Stuart Davis, 1955
Rapt at Rappaport's par Stuart Davis. Signé dans la plaque. Cette reproduction est disponible en plusieurs dimensions. Les commandes personnalisées sont les bienvenues. Le travail de Stuart Davis a connu une résurgence ces dernières années. Le Whitney Museum de New York a récemment organisé une rétrospective de son œuvre considérable. La peinture originale date des années 30. Davis était célèbre pour avoir choisi un thème et travaillé sur des variations sur ce thème sur une longue période. C'est un exemple exceptionnel du modernisme américain à son meilleur : des couleurs vives combinées à des textures et des motifs témoignent d'une vitalité américaine unique. Cette impression ferait un cadeau spécial pour un ami. L'impression mesure 8,5 x 11 pouces. Belle bordure autour de l'impression pour faciliter l'encadrement. Ce produit est prêt à être placé dans un cadre et à accrocher dans votre studio pour vous inspirer. Je vous enverrai un colis solide par la poste pour que vous puissiez vous y rendre en toute sécurité. Plus d'impressions d'art https://www.etsy.com/shop/JBling?section_id=11631164 Visitez ma boutique JBling : jbling.etsy.com
When Stuart Davis passed away in 1964, he left an amazing body of work spanning […]
INTRODUCTION I was raised in a family with art on the walls and art history all around me. I studied art and art history all through undergraduate and graduate school. As a result there are many artists whom I have known about and seen their work over many decades. This is especially true of the
Explore the artists and artworks of our time at the San Francisco Museum of Modern Art.
Stuart Davis created an art endowed with the vitality and dynamic rhythms that he saw as uniquely modern and American.
Reviews of Chicago theater, concerts, tourism and more by Seth Arkin, who also addresses society, culture, art, technology and more.
Reviews of Chicago theater, concerts, tourism and more by Seth Arkin, who also addresses society, culture, art, technology and more.
Peter Schjeldahl on the retrospective “In Full Swing,” at the Whitney Museum.
Stuart Davis was one of the first to embody the dynamism of twentieth-century America in the forms of modern art. Out of American actualities he created an artistic language that spoke in both native and international accents, yet was completely his own.
Edward Stuart Davis (1892-1964) was an early American modernist painter. He was well known for his jazz-influenced, proto-pop art paintings of the 194
Reviews of Chicago theater, concerts, tourism and more by Seth Arkin, who also addresses society, culture, art, technology and more.
Many of Stuart Davis' early paintings were post-impressionistic. Many of his later ones were unmistakably modern works of geometrical expressionism. All of them are unmistakably Stuart Davis.
With the rise of artists desperate to align themselves with one compromised avant-garde tradition or another, it is useful to remember that Stuart Davis never fit in.
In 1936, the Works Progress Administration's Federal Art Project commissioned Stuart Davis (1892-1964) to paint a mural for the Williamsburg Houses, a New York City housing project. Though the mural, Swing Landscape, was never installed in its intended location, it survives as an impressive testament to Davis's energetic, colorful brand of abstraction and the progressive politics that animated it. With color reproductions, vintage photographs, and insightful text, this exhibition catalogue explores the painting, arguably Davis's most ambitious work.
