，就需要不一樣的東西。」 前面提到《今天陽光就是特別耀眼特別和諧》這首歌是和韋禮安的共同創作，過程中有什麼是讓你最難忘的嗎？ 「我本來對創作是沒有信心的，是師兄（韋禮安）提點，才能促成。」 「這是R&B曲風的歌。創作的過程很自由，也完全沒有壓力，是從聊天中激發出火花。」 「蠻值得一提的是，『今天陽光就是特別耀眼特別和諧』這句歌詞，是從一開始寫出來之後，唯一沒有被修改的部分。」 聽起來新專輯沛慈有了很多的突破，我們非常好奇是什麼契機使你願意做出這麼多改變？ 「以前是不懂，比較珍惜機會，有歌可以唱就好、有歌可以唱就覺得很感恩。再加上也可能我太害羞了，沒有主動把一些法寶拿出來（笑。」 「現在就是有更多的東西可以慢慢展現出來。」 「像首波主打歌《慷慨》就也挑戰了不同的音域。歌曲原來的設定，就是聲音低的很低，高的又很高。我自己也沒想過我能唱到這麼低的音，然後就在錄音室被大家狂讚說我的低音很性感（害羞。」 via：Cbookphoto 「覺得李仁哥怎麼可以這麼帥！」 說到首波主打歌《慷慨》，在MV中和李李仁大飆戲，選角上有什麼特別的原因嗎？和李仁哥合作有什麼什麼特別的感想嗎？ 「那時候因為李仁哥演了《華燈初上》裡面的彪哥，我整個愛死他的演技，覺得他太強了！」 「不過李仁哥真的跟我想的落差有點大，合作的時候覺得他除了外型更帥之外，個性方面原本以為是距離感很重的人，但在車上拍攝的過程中，他超親切的！在拍攝地點，他還會跟你說這附近可以去哪裡騎腳踏車，或者哪間店好吃。」 「覺得跟李仁哥拍完這支MV，就對他有更多的了解。」 而《慷慨》也被喻為「心酸指數100%神曲」，你自己在唱的時候有覺得很走心嗎？ 「這是葛大為老師寫得詞，最初我看了3天也看不懂。」 「老師有給我舉例，它要詮釋的比較像，你真的很喜歡一個人，跟他也很要好，但是你們始終不會在一起，可能就會不確定自己是否該執著的那種心境。」 「把故事講得好聽一點或是延伸的話，這就是一種慷慨，但這首歌難就難在，它又其實不是真正的慷慨，所以你不能唱成全然放下。用簡單一點的方式解釋，比較像是試著大方。」 via：Cbookphoto 「我對吻戲永遠都沒有得心應手的一天。」 雖然睽違了3年才發行新專輯，但中間沛慈仍透過戲劇作品和大家見面，近期與胡宇威合作的《親愛的亞當》題材非常新穎，也有很大一部分的感情戲碼。這對演員身分的你，也是很具挑戰的事情嗎？ 「我覺得我...對吻戲永遠都沒有得心應手的一天。」 「因為對我來說拍吻戲就是，你跟一個不是真的有感情的人交流口水，以及交纏嘴唇。我其實是保守的人，要接吻之前我都會覺得要做一些心裡建設。」 「但跟宇威合作有一個很大的好處，他就是什麼都不想，覺得專業地把專業技能交出來面對就好。」 via：Cbookphoto 「我現在好像還多了一點點女人味。」 你和宇威都是在這部戲拍完，要播出的前幾周紛紛發布了喜訊，我們除了獻上祝福，也想問問沛慈婚後的兩人生活還適應嗎？和先生會有吵架的時候嗎？ 「蠻適應的。不過現在不能只從個人的角度去思考，更像多了個隊友。」 「有很好的時候，當然也會吵架。而通常是我吵贏，他的邏輯雖然比較好，但他願意讓著我。」 「不過我通常覺得自己沒有錯，就我很會鑽漏洞、很會找到灰色地帶（笑。」 via：Cbookphoto 不過說到吵架，你身為藝人，工作上本來就需要用各種面向去面對不同的人事物，在感情上有沒有覺得自己也具備較難讓人摸透的特質呢？ 「哦！我不是這種樣子的，通常都是不管什麼人，我就大概都是同一個樣子。所以我先生碰到我應該算是蠻衰的（笑。」 「他會面對到最真實的我，而我就是毫無隱藏地對他。不過，也因為這樣就還蠻謝謝他的。」 沛慈從歌手出道、跨足戲劇圈，再到成為人妻，你會如何形容現在的自己呢？ 「我覺得現在的我，偶爾有點ㄎ一ㄤ ，偶爾有點可愛，偶爾有點漂亮，而且好像還多了一點小小的女人味。」 「我自己是還蠻喜歡的。」 via：Cbookphoto 相信有不少粉絲是跟著沛慈一路成長過來，而每個人都會在不同階段的人生做出微調和改變，也就如同這張《今天陽光就是特別耀眼特別和諧》專輯一樣，讓我們在不同的時間裡，也找到屬於自己的「今天」和「陽光」。 via：Cbookphoto 專輯已於8/12數位、實體上線，先來聽且欣賞精彩MV的首波主打歌《慷慨》！ 延伸閱讀 【名人說生活】蔡恩雨－拿起《勇氣光圈》實現夢想，「我很享受做自己熱愛的事情！」 【名人說生活】魏嘉瑩、溫妮－兩人一拍即合溫柔翻唱經典《為你寫詩》，小魏：「合作之後更快樂了！」 【名人說生活】郭芝吟－是歌手，也是運動員、主持人及製作人「音樂不是全部，但完整了我。」
意形回溯 / Meaning Backtracking趋势正反的两极性，当空间回归物性本质，且同时空间向观念展开。空间通过思想潜在的对话流动，实现叙事转向段落华彩起伏的交响性，填补了阵营对立的缝隙。当趋势审美单一走向同一统合，意义便逐渐消亡。Subject to the principle of polarity, i.e., the positive and negative trends of all things, when space returns to its physical nature, its conceptual construction starts. Through invisible dialogues with the mind, space flows and narrates, like playing a magnificent symphony that soothes resistance between the opposites. But once the monotonous aesthetic trends start to converge and unity, the meaning will gradually die away.意义的产生不只是一个线性的、内在的、必然的进程，不单一特定指向自某个初始内核逐渐展开。意义是对惯性安稳和潜存颠覆的双重期待，这被看成了某种意义上的反抗和自我重建，即意义的回溯性：实现意图与意识相交，使隐微义的层次，向诗学式的意义展开。Meaning is generated not just through a linear, internal, and inevitable process, nor is it simply developed from a specific core initially. It is a contradictory expectation for both sticking to and possibly, breaking away from routine. In a certain sense, it can be interpreted as a struggle for self-reconstruction, that is, the backtracking nature of meaning: to unify purpose with subconsciousness and upgrade implicit meaning to magnificent poetical significance.LAK木地板，作为秉承欧洲高端制造工艺传统的先锋品牌，十年间在国内重点城市发展其商业版图，先后完成30+线下门店的发展迭代，专注独特工艺品质内核价值和环保产品力理念。PONE普利策设计应邀为其全新概念店创作展陈空间"观念的解构"，以展开对物料展览空间的设计实践，呼应品牌对物料本质探索与基因实现互联与突破。LAK Wood Flooring is a leading brand adhering to traditional high-end manufacturing technology of Europe. Committed to the core value of unique technology and quality, and the philosophy of eco-friendly product capacity, LAK has expanded its business to key cities in China in the past decade, establishing and upgrading more than 30 physical stores. PONE Architecture was entrusted to curate the exhibition space “Conceptual Deconstruction” of LAK’s new concept store, and carry out design practice in a material exhibition space to showcase the LAK brand’s exploration of material nature and gene interaction for breakthroughs.项目所在地为亚洲500强Louvre Art Center广州罗浮宫艺术商圈，拥有15万㎡多品牌集聚的场域条件、业态资源特征及辐射105个国家及地区的商业潜力。如何帮助LAK品牌从多赛道扩张的全球竞争中实现战略突围，践行工艺制造纲领型品牌的新商业布局和创新愿景，成为设计的破题关键。The project is sited in Louvre Art Center, Guangzhou. Ranking among the Asia Top 500 brands, the 150,000 ㎡ center gathers various brands, business forms and resources, with the potential to exert business influence over 105 countries and regions. Therefore, how to help LAK achieve a strategic breakthrough amidst numerous global competitors and accomplish its new business blueprint and innovation vision as a leading brand of manufacturing technology is the key to the design.