Seeing a woman in the midst of a hotly contested Civil War battlefield surprised the veteran officer!
[ATTACH] Virginia Hall, 72nd Pennsylvania [ATTACH] From ' Raftsmen Journal ', Clearfield, PA, Nov. 13, 1861 It has frequently seemed our female...
Before the Civil War, there were vivandieres. The role of the vivandiere reaches back to France, in the Imperial Army and became a fixtur...
Forgotten feminist icons of the French military, the Vivandières, alternatively known as cantinières, was the French title for women attached to military units who sold wine to the troops and offered better cuisine on the battlefield than the army could offer. An often overlooked part of women's and
Elektrinė priešpiečių dėžutė "Vivandiere" idealiai tinka, kai norite pašildyti ir išlaikyti šiltą maistą, ją galima visiškai išmontuoti, kad būtų lengva išvalyti, be to, ji turi hermetišką sandariklį ir sulankstomą rankeną, kad galėtumėte ją neštis į biurą ir neišpilti turinio. Specifikacijos Galia 40 W Nerūdijančio plieno indas 0,7 l Veikimo lemputė Taip Garų ventiliacijos anga Taip Hermetiškas sandariklis Taip Maitinimo šaltinis AC 230V ~ 50-60 Hz Šildymo ir šilumos palaikymo funkcijos Taip Skaidraus indo talpa 0,5 l Rankena Sulankstoma rankena Nuimamas maitinimo laidas Taip Matmenys (mm) 170 x 160 x 155 Šaltinis.
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The National Army Museum on the north bank of the Thames at Chelsea is to stage an exhibition with an unusual theme. Starting on 9th February, Wives and Sweethearts promises to be a powerful experience for visitors with exhibits ranging from rare photographs including those by Roger Fenton (1819-1869) and a host personal effects of soldiers and their partners. Fenton was one of the first war photographers and founder of what was to become the Royal Photographic Society. Fenton's pioneering work wasn't duly recognised during his lifetime but his work documenting the Crimean war, especially, has since become acknowledged by historians. Image 4607: Photograph: Cantiniere. Photograph by Roger Fenton (1819-1869). From photograph album of 52 photographs associated with the Crimean War (1854-1856). Usually the wives of non-commissioned officers, Cantinières (women supplying food and drink to soldiers), played an important role in the support of French regiments, running canteens and providing additional rations such as brandy to the soldiers. Image 4593: Photograph: Henry Duberly Esq, Paymaster 8th (The King’s Royal Irish) Light Dragoons (Hussars) and Mrs Duberly mounted on a horse. Photograph by Roger Fenton (1819-1869). From photograph album of 52 photographs associated with the Crimean War (1854-1856). Captain Henry Duberly, paymaster of the 8th Hussars, and his vivacious wife, Fanny. Of her conduct Lieutenant-Colonel William Forrest, 4th Dragoon Guards, wrote 'They say she is not actually a "bad one" but that she behaves in the most extraordinary way, riding and walking about with anybody, giving men every encouragement to flirt with her, but when the gentleman becomes rather too ardent in his admiration, she suddenly says "why you must forget that I am a married woman. I shall tell my husband of this, & we shall have such a laugh." They say that she has played this trick to several.' Press Release 04.01.11 Fenton Photographs captures Wives and Sweethearts Rare Roger Fenton photographs are at the heart of an upcoming Wives and Sweethearts exhibition which launches on 9 February 2011 at the National Army Museum. The exhibition celebrates love at the front-line with remarkable images by Roger Fenton, which document the powerful presence of 'Women of the Regiment' during the Crimean War. Spanning over 200 years the Museum’s newest exhibition will explore all aspects of soldiers’ relationships from the joy of courtships, weddings and births to separation and tragic deaths. Exhibited for the first time, Wives and Sweethearts presents the treasured personal items of soldiers and their sweethearts from letters of engagement and poignant photographs to dazzling diamond love tokens. Drawing on the Museum’s collections visitors can discover the love, fears, doubts and joys of generations of soldiers and the profound effect of Army life on the personal relationships of soldiers and their partners and families from the Napoleonic period to the present day. Frances Parton, Curator of Wives and Sweethearts exhibition, said: “As curator, it has been a challenge as much as a joy to select the items for the exhibition. The Museum has such a wealth of social history material on the subject of soldiers and their love lives that I was spoilt for choice. These items provide us with a touching insight into the lives of others and remind us of the people behind the conflicts.” The exhibition highlights the fascinating and changing roles of soldiers’ partners from nineteenth-century ‘Women of the Regiment’ who worked as cooks and laundresses to modern Army families, where both partners may in the Armed Forces. From the wives of Wellington’s armies to those currently missing a partner in Afghanistan, the Wives and Sweethearts exhibitions brings alive for today’s visitors the personal aspects of war and its continued relevance. Key exhibition items from Napoleonic, Crimean, Boer, First and Second World Wars, the Korean War, the Falklands War and the Gulf War: · Roger Fenton photographs of ‘Women of the Regiment’ during the Crimean War · Love token sent to his wife from an soldier at Waterloo · A Boer War letter sent with a pressed flower · Embroidered postcards from the First World War · Diamond-encrusted sweetheart brooch from the Second World War · Letters and photographs from the Falklands, Korean, and Gulf Wars · Oral histories from current soldier’s wives and sweethearts Visitor Information Address: National Army Museum, Royal Hospital Road, Chelsea, London, SW3 4HT Start date: 9 February 2011 End date: 30 July 2011 Admission: Free Opening hours: Daily from 10.00am until 5.30pm Visitor enquiries: 020 7730 0717 Website: www.nam.ac.uk
I'm pretty sure this is the whole set.
Before the Civil War, there were vivandieres. The role of the vivandiere reaches back to France, in the Imperial Army and became a fixtur...
Forgotten feminist icons of the French military, the Vivandières, alternatively known as cantinières, was the French title for women attached to military units who sold wine to the troops and offered better cuisine on the battlefield than the army could offer. An often overlooked part of women's and
Last weekend was a BLAST! I had so much fun as a vivandiere! It was awesome being out on the field with the soldiers, tending to their wounds, and informing them that I am too young to legally be carrying brandy in my cask. I was quite happy to talk to people about vivandieres and explain my role to the public. Any impression that gives me a purpose at reenactments is a fun one, and makes events all the more enjoyable. Sitting pretty is fine and all, but doing something--actually interpreting, educating the public-- that's the whole point, right? I'm very pleased with how the outfit looked with the kepi, haversack, and keg. I felt very "complete"! I actually had enough fabric to make my own trousers (with piecing) and I'm glad I went the extra mile to have matching trousers, as opposed to borrowing male trousers like I'd planned.
Photograph of Henrietta Hodson as Maria in La Vivandière at the Queens Theatre, 22nd January 1868, Guy Little Collection.
Chocolat Guerin-Boutron "Composers & Opera's" (series of 78 c1905) #66 La Vivandiere by Benjamin Godard, 1849-1895
Photograph of Pauline Markham as Tonio and Henrietta Hodson as Maria in La Vivandière at the Queens Theatre, 22nd January 1868, Guy Little Collection.
Ballet in one act Music by Cesare Pugni Libretto by Arthur Saint-Léon World Première 23rd May 1844 Her Majesty’s Theatre, London Choreography by Arthur Saint-Léon and Fanny Cerrito Original 1…
I'm pretty sure this is the whole set.
