Warlayirti Artists tell their cultural stories with bold use of colour. Their art strengthens narratives and is a vehicle for intergenerational learning.
Warlayirti Artists from Balgo present new works to mark the art centre’s continuing role 20 years after its inauguration.
Martumili Artists was established by Martu people. The artists and their families are the traditional custodians of the Great Sandy, Little Sandy and Gibson Deserts.
Warlayirti Artists from Balgo present new works to mark the art centre’s continuing role 20 years after its inauguration.
Warlayirti Artists tell their cultural stories with bold use of colour. Their art strengthens narratives and is a vehicle for intergenerational learning.
Warlayirti Artists from Balgo present new works to mark the art centre’s continuing role 20 years after its inauguration.
Innovative, bold art telling stories from Balgo community
Martumili Artists was established by Martu people. The artists and their families are the traditional custodians of the Great Sandy, Little Sandy and Gibson Deserts.
Warlayirti Artists from Balgo present new works to mark the art centre’s continuing role 20 years after its inauguration.
Warlayirti Artists tell their cultural stories with bold use of colour. Their art strengthens narratives and is a vehicle for intergenerational learning.
Innovative, bold art telling stories from Balgo community
Warlayirti Artists from Balgo present new works to mark the art centre’s continuing role 20 years after its inauguration.
These works were exhibited during Desert Mob 2017. For any sales inquiries, please contact individual Art Centres.
Martumili Artists was established by Martu people. The artists and their families are the traditional custodians of the Great Sandy, Little Sandy and Gibson Deserts.
Innovative, bold art telling stories from Balgo community
Located at Wirrimanu (Balgo Hills) on the northern edge of the Tanami and Great Sandy Deserts is one of the most diverse and innovative indigenous art centres in Australia. Warlayirti Artists, the art centre cooperative, promotes the rich and evolving ...
Warlayirti Artists from Balgo present new works to mark the art centre’s continuing role 20 years after its inauguration.
Galerie des toiles d'Aborigène Galerie à paris au coeur de Saint-Germains-des-Prés. Toiles exceptionnelles d'Art Aborigène d'Australie.
Velvet Head 2011 (45x60cm) Sydney painter Inga Dalrymple's latest exhibition at Sydney's A. M Gallery is a kaleidoscope of intensely emotive colours, abstract patterns and relationship. Viewing her work is an opportunity to sense the synergy between this painter and her practise, the intensity of her love for what she does so well. A prolific, emerging artist, this collection invites you to view her inner world where colours are married to perfection and a patina of contemplative satisfaction seems to imbue each work. Inga has managed to combine motherhood, a full time teaching career with an active art practise. Her love of painting sustains her and her practise is her creative anchor, solace and inspiration. She is productive and hardworking. Her studio is crammed with projects underway. Interestingly, she paints surrounded by a circular arrangement of paintings which she works at simultaneously, entering into a defined space of creativity and colour where she paints for hours, entranced by the development of each piece. Viewing this exhibition enables one to sense the artist's absorption, the almost meditative, intimate concentration applied through her relationship with colour and form. Black and Blue, 2011 (30 x40cm) The combination of colours and texture in this exhibition is particularly beautiful. A stormy fusion of mauve, grey and prussian blue dominates. The paintings titled Black and Blue, Velvet Head and Deep Dark are extraordinarily sensual, textured and vivid. Beneath a surface which has been scraped, sanded and tumultuously brushed lies an underlying silver sheen, like moonbeams on a torrid sea. Modestly proportioned, each canvas has a quiet impact, emotive and yet restrained. Dalrymple uses oil paint lavishly and the textures she achieves is beautiful, the colours in her oil paintings are deep and complex. Although not a landscape painter, Inga is affected viscerally by the urban environment and her practise involves recording the often ignored minutiae of objects found in the inner city, graffiti, garbage, discarded objects. This eye for urban detail echoes the interest of artists she admires such as Prunella Clough and Thomas Nozkowski. Yet Dalrymple's perception of environment is rarely figurative, it is seen, recorded, detailed in her sketchbooks yet the vast imprint is an emotive one which translates quietly through her work. Although the artist draws inspiration from the city, the quality of the work, its organic jumble of shape, form and colour suggests a visual spaciousness often more resonant with the natural landscape. Tandem (17.5 x 12.5) Dalrymple's work is exceedingly comfortable in the small to medium scale format. It is where she excels. Given a larger canvas, such as Tumbled Shapes, the painterly language seems to topple; more experimentation, freer definition of form, less concentration of colour and confidence. The beautiful sense of closure, of definition and harmony seen within the smaller canvases seems lost and forced. Being such a perfect colourist, the smaller format, enables this artist to sink into the tonality of each work satisfyingly. It's this marriage that makes Dalrymple's work standout. On a larger scale an invasion of pink and pastel, plenty of white background seems to challenge the painter perhaps as much as the viewer. A-M Gallery is a small gallery and Dalrymple’s work creates a busy, patchwork of colour and texture across the walls. It’s not an exhibition to rush through; although visually arresting and bold, the temptation to pace through a small gallery and retreat should be avoided. Each work invites relationship and contemplative observation, as much as they are intuitive pieces, they are also enigmatic and demand to be read. Interestingly, in the back of the gallery there is even a smaller room and in this room the artist has chosen to display her sketchbooks. Bursting with colour, detail and inspiration her work deserves a better quality sketchbook than the grid books currently favoured. There is some lovely detail in her quotidian sketches and the books track her development as an artist with a great mastery of colour. This beautiful exhibition is on at the 191 Wilson St, Newtown until October 29, 2011. Or to see more of Dalrymple’s work look at www.ingadalrymple.net. All images courtesy of the artist.
Innovative, bold art telling stories from Balgo community
Warlayirti Artists from Balgo present new works to mark the art centre’s continuing role 20 years after its inauguration.
Kathleen has depicted her country, Nakarra Nakarra, which is south of Balgo in the Great Sandy Desert. This country is one of the sites of the Seven Sisters Dreaming, a story about Seven Sisters who travel the ancestral landscape running from an old man who wants to marry the youngest. At Nakarra Nakarra a group …
Innovative, bold art telling stories from Balgo community
Eubena has depicted some of her traditional country located south west of Balgo in the Great Sandy Desert. This country is found along the middle stretches of the Canning Stock Route, around Well 35. The majority of this print depicts the talis, (sand dunes) which dominate the landscape of the area. The central circle is Kinyu waniri (rockhole) …
Warlayirti Artists from Balgo present new works to mark the art centre’s continuing role 20 years after its inauguration.