策略 / Strategy项目以空间体验和哲学性思考作为基点。从十九世纪德国思辨哲学教父黑格尔的绝对精神中正反合推论，载入当下国际营商环境的激荡与优化中的空间交响性实验与建构研究。辩证逻辑从主体基点不断变形，贯穿LAK品牌工艺与质感语境。设计从三部分展开思考动机发展：Taking spatial experience and philosophical thinking as the initial consideration, the project integrates the dialectics in the Philosophy of Absolute Spirit of Hegel, the German godfather of speculative philosophy in the 19th century, into the symphonic space experiment and construction research in the context of a torrent yet constantly improving international business environment. The dialectical logic keeps evolving and varying from the initial consideration, but always in alignment with the LAK context of brand, technology and quality. The design considers the motivation for development from three aspects:01 品牌策略定位的递进与抵达01 Upgrading and fulfilling strategic brand positioning02 观念的进化路径 与 趋势正反02 Conceptual refinement and the dialectics03 空间的交响性 与 非决定性对立协奏03 Space symphony and non-conclusive opposition in harmony前奏（Les Préludes）/ Prelude门、轴、岛、孔，四要素构「序」。场地引入全开放、无主入口、无主路径的设定。建构内退出灰空间，间隔细分出门和廊，巷与间。并平移以增量强调秩序定向。「轴」，顶部弧型的坠落感，分离阵列建构切割，门轴与支点在对抗中取得支撑。相邻维度的展陈与预设，合轴共构意识阔值。The door, axis, island, and opening are four elements constituting the「prelude」. The venue features a fully open setting without either the main entrance or the main circulation route. Grey spaces are withdrawn from inside the building, enabling the further division into doors and corridors, passages and rooms. The paralleling duplication enhances the sense of order and orientation. The「axes」, with a sense of parabolic downfall at the top, dissects the matrix and realizes division, while the door shaft and the fulcrum realize mutual support through resistance. The axes shared by adjacent exhibitions and displays jointly define the limen of consciousness.门户开合正反，完成平面关系指向空间进深关系的切换，相对公共向相对内部的转化。Every opening and closing of doors in opposite directions signals a switch from the planar relationship to spatial depth, and a transition from the public to relatively internal space.起始暗淡，转到中央大厅明亮回暖。完成物理空间的灰度属性向观众心理预期过渡。主动调度，空间小调引出空间大调舒展。贯穿其中的公共回路，启发积极的心理暗示。The initial dimness immediately switches back to the warm and bright tone at the central hall, completing a transition from gray physical space to the one anticipated by visitors. The minor space, actively leading the way, introduces the relaxing major space, while the circulating public route running throughout the space gives positive mental inspiration.外立面一侧，内嵌三角结构，尽端的光轴和横向贯穿木柱。纵横虚实交叠，形成对进入场地之前的观念正反辩证合题。On the façade, a triangular structure is embedded, with a light axis at the further end and a round timber placed horizontally. The interlaced horizontal and vertical elements, as well as the overlapped voidness and solidness, create the theme of conceptual dialectics before visitors enter the venue.闭合 / Closing 「墙」平图的均质关系，化约至二维静定图式。门轴与光孔构序对内部的喻示。同义反复，旋律横向扩充并延时期待。The homogeneous「wall」plan is reduced to a two-dimensional static graph. The door axis and the light opening construct the prelude to the interior. As the tautology repeats, the melody expands horizontally and delays expectations.交响诗重奏 / Symphonic Ensemble 绝对精神恒自内在否定深刻揭示，扎根于深厚的诗化哲学文脉调性：潜含观念连续性建构模式，是思想进论在挣脱价值失范中演化确立，对既定僵化教条的突破和检验，重构范式。重奏偏离暗示自由、解放为旨归，为主体动机塑造先导提供条件。旋律曲体要义同构，使空间交响性具有隐微潜力。The Absolute Spirit, which originates from constant internal negation, takes root in the profound and poetic philosophic, context and tonality. It contains the underlying mode for continuous conceptual construction, which is the development and establishment of ideological evolution in breaking away from the anomie of value, the breakthrough and test of the established rigid dogma, and the reconstruction of paradigm. The deviation of the ensemble signifies the pursuit of freedom and liberation, and provides conditions for motivating the making of a leader. Key meanings are repeated in the melody, endowing the space symphony some implicit potential.空间通过情绪调度、抽象性内在赋型。调性对峙倾向，在协和与不协和拉扯之间获得动力，生成丰富动机和功能扩充多义性，潜存空间独特听感。空间主旋律主题变形，细节和声主干回旋，渐进离调形成空间交响诗。The space is so styled to manipulate emotions in an abstract manner. The conflicting tonality derives power from between the concord and discord, generates strong motivation and varied functions, unwittingly creating a unique musical sense of the space. As the main melody of the space varies, the harmonic details resonate, gradually deviating into a space symphony.