This is the first sourcebook to trace the emergence and evolution of art markets in the Western economy, framing them within the larger narrative of the ascendancy of capitalist markets. Selected writings from across academic disciplines present compelling evidence of art's inherent commercial dimension and show how artists, dealers, and collectors have interacted over time, from the city-states of Quattrocento Italy to the high-stakes markets of postmillennial New York and Beijing. This approach casts a startling new light on the traditional concerns of art history and aesthetics, revealing much that is provocative, profound, and occasionally even comic. This volume's unique historical perspective makes it appropriate for use in college courses and postgraduate and professional programs, as well as for professionals working in art-related environments such as museums, galleries, and auction houses.
Alessandro di Moriano di Vanni Filipepi , Sandro Botticelli (1445, Florencia, 1510, Florencia). Se cree que podría haber heredado el ...
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Il dipinto sormontava l’altare della cappella Del Lama, inserita dentro una sontuosa cornice scultorea e sormontato alla sommità da un affresco con la Natività di Gesù eseguito dallo stesso Botticelli che ancora oggi rimane nella chiesa
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This sculpture belongs to a tradition of seated Virgins that were prominent in Netherlandish art in the decades around 1400, and by extension may be associated with the Valois courts at Paris, Dijon,
Ars longa, vita brevis
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Bastille Day,the French Revolution and the French Independence Day of 1789: discover the history, main characters and symbols of the French Revolution celebrated on July 14 .
Howard Kainz writes about Mary, Queen of Heaven, who bore so many joys and sorrows so that the thoughts of many hearts “may be revealed.”