Бичевание Христа. Франческо Тревизани (Последователь)
Francesco Trevisani Apelles painting Campaspe 1720 oil on canvas Norton Simon Museum, Pasadena Francesco Trevisani Study for Apelles painting Campaspe ca. 1720 drawing National Gallery of Canada Francesco Trevisani Apollo and Daphne ca. 1675-1700 oil on canvas Hermitage, Saint Petersburg Francesco Trevisani Banquet of Cleopatra and Antony ca. 1702 oil on canvas Galleria Spada, Rome Francesco Trevisani Diana and Endymion ca. 1713 oil on canvas Museumslandschaft Hessen, Kassel attributed to Francesco Trevisani Judgment of Paris before 1746 drawing Art Institute of Chicago "CAVALIERE FRANCESCO TREVISANI, painter, born at Capo d'Istria in 1656, was the son of Antonio Trevisani, an architect of some reputation, by whom he was instructed in the first rudiments of design. He afterwards became the disciple of Antonio Zanchi, at Venice. He visited Rome, where he studied under Maratti, and was favoured with the patronage of Cardinal Chigi. Chigi employed him in several considerable works, and recommended him to the protection of Pope Clement XI, who not only commissioned him to paint one of the Prophets in S. Giovanni Laterano, but engaged him to decorate the cupola of the cathedral at Urbino. . . . The public buildings of Rome abound with his works. He showed talent in imitating the style of the old masters, and was employed by the Duke of Modena in copying the works of Correggio, Parmigianino, and other favourite painters." – Michael Bryan, Dictionary of Painters and Engravers: Biographical and Critical (London: George Bell and Sons, 1889) Francesco Trevisani Raising of Lazarus ca. 1675-1700 oil on canvas private collection Francesco Trevisani Baptism of Christ 1723 oil on canvas Temple Newsam House, Leeds Museums and Galleries Francesco Trevisani Portrait of a Man playing an Archlute before 1746 oil on canvas private collection attributed to Francesco Trevisani Portrait of Sir Edward Gascoigne ca. 1725 oil on canvas Lotherton Hall, Leeds Museums and Galleries Francesco Trevisani Portrait of Cardinal Pietro Ottoboni ca. 1689-1700 oil on canvas Bowes Museum, Barnard Castle, County Durham Francesco Trevisani Sheet of studies - Recumbent Figure on a Sarcophagus, and Figures for The Birth of St John the Baptist before 1746 drawing National Galleries of Scotland Francesco Trevisani Sheet of studies - Figures for The Birth of St John the Baptist before 1746 drawing National Galleries of Scotland Francesco Trevisani Youth holding Staff before 1746 drawing British Museum
Francesco Trevisani Apelles painting Campaspe 1720 oil on canvas Norton Simon Museum, Pasadena Francesco Trevisani Study for Apelles painting Campaspe ca. 1720 drawing National Gallery of Canada Francesco Trevisani Apollo and Daphne ca. 1675-1700 oil on canvas Hermitage, Saint Petersburg Francesco Trevisani Banquet of Cleopatra and Antony ca. 1702 oil on canvas Galleria Spada, Rome Francesco Trevisani Diana and Endymion ca. 1713 oil on canvas Museumslandschaft Hessen, Kassel attributed to Francesco Trevisani Judgment of Paris before 1746 drawing Art Institute of Chicago "CAVALIERE FRANCESCO TREVISANI, painter, born at Capo d'Istria in 1656, was the son of Antonio Trevisani, an architect of some reputation, by whom he was instructed in the first rudiments of design. He afterwards became the disciple of Antonio Zanchi, at Venice. He visited Rome, where he studied under Maratti, and was favoured with the patronage of Cardinal Chigi. Chigi employed him in several considerable works, and recommended him to the protection of Pope Clement XI, who not only commissioned him to paint one of the Prophets in S. Giovanni Laterano, but engaged him to decorate the cupola of the cathedral at Urbino. . . . The public buildings of Rome abound with his works. He showed talent in imitating the style of the old masters, and was employed by the Duke of Modena in copying the works of Correggio, Parmigianino, and other favourite painters." – Michael Bryan, Dictionary of Painters and Engravers: Biographical and Critical (London: George Bell and Sons, 1889) Francesco Trevisani Raising of Lazarus ca. 1675-1700 oil on canvas private collection Francesco Trevisani Baptism of Christ 1723 oil on canvas Temple Newsam House, Leeds Museums and Galleries Francesco Trevisani Portrait of a Man playing an Archlute before 1746 oil on canvas private collection attributed to Francesco Trevisani Portrait of Sir Edward Gascoigne ca. 1725 oil on canvas Lotherton Hall, Leeds Museums and Galleries Francesco Trevisani Portrait of Cardinal Pietro Ottoboni ca. 1689-1700 oil on canvas Bowes Museum, Barnard Castle, County Durham Francesco Trevisani Sheet of studies - Recumbent Figure on a Sarcophagus, and Figures for The Birth of St John the Baptist before 1746 drawing National Galleries of Scotland Francesco Trevisani Sheet of studies - Figures for The Birth of St John the Baptist before 1746 drawing National Galleries of Scotland Francesco Trevisani Youth holding Staff before 1746 drawing British Museum
