Эдмунд Дюлак один из крупнейших французских и английских художников-иллюстраторов начала XX века, экспериментатор в области почтовой графики. Представитель викторианской сказочной живописи. Edmund Dulac (Toulouse 18821953 London) - Portrait of a woman. Eleonora, 1907. Watercolour and…
When the going gets tough, the art gets going. That's the beautiful thing about human creativity – it can sprout in any soil. Especially for the late British-French illustrator Edmund Dulac, whose flair for Art Nouveau fantasy not only gave us brilliant literary illustrations, but flights of fancy a
Сирены, ужасные и влекущие, один самых таинственных образов мифологии. Наверно, вам покажется невероятным, но до сих пор есть в мире люди, которые верят в морской народ. А в России в наш подвид, который мы красиво зовем Русалки. 😊 Про них разные народы придумывали разные…
French illustrator Edmund Dulac (1882 –1953) was a well known for his rich and detailed children’s book illustrations. One of my favorite things about Dulac is his use of color. Many of his watercolor illustrations show scenes in low light (night, twilight, or perhaps indoor scenes) but with bright flashes of color somewhere in the scene. He seemed to prefer cool colors for his palette, using only a limited number of warm colors for emphasis. (See how the scarlet stands out in the illustration below.) Edmund Dulac illustration from "The Rubaiyat of Omar Khayyam" I thought it might be fun to hypothesize on which watercolor paints I have right now that could be used to reproduce the colors in his paintings. Here’s the list that I came up with: Winsor yellow (WN - Winsor Newton), Lemon Yellow (DS - Daniel Smith), French Ochre (DS), Quin. Burnt Orange (DS), Scarlett Lake (WN), Alizarin Crimson (DS), Rose Madder Genuine (DS), Prussian Blue (DS), Mayan Blue Dark (DS), Cobalt Blue (DS), Manganese Blue Hue (DS), Ultramarine Turquoise (DS), Phthalo Green (DS), and Bohemian Green Earth (DS). Edmund Dulac "The Queen of Sheba" As seen in the above illustration, Dulac also occasionally uses a very bright, cool blue-violet in his paintings to wonderful affect. You can see how lovely this color looks when placed next to the scarlet. Although I think I could mix this color using Prussian Blue and Alizarin Crimson, it might be easier to just add Cobalt Blue Violet (DS) to my palette instead. (Cobalt Blue Violet is about the same brightness and temperature as the violet-blue he was using.) Although I’m certain Dulac did not have all of these particular colors in his palette (Mayan Blue Dark being a new Daniel Smith color for instance), I think I can get pretty close using the colors I've outlined here. We’ll see! UPDATE: Here's a picture of the palette colors mentioned above. I think they look pretty harmonious, although the true test will be when I start painting with them. Stay tuned... My version of the Dulac palette
As promised , here are all my illustrations for the Rubiyt . Please be advised that this is an image-intensive post, and there's a considerable deal of text, too. I personally think that a number of these are among my best work so far. I certainly worked very hard on them. I still…
Edmund Dulac (1882 – 1953) was a French magazine illustrator, book illustrator and stamp designer. For full biographical notes on Dulac, and for earlier works, see part 1 also. This is part 2 of a 7-part post on the works of Edmund Dulac: 1908 Lyrics Pathetic and Humorous from A to Z An Alphabet Book of 24 colourful plates (X, Y and Z are combined), each with a limerick. The book was published in London and New York in 1908 by Frederick Warne & Co. A year later in 1909 a deluxe limited edition of about 160 copies was issued in portfolio form much taller than the standard edition — large quarto, title-page and twenty-four color plates, each mounted on dark green art paper with original parchment endpapers from the book edition also mounted on folded sheets of dark green art paper. Front Cover End-paper Title Page End-paper End-paper Back Cover 1908 Shakespeare's Comedy of The Tempest: Front Cover Frontispiece Title Page Prospero: "I have done nothing but in care of thee" Prospero: "What seest thou else in the dark backward and abysm of time?" Prospero: "And by my prescience I find my zenith doth depend upon a most auspicious star Caliban: "Wouldst give me water with berries in't' Antonio: "Here lies your brother, no better than the earth he lies upon" Stephano: "Come, swear to that: kiss the book" Ariel: "You are three men of sin" Iris: "I met her deity cutting the clouds towards Paphos" Iris: "You Nymphs, call'd Naiads, of the windring brooks, leave your crisp channels" Prospero: "We are such stuff as dreams are made on" Ariel: " All prisoners sir, in the lime-grove which weather-fends your cell" Prospero: "You demi-puppets that by moonshine do the green sour ringlets make" Prospero: "Graves at my command have waked their sleepers" Boatswain: "And were brought moping hither" Prospero: "Calm seas, auspicious gales, and sail so expeditious" 1909 The Rubáiyát of Omar Khayyám: Front Cover Front Cover Title Page ( Frontispiece ) Thinking of Lady Yang at Midnight …Awake! For Morning in the Bowl of Night has flung the Stone that puts the Stars to Flight Peace to Mahmud on his Golden Throne! A Loaf of Bread Blowing Rose Lone Dove …and hidden by the sleeve of Night and Morn The Potter Hour of Grace Angel of the Drink of Darkness Human or Divine A New Marriage Came shining through the Dusk an Angel Shape All are but Stories The Face of Wretched Man That Spring Should Vanish with the Rose Where I Made One
Edmund Dulac Biography: Dulac was born in Toulouse, France, on 22nd October, 1882. He was a French born, British naturalised magazine illustrator, book...
Illustration by Edmund Dulac in Rubáiyát of Omar Khayyám by Omar Khayyám. Rendered into English verse by Edward Fitzgerald. London: Hodder & Stoughton. PK6513 .A1
Edmund Dulac - Art Gallery of Complete Illustrations from the First Edition of the book The Tempest, published in 1908.
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When the going gets tough, the art gets going. That's the beautiful thing about human creativity – it can sprout in any soil. Especially for the late British-French illustrator Edmund Dulac, whose flair for Art Nouveau fantasy not only gave us brilliant literary illustrations, but flights of fancy a
