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DSCF5359b by Phil Sharp. https://flic.kr/p/2cjFxxH
Michael Maier, Viatorum, Rothomagi, 1651
Friday was a banner day in my knitting life -- I went to the V&A to hear Kaffe Fassett speak. Despite my love for all things Kaffe I had never been to one of his lectures or workshops so I was pretty excited. (In this picture Kaffe is giving some other Susan advice on how to fix her knitted collar.) Being me, I was also likely to abandon the whole thing at the last minute. But a firm shove out the door by a colleague (the Caked Crusader in fact) and I was on my way. My cab driver was greatly amused by the fact that I was going to a museum, for a lecture on a Friday night. BY CHOICE! When I explained it was to listen to a knitting designer he knew he had the rest of the journey sewn up as far as commentary went. "Knitting designer? Well, at least it won't take long. Knit 1, purl 1. That's all there is isn't it?" I laughed and asked if he thought that maybe I was being conned - because they were charging me £18 for 2 hours. He advised me that the only way to get value for the money was to drink A LOT at the wine reception. The auditorium was full and a few latecomers had to sit on the stairs. Kaffe was charming and inspiring and pretty funny. You can tell he loves what he does. The talk was accompanied by a slide show of some of his work and the objects and scenes that inspire it. There was a Q&A session and my favourite question and answer of the evening went something like: Q: Have you ever made anything that didn't work, or that was horrible. A: Kaffe answered that question (basically no, he watches and refines as he goes along and he always learns something from a piece) and then went on to comment that he thinks most people give up too early. And how he's often so frustrated at workshops because he can see the beginning of a great piece but the person working it loses confidence and rips it out - way too early. They don't give the piece time to work. And I do think that is particularly true with colour knitting. Each row and colour adds so much to the rows around it - you really do have to persevere in order to 'get' the picture. When I was making the coat I was often amazed at how a colour would affect the colours around it - sometimes quite dramatically changing the look. During the wine reception there was an opportunity to have his new book signed and meet Kaffe. I had brought along my copy of Kaffee Fassett at the V&A (1989ish) and the coat, so I ventured to the signing area. I was a bit babbly (eeeeee) and my voice an octave or so above its usual register - but I met the man himself. He was happy to sign my older book and seemed genuinely pleased to see the coat. I gushed about how much I loved it. He said it was lovely and it made his heart sing to see people take on the really big projects. Eeeeee. I didn't take my cabbies advice about drinking a lot of the free wine at the reception -- but I definitely feel I got my money's worth!! In other knitting news I feel the need to rant about knots in self patterning yarn. Particularly when they make no attempt to keep the colour continuity. I mean - the WHOLE point of self patterning yarn is the pattern. If they mess that up.... Grrrr.....
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Voici Isabelle, une little darling peinte par Dianna Effner elle-même! Je la trouve particulièrement photogénique... Elle porte une tenue plutôt "tricot", car toujours pendant les vacances, j'ai moins le temps de coudre!! Et puis, c'est encore l'hiver,...
