Mushroomsgnomes - Free download as PDF File (.pdf), Text File (.txt) or read online for free. The document provides instructions for making mini and big mushroom gnomes using crochet. It includes materials needed, instructions for making the body, hat, leaves, arms, nose, beard and assembly. Color photos show examples of the finished gnomes. The author asks that the pattern not be copied or shared without permission and that they be credited if any finished toys are sold.

(澳洲)-富人帝氏寶螺 (侏儒型) Cypraea friendii Gray, 1831 (dwarf)-(Australia)

大家玩動物森友會都踏入第2個月喇，好多神人都將自已喜愛既場景係遊戲中重現，今次小編見到呢兩個吉卜力最hit動畫主題房－《千與千尋》、《借東西的小矮人》就立馬打包下載，仲附上下載碼/擺家具教學比大家參考下！ 千與千尋 ▲呢個場景重現主角千尋同湯婆婆及無臉男食tea～ ▲作者連表情都交足戲！ ▲驟眼睇的確幾神似 真係好似一格格既溫泉浴場 ▲作者開放自家設計部份，其它擺家具就考考大家心思喇～ ▲無臉男其實係一件背心黎～ 借東西的小矮人 ▲借東西的小矮人畫面都真係好夢幻唯美，網友都盡力將佢既小屋還原，鋪滿精心挑選花草小屋，有著煙火氣息小屋feel～真係好似呀～ ▲另一角度睇間房真心靚！ ▲玩家分享左佢用左咩家具，大家想整一定要記低～ 文字整理：香港人遊香港 / 資料及圖片來源：Ahhh_、苔苔rylee＠xiaohongshu

画了跑团里的角色《逃离深渊》吟游诗人灰矮人—— 维特·索拉姆 我从小在地底暗湖边流浪，孤独使我学会了跟动物们对话，我把周遭捡到的物品变成了我的乐器，并随身携带。后来我跟一群人被卓尔精灵抓到了一所监狱关了起来，虽然我不愿接受其他种族，但是在这样的环境下我不得不跟他们合作逃出去，一路上的经历让我逐渐跟他们配合越来越默契，我想过要叛变，但是我的队友宽恕了我，是他们让我感受到了温暖… 我头上的是跟队友们一行冒险遇到的蕈人—史东 它帮我们找到很多次附近的食物，也常常通过孢子与我沟通，我将协助他们逃离深渊。

跨足兩岸，正式成立於西元2004年的「光助大房」，以「敘事空間」為設計之主要創作概念，並跨界運作規劃策展、品牌操作、商業活動、藝術展覽、藝文舞臺、動畫、互動及多媒體等多重領域。在台、中、港三地和歐美各地皆有作品露出。光助大房以敘事空間總監黃怡儒為首，佐以電影、電視、舞臺劇劇本創作出身的王紀堯，並吸納長期操作媒體公關及企劃的專業人士、互動科技及動畫技術、廣告及電影美術設計等不同範疇之創作人才。駐公司之室內，平面，燈光，舞臺設計師，以及專業繪圖，文字工作與技術專員等數十位。我們擁有統合性的思維，複合性的觀點，展現多元化與高精神產值的強烈企圖。將「人」與「空間」兩者之中搭起「故事」與「情感」的橋樑，並屢屢創作出獨樹一格的身、心、靈感受。雜揉「藝術」與「通俗」，讓「經歷者」體驗前所未有的精神場域。光助大房歷年作品廣受國內外媒體關注，不定期報導於國外專業藝術設計書刊，如DOMUS，Architectural Record等，以及各大眾媒體。為各品牌量身操作之商業活動亦被美國CNBC、日本朝日等國際重量級媒體青睞。簡而言之，我們期待為藝術，設計，生活開發更多不可思議的能見度。

希腊时代的装饰纹样更加广泛，其中与衣服关系较密切的可归纳如下：几何纹样有玫瑰花格纹、雷纹、凹纹、组纽纹，还有角形、菱形、圆点、星形、波形纹、蛇形纹、卵形和箭头形等各种组合纹饰；植物纹样有爵床叶饰 (acanthus 以地中海地区特有的爵床科植物叶片为主题的一种装饰形式。 文艺复兴以来，爵床叶饰己成为家具雕刻装饰中的流行题材）、月桂树、水草、忍冬．扇状叶的矮棕桐、常春藤等各种叶形纹：还有人物、动物、鸟等纹样与以上题材一起装饰在边饰和衣摆上。 从留存至今的大理石雕像看，一般人们认为那时的服装都是白色的，没有什么色彩和纹饰，其实这是一种误解。那时的雕像原本都涂有写实的色彩，随着年代推移，颜色剥落或褪色了，只留给人们大理石本身的白色，这种效果反过来得到后世艺术家们的认可，于是现在的雕刻就形成了不施色彩的习惯。当然在古典期的雅典，上层社会确实曾流 行白色，但一般还都使用有彩色图案装饰的布料。 这可从一部分雕像的四部看到留存至今的着色痕迹，另一方面，从希腊瓶画上看，古典期以前的作品，衣服上是有非常精美的满地花纹的。

