Colours unfaded by time designed by Muhammed Sajid. Connect with them on Dribbble; the global community for designers and creative professionals.
copper beadcaps, unfaded, gold plated, approx 10mm (FN22116)
copper beadcaps, unfaded, gold plated, approx 6.6mm dia (FN22108)
Celebrated interior designer Sunita Kohli and her daughter, Kohelika Kohli, invite us to tour their elaborate house decorated with unfaded relics from ages past
May the innocence in our smiles and the purity of our hearts stay forever unfaded. Happy Children's Day to every child in the world. #ESOU
1957 Gibson Les Paul Special - TV-Yellow All original ´57 Gibson Special in outstanding, excellent++ condition. Nice strong, unfaded TV-Yellow finish, which is much brighter than the
The beauty and elegance of the lavender color have remained unfaded over the centuries. Here are top 40 picks of lavender bridesmaid dresses to go with on the weddings.
Group of Middle Eastern/Arabian costume dolls Egypt, Persia (Iran), Morocco, Turkey, Syria Bright unfaded costumes PAYMENT WITHIN 2 DAYS PLEASE Postage to the USA, Canada etc is £7.48 from
May the innocence in their smiles and the purity of their hearts stay forever unfaded. ATS Group wishes every kid in the world a joyful Children’s Day! #ATSinfrastructure #happychildrenday #ATS #childrensday
This is one of the rarest Jaguars to come to the market, this custom color of Dakota Red finish is one of the cleanest & most unfaded Fenders we have ever acquired still retaining its bright fire
Suzuki Harunobu produced the original design for this print in about 1766 to 1767. The brighter colors of this print, and in particular the unfaded color of the water indicates that it is of a later date.
For your consideration is this 1979 Fender Stratocaster in nearly unfaded Mocha finish. Overall it's in very good used condition with only light wear. The pickups were replaced with hand made boutique vintage sounding pickups and sound REALLY good. The frets were professionally replace...
An extremely rare Victorian patriotic double sided bead and wool work tea cosy, worked on a dark green ground and each side displaying the Royal Coat of Arms. The base has the worked words, 'Dieu et Mon Droit' (God is on my Right). It is edged with a border of gold rope work, and has an open crown to the top with a diamond stitched padded interior. The whole is in remarkably fine condition throughout, with unfaded colour tones, a serious collector's item. English Circa 1860
Shabby antique egg crate with the stenciled labeling from Laabs Wholesale Butter & Eggs, Milwaukee. This is made like a fruit crate but maybe a little lighter in weight, it's a little fragile. Size is 25" long x 12" wide x 12 3/4" deep. The lettering looks great, unfaded... this has been in a cellar in Portage Wisconsin for many, many years. There's cracks, chips and splitting to the wood, and we have none of the original cardboard egg holders. But it's a wonderful old Milwaukee piece, and we love the proportions, sized like a sign.
The grandest of the Buddhist mortuary rites is the Water-Land (shuilu) ritual. This esoteric ceremony is conducted for the salvation of “all souls of the dead on land and sea.” The ostentatious ritual was performed for imperial ancestors and high officials from the Song (960–1279) to the Ming dynasties and drew large crowds. On the second day of the weeklong ceremony, paintings are hung in the inner altar. This scroll represents the Eight Hosts of Celestial Nagas and Yakshis as described in the Lotus Sutra. Together with CMA 1973.70.1, it belongs to a set of 36 Water-Land ritual paintings that are the finest works of their types known from the Ming period. With their bright, opaque color and fine-line gilt decoration intact and unfaded, both paintings share a remarkable state of preservation.
About this item [Comfortable and Luxurious] This bath mat boasts a contemporary Moroccan geometric design with a 0.6-inch high pile, incorporating a unique ultra-fine fiber-locking technique for unparalleled fluffiness and softness. Immerse your feet in the cozy and comfortable feel of the bathroom mat, adding a touch of sophistication to your space [Highly Absorbent] Our bathroom mat utilizes high-density water-absorbing fibers, trapping moisture in the deep pile to keep the floor dry. Whether stepping out of the bathtub, shower, or preparing for a sink-side bath, it prevents water from dripping onto the floor and aids in quickly absorbing water from your feet [Non-Slip Backing] To prevent movement and slipping, the bathroom mat features a sturdy and durable TPR backing. In contrast to other bathroom mats, the rubber backing withstands multiple washes without wearing or peeling, providing an additional layer of safety for you and your loved ones to move confidently in the bathroom [Easy Cleaning and Maintenance] OLANLY bath mats are exceptionally easy to clean and maintain. We recommend machine washing with cold water and a neutral detergent, followed by low-speed drying or hanging to air dry. The vibrant colors remain unfaded, maintaining a fresh appearance even after multiple washes [Versatile Application] With various colors and sizes, this bath mat complements your decorating style. It is not confined to the bathroom but is also suitable for various settings like near the bathtub, in front of the sink, and more. Additionally, it makes an ideal choice for occasions such as Christmas, weddings, Father's Day, Mother's Day, and Valentine's Day
Part of the main decorative design, from the better-preserved section. The Tudor painted room at 3 Cornmarket, Oxford The building is fifteenth century, but the painted decoration dates from the sixteenth century, when this was part of the Crown Tavern. William Shakespeare was friendly with the proprietor (and mayor of Oxford) John Davenant, and was godfather to his son. According to the son, Shakespeare stayed in the inn; this room — the most richly decorated, as far as we know — is thought to have been the best bedroom, and may plausibly have been where Shakespeare stayed. (Although the painted decoration would, in fact, already have been covered up by then. Also, it appears that such rich decoration was not exceptional — what is exceptional about this room is how well it has survived.) The decoration was painted by hand, because stencils were forbidden by the painters' guild (a little bit of protectionism, there); it was a lime wash (like whitewash), coloured with natural pigments — the yellowish colour in the trellis design is ochre from Headington Quarry. The improving text around the top of the walls reads, "And last of thi rest be thou / Gods servante for that hold I best / in the mornynge earlye / Serve god devoutlye / Feare god above allthynge..." Above the fireplace itself, the inscription IHS is seemingly from an earlier, pre-Reformation design... In places the painting has been touched up and restored — not always very well, unfortunately. Some of the alterations are clearly old: others — especially the great splash of unfaded terracotta colour in the middle — look more recent. Fashions changed, however, and in the seventeenth century the walls were covered in wood panelling, which was in turn covered in layers of plaster and paint and wallpaper. In the 1920s renovation work uncovered the painted walls, hidden and preserved behind the panelling. The panelling was remounted on rails so that it could be moved aside to reveal the walls, but would otherwise continue to protect them from damage by light. For a while in the later twentieth century it was the headquarters of the Oxford Preservation Trust, and when they moved to their present home in Turn Again Lane it was established that new tenants would have to continue to allow them access for tours such as the one I was lucky enough to attend. See where this picture was taken. [?]