回响空间 / Space Resonation中央大厅顶部以反向倒置收拢的三角光体，滤光结构形成虚拟天窗引入光线，控制光线流出的路径。光从中间主轴向两边方向淡出，通过调节光的照度和色温变化，为展厅提供适宜的照度。The ceiling of the central hall is mounted with inverted triangular lighting fixtures, with light filter to simulate daylighting from real skylights and control the path of light flow. Light fades out from the central axis to both sides, and provides appropriate illumination for the exhibition hall through proper adjustment of illuminance and color temperature.光，作为空间的秩序定向。光轴勾勒空间脊梁，轻盈纤细的骨感，赋予弥漫扩散的基调。神圣感和崇高纪念性，成为中央大厅的焦点，物理结构下行，精神上行的感受洗礼，两者相互渗透获得更深刻反向弥补。Light gives order and orientation to the space. The light axis, which outlines the space ridge, delivers a sense of lightweight and neatness while setting a diffusive tone. This divine, sublime and monumental scene makes the central hall the focal point, where the downward trend of physical structure and upward trend of spiritual baptism are even more significantly enhanced through mutual penetration.连续体量，靠光线的反向造就明暗的交替。骨感和通透，接近线性的框架。单个杆件组合，强调杆件与元素之间的等级制和秩序。The continuous volume generates the alternation of light and darkness through light reflection. In a neat and transparent manner, individual rods are combined into an almost linear frame, highlighting the hierarchy and order between the rods and elements.节点要素 空间旋律 / Key Notes of Space Melody空间规划采用从-主-从对称的回旋式结构布局，以局部决定整体，细节为空间带来丰富的表情。细部比喻为空间五线谱里的音符附点，构成场所旋律和声的基础要素。既让旋律在和谐里分裂，也使和声在协同中侵扰。旋律与节拍，索引与离合，细部在拉扯之间对抗，基面流变。使空间从平和转调，对弈和协同。让空间显映玄秘变奏，成为镶嵌细部情绪的空间织体。The space is planned in a secondary-primary-secondary symmetrical and repeated structural layout, where parts define the whole and details bring rich expressions to the space. The details, like notes in the space stave, constitute the basic elements of the melody and harmony of the place, allowing melody to split in harmony and harmony to be interrupted in melody. Melody and beat, index and clutch, are details attracting and opposing each other, creating base surface rheology. The calm space is then transitioned to opposition and coordination, creating mysterious variations, like a spatial texture inlaid with emotional details.再现古典精神 / Recreation of Classical Spirit古典性 结构性的理性主义 / Classic Structural Rationalism古典建筑的纪念性 / Monumentality in Classic Architecture不同的古典传承 / Classic Inheritance in Varied Forms源于纪念性诉求的古典建筑秩序，表现为线性和向心性的空间秩序。不同古典时期有其对应的空间观念。维持空间主轴关系，重现古典秩序，建筑中寰宇性的精神信仰。The classical architectural order in pursuit of monumentality is represented by linear and centripetal spatial order. Different classical periods are accompanied with corresponding spatial concepts. The relationship with the main spatial axis is maintained to recreate classical order and universal spiritual belief in architecture.长桌在中世纪是分级和集权、信任和团结的象征性符号。社会地位分配链和政治权力结构会在长桌上得到深刻体现，并创造出互相依存的关系。围绕长桌，张扬或伪装，恭顺或抵制，论资排辈或攀比高低，产生决策或制造混乱。In the Middle Ages, the long table, as a symbol of hierarchy and power, trust and unity, profoundly reflected the chain of social status and the structure of political power, and nourished their interdependent relationships. Around the long table, people displayed or disguised, complied or resisted, ranked or compared, made decisions or confusions.意义营造 / Meaning Construction中央大厅的岛台长桌，在这里被转化为集中交流的空间象征，是展示统合和分配的焦点。岛台可以收纳展示过百款产品样板，具备极强的集中性收纳与抽拉开启显示。把手将台面拉开，层板拓展变成多功能的会议台，抽屉层板拉手嵌入LAK品牌金属拓印。马蹄铁台脚，并置与支撑。拉手特征强化，从传统的功能建造到意义营造。Here the long island table in the central hall is rendered as a spatial symbol for centralized communication, and a centerpiece signifying unity and distribution. The island table, which can store and display more than 100 product samples, has a strong capacity for centralized storage, with pull open display. By turning the handle, the table top can be pulled apart and expanded for a multi-functional meeting, and the drawer handle is embedded with metal rubbing of the LAK logo. The horseshoe-shaped table bases are set in parallel to provide support. Handle features are highlighted to realize the transition from traditional functional focus to meaning construction.焦点 / Focus木圆柱抽桶，抽拉式工艺架，展示楼梯步级90度木拼角工艺。方圆对比嵌套，潜藏深度、重量以及尺度。夸张的比例钢材把手，扩张力预设区位焦点，超越功能本身而蕴涵象征性意义中心。A cylinder-shaped wooden drawer with a pull-out metal frame is designed for displaying 90-degree wood splices of the stairs. The cube and the cylinder sheathed in it present a contrast, with the depth, weight and size all concealed. The steel handle is made in a much exaggerated size to draw focus to this pre-set tension area, more to demonstrate its symbolic significance than to meet its functional purpose. 