“紫面长髯，金甲绿袍，丹凤眼、眉卧蚕，胯下赤兔马，手执青龙偃月，乃“武圣”关羽也” 
  
历时四年打造，Zenpunk携手当代著名画家王可伟共同推出“三国”系列1/4传奇级限量版雕像首款【武圣关公】 
  
  
王可伟 
Wang Kewei 
  
武圣关公 
the God of Martial Art 
  
1/4傳奇級限量版雕像 
1/4 legendary scale limited edition statue 
  
全球限量199体 
Global Limited 199 关羽，本字长生，后改云长，河东解人。三国时期蜀汉名将，由将而侯而王而帝而圣，一生忠义仁勇，诚信名冠天下。 
● 《三国演义》中描述关羽的外貌为：“身长九尺，髯长二尺，面若重枣，唇若涂脂，丹凤眼、卧蚕眉，相貌堂堂，威风凛凛”。 
● 《三国演义》尊其为蜀国“五虎上将”之首，战功赫赫，忠勇信义的事迹耳熟能详：温酒斩华雄，斩颜良诛文丑 ，挂印封金，过五关斩六将，千里走单骑 ，华容道放曹，长沙大战收服黄忠，单刀赴会，水淹七军，刮骨疗伤等。其被三国时期各方诸侯英雄公认为蜀国虎将，当世豪杰，“皆万人之敌也“。诸葛亮更盛赞：”孟起兼资文武，雄烈过人，一世之杰，黥、彭之徒，当与益德并驱争先，犹未及髯之绝伦逸群。“毛宗岗称其为《演义》三绝中的“义绝”。 
● 关羽去世后，逐渐被神化，民间尊其为“关公”，历代朝廷多有褒封，清代奉为“忠义神武灵佑仁勇威显关圣大帝”，崇为“武圣”，与“文圣” 孔子齐名。故武圣庙有联赞云：“儒称圣，释称佛，道称天尊，三教尽皈依，式詹庙貌长新，无人不肃然起敬；汉封侯，宋封王，明封大帝，历朝加尊号，矧是神功卓著，真所谓荡乎难名。” 
● 至如今，关羽被人们广为敬仰，成为华人最受欢迎的偶像，其忠义的品德尤为可贵，为后世榜样。他与刘备、张飞桃园结义，“誓以共死，不可背之”，后身在曹营心在汉，千里走单骑。为兄长刘备的霸业屡次涉险，立下汗马功劳，最后不幸败走麦城，然誓死不降，关公厉声骂曰：‘碧眼小儿，紫髯鼠辈！吾与刘皇叔桃园结义，誓扶汉室，岂与汝叛汉之贼为伍耶！我今误中奸计，有死而已，何必多言！’ ——“天日心如镜，春秋义薄云”，此乃真武圣也。 
● 本组武圣雕像生动再现了关羽英俊、威武、霸气的神勇形象，并油然尽显其忠义、笃信、刚毅、气吞山河之内在品格。所谓“志在春秋，孔圣人未见刚者；气塞天地，孟夫子所谓浩然”“数定三分，扶汉室，削吴吞魏，辛苦备尝，未了平生事业；志成一统，佐熙朝，伏寇降魔，威灵丕振，只完当日精忠”是也。作为中华儿女、炎黄子孙，当努力继承武圣这份丰厚遗产，弘扬其大义凛然、忠贞不二、驰而不息的崇高精神。将武圣雕像仰之敬之，以为奋斗人生的楷模，美好精神的寄托；藏之供之，以为镇宅之宝，定会为您带来安全、健康、财富与好运。 
  
