Thomas Faed 1826-1900 Schotland
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Reading woman The letter My ain fireside Good news from abroad The letter The soldier's return Family of Tillicoultry, Clackmannanshire Thomas Faed born June 8, 1826 in Gatehouse of Fleet (Kirkcudbrightshire), UK died August 17, 1900 (74) in London, UK more: Wikipedia Google pictures Myweb Tiscali
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Oil on canvas; 50.5 x 61 cm. Tom Faed was born in Kirkudbrightshire, Scotland in 1826, the son of James Faed, a Millwright. He was educated at the School of Design Edinburgh, and became an Associate of the Royal Scottish Academy in 1849. In 1852 he moved to London, where he became rapidly successful - he was also very handsome. Faed became ARA in 1859 and RA in 1864. He was best known as a painter of genre, his pictures including The Motherless Bairn, Home and The Homeless, From Dawn to Sunset, and The Last of the Clan. Genre with a Scottish lilt and a strong element of pathos. Faed lived in St John’s Wood, and was a member of the Athenaeum Club. In the early 1890s Tom Faed’s sight began to fail, and he became a retired RA in 1894, which allowed him the privileges of an Academician without the obligations, and the Academy to elect another RA.
Шотландский художник Thomas Faed. Томас Фаед (Thomas Faed ; 8 июня 1826 — 17 августа 1900) — шотландский художник, родился в Гейтхаус , Kirkcudbrightshire, брат художника Джона Фаед. Получил художественное образование в школе дизайна, в Эдинбурге и был избран сотрудником Королевской Шотландской…
Thomas Faed 1826-1900 Schotland
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The Offer Thomas Faed RA HRSA 1866 Painting - oil on canvas Height: 61 cm (24.02 in.), Width: 42.5 cm (16.73 in.) Private Coll...
Artist: Thomas Faed (Scottish, 1826 – 1900) Title: Within A Mile Of Edinbro' Town Medium: Antique engraving on wove paper after the original by master engraver Robert Charles Bell (Scottish, 1806 – 1872). Year: 1872 Signature: Signed in the plate. Condition: Excellent Dimensions: Image Size 7 1/2 x 9 1/2 inches. Framed Dimensions: Approximately 17 x 19 inches. Framing This piece has been professionally matted and framed using all new materials. Accompanied by A Gallery Certificate of Authenticity. Additional Notes: This is not a modern print. This impression is more than 150 years old. The strike is crisp and the lines are sharp. Artist Biography: Thomas Faed was a Scottish painter who is said to have done for Scottish art what Robert Burns did for Scottish song. Faed was born on 8 June 1826, in Gatehouse of Fleet, Kirkcudbrightshire, and was the brother of John Faed. He received his art education in the school of design, Edinburgh and was elected an associate of the Royal Scottish Academy in 1849. He went to London three years later, was elected an associate of the Royal Academy in 1861, and academician in 1864, and retired in 1893. He had much success as a painter of domestic genre, and had considerable executive capacity. Three of his pictures, The Silken Gown, Faults on Both Sides, and The Highland Mother are in the Tate Gallery and a further two, Highland Mary and The Reaper hang in the Aberdeen Art Gallery. The Last of the Clan, completed in 1865 and arguably his best known work, is in the Kelvingrove Gallery in Glasgow. He produced several versions of this work, including a smaller version now in The Fleming Collection. He died in London on 17 August 1900.
Oil on canvas; 80.3 x 52 cm. Tom Faed was born in Kirkudbrightshire, Scotland in 1826, the son of James Faed, a Millwright. He was educated at the School of Design Edinburgh, and became an Associate of the Royal Scottish Academy in 1849. In 1852 he moved to London, where he became rapidly successful - he was also very handsome. Faed became ARA in 1859 and RA in 1864. He was best known as a painter of genre, his pictures including The Motherless Bairn, Home and The Homeless, From Dawn to Sunset, and The Last of the Clan. Genre with a Scottish lilt and a strong element of pathos. Faed lived in St John’s Wood, and was a member of the Athenaeum Club. In the early 1890s Tom Faed’s sight began to fail, and he became a retired RA in 1894, which allowed him the privileges of an Academician without the obligations, and the Academy to elect another RA.