等级秩序 / Hierarchy不单一通过基本意义来表现结构，而是把结构和空间创造结合起来，同时形成秩序并建立等级。「集中式」和「单元拼合」，两种最基本的从空间组织贯穿到营造的建筑原型：蕴含aba间隔秩序、主从空间的组织策略以及双轴对称的中心式空间模式。赋予对材料特性和结构体系表达的注重，空间和形式组合的秩序，是古典精神的超脱再现。宏观整体对称均衡，但细部对抗反和谐。The structure, rather than being expressed merely through the basic meaning, is combined with spatial creation, while order and hierarchy are established at the same time. 「Centralization」and「unit integration」, two most basic forms of spatial organization, run throughout the architectural prototype: the aba-alternating sequence, the primary-secondary spatial organization strategy, and the biaxial symmetry of the central spatial pattern. Emphasis is thus given to material properties and the expression of the structural system, the order of space and form combination, manifesting a transcendental recreation of the classical spirit. At the macro level is a symmetrical and balanced whole, while at the micro level are contrasting and contradicting details.剪裁 / Cutting空间的展览由10个对称的三角岛构成，承载了 LAK上百个欧洲木地板品类，支持扩容替换，是展览的系统。断面内向中厅，对位对称阵列，多向展示界面梳理过滤出随机动线和展陈的线条，抵达潜在的剩余目的。The exhibition space is composed of 10 symmetrical triangular islands loaded with hundreds of types of European wood flooring in LAK’s catalogue, and this exhibition system allows for expansion and replacement. The cut surfaces, which face internally to the central hall, are placed in symmetry opposite each other. They display the interface in multiple directions, creating and filtering out random lines and exhibition routes leading to the possible remaining destinations.展览集成木箱，比喻为舞台道具。每一块地板，是集中的限定窗口。归纳和刻意裁剪限制后，更好传达每一块木地板内在气质和张力释放，推动情节。A series of wooden boxes, like stage props, are integrated for the exhibition. Each single piece of the flooring is a centralized window for specific sales. After customization and tailored cutting, it can better showcase the inherent quality and resilience of each wood flooring, and in this way, promote subsequent sales scenarios.细节诗释 / Poetic Detail实心钢板T型构建的灯，和展陈系统的木盒，以卯合形式出现成为展品照度的补充要素。不同单元组合和界面接合的连接器，并置阵列的点阵光，赋予从内部署向外延伸的细节诗释。The T-shaped lamps made of solid steel and the wooden boxes for exhibition are connected via rabbets to provide extra illumination for the exhibits. The connectors joining different units and interfaces and the juxtaposed arrays of light matrix interpret the poetic details of internal extension to the external.支撑 / Support家具本质是对人体的支撑。原型以稳定的三角支撑荷载。强调厚度、重量感、稳固、利落和细节，共同构成家具的关键要素。用错位结构表达工艺折面，组建与卯合结构细部。表达支点元素的均衡统一，最大限度关注每一个细节的相对独立性。家具构造和空间构造相辅相成，以个体的状态联合构成空间质量，是功能本质的转译和回归再发展。Furniture, in essence, is to provide support for the human body. The prototype, secured by a solid triangular base, highlights thickness, weight, stability, and neat details, which together constitute the key features of furniture. The folded surface is expressed by misplaced structures, and structural details are created via rabbets to express the balance and unity of the fulcrum, and each detail is given maximum independence. Furniture structure and space construction complement each other and individually, they constitute the overall space quality, fulfilling the translation and regression of essential functions.雏形 / Prototype椅子，发展到当下结构多元引申广义，依然保持着作为原始凳子基因的母体雏形，即对人体最本质的支撑功能，一直没有变。在厚度比例、物料搭配和细节构造上，则保持了持续进化的路径。The stool, with a broad range of diversified structures nowadays, still maintains its original function as the prototype, that is, to provide the basic support for the human body. Though in respect of thickness proportioning, material composition and detail construction, it has been continuously upgraded.H 丨椅子 三角凳脚和T型肢体形成结构稳固支撑。以一种极简解构方式完成既成观念的解放，借以表达功能本原的可持续确立与再创造。H 丨Stool The triangular stool base and the T-shaped stool body form solid structural support. This minimal style of structural construction signifies an escape from stereotyped concept, and demonstrates the sustainability and re-creation of the original function.线构 骨感 / Linear Structure and Neat Style空间中一个独特的织体语言。️纤细的牵引线触发空间秩序互联在厚重古典精神回应中再现轻盈和谐的语境。接近线纤细骨感，是空间分段分切的对应轴。续联与转换，以一种极弱极细的方式反映贯穿。趋势牵引，空间古典性的迁移与思辨的意义索引。