Established professional stained-glass artist, Thomas Denny, paints directly onto layered flashed glass in the creation of his windows. Denny's work can be seen in many prestigious cathedrals and churches across the UK and internationally. Noteably, Leicester Cathedral, Gloucester Cathedral, Durham Cathedral, Hereford Cathedral, Tewkesbury Abbey, Tewkesbury Abbey, St Catherine’s College Cambridge

All Saints Church, Woodford — Thomas Denny

St Edburga's Church, Leigh — Thomas Denny

St Peter's Church, Martley — Thomas Denny

Installed in 2007 in the Audley chapel. The subject of the window is the writings of Thomas Traherne (c1637-74) and his association with Herefordshire.

As part of the 900th anniversary celebration of Abbot Serlo laying the foundation stone of St Peter’s Abbey (now Gloucester Cathedral) in 1089, the South Ambulatory Chapel was refitted with a new stained glass window by Thomas Denny. Depicting the New Testament story of Thomas in the presence of the risen Christ in the centre light, the windows either side are based on Psalm 148, praising God’s creation. The triptych illuminates the chapel in a magnificent blue light.

This work 'was created in honour of Bishop Michael Ramsey, and intended to reflect his theological interests, in particular his fascination with the Transfiguration of Christ... The window is in the South Quire Aisle. This window is technically very assured and of high quality. Its location means that it can only really be seen at close quarters, and it is indeed very detailed in its depiction of biblical images.' The Very Reverend Nicholas Frayling reporting for the ACE award for Art in a Religious Context.

Fair Quiet, have I found thee here, And Innocence, thy sister dear! Mistaken long, I sought you then In busy companies of men; Your sacred plants, if here below, Only among the plants will grow. Society is all but rude, To this delicious solitude.  Meanwhile the mind, from pleasure less, Withdraws into its happiness; The…

The Gerald Finzi Windows, Gloucester Cathedral — Thomas Denny

All Saints' Church, Bolton Percey, The Millennium Window — Thomas Denny

St Michael's Church, Abenhall, The Free Miner's Window — Thomas Denny

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This is the original Moody Blues line-up that featured Denny Laine on vocals, Mike Pinder piano, Graeme Edge drums, Ray Thomas flute, harmonica and percussio...

Hear lyeth the body of Thomas Denny gent whoe was buried the 27th day of May 1646 There is a mix up with a later (?) or reused slab to Edward Denny www.flickr.com/gp/52219527@N00/o4dXJS (Sir Anthony Denny, clerk of the Privy Chamber & keeper of Westminster Palace was granted the possessions of Raveningham college and church in 1542 and profited much by monastic and collegiate plunder) - Thurlton church Norfolk

The centre of three panels in the south ambulatory chapel of Gloucester Cathedral. The glass is by Gloucestershire artist, Thomas Denny, and was installed in 1992. It depicts Thomas the disciple meeting the risen Jesus: " Thomas (who was called the Twin), one of the twelve, was not with them when Jesus came. So the other disciples told him, ‘We have seen the Lord.’ But he said to them, ‘Unless I see the mark of the nails in his hands, and put my finger in the mark of the nails and my hand in his side, I will not believe.’ A week later his disciples were again in the house, and Thomas was with them. Although the doors were shut, Jesus came and stood among them and said, ‘Peace be with you.’ Then he said to Thomas, ‘Put your finger here and see my hands. Reach out your hand and put it in my side. Do not doubt but believe.’ Thomas answered him, ‘My Lord and my God!’ Jesus said to him, ‘Have you believed because you have seen me? Blessed are those who have not seen and yet have come to believe.’ " (John's Gospel, chapter 20, verses 24-29)

Cathedral Church of St Martin, Leicester. St Katharine's Chapel North Window. King Richard III Memorial Window, 2015. One of two windows inspired by the life of Richard III. By Thomas Denny (b1956). Tom Denny was educated at King Alfred's School, Hampstead, and trained at the Edinburgh College of Art and now lives and works in Gloucestershire. His windows are noted for the distinctive way in which light and colour move across the surface. He achieves this effect by acid etching and silver staining each small piece of glass.