Materiale: 300g. Artic Silk Papir Format: 70 x 100 cm.
Strude (ostrich). Women wearing traditional headdresses known a 'ostrich'- a kind of masking of women used as protection against wind...
Second revised edition of Stasis II by Trine Søndergaard (2019) Large format hardback in new condition Signed by Trine Søndergaard to title page Published by Fabrik Books About Exploring stillness and introspection, Stasis II brings together three series by Danish artist Trine Søndergaard (b. 1972). Different historical time periods and materials meet in Søndergaard’s photographs. By combining images of contemporary women wearing historical dresses and head covers, girls in modern garments wearing 18th century gold embroidered bonnets, and evocative interiors of uninhabited Danish manor houses, Søndergaard creates a universe, which is neither past nor present, fact nor fiction.
One very special line at Coco de Mer is their Circus Child range. Here are some of the hats from bespoke milliner Victoria Grant. Fantastic creations from the world of circus side-shows, cabaret and vaudeville. "The Circus Child range is a limited edition, made to measure, capsule collection of Circus inspired pieces designed to raise money for Circus Child, a not for profit organisation that supports and promotes circus groups around the world that work towards social change. Sam Roddick of Coco de Mer, Matilda Temperley and Victoria Grant have joined forces to create this celebratory collection of Circus inspired pieces."
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Trine Søndergaard, Surrigkap #I, Dress of Mourning, 2016, 110 x 110 cm, AP, Pigmentdruck Blank reflectionsBy Camilla Jalving “Ever tried it? You meet someone you think you know, but they don’t reco…
Strude Trine Søndergaard year: 2007-2010 edition 5: 100 x 100 cm / 60 x 60 cm / 30 x 30 cm archival pigment print The headgear of the traditional Fanø costume – ”strude” – is the starting point for this series, which Trine Søndergaard’s has worked with over a long period of time.
Trine Søndergaard, Surrigkap #I, Dress of Mourning, 2016, 110 x 110 cm, AP, Pigmentdruck Blank reflectionsBy Camilla Jalving “Ever tried it? You meet someone you think you know, but they don’t reco…
Strude Trine Søndergaard year: 2007-2010 edition 5: 100 x 100 cm / 60 x 60 cm / 30 x 30 cm archival pigment print The headgear of the traditional Fanø costume – ”strude” – is the starting point for this series, which Trine Søndergaard’s has worked with over a long period of time.
Depuis sa création en 1970, Art Basel est la reine des foires internationales d’art moderne et contemporain. La 41e édition de cet évènement ouvre ses […]
Strude (ostrich). Women wearing traditional headdresses known a 'ostrich'- a kind of masking of women used as protection against wind...
Trine Søndergaard, Interior © Trine Søndergaard Trine Søndergaard, Interior © Trine Søndergaard Trine Søndergaard, Interior © Trine Søndergaard Les « Intérieurs » photographiés sont de grandes pièces vides éclairées uniquement par la lumière naturelle...
Interior Trine Søndergaard year: 2008-2018 edition 3: 150 x 150 cm / edition 5: 120 x 120 cm / 60 x 60 cm archival pigment print on dibond The empty, silent rooms are all characterised by the grey colour palette, the indirect light and the empty living rooms. In Trine Søndergaard’s universe, this
MuMA Le Havre accueille "Still", une exposition qui conjugue les séries "Interiors" et "Guldnakke", signées par la photographe Trine Søndergaard.
Strude (ostrich). Women wearing traditional headdresses known a 'ostrich'- a kind of masking of women used as protection against wind...
Trine Søndergaard, photographe danoise née en 1972, a publié un nouveau livre intitulé « Stasis » chez Hatje Cantz, en lien avec des expositions au Museum on the Seam de Jérusalem (1 novembre 2013 – 28 février 2014) et à la Fotogallery de Cardiff (9 novembre 2013 – 25 janvier 2014).Danish photographerTrine Søndergaard (b. 1972) has published a new book entitled Stasis (Hatje Cantz) to coincide with exhibitions at the Museum on the Seam in Jerusalem (November 1, 2013 - February 28, 2014) and the Fotogallery in Cardiff (November 9, 2013 - January 25, 2014).
Interior Trine Søndergaard year: 2008-2018 edition 3: 150 x 150 cm / edition 5: 120 x 120 cm / 60 x 60 cm archival pigment print on dibond The empty, silent rooms are all characterised by the grey colour palette, the indirect light and the empty living rooms. In Trine Søndergaard’s universe, this
When I growing up in Germany, women dressed up in traditional costumes for public festivities. In the Catholic South the costumes were bright, puffy, and …
The danish artist Trine Søndergaard made these amazing pictures of women from the little danish island Fanø (in the North Sea)...