● courtesy name Yunchang, was a Chinese military general serving under the warlord Liu Bei during the late Eastern Han dynasty of China. Along with Zhang Fei, he shared a brotherly relationship with Liu Bei and accompanied him on most of his early exploits.  
● Guan Yu's life was lionised and his achievements glorified to such an extent after his death that he was deified during the Sui dynasty. Through generations of story telling, culminating in the 14th-century historical novel Romance of the Three Kingdoms, his deeds and moral qualities have been given immense emphasis, making Guan Yu one of East Asia's most popular paradigms of loyalty and righteousness. He is still worshipped by many Chinese people today. In religious devotion he is reverentially called the "Emperor Guan" (Guān Dì) or "Lord Guan" (Guān Gōng). 
● This statue vividly reproduces Guan Yu's image of being handsome, powerful and domineering, and shows his inner character of loyalty, faithfulness, fortitude and courage. 
● Respect the statue of wusheng as a model of struggling life and the sustenance of beautiful spirit; As the treasure of the house, it will bring you safety, health, wealth and good luck. 
                                                                                                
包装盒内都有什么？ 
  
【武圣关公】雕像配件介绍： 
关羽、青龙偃月刀、八锡剑、赤兔马、武圣石地台 
  
  
WHAT'S IN THE BOX? 
the God of Martial Art statue features: 
Guan Yu、Green Dragon Falchion、Baxi Sword、Red Hare Horse、Stone Base 
  
  
PRODUCT DETAILS: 

Expected to Ship          Q2 2021
License                          Wang Kewei
Scale                              Art Scale 1/4 
Manufacturer                 Zenpunk Collectibles
Product Size                  37.4" H (950mm) x 31.5" W (800mm) x 23.6" L (600mm)*
Product Weight             55 lbs (25 kg)* (including Package) 
Box Size                       19.7" H (500mm) x 23.6" W (600mm) x 31.5" L (800mm)* 
Product Sku                   ZW3GY01 

Artists: 

Wang Kewei (Design & Painting) 
Zenpunk Collectibles Design and Development Team 

Version Description: Wang Kewei [the God of Martial Art] 1/4 legendary scale limited edition statue 
  
Retail Price: $2600 US 
Global Limited:199

Preorder Gift: Autograph [the God of Martial Art] Oil painting print poster by Wang Kewei. 
版本说明：王可伟授权《武圣关公》1/4传奇级限量版雕像 
  
零售价格：2600美元16800元人民币 
全球限量：199 
  
预定赠品： 王可伟老师亲笔签名武圣关公油画印刷版海报 
  
- Prototype samples shown. 
- Product details could be subjected to change without further notice 
. 
-原型样品展示。 
-产品细节如有更改，恕不另行通知。

