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Maurice Joyant rapporte que les amis de Lautrec, voulant le distraire et l’empêcher de boire après sa cure de désintoxication, l’entraînent dans des maisons de couture de la rue de la Paix. Ces lieux lui inspirent plusieurs œuvres ayant pour modèle Louise Blouet, employée puis mannequin chez la modiste Renée Vert.

The sitter must have been a friend of Lautrec, who dedicated this work to him at the upper left. He may have been the iron merchant, heavy set and wearing a bowler hat, who also appears in a line drawing by the artist. This drawing, the first by the artist to enter an American museum collection, is a prime example of Lautrec's ability to capture the atmosphere of Paris café life. [Cleveland Museum of Art - Gouache, 80 x 65 cm]

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Henri de Toulouse-Lautrec - French Post-Impressionist Painter and Printmaker, (1864-1901) French artist who vividly captured the 19th century’s festive Parisian nightlife in paintings and posters. Toulouse-Lautrec began his artistic career when, as a teenager, he injured both of his legs and immersed himself in art during his long convalescence. In adulthood, he joined the culture of Paris’ bohemian Montmartre section, and painted its spectacle of circuses, dance halls, nightclubs and racetracks, as well as the artists, streetwalkers, writers, aristocrats and dancers he befriended. He began to exhibit widely, and Vincent Van Gogh’s brother Theo was one of his patrons. Institutionalized for alcoholism, he created an incredible array of circus drawings from memory during his confinement.

XIR30641 The Sphinx, 1898 (oil on cardboard) by Toulouse-Lautrec, Henri de (1864-1901); 86x65 cm; Haussmann, Zurich, Switzerland; (add. info.: Femme de Maison, La Sphynge); Giraudon; French, out of copyright

Du 9 octobre 2019 au 27 janvier 2020, Henri de Toulouse-Lautrec est au Grand Palais. Après l’avoir visité, voici ce qu'il faut savoir.

Find great deals on 'La Goulue and Valentin Le Desosse at the "Moulin Rouge"' Poster by Henri de Toulouse-Lautrec at AllPosters.com, with fast shipping, easy returns, and custom framing options you'll love!

Du 9 octobre 2019 au 27 janvier 2020, Henri de Toulouse-Lautrec est au Grand Palais. Après l’avoir visité, voici ce qu'il faut savoir.

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Du 9 octobre 2019 au 27 janvier 2020, Henri de Toulouse-Lautrec est au Grand Palais. Après l’avoir visité, voici ce qu'il faut savoir.

Often the portraits of Henri de Toulouse-Lautrec (1864-1901) take a back seat to his popular poster art. As we saw with his portraits of Suzanne Valadon, he created serious paintings of those he encountered in Montmartre. One of his favorite models, in addition to Suzanne Valadon, was another laundress named Carmen Gaudin (1866?–1920). Henri de Toulouse-Lautrec (1864-1901) Carmen Gaudin , 1885 My favorites of his portraits, by far, are his early paintings of Carmen Gaudin. Henri de Toulouse-Lautrec (1864-1901) Carmen Gaudin Red-Headed Woman in a White Blouse in the Artist's Studio The model for this series of Lautrec paintings Carmen Gaudin apparently made her living as a laundress, model, and prostitute. Henri de Toulouse-Lautrec (1864-1901) Carmen Gaudin It is reported that Lautrec spotted Carmen, as she was leaving a Montmartre restaurant sometime in the summer of 1885. Henri de Toulouse-Lautrec (1864-1901) Carmen Gaudin The Red-Headed Woman Lautrec was reportedly infatuated with red-headed women. He seemed to be attracted to Carmen both for her beauty & her tawdriness. He had been born into a traditional, well-to-do family. Henri de Toulouse-Lautrec (1864-1901) Carmen Gaudin Henri de Toulouse-Lautrec (1864-1901) Carmen Gaudin Lowered Head 1885 Lautrec is supposed to have intended to improve her lot in life by making her his model, but it appears that she had already posed for the Belgian painter Alfred Stevens, and later worked as a model for artist Fernand Cormon as well. Cormon was Lautrec's art teacher. Henri de Toulouse-Lautrec (1864-1901) Carmen Gaudin At Montrouge. 1886-87. In autumn 1885, Lautrec wrote to his aristocratic mother, that he was "painting a woman whose hair is absolute gold," referring to Carmen. Tucked deep into the artist's community at Montmartre was the garden of Monsieur Pere Foret, where Toulouse-Lautrec executed a series of pleasant plein-air paintings of Carmen Gaudin Henri de Toulouse-Lautrec (1864-1901) Carmen Gaudin Red-Headed Woman in the Garden of M. Foret, Summer 1887 He was able to portray Carmen in realistic poses and situations which he would not have been able to do with client friends from his family. Henri de Toulouse-Lautrec (1864-1901) Carmen Gaudin 1889 Throughout his voluminous body of work his models were often prostitutes, commonly the only source of female models willing to bare more than their face or hands. Henri de Toulouse-Lautrec (1864-1901) Carmen Gaudin Woman in a Garden 1889 Lautrec did not portray his models in a demeaning way, he seemed to want to capture the spirit of his models. And, with them, he could play with light and shadows, as he could not with traditional portraits. Henri de Toulouse-Lautrec (1864-1901) Carmen Gaudin as The Laundress. 1889, although some say that the model for this particular painting, and perhaps the following portrait, was Suzanne Valadon, during a period when her hair was dyed red. Henri de Toulouse-Lautrec (1864-1901) Carmen Gaudin Red-Haired Woman The Toilette. 1889.

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Henri de Toulouse-Lautrec, French (1864 - 1901) The Hangover (Suzanne Valadon), 1887-1889 Painting Oil on canvas sight: 45.09 x 53.34 cm (17 3/4 x 21 in.) framed: 71.12 x 78.74 x 8.89 cm (28 x 31 x 3 1/2 in.) Harvard Art Museum/Fogg Museum, Bequest from the Collection of Maurice Wertheim, Class of 1906, 1951.63

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