Good evening. I have been working on some thread wrapped buttons following the new online Basic Button Making Course from Gina B Silkworks. I have just completed the first modules showing us how to…
Good evening. I have been working on some thread wrapped buttons following the new online Basic Button Making Course from Gina B Silkworks. I have just completed the first modules showing us how to…
Day 185 : Mandala . Another doodle button today. I'm thinking I may do a doodle button / mandala button challenge over in the Facebook group. Everyone starting with the same basic button and having a few rules, then see what people come up with. It might be fun. So, from tomorrow a lot of the restrictions here in the UK are lifting (with various limitations). Hopefully everyone will remain responsible, please take care everyone - where ever you are. I've used a No 71 mould and cotton perle No 8 and 12.
Various Dorset & Thread Wrapped Buttons, made into a brooch My daughter and I took a Jane Austen trip to England last summer, Jane Austen +1. I had read, probably in Piecework Magazine, about a button exhibit in Macclesfield and asked Kathy to see if it could be added to our itinerary if it was not too out of the way. It wasn't, just a couple short train rides on a travel day, and we spent the most wonderful afternoon in Macclesfield. This small-ish industrial city was home to the silk industry in England, and there are several sites and museums definitely worth a visit! We had a really interesting tour of the Paradise Mill and watched our guide operate several of the restored Jacquard looms. The reason for our side trip to Macclesfield was to see the 300 buttons submitted by fiber artists from around the world, and although the exhibit is history, you can read about it here. It was a very colorful and interesting exhibit, and we each purchased a button from the exhibit, to be mailed to us after the exhibit came down. It was so fun to get a package from the UK after we got home! In the museum gift shop I purchased a book called Buttons: A Passementerie Workshop Manual by Gina Barrett. The book covers all types of thread buttons, including the Dorset, which I have been making and teaching to friends. I also ordered a DVD from Gina, which really helped as I couldn't quite grasp the technique by reading the book only. This Saturday I am teaching members of my EGA chapter the basic Dorset button, and attached is a Google document of instructions that I have developed, click here. Assorted Dorset buttons made with (clockwise from pink button) crochet cotton, lace weight yarn, poly crochet thread, nylon/wool sewing thread, Lizbeth tatting thread, hand dyed pearl cotton, and sock yarn. You could even use worsted weight yarn, to match a sweater you are making, but you would use only one ply. I really like the linen embroidery floss, below. I think I used two strands to cover the ring, and one strand for the center. I was experimenting with trying to make a spiral design, right, but haven't figured it out yet. Earring experiment: Key chain and a cell phone charm (as though a cell phone needed a charm....): When Kathy was visiting I showed her how to make Dorset buttons one afternoon, and she went to town! So far people seem to like this one the best! In my next, advanced class, we're going to tackle Morning Star (left) and Death's Head (right) buttons: To view a good tutorial (lots of photographs) of Dorset button making, visit Craftystylish.com Visit my Pinterest page for more Dorset button inspiration: http://www.pinterest.com/alcearosea/dorset-thread-buttons/ Eek, I can't stop making buttons! Every time I see a new thread I think, hmmm, how would this look in a Dorset button!
(17)のSquare Wrapは向かい合う2辺を同色にしていました。これは隣り合う2辺を同色にしています...
Updated with another style (Rib in) on 12-23-16 First off, there are several other tutorials and articles filled with photos of period ex...
June 1, 2021I am so excited that my book Crafting Thread Jewelry: The Beginner's Essential Guide to Creating Gorgeous Thread Wrapped Bracelets, Earrings, Necklaces, and Pins Inspired by Traditional Dorset Buttons was released on Amazon today! I have written many magazine articles, and designed many garments and crafts that have been published in book, leaflets and magazines, but creating this book was an incredible journey for me, and it is wonderful to finally see it in print. I don't think
2024年1月11日一応完成 直径52㎜ #challenge2024 @ginabsilkworks 2024年のGinaさんご提案のチャレンジは1年を４期に分けてテーマが設定されています。 １月から３月の第１期のテーマは Spring / new / pastels またテーマに沿ったものが思いつけば提出してみる感じで、今年もあまりぎちぎち決めずに参加していきます😊 これは斜め糸を掛けてあるように見えますが、リングに掛けた糸のすべてが中心を通る直径に渡っていて斜め...