AI科技的发展突破人类的想象，对于未来办公生活方式的探索，新的觉察与思考打破“常规认知”，持续挖掘新的设计命题。这次在杭州万科黄龙中心的项目中，TOMO東木筑造从“显微镜”的诞生汲取灵感，开拓先锋的设计视角。Advancements in AI technology have surpassed human imagination, propelling the exploration of future office lifestyles and challenging conventional understanding while inspiring novel design explorations. In this project, TOMO Design draws inspiration from the emergence of "microscope" to pioneer an avant-garde design perspective.微的关系丨MICRO-RELATIONSHIPS微小尺度的效应会对整体体验和环境产生重要的影响，本项目遵循“微感拟界”的理念，通过细微的感知视角构建整体办公环境，从景观、建筑、室内、到人和绿植四重关系的微感渗透，循序渐进直至深度链接，从「微建筑」、「微景观」、「微室内」来理解新型办公环境带来人群的「微交互」，塑造“经典、轻松、睿智”的未来空间语境。Micro-scale effects can wield significant influence on overall experiences and environments. The concept of the project is to craft a comprehensive office environment through micro-perceptual perspectives, among landscape, architecture, interior, people, and greenery. It underscores the integration of micro-level relationships, from the perspectives of "micro-architecture," "micro-landscape," and "micro-interior," to evoke the "micro-interactions" among people in this new office environment. The aim is to create a future spatial context that is classic, relaxing, and inspiring.01 外与内的微边界 / Micro-boundary between exterior and interior大堂前厅丨LOBBY通过丰富外立面的造型以及多种材质的搭配，金属质地的反射作用和室内外铺装的相互延伸，消隐并穿透室内外场景的边界，实现多重界面的相互微感渗透，室内外空间不再是孤立的单元。Through the enrichment of facade shapes, the combination of various materials, the reflective properties of metal textures, and the seamless integration of indoor and outdoor pavings, the boundary between interior and exterior spaces blurs, fostering a sense of micro-interpenetration.室外植物从绿色调到黄色调的自然过渡追随四季流逝，愉悦心理与时间达到微感同频。The natural transition of outdoor foliage, from vibrant green to autumnal yellow, mirrors the passage of the four seasons, syncing emotional pleasure with the rhythm of time.巨大的屋檐出挑保持外立面的简约大气，灰度空间立体延续室内的视野，强化内外界限的穿透作用。The expansive overhanging eaves maintain the simplicity of the exterior facade, while the three-dimensional transition space extend the indoor view and intensify the permeability between interior and exterior.大堂中极具纵深建筑感的网格天花改变原本的流向，秩序感赋予空间强烈的性格，特殊手法模拟的天光强化出雕塑轮廓。The deep grid ceiling within the lobby add variations to the ceiling pattern, imparting a distinct character to the space with a sense of order. Additionally, the unique skylight-like lighting accentuates the space's sculptural contours.具有流动属性的前台与围合界面相互呼应，叠加空间社交行为的倾向性，使人发生自然而然的微交互。The fluid reception desk and the enclosure interfaces complement each other, fostering social interaction within the space and encouraging natural micro-interactions among people.光影落在条纹金属板墙面，明暗两面错动微肌理，对比之中光束延续到地面铺装，为空间塑造随时间变化的微质感。Light and shadow play across the striped metal sheet wall, creating dynamic micro-patterns as the light shifts. Meanwhile, the light beams extend to the floor, generating micro visual effects that evolve over time.一体融合的矮墙与前台互相错动，视觉焦点从轮廓感分明的天花层层降落到光滑地面，先锋未来属性传递变化丰富的微感知，将绿色微生态映衬得生机盎然。The integrated low wall and reception desk play with each other, guiding the sight to focus from the clearly defined ceiling to the sleek floor. These innovative and futuristic elements enrich micro perceptions and complement the lively green micro-ecology.02 人与场的微交互 / Micro-interaction between people and space 线性的波浪金属背板与古铜色不锈钢板的咬合突破原有的功能界限，微功能无限叠加。The interpenetration of the corrugated metal backplates and the bronze stainless steel panels transcends the functional boundaries, allowing for the infinite superimposition of micro-functions.底面的不锈钢与网格天花相互交错，距离之间碰撞出空间的韵律，触达无限伸展的方向。The stainless steel beneath interacts with the grid ceiling, creating a dynamic rhythm that extends boundlessly throughout the space.流型条纹金属板划分出适人的尺度，修长的木板与纤细的圆桌交叉，休憩与社交都动静相宜。Sleek striped metal plates create an appropriate scale. A slender wooden board intersects with a round table, catering to both relaxation and social interaction.像素化的导视标示在条纹金属板中予以自身辨识度，与空间关系的流向达成一致。Pixelated signage symbols offer a strong visual identity amidst the striped metal plates, maintaining consistency with the spatial circulation.灌木与苔藓生态搭配的微景观凸显未来生活方式的前景，将相互渗透的室外引入深处。The micro-landscape of shrubs and moss embodies a vision for future lifestyles, seamlessly integrating outdoor scenes into the interior.TOMO東木筑造创新设计的灯具坐落于空间一侧，通过标识性的金属圆盘反射灯光的方式，出奇打破真实感知，游走于未来感体验。Innovatively designed lamps are positioned on one side of the space, reflecting light through iconic metal discs and unexpectedly creating a futuristic experience.大堂中悬挂的金属icon聚合空间视觉焦点，弧形沙发蜿蜒其下，拉开空间的高低层次的张力，使微感知产生艺术关联。The iconic metallic art installation suspended in the lobby captures visual attention, and fosters a sense of tension between the vertical and horizontal dimensions with the curved sofa beneath it, evoking an artistic dialogue at micro-perceptual level.