Очень красивая, на мой взгляд, работа датского фотографа Trine Sndergaard (1972) . Монохромные портреты. Цвета не повторяются, т.е. цвет подобран к каждому лицу. Портретная рамка покрашена в тот же цвет, что и цвет портрета. Нет зрительного контакта с моделью взгляд или опущен или…
July/August 2014 Please note this issue is only available digitally I RECENTLY HAD LUNCH WITH with Gudrun Sjödén during the preview of her retrospective exhibition Gudrun Sjödén: 40 years in Fashion, at the Kulturen museum, in the South of Sweden. After we had eaten the curator suggested we look at the goodies – it wasn’t figurative painting or sculpture she had in mind but the folk art embroidery. These gems, produced by ordinary people with no formal art training, had a Joie de vivre that is often harder to find in traditional “high art”. The brightly coloured, sometimes crude, sometimes sophisticated, pieces seem to have a depth of meaning that “fine artists” can struggle to communicate. In contrast folk art effortlessly demonstrates the hand of an individual maker, as well as the history of an entire culture. This summer’s exhibition at Tate Britain is British Folk Art, Curator Martin Myrone discusses the highlights and hopes the show will bring this genre to greater public attention. Another curator, James Russell, thinks he became infected with the folk art bug after visiting the Museum of International Folk Art in Santa Fe. James is the author of Peggy Angus: Designer, Teacher, Painter, the subject of an exhibition at the Towner Gallery in Eastbourne. Many of Angus’s contemporaries working in textiles in the mid 20th century, including Phyllis Barron, Dorothy Larcher and Enid Marx came to the fore using block printing. Design historian Lesley Jackson traces the genealogy of this process and finds that, although the appeal of folk art is still strong, economic necessity is driving makers towards different means to communicate their ideas. If we examine art history an interest in folk culture is a recurring theme. In Denmark photographer Trine Søndergaard, has captured the iconography of folk culture in her arresting series of images Strude. The artist Frida Kahlo was fascinated by the folk culture of her native Mexico. For a closer look at this vibrant culture read Hilary Simon’s whistle stop tour of Mexican textiles or visit the exhibition at London’s Fashion and Textile Museum Made in Mexico, The Rebozo in Art, Culture & Fashion. Images of Frida wearing traditional costume has enthralled many, including Susanne Bisovsky, a Viennese fashion designer who puts her own Austrian twist on the familiar image and whose photograph of Alexandra Liedtke graces our cover. This mix of cultures, histories and styles updates folk art for a contemporary audience. In the Selvedge office we are lusting after Stella Jean’s collection, which blends 1950s inspired fashions with references to her Haitian roots and demonstrates how fantastic fusions can be... Polly Leonard, Founder
Nicolai Howalt & Trine Søndergaard Bruce Silverstein Gallery - NY February 21, 2013 - April 13, 2013
“That is part of the beauty of all literature. You discover that your longings are universal longings, that you’re not lonely and isolated from
MuMA Le Havre accueille "Still", une exposition qui conjugue les séries "Interiors" et "Guldnakke", signées par la photographe Trine Søndergaard.
Strude Trine Søndergaard year: 2007-2010 edition 5: 100 x 100 cm / 60 x 60 cm / 30 x 30 cm archival pigment print The headgear of the traditional Fanø costume – ”strude” – is the starting point for this series, which Trine Søndergaard’s has worked with over a long period of time.
Trine Søndergaard, photographe danoise née en 1972, a publié un nouveau livre intitulé « Stasis » chez Hatje Cantz, en lien avec des expositions au Museum on the Seam de Jérusalem (1 novembre 2013 – 28 février 2014) et à la Fotogallery de Cardiff (9 novembre 2013 – 25 janvier 2014).Danish photographerTrine Søndergaard (b. 1972) has published a new book entitled Stasis (Hatje Cantz) to coincide with exhibitions at the Museum on the Seam in Jerusalem (November 1, 2013 - February 28, 2014) and the Fotogallery in Cardiff (November 9, 2013 - January 25, 2014).
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Guldnakke Trine Søndergaard year: 2012-2013 edition 3: 150 x 150 cm / edition 5: 110 x 110 cm / 60 x 60 cm archival pigment print on dibond The mid-19th century headgear is made of ornate gold embroidery. The women’s faces are turned away, and the photographs thus focus on an item of
Trine Søndergaard is a Danish photo-based artist. Her photographic works are marked by a precision and sensibility that co-exist with an investigation of the medium of photography itself, its boundaries and what constitutes an image.
MuMA Le Havre accueille "Still", une exposition qui conjugue les séries "Interiors" et "Guldnakke", signées par la photographe Trine Søndergaard.
“That is part of the beauty of all literature. You discover that your longings are universal longings, that you’re not lonely and isolated from
Interior Trine Søndergaard year: 2008-2018 edition 3: 150 x 150 cm / edition 5: 120 x 120 cm / 60 x 60 cm archival pigment print on dibond The empty, silent rooms are all characterised by the grey colour palette, the indirect light and the empty living rooms. In Trine Søndergaard’s universe, this