The last few weeks have been filled with Christmas commissions so not much crafting for me. I will be able to show most of the commissions after Christmas but in the meantime, here are some new buttons I have been making. I was practising using different colour combinations and even added a bit of sparkle here and there. I used DMC threads for most of my buttons so I treated myself to an early Christmas present - DMC's thread colour card. It is brilliant. When shopping online for threads it can be qute difficult to find that ideal shade. Not now. I have samples of every perle and stranded cotton thread that DMC offer and can see exactly what colour it is. Hooray! It will make thread shopping much easier in future.
2021年11月8日 何にも決めずに思いつくままに作ってみたら、こうなりました。 次のボタンにはやっぱりお花を咲かせようか。 でも、昨日みたいな紅葉もいいよねー。
Gerdaさんのお花ボタンをインスタグラムに投稿したのですが、やっぱりシンプルでかわいい。ちょうど本藍染糸を出していたので、インスパイアされて作ってみました。なんだか不思議なトケイソウみたいなのができました。...
I thought handmade buttons would be an interesting accessory to any embroidered/textile item and somewhere in the back of my mind I had seen these buttons before but had no idea what they were called. So a after a short search on Google I found what I was looking for. I had no idea there was so much history behind a Dorset Button. If you'd like to read more about them, this is just one of the links I found http://www.henrysbuttons.co.uk/history.html A Dorset Button is a ring, originally cut from a horn of a Dorset Horn sheep, covered in embroidery thread. These days plastic or metal rings are the more usual choice! I found myself a tutorial and began experimenting ... I started with this one above, which is a basic Crosswheel Dorset Button. I was very pleased with the result and eager to try out others. Unfortunately I couldn't find tutorials for other designs so now I had the basic idea I set about adapting this design using inspiration from other pictures I found on Google. I wanted to incorporate some beads, so this was my second creation. By now I was getting rather addicted to these little creations! The rings I first used were about 3cm in diameter and about 5mm thick but I only had three of them so needed more supplies, urgently whilst I had the bug!!! The rings I found next were slightly smaller, just over 2.5cm in diameter and just under 3mm thick. I created a fan shape with this one and after weaving over the spokes stitched french knots to give a blossom tree effect. I was very pleased with how neat I managed to get the back and thought a similar design may make pretty earrings. As I said these really are quite addictive so I thought I would try something a little quirkier! As Easter is just around the corner an Easter Bunny came to mind! Not quite your traditional Dorset Button but good fun all the same. For the last one I returned to a more traditional style and used a silk variegated thread
One of my goals for 2020 was to make a video about death's head buttons, and here it is! It's only the second video I've ever made, so it's far from perfect, but youtube needed more death's head button making videos because including this one there are only 3. I do 4 buttons in this video - a plain 4 sectioned dark green one, one of the 1.5" 2 colour 4 sectioned ones from my black & white coat, the 12mm 2 colour 4 sectioned ones on my brown & gold waistcoat, and a 1.5" 4 colour 6 sectioned one for a coat I haven't made yet. I'll put the supply list from the video here: Button moulds Heavy thread or fine yarn A second, stronger thread if your first one isn't strong enough to tie off the back (preferably linen) Beeswax (specifically beeswax because it needs to be a bit sticky) A pencil or waterproof pen Small bits of paper (or thin cardboard) A small pair of pliers Scissors A straight pin A sharp needle A blunt needle A thimble You can buy moulds specifically made for button making, but modern plastic buttons or small wooden discs work too, as long as you drill a hole in the middle. For the thread there are a lot of options, it just has to be something that will lie nicely, so nothing too thick, fuzzy, or bumpy. Silk buttonhole twist is really good, but I don't have any because it's expensive and I'm poor, so I used DMC cotton pearl for two of the ones in the video. For the other two I used a fine linen yarn and a fine mercerized cotton yarn. Both were from my mother's stash of weaving supplies so I'm afraid I can't give any suggestions for where to buy them. Ok, links! Pinterest board with more death's head buttons. Edit: I originally had a list of places to buy button mould here, but that list was a bit outdated and incomplete, so please see my post on cloth covered buttons for a more thorough list of suggestions for where to get moulds. There are a lot of other places online to buy threads/fine yarns too. A bit of googling should bring up lots of options if you can't get what you want from your local stores. The intro of this video is pretty short and condensed, so there are a few things I'd like to elaborate on, which I will do here. "They were very popular on men's clothing, and to a lesser extent on women's." I think the reason you see them less often on women's clothing is just because fewer women's garments had buttons in the 18th century. They did