苔藓跟随沙发的形式植入可触及的范围，微景观除却人际距离感，保持生活的包容与自由开放。Moss follows the contours of the sofa, carefully embedded within reach. This micro-landscape brings people closer, nurturing a vibe of inclusiveness, freedom, and openness.通过不同入座形式的打造，社交空间的潜力得到充分挖掘，微交互使体验切换至有序状态。By introducing various seating configurations, the design fully explores the social potential of the space, encouraging micro-interactions in an orderly setting.灌木与苔藓搭配而成的绿色生态微介入沙发和台椅，银色雾面金属与古铜色不锈钢拓宽社交的先锋属性，触发新型微社交的协作方式。Micro-landscape of shrubs and moss is integrated into sofa and table, complemented by silver matte metal and bronze stainless steel. These elements amplify the pioneering spirit of social engagement, ushering in new forms of micro-social collaboration.电梯厅 / ELEVATOR HALL在统一的空间构建不同的运动场域，重新构建交通空间的场景特性，微建筑牵引未来生活的可能事态。The design creates diverse movement areas within a unified space, redefining the scenography of traffic space and employing micro-architecture approach to breed potential future lifestyles.石材在空间一侧划分出空间轮廓的力量感，在富于变化的大堂之中维持安定，与多形式应用的金属板面和融统一。On one side of the elevator hall, stone materials define a sense of strength and stability, blending seamlessly with the diverse metal panels.竖纹墙体与银色条纹金属的处理雕刻建筑体块的造型，细腻且微妙，满足未来生活的高品质追求。Vertically textured walls with silver striped metal give the structural blocks a sense of sculpture, embodying the pursuit of refined quality in future life.附着于墙面的像素化导视系统有趣且清晰，自由分布，打破空间规整的秩序，穿透流动的细微触觉。The pixelated signage system attached to the walls adds interest and clarity, breaking free from conventional spatial order and facilitating fluid movement.光洁的雾感金属框与网纹石材墙面相互交织，错动的体积重塑电梯厅的纵深序列感。The smooth matte metal frames intertwine with the striped stone wall, creating staggered volumes that redefine depth and sequence in the elevator hall.03 建筑与室内的微体验 / Micro-experience between architecture and interior盥洗室 / WASHROOM整个对称的空间布局中设置拱形天花，光线得以柔和散射，融入整体橡木材质界面的庇护感。The bathroom space, with its symmetrical layout, features a vaulted ceiling that facilitates soft light diffusion, harmonizing with the sheltered ambiance generated by the oak wood veneers.浅色颗粒水磨石与橡木相似相差，随着不同角落的光线调动微感知，将私密的氛围充分渗透。The light-colored granular terrazzo resembles oak wood, delicately engaging micro-perception along with varying light in distinct corners, thus enriching the private atmosphere.长条隔板与悬浮体块感的洗手台重新分隔空间比例，收束整体视觉，在小空间内实现界面的进退互动。Long partitions and suspended block-like washbasins redefine spatial proportions, creating a harmonious visual effect and strengthening interaction between surfaces within the compact space.在盥洗室的另一侧则使用经典暗色调搭配橡木，传递沉稳依旧统一有序的风格。On the opposite end of the bathroom, classic dark tones, complemented by oak wood accents, establish a serene yet harmoniously organized environment.地下车库 / GARAGE绿色生态的理念延续到地下车库，使得原本消极的空间获得新鲜的感官冲击，激活未来生态的微观感知流动领域。The concept of green ecology extends to the underground garage, transforming an originally negative space into an area with a fresh sensory impact, activating the micro perception of future ecology.干净纯粹的顶面悬浮于绿色生态之上，使用极简的手法营造未来高级感，为空间叙事铺垫先锋的先导印象。Above the greenery is a clean and pure ceiling, employing minimalist techniques to evoke a futuristic and upscale ambiance, setting the stage for an avant-garde spatial narrative.苔藓创新性的植入丰富近距离的触觉体验，使人与生态发生似是而非的微交互，创造全新的休憩行为方式。The innovative incorporation of moss enhances the intimate tactile experience, fostering unique micro-interactions between people and the ecology, and introducing a novel way of relaxation.自然与粗糙的悬浮条纹石材相互微渗透，整体与银色雾感金属强烈对比，衬托出空间的细致与精美。Greenery echoes with rugged suspended linear stone seating, creating a strong contrast with the matte silver metal, together producing a refined aesthetic.即使科技让如今的办公形式有了更多的选择，但办公室仍然是建立信任、培养归属感和展示企业文化的关键场所。TOMO東木筑造将先锋基因贯通空间微观感知，重塑景观、建筑、室内与人的链接与交互，探索自然与建筑、人与空间“微”关系，挖掘空间的“微”体验，从而找到触动人心的“微”感受。While technology expands the possibilities for modern workplaces, office remains crucial for nurturing trust, fostering a sense of belonging, and embodying corporate culture. In this project, TOMO Design redefines micro spatial perceptions with avant-garde elements, reshaping the connections between landscape, architecture, interior, and human. The design delves into the micro-relationships between nature and architecture, individuals and space, to explore micro-experiences within the space and discover the micro-emotions that truly resonate with people.以未来科技智能与自然生态的办公生活方式为引，为人群的“微”交互营造具有低碳生态场景的“微”绿意。TOMO对“微”型社交办公的理解，或许将引导全新的设计命题。Grounded in an office lifestyle guided by future technological intelligence and natural ecology, the design team crafted low-carbon "micro" landscape scenes to stimulate interactions among people. TOMO's insights into "micro" social offices are expected to inspire more design innovations in the future.