A unique textural language defines the space, where thin wires trigger an interconnected network of space order and create a light and harmonious context in response to the solemn classical spirit. The neat thin lines serve as the axes for space division and segmentation. They extend and transform, running throughout the space unheeded. They lead and guide movement in the classical space, and gives meaning to speculative thinking.趋势正反 / Dialectics 内在属性，本质矛盾的两面，由正反命题，因为冲突而驱动。趋势正反的两极性，当空间回归物性本质，且同时空间向观念展开。空间填补了阵营对立的缝隙。而否定在过程中的重要意义，以颠覆性对前阶段的否定。趋势则有了不循环且无限拓展的量能。The intrinsic properties, which have two contradictory aspects, are driven by conflicts. Subject to the principle of polarity, i.e., positive and negative, when space returns to its physical nature, its conceptual construction starts. Space soothes the resistance between opposites. And the importance of negation in the process is its subversion and negation of the previous stage. In this way, a non-repeating yet infinitely expanding trend of quantitative energy is established.桥接 / Bridging摒弃传统意义吧台形式，不以独立体量存在。吧台以空间之间关联的桥接部件设定，横向延伸左右两端的茶室连贯在一起。茶室墙体开口，穿透边界局限和视线贯穿。Instead of adopting the traditional form of bar counter, which existed independently, the bar is designed with bridging components for space connection. It extends horizontally and connects the pantries on the left and right sides. The opening in the pantry wall breaks the boundary limit and realize visual connection.黄金支点 / Golden SupportY 丨吧凳 以三组金字塔式凳脚的稳定性，支撑起倒锥型底座。立体的图底关系和正负形结构截面，切分嵌套成高度统合的黄金支点。Y 丨Bar seat The seat is an inverted cone supported by a solid three-leg pyramid. The multi-layer figure ground and the cross section of positive and negative shapes are cut and spliced into a highly integrated golden fulcrum.填补空缺 / FillingO 丨茶几 符号O+田+V，相互填补空缺。玻璃台面和不锈钢V架、Foreso芙瑞板，轻重体量交错的组合支撑体系。建立强烈构造对比的结构系统，保证放置强度、质感对比和视觉的通透。O 丨Tea table The O+ square lattice +V shapes are design for mutual complementation. Glass counter, stainless steel V frame, Foreso board, and the supporting system with the alternation of light and heavy volumes create a structural system in strong contrast, while ensuring the loading capacity, texture contrast and visual transparency.一般观念 与 抽象性辩证模型 / General Concept VS. Abstract Dialectic Model具有普遍意义的本质，和人为的目的设定，混淆了关系的一般观念。有绝对划分的局限性。绝对排他，主张阵营对立。辩证不是指向完成和定论，而是转为一种回溯行为，一个关键性的转换，对事物内在潜能的激发和扩展。事物所蕴含的共在循环，非决定性的对立。其特质不指向绝对相反两极，而潜存多要素贯通。The universal nature and human purpose have confounded the general idea of relationship, subject to the limitation of absolute division, exclusion, and opposition. Dialectics is never intended for completion or conclusion, but for backtracking, for a critical reversion to stimulate and expand the inner potential of all things, and to realize the internal symbiosis and non-conclusive opposition of all things. Impartial to either opposite side, it allows for the potential coexistence of all.其辩证过程的目的不是一个去除了任何质料之剩余的绝对形式。随机性和严谨性的分裂，将现象和观念分离的鸿沟。因为没有先验和添补阵营的裂痕的绝对对立和绝对断层。潜在的逻辑必然性只有在偶然性事件的相互作用中被升华。坚持绝对的原初的现实性，即探寻从现实中抽象出来的可能性条件，并将它们放在一个理性向感性的根据上重构。The dialectical process is never intended to realize anything absolute by disconnecting it with others, such as the split between randomness and rigor, the chasm that separates phenomenon from ideas, or any absolute opposition and separation subject to no prior experience or supplementation. The inevitability of the underlying logics can only be sublimated in the interaction of contingency events. The only thing absolute to adhere to is the original reality, that is, to explore possible conditions abstracted from reality and reconstruct them on a rational to perceptual basis.空间创作中尝试脱离单纯建筑学建构方法制约局限，用哲学智慧融入古典音乐创作的调式，重现空间旋律和声的协奏交响。在古典结构理性主义基础上升华，空间节奏旋律复合演绎的空间交响诗。传承与创新，观念解构的先锋性实践。To break away from restriction and limitation of the stereotyped architectural construction methodology, the space design integrates philosophical wisdom into classical music creation to recreate the symphony of space melody and harmony. On the basis of rational sublimation from classical structure, a symphonic poem is created by the rhythm and melody of the space. The inheritance and innovation combine to enable a pioneering practice of conceptual deconstruction. 音乐的空间感 Spatial Sense of Music空间的哲学性 Philosophical Nature of Space反向解构 Reverse Deconstruction并持续反应 Continuous Reaction PONE以LAK旗下英国Foreso芙瑞板为主材，设计了HOY全新系列家具。芙瑞板是以碎木与混合物凝固而成的环保微固材料，重焕废弃木屑生机。该系列为PONE 2022 原创家具设计专利之一。PONE designed HOY's new collection of furniture with LAK's Foreso board as the main material. Foreso board, as an eco-friendly micro-solid material made of solidified wood scraps and mixtures, revives the vitality of discarded wood chips. The series is listed as one of PONE’s original furniture design patents of 2022.