Originally published in 25 parts, 1838-55
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Originally published in 25 parts, 1838-55
Originally published in 25 parts, 1838-55
Originally published in 25 parts, 1838-55
Originally published in 25 parts, 1838-55
Originally published in 25 parts, 1838-55
Originally published in 25 parts, 1838-55
Originally published in 25 parts, 1838-55
Originally published in 25 parts, 1838-55
Originally published in 25 parts, 1838-55
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Originally published in 25 parts, 1838-55
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Abbaye de Silvacane par emmanuel PIERRE
Située à la Roque d'Anthéron, l'Abbaye de Silvacane abritait l'Ordre des moines cisterciens depuis 1144. Son architecture est issue de l'Art Roman avec quelques éléments inattendus de décoration dans la construction. Faites la visite en images !
Originally published in 25 parts, 1838-55
Originally published in 25 parts, 1838-55
Originally published in 25 parts, 1838-55
Originally published in 25 parts, 1838-55
Consists of illustrations with descriptive titles in French
Notice to the third edition, v.1, p.[vi], dated 1825
Includes bibliographical references (p. [627]-629) and index
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Download this free photo of Italy Column Architecture from Pixabay's vast library of royalty-free stock images, videos and music.
Includes index
Originally published in 25 parts, 1838-55
Based on Specimens of the architectural antiquities of Normandy by Augustus Charles Pugin, published in London by J. Britton in 1827
Engraved t.p
Originally published in 25 parts, 1838-55
Engraved t.p
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Consists of illustrations with descriptive titles in French
Consists of illustrations with descriptive titles in French
Consists of illustrations with descriptive titles in French
© Lindbloom Photography More Italian images. This is on the exterior of the Doumo in Florence. Just above the main doors. This cathedral was dedicated to the Madonna and given the title “Saint Mary of the Flower”, (Santa Maria del Fiore) honoring the Mother of Christ, which is apparent from this central statue done by Tito Sarrocchi. This statue is located above the central portal of the cathedral, where it is a central focus. The sculpture depicts Mary holding an infant Jesus with her left arm, and a flowered scepter in her right. This flowered scepter is said to be a symbol of both the city of Florence as well as a symbol of Christ.
Includes bibliographical references (p. [627]-629) and index
History of the Great Exhibition -- The science of the Exhibtion / by Robert Hunt -- The harmony of colours as exemplified in the Exhibition / by Mrs....
Engraved t.p
Originally published in 25 parts, 1838-55
