These botanical plates are just a modest spring sampling of the dozens of illustrations in Dina Falconi 's beautiful and useful book F...

Blog sur la phyto-aromathérapie : plantes médicinales, huiles essentielles, recettes diverses

МАСТЕРА КНИЖНОЙ И ЖУРНАЛЬНОЙ ГРАФИКИ, ARTWORK of ILLUSTRATION

Prof. Dr. Thomé's Flora von Deutschland, Österreich und der Schweiz, in Wort und Bild, für Schule und Haus ; mit ... Tafeln ... von Walter Müller.. Gera-Untermhaus :F.E. Köhler,1886-1934.. biodiversitylibrary.org/page/4321141

For the second interview of our series 'The Boundaries of Botanical Art' Jackson's caught up with Dianne Sutherland! Dianne first learned to paint intricate floral patterns on china in the 1980s when she trained as a technician with the Royal Doulton, Staffordshire. Since then she moved to Scotland and established herself as as artist, illustrator and tutor specialising in Botanical subjects; her career has included some impressive feats such as being accepted, exhibited and awarded four medals by the Royal Horticultural Society Picture Committee, being elected as a full member of the Society of Botanical Artists and being invited to join the Sydney Royal Botanic Garden Florilegium.

I recently posted (click here) a plea for information about a mystery artist and botanist called H.Isabel Adams, who produced some delightful wild flower illustrations in an old book that I'd bought. Thanks to the wonder of Twitter, and particularly to the following @HerbariumDonna @lukaslarge @SarahAMorrish @Haggewoods @mumblinglylow @botanicalmartin ... who pointed me in the right direction, I now have some biographical details. Her full name was Harriet Isabel Adams. She was born in 1863 and trained as an artist at Birmingham School of Art, before becoming a noted Arts and Crafts illustrator, although as far as I can ascertain she only published these wild flower books and a book of fairy tales. Apparently she produced some fine designs for ex libris book plates. She was a Fellow of the Linnaean Society and lived to the age of 89, dying in 1952. There don't seem to be many copies of her wild flower book available on the internet via Abe books but numerous mounted examples of the book plates are available, suggesting that many of the books were broken up for their plates. It's easy to see why - they are wonderfully stylish and elegant.

ID: 025219 Title: Carrara Herbal Provenance: Italy (Padua); circa 1400 Caption: Violet plant Notes: (Whole folio) A scented violet plant with leaves and flowers; text above. Image taken from Carrara Herbal. Originally published/produced in Italy (Padua); circa 1400. Language: Italian translation from Arabic Source identifier: Egerton 2020, f.94 British Library Shelfmark: Egerton 2020 If you wish to purchase a high quality copy of this image, please place an order at Images Online imagesonline.bl.uk. The details from the above list should help you locate the images.

Botanical Journaling – September 2020 – Lysimachia monelli, Quercus gall, Exochorda x macrantha, Tilia and Ilex fruits. Ink and Watercolour on sketchbook.

Forest Bouquet II by Alexander Viazmensky.

Plate 195 from Curtis Botanical Magazine There is a lot of info on these on the web, see; www.nal.usda.gov/curtis/ and en.wikipedia.org/wiki/Curtis's_Botanical_Magazine

Each print is like a scrapbook of an old-timey collector.

“My work is loving the world.” So begins the poem Messenger, by Pulitzer Prize-winning poet Mary Oliver, who died this week at the age of 83. Oliver delivered intimate observations of nature and de…

Curtis's botanical magazine. London ;New York [etc.] :Academic Press [etc.].|Botany Periodicals "Pictorial works" "Missouri Botanical Garden, Peter H. Raven Library" |

Не анималистика, но совершенно замечательные акварельные грибы. Больше вязьменских грибов, с названиями, можно отведать на Санкт-Петербургском сайте Планета грибов . И на сайте Александра Вязьменского.

PRINT: Figs & Finches LIMITED EDITION of 200 MEDIUM: Archival, giclée reproduction print PAPER TYPE: acid-free 100% cotton rag paper with a bright smooth finish. 330gsm. It has an extremely high colour gamut and black density. SIZE: paper size 11x11 inches. Image size 10x10 inches (1/2 inch white border for framing) Each print is signed by hand on front. Don't have an 11x11 inch frame? Choose the option to include a white mat to fit a standard 12x12 inch frame. Shipped in a protective sleeve with sturdy backing board and cardboard. Canadian shipments are all expedited and come with tracking. US shipments ship Small Packet. CARING FOR YOUR PRINT As with any valued fine art piece, it is recommended your print be displayed in indirect lighting and away from any contact with moisture. Using archival materials for mats and UV protected glass/plexiglass (not mandatory as giclée inks and the clear coat contain UV protectors) will add to the life of the print. The artwork should never directly touch the glass/plexiglass. This is an archival print of my watercolour painting. All of my prints are made with museum-quality materials including archival pigment-based inks and archival art papers. Limited edition of 200. Printed in Canada on 290gsm, 100% cotton rag, fine art paper. 11 x 11 in. Signed on front, with edition number. Shipped with cardboard backing, protective sleeve, and pressed flat in-between rigid cardboard and wrapped in Kraft paper. This watercolour is from my new "A-Z Birds & Botanicals" series. The original watercolours debuted at my recent solo show entitled "Profusion". Thank you for visiting! Please note all Canadian shipments come with tracking. If you are in the USA or Overseas and do not upgrade your shipping to include tracking, Strawberry Snail can not be responsible for lost or late items and will not send another package for replacement.