产品设计和项目创作并行，当产品回归物性，且同时向观念展开。支撑为功能起点，并成为本项目象征性的新本体。Product design goes hand in hand with project creation. When products return to their physical nature, its conceptual construction starts. The supporting function is taken as the starting point, and developed into a symbolic new subject of the project.PONE普利策，由何思玮先生和梁穗明女士共同创立的创意先锋团队。专注于建筑、空间设计、商业品牌创新、办公、展览等。独特的视觉与思考，打破固有规则与认知。不断创新，以执着纯粹感知力全新定义设计的边界。PONE Architecture is a creative and pioneering team co-founded by Mr. Golden Ho and Ms. Ming Lueng. PONE focuses on architecture, space design, commercial brand innovation, office, exhibition and so on. With unique vision and thinking, PONE breaks inherent rules and cognition, and through continuous innovation, it is defining a new design boundary with its persistent and pure perception.成立至今已获得385个国际大奖，先后获得德国红点设计至尊奖Best of the Best、德国iF年度最佳设计奖、美国《室内设计》杂志年度最佳设计奖Winner、世界建筑节WAF设计奖、加拿大AZ奖全球类别最佳、英国Dezeen awards设计大奖、世界室内新闻奖WIN Winner、意大利建筑杂志The Plan最佳设计、香港APIDA设计金奖及评审之选、美国Gold Nugget awards金块奖最终大奖、台湾TID室内设计金奖、香港DFA亚洲最具影响力设计奖、意大利A'Design Award最高荣誉铂金奖、荷兰Frame Awards等全球设计荣誉。2019年，PONE普利策团队被广州市人民政府授予「高端专业技术奖」。Since establishment, PONE has won 385 international awards, including the Red Dot: Best of the Best, Germany; iF Design Awards, Germany; Interior Design—Best of Year Winner, the United States; WAF Design Award; Best Winner of AZ Awards, Canada; Dezeen Award, the United Kingdom; WIN Winner; Italian Architecture: The Plan Awards; APIDA Gold Award and Judge’s Choice, Hong Kong; Gold Nugget Awards, USA; TID Gold Award, Taiwan; the DFA Design for Asia Awards, Hong Kong; A'Design Award Platinum Edition, Italy; Frame Awards, Netherlands and other international design honors. In 2019, the PONE Architecture team was given the “High-end Professional Technology Award” by the Guangzhou Municipal People’s Government.
电影明星格温妮丝·帕特洛与其丈夫、知名编剧兼制片人布拉德·法尔查克位于蒙特西托的家，这栋住宅展现了众多精心设计的建筑细节，旨在呵护居住者的心灵、身体与灵魂。这些元素包括遵循维特鲁威比例的建筑设计、运用神圣几何图形的空间布局，以及众多细微而精湛的建筑工艺，共同诠释了一种通过设计传达的微妙而深刻的健康理念。这些元素既体现了对居住者身心健康的关怀，又彰显了建筑师在设计过程中对细节与比例的精准把控，无疑为建筑界树立了一个典范。The Montecito home shared by Gwyneth Paltrow and her husband, renowned writer and producer Brad Falchuk, exhibits numerous carefully crafted architectural details designed to nurture the minds, bodies, and souls of its residents. These elements include architectural designs adhering to Vitruvian proportions, spatial layouts utilizing sacred geometries, and a plethora of subtle yet exquisite architectural techniques. Together, they interpret a subtle and profound health philosophy through design. These elements not only reflect care for the residents' physical and mental well-being but also demonstrate the architect's precise control over details and proportions during the design process, undoubtedly setting an example for the architectural industry.格温妮丝·帕特洛强调，房子的魅力在于光与空间的微妙处理，他们投入了大量时间来分析家庭模式、真实生活方式以及最能带来舒适感的因素，并指出设计重点应放在体验和情感上。Gwyneth Paltrow emphasizes that the charm of a house lies in the subtle handling of light and space. She indicates that they have invested considerable time in analyzing family patterns, genuine lifestyles, and the factors that bring the utmost comfort, highlighting that the design focus should be placed on experience and emotion.格温妮丝·帕特洛在加州大学圣塔芭芭拉分校就读期间，首次被蒙特西托的迷人风光所吸引。她回忆道，即使在伦敦居住的日子里，她和家人也常选择此地作为度假胜地，将其视为在美国的宁静避风港。2015年，帕特洛在该地区发现了一处潜力巨大的地块，尽管上面的建筑需要拆除，但她却对这片土地及其美景一见钟情。During her time at UC Santa Barbara, Gwyneth Paltrow fell in love with the captivating scenery of Montecito. She recalls that even when she lived in London, she and her family often chose this place as their vacation spot, treating it as a serene haven in the United States. In 2015, Paltrow discovered a promising plot of land in the area. Although the existing structure needed to be demolished, she fell in love with the land and its breathtaking views at first sight.为了实现建造首座房子的梦想，帕特洛开始了漫长而充满挑战的旅程。她深知建房过程中会遇到各种技术难题、意外阻碍和存在性疑问。因此，她选择了长期合作伙伴罗宾·斯坦德弗和斯蒂芬·阿莱什，这两位设计师曾为她打造了特里贝卡的精致阁楼、第一家Goop快闪店，以及在布伦特伍德乡村商场的永久精品店。帕特洛表示，她希望在这栋新房中复制出由罗宾和斯蒂芬营造的宁静氛围。值得一提的是，当时她的孩子们还小，与布拉德·法尔查克也尚未结婚，因此她是在为一个尚未到来的未来自我构思这栋房子。