have buttons on some things but the majority of women's clothing closed with other methods, like pins or lacing, so overall a man's wardrobe would have a lot more buttons in it. A few examples of death's head buttons on womenswear are this stomacher, this dress, this reddingote, this jacket, this riding coat, this dress, this dress, and this waistcoat. "I don't know when exactly they first appeared, and there are a lot of different styles of thread button that came before them, but you see small ones made of metallic thread pretty early in the 18th century." There are so many different passementerie buttons on pre-18th century things! I don't know how far back those go, and have never made any, but I know the 16th and 17th century have many delightful tiny round styles of thread button. Death's head buttons seem to appear in the first few decades of the 18th century, but for all I know it could be earlier. I'm sure there are hundreds of garments from this era that haven't been photographed and posted on the internet, and even the photos that are out there are usually too low quality to get a good look at the buttons. The booklet shows death's head buttons on a waistcoat from c. 1710, and here's an example from the 1720's with tiny little silver ones: "Figurine for the house robe of August the Strong from 1727" It seems like most of the thread buttons on early 18th century garments are metallic, but this could just be because most of the garments that survive from that period are the fancier, more expensive ones. "By the middle of the century they're frequently seen on coats and waistcoats, either matching or contrasting with the fabric." Obviously not just on coats & waistcoats, a lot of other garments had them too. Banyans, jackets, breeches, etc. When they're contrasting it's usually gold or silver, but that's not always the case. Here are some lovely contrasting green ones on a brown silk banyan: Banyan, c. 1740-50, Manchester Art Gallery. "In the 1780's and 90's coat buttons got a lot bigger and more exciting. Stripes became very popular and so did multicoloured buttons to match them." More exciting is a matter of opinion, but coat buttons did dramatically increase in size in the last 2 decades. Earlier buttons tend to be domed, but these big late 18th century ones are pretty flat. The earliest multicoloured death's head buttons I've seen are from either the very late 1770's or early 80's. Stripes were hardly ever seen on menswear for most of the 18th century (with some exceptions, like wrapping gowns) but became hugely popular in the 80's and 90's, and big death's head buttons in thread colours that match your striped fabric look very good. There are more examples of this further down in the post. Here are all the pictures I used in my intro, with source links: Charles Pinfold by Thomas Hudson, 1756. Woman's jacket, 1780's or 90's, French, The Met. Waistcoat, 1750-70, Probably British, The Met. And a closeup of the buttons. Waistcoat, c. 1760, The Met. François de Jullienne and his wife Marie Élisabeth de Séré de Rieux, Charles Antoine Coypel, 1743, The Met. And a closeup of the buttons. Silk coat, probably British, c. 1765, The Met. And a closeup of the beautiful, perfect buttons. Portrait of a man, Thomas Hudson, 1750. Alderman Thomas Wilson, George Romney, 1761. Magasin des Modes Nouvelles Françaises et Anglaises, 30 septembre 1787. The Cabinet des Modes ou les Modes Nouvelles, 1789. The Cabinet des Modes ou les Modes Nouvelles, 1787. Waistcoat, 1786-90, The Met. The next 5 pictures are of a c. 1780's coat and matching waistcoat from the collection of the Ross Thomson House and Store Museum in Nova Scotia, which were very kindly emailed to me by the curator. Here's the artifact record information that goes with it: Object ID: 74.54.20 A (Coat) and B (Waistcoat) Description: Man's silk brocade coat with matching waistcoat, in the style of the 1780's, brown and gold with stripes of blue, pink and green. 10 thread-covered buttons down right side of front opening, 4 buttonholes near the top of the left, high collar, brass hook and eye at top of cuffs, square cut bottom in the back, flaps on either side of front opening. Waistcoat has 15 buttons (and buttonholes) at front opening, lined with natural linen, front and back. History of use: From the Guilford, Connecticut area. [Cady's note: This was among several garments purchased from the same source for use at RTH. No specific provenance is known.] I haven't seen this coat in person, but it's just one province away so I really want to go there someday! The coat buttons have 6 sections, and the waistcoat ones have 4. The stripes are quite faded and the zigzag pattern worn away in a lot of places, but I imagine the fabric and buttons must have been a lot brighter when new. The buttons appear to have been done in 4 or perhaps 5 colours. We can see blue, white, and a bit of green, but most of the threads have faded to light brown and I don't know enough about natural dyes to make any guesses as to what they might have been originally. I mentioned in the video that as far as I've seen, the wraps on the big flat ones are usually done at least 2 at a time. Some of them just have the entire colour laid