Francesco Trevisani Apelles painting Campaspe 1720 oil on canvas Norton Simon Museum, Pasadena Francesco Trevisani Study for Apelles painting Campaspe ca. 1720 drawing National Gallery of Canada Francesco Trevisani Apollo and Daphne ca. 1675-1700 oil on canvas Hermitage, Saint Petersburg Francesco Trevisani Banquet of Cleopatra and Antony ca. 1702 oil on canvas Galleria Spada, Rome Francesco Trevisani Diana and Endymion ca. 1713 oil on canvas Museumslandschaft Hessen, Kassel attributed to Francesco Trevisani Judgment of Paris before 1746 drawing Art Institute of Chicago "CAVALIERE FRANCESCO TREVISANI, painter, born at Capo d'Istria in 1656, was the son of Antonio Trevisani, an architect of some reputation, by whom he was instructed in the first rudiments of design. He afterwards became the disciple of Antonio Zanchi, at Venice. He visited Rome, where he studied under Maratti, and was favoured with the patronage of Cardinal Chigi. Chigi employed him in several considerable works, and recommended him to the protection of Pope Clement XI, who not only commissioned him to paint one of the Prophets in S. Giovanni Laterano, but engaged him to decorate the cupola of the cathedral at Urbino. . . . The public buildings of Rome abound with his works. He showed talent in imitating the style of the old masters, and was employed by the Duke of Modena in copying the works of Correggio, Parmigianino, and other favourite painters." – Michael Bryan, Dictionary of Painters and Engravers: Biographical and Critical (London: George Bell and Sons, 1889) Francesco Trevisani Raising of Lazarus ca. 1675-1700 oil on canvas private collection Francesco Trevisani Baptism of Christ 1723 oil on canvas Temple Newsam House, Leeds Museums and Galleries Francesco Trevisani Portrait of a Man playing an Archlute before 1746 oil on canvas private collection attributed to Francesco Trevisani Portrait of Sir Edward Gascoigne ca. 1725 oil on canvas Lotherton Hall, Leeds Museums and Galleries Francesco Trevisani Portrait of Cardinal Pietro Ottoboni ca. 1689-1700 oil on canvas Bowes Museum, Barnard Castle, County Durham Francesco Trevisani Sheet of studies - Recumbent Figure on a Sarcophagus, and Figures for The Birth of St John the Baptist before 1746 drawing National Galleries of Scotland Francesco Trevisani Sheet of studies - Figures for The Birth of St John the Baptist before 1746 drawing National Galleries of Scotland Francesco Trevisani Youth holding Staff before 1746 drawing British Museum
Francesco Trevisani Apelles painting Campaspe 1720 oil on canvas Norton Simon Museum, Pasadena Francesco Trevisani Study for Apelles painting Campaspe ca. 1720 drawing National Gallery of Canada Francesco Trevisani Apollo and Daphne ca. 1675-1700 oil on canvas Hermitage, Saint Petersburg Francesco Trevisani Banquet of Cleopatra and Antony ca. 1702 oil on canvas Galleria Spada, Rome Francesco Trevisani Diana and Endymion ca. 1713 oil on canvas Museumslandschaft Hessen, Kassel attributed to Francesco Trevisani Judgment of Paris before 1746 drawing Art Institute of Chicago "CAVALIERE FRANCESCO TREVISANI, painter, born at Capo d'Istria in 1656, was the son of Antonio Trevisani, an architect of some reputation, by whom he was instructed in the first rudiments of design. He afterwards became the disciple of Antonio Zanchi, at Venice. He visited Rome, where he studied under Maratti, and was favoured with the patronage of Cardinal Chigi. Chigi employed him in several considerable works, and recommended him to the protection of Pope Clement XI, who not only commissioned him to paint one of the Prophets in S. Giovanni Laterano, but engaged him to decorate the cupola of the cathedral at Urbino. . . . The public buildings of Rome abound with his works. He showed talent in imitating the style of the old masters, and was employed by the Duke of Modena in copying the works of Correggio, Parmigianino, and other favourite painters." – Michael Bryan, Dictionary of Painters and Engravers: Biographical and Critical (London: George Bell and Sons, 1889) Francesco Trevisani Raising of Lazarus ca. 1675-1700 oil on canvas private collection Francesco Trevisani Baptism of Christ 1723 oil on canvas Temple Newsam House, Leeds Museums and Galleries Francesco Trevisani Portrait of a Man playing an Archlute before 1746 oil on canvas private collection attributed to Francesco Trevisani Portrait of Sir Edward Gascoigne ca. 1725 oil on canvas Lotherton Hall, Leeds Museums and Galleries Francesco Trevisani Portrait of Cardinal Pietro Ottoboni ca. 1689-1700 oil on canvas Bowes Museum, Barnard Castle, County Durham Francesco Trevisani Sheet of studies - Recumbent Figure on a Sarcophagus, and Figures for The Birth of St John the Baptist before 1746 drawing National Galleries of Scotland Francesco Trevisani Sheet of studies - Figures for The Birth of St John the Baptist before 1746 drawing National Galleries of Scotland Francesco Trevisani Youth holding Staff before 1746 drawing British Museum