To fulfill her dream of building her first house from the ground up, Paltrow embarked on a long and challenging journey. She was well aware of the various technical difficulties, unexpected obstacles, and existential questions that would arise during the construction process. Therefore, she chose her long-time collaborators, Robin Standefer and Stephen Alesch, designers who had previously created her exquisite Tribeca loft, the first Goop pop-up shop, and the company's permanent boutique in Brentwood Country Mart. Paltrow expressed her desire to replicate the serene atmosphere crafted by Robin and Stephen in her new home. It's worth noting that at that time, her children were still young, and she hadn't yet married Brad Falchuk, so she was envisioning this house for a future self that hadn't yet come into existence.帕特洛梦想中的住所，是内藏巴黎公寓韵味的旧欧洲谷仓，拥有高挑天花板和满室阳光，既宽敞又易于管理。罗马与威廉姆斯团队以此为灵感，设计出兼具古典与现代之美的建筑，线条流畅、造型简约，屋顶与石墙相映成趣，完美模拟出干砌结构的独特韵律。同时，这座房产还注重环保，采用太阳能供电和灰水回收系统，彰显帕特洛对绿色生活的执着追求。这座融合古典与现代韵味的住所，不仅满足了她对理想家居的期待，也为我们展现了一种优雅而环保的居住哲学。Paltrow envisioned her dream home as an old European barn with a Parisian apartment within, boasting high ceilings and flooded with natural light, spacious yet manageable. Drawing inspiration from this vision, the team from Roman and Williams created a structure that seamlessly blended classical elegance with modern aesthetics. The home features sleek lines and a minimalist design, with a shingled roof and stone walls that harmoniously echo the irregular rhythm and time-worn texture of dry-stack construction. Moreover, the property is committed to environmental sustainability, employing solar power and a gray-water system, reflecting Paltrow's unwavering dedication to green living. This residence, a harmonious blend of classic and contemporary charm, not only fulfills Paltrow's aspirations for an ideal home but also presents us with an elegant and eco-friendly philosophy of living.这座房子完美地展现了其主人格温妮丝·帕特洛的形体魅力和精神内涵。高大的骨架、纤细的比例、圆润的角落和苗条的线条轮廓，无不透露出她高挑的身材、美丽的容颜以及对简约生活的追求。这座房子的设计极为精确且深思熟虑，每一个空间都经过我们多年的反复打磨和完善，最终呈现出一个既优雅又舒适的居住空间。This house perfectly embodies the physical charm and spiritual essence of its owner, Gwyneth Paltrow. With its tall framework, slender proportions, rounded corners, and elegant molding profiles, it exudes her statuesque figure, beautiful appearance, and pursuit of simplicity in life. The design of this house is extremely precise and thoughtful, with every space carefully crafted and perfected over years of iteration. The final result is a graceful and cozy living space that truly reflects Gwyneth's unique taste and style.斯坦德弗指出，工艺与材质在塑造家居的灵魂与独特空间感上扮演着至关重要的角色。从定制的青铜门到古董壁炉架，再到雕塑般独立的黑色大理石吧台，每个细节都凸显出对精湛技艺与优质材质的精心挑选。宽敞明亮的客厅以吧台为中心，巧妙地融合了现代与经典的元素，营造出一种宁静而优雅的居住氛围。而在家庭水疗中心的设计中，罗马与威廉姆斯团队在此展现了他们在形式、流动、比例、材质、色彩和纹理方面的卓越才华。这座水疗中心既彰显了卡拉卡拉浴场的古典韵味，又融入了安缦品牌的奢华风格，将古与今、传统与时尚完美融合。淡绿色的瓷砖赋予了空间一种艺术与工艺的气息，让人仿佛置身于一个充满和谐与宁静的古老浴场之中。Standefer emphasizes that craftsmanship and materiality play a crucial role in shaping the soul and unique spatial sense of a home. From the custom-made pewter-finished bronze doors to the antique fireplace mantels, and the freestanding sculptural black marble bar that anchors the spacious living room, every detail highlights the careful selection of exquisite craftsmanship and high-quality materials. The spacious and bright living room, centered around the bar, skillfully integrates modern and classic elements, creating a serene and elegant living atmosphere.In the design of the luxurious home spa, the Roman and Williams team showcases their remarkable talents in form, flow, proportion, material, color, and texture. This spa not only exhibits the classical charm of the Baths of Caracalla but also incorporates the luxurious style of Aman Resorts, seamlessly blending the ancient with the modern and the traditional with the fashionable. The pale green tiles endow the space with an artistic and craftsmanlike atmosphere, transporting one to a harmonious and serene ancient bathhouse.设计团队热衷探索不同元素之间的和谐共生，即使这些元素在常规情况下很少被结合在一起。这种对创新与和谐的追求，使得这座家居不仅是一个居住空间，更是一个艺术品，为居住者带来了无与伦比的舒适与愉悦。Standefer remarks that their team is passionate about exploring the harmonious coexistence of different elements, even when they are rarely combined under normal circumstances. This pursuit of innovation and harmony transforms this home into not just a living space but also a piece of art, bringing unparalleled comfort and joy to its residents.在为家居添置家具的过程中，自诩为“家具狂热者”的帕尔特洛原本打算亲自负责装饰工作。她原本认为挑选几件优质家具便能轻松完成，然而随着时间的推移，她逐渐意识到家居装饰的复杂性和需要关注的众多细节，这超出了她个人的能力范围。