down at once, like these ones do. I wanted to put more colourful coat buttons in the video, but couldn't find any public domain ones. I don't think museums are likely to come after me for copyright violation, but I'd rather err on the side of caution with videos. Coat, 1785-90, V&A. Suit, c. 1790, Kyoto Costume Institute. Man’s suit, c. 1790- 95, Bunka Gakuen Costume Museum. I LOVE how they've matched these to both the striped fabric and the piping. Silk velvet coat with silk plush lining c. 1789, Villa Rosemaine. Attributed to Aleksander Kucharski, Monsieur Barbot, 1793. Dress, c. 1770, LACMA. Unknown gentleman by George Engleheart. (The portrait I copied my coat from.) And this lovely reddingote has the same buttons but with the colours reversed! Juliane Gottliebe Elis, Joseph Friedrich, c. 1786. These death's head buttons are just the tip of a huge passementerie button iceberg. There are variations with extra wraps added on top, ones with threads woven through around the sides, ones with detached buttonhole stitch around the edge, and a whole lot of similar ones, like basket weave buttons! I haven't tried any of these yet, but they're very interesting and I'd like to learn how to do them! I'm sure most of them probably have specific names that I don't know. (And I'm sure Gina Barrett knows exactly how to make all of them, I know I've seen her post reproductions of at least 3 of the ones here. I am not at all an expert on this, but she is.) Silk waistcoat, c. 1740's. These buttons have a little bit of extra thread woven in on the sides, making neat little textured bits. Silk waistcoat, c. 1760's. These adorable buttons have extra thread woven in too, but in contrasting colours to match the woven floral pattern of the fabric! Livery, 1820-35, The Met. A bit later than 18th century, but still neat! These appear to be a plain cream coloured button with a lot of contrasting wraps added on top. Button, probably late 18th century, The Met. Wow, this one has 12 sections. And has detached buttonhole stitch around the edges. I haven't tried this on death's head buttons but I did try it on a few shirt buttons once. Wool twill coat, French, c. 1790. LACMA. Some nice 8 sectioned ones with even more detached buttonhole stitch. Livery, Italian, Early 19th century The Met. Another neat one with a star shaped pattern of wraps on top, which I don't think is a death's head button but it's definitely closely related. I like that there's a back view of this one. Back view. Coat, 1790's, French. The Met. I like how these ones look like little pies with lattices. Again, not death's head buttons, but they look like they're made in a very similar way, only with the wraps done in a different order. Coat, c. 1795. Coat, 1787-92, French. The Met. Coat, 1790-95, French. The Met. I find this one very strange, especially since it would have looked pretty close to the same if they'd just covered the buttons in the striped coat fabric. Ok, I think that's all the extra button pictures and links I have. I hope this post was helpful!
Thread "berlingot" (chalala): To make a keyring, for christmas tree or just to decorate. With thread (wool, cotton, silk) or ribbon, the "berlingot" is easy and cheap to make. You can make the size you want, just respect the ratio.
One day during the pandemic, I was poking around online and came across pictures of a German/Eastern European craft called "zwirnknopf" - weaving handmade buttons from colored thread. Now I can't stop making them! To me, each one is its own little mandala, perfect for adding flair and focus to knitted, crocheted or sewn garments. I hand-make each of my buttons using DMC perle cotton, small plastic rings and an embroidery needle. Also magnifiers and bright light! These puppies are small! The thread is very firmly and tightly woven together, ensuring there will be no slippage or unraveling. I make short, tightly braided loops on the back for attaching to garments. The few knots there are are also secured with fraycheck. This set of buttons measure one-inch in diameter. If you need more than show in this listing, message me. Or, if you need this colorway in another size of button, I can do that, too. Available sizes are 3/4-inch, 1-inch and 1-1/8 inches in diameter.
One day during the pandemic, I was poking around online and came across pictures of a German/Eastern European craft called "zwirnknopf" - weaving handmade buttons from colored thread. Now I can't stop making them! To me, each one is its own little mandala, perfect for adding flair and focus to knitted, crocheted or sewn garments. I hand-make each of my buttons using DMC perle cotton, small plastic rings and an embroidery needle. Also magnifiers and bright light! These puppies are small! The thread is very firmly and tightly woven together, ensuring there will be no slippage or unraveling. I make short, tightly braided loops on the back for attaching to garments. The few knots there are are also secured with fraycheck. This set of buttons measures 1-1/8 inches in diameter. If you need more than show in this listing, message me. Or, if you need this colorway in another size of button, I can do that, too. Available sizes are 3/4-inch, 1-inch and 1-1/8 inches in diameter.