因此，她最终决定寻求好友布里吉特·罗曼尼克的帮助，尽管布里吉特的设计风格更偏向于现代感，但帕尔特洛希望借此机会挑战自我，并深知这将是一次愉快的合作经历。这两位好友共同打造的家居风格将带来独特的视觉盛宴和灵感启示。In the process of furnishing her home, Gwyneth Paltrow, who boasts herself as a "furniture aficionado," had initially intended to take charge of the decoration work herself. She originally believed that simply selecting a few pieces of high-quality furniture would suffice, but as time went by, she gradually realized the complexity of home decoration and the numerous details that needed attention, which were beyond her personal capabilities. Therefore, she ultimately decided to seek the assistance of her good friend Brigitte Romanek. Although Brigitte's design style is more modern, Paltrow hoped to challenge herself through this opportunity and knew that it would be a pleasant collaboration. The unique home style crafted by these two friends will undoubtedly bring a visual feast and inspiration to readers of home magazines.格温妮丝对自己的家居装饰有着明确的构想，她深知所期望的氛围、情感和叙述。而罗曼尼克的任务，便是将这些理念转化为能够带来愉悦与美感的实际设计。在装饰上，她成功地摒弃了传统与当代的固有界限，通过运用柔和的色彩、自然的纹理以及简约而有力的造型，营造出和谐统一的氛围。在餐厅的设计中，新旧元素的交融、软硬材质的对比、精致与粗犷风格的碰撞尤为突出。浪漫的手绘风景壁纸与简约现代的照明和家具相得益彰，共同构建出一个优雅而富有层次的空间。罗曼尼克指出，尽管美观性对于格温妮丝而言很重要，但她更关注空间的情感表达和流动性。Gwyneth had a clear vision for her home decoration, deeply understanding the desired atmosphere, sentiment, and narrative. Brigitte Romanek's task was to translate these concepts into practical designs that evoke pleasure and beauty. In terms of decoration, she successfully broke down the inherent boundaries between traditional and contemporary styles, creating a harmonious and unified atmosphere through the use of soft colors, natural textures, and simple yet powerful forms. In the design of the dining room, the blend of old and new elements, the contrast between soft and hard materials, and the collision of delicate and rugged styles are particularly prominent. The romantic hand-painted scenic wallpaper complements the sleek and modern lighting and furniture, jointly creating an elegant and layered space. Romanek points out that while aesthetics are important to Gwyneth, she places even greater emphasis on the emotional expression and flow of the space.帕尔特洛的家中，许多家具都承载着她的个人情感与记忆。以客厅天花板上的林赛·阿德尔曼灯具为例，这是她为新房定制的首批物品之一。她赋予了林赛充分的创作自由，使其成为这个宁静空间中的艺术点缀，宛如一片绚丽的朋克摇滚珠宝领域。此外，从她在洛杉矶布伦特伍德旧居中带来的吉姆·齐维奇吊床，悬挂在房间一侧，其珠宝般的细节以更加粗犷、工业化的风格呈现，为空间增添了独特的韵味。Many of the furniture pieces in Paltrow's home carry personal emotions and memories for her. Take the Lindsey Adelman lighting installation on the living room ceiling as an example; it was one of the first items she commissioned for her new home. She granted Lindsey ample creative freedom, allowing it to become an artistic embellishment in this serene space, akin to a dazzling field of punk-rock jewelry. Additionally, the Jim Zivic hammock, brought over from her former residence in Brentwood, Los Angeles, hangs along one side of the room. Its jewelry-like details are presented in a tougher, more industrial style, adding a unique charm to the space.经过长达六年的家居装饰历程，帕尔特洛积累了宝贵的经验，并分享了她的心得：“任何项目都会遭遇挑战和难点，但我们必须始终保持对整体愿景的专注。这所房子让我深刻领悟了耐心与感恩的价值。只要我们坚守设计的完整性和独特个性，便不会留下任何遗憾。”After a lengthy six-year journey of home decoration, Paltrow has accumulated valuable experience and shared her insights: "Any project will encounter challenges and difficulties, but we must always maintain focus on the overall vision. This house has deeply taught me the value of patience and gratitude. As long as we adhere to the integrity and unique character of the design, we will not have any regrets."Romanek Design Studio 将为最具鉴赏力的客户提供新颖、令人振奋的设计理念。我们自豪于在各种风格上进行创新。我们的工作室团队具备创造力、对细节的激情以及全球资源，能够帮助您实现梦想中的空间。Romanek Design Studio will present fresh, exciting design concepts for the most discerning clients. We pride ourselves on innovating in a wide range of styles. Our Studio team has the creativity, passion for detail and the global resources to help you achieve the space of your dreams.Romanek Design Studio能够通过智能、美观和实用的建筑规划、重新设计或翻新，为您的室内设计方案增添更多精彩。我们致力于在空间、视觉效果和实用性之间达到和谐的平衡。提出的设计方案将以精美的形式呈现，提供详细的视觉效果，供审查和讨论。Romanek Design Studio can enhance your interior design solution with intelligent, beautiful, and functional architectural planning, redesign or renovation, creating a harmonious balance between the space, its visual impact and its utility. Proposed design solutions will be beautifully rendered, providing detailed visuals for review and discussion.
