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Teshigahara Sofu 勅使河原蒼風 (1900-1979).
Flowers on our mind. Containers for flowers on our mind, too. IKEBANA by Sofu Teshigahara
Sobre de Expansión Fusión del Alma ( SOFU-SP 050/ SOFU-050) "Cinet-Fusión" fue usada por Playmaker en el anime Yu-Gi-Oh! VRAINS durante sus Duelos contra The Shepherd, Bohman, Tierra y Ai. "Cinet-Fusión" es la homóloga de Fusión de la carta "Cinet-Ritual".
Title: Ikebana : Japanese flower arrangements Author: Sofu Teshigahara Publication: Studio Publications, New York Book description: Black hardback, 81 pages, ~100 black/white and color plates. Call number: BICKEL SB 450 .T4 1958
Ikebana can be done anywhere by anyone. There are no national or ethnic boundaries. Like flowing water or drifting clouds, Ikebana spreads throughout the world... -Sofu Teshigahara Teshigahara (1900-1977) was the first grand master, or Iemoto, of the Sogetsu School of Ikebana. As discussed in earlier lessons, the Sogetsu school is considered by many to…
JLPT N4 Grammar List Verb-dictionary form + ことができる Noun + ができる 私の祖父は英語を読むことができる。 Watashi no sofu wa eigo o yomu koto ga dekiru. My grandfather can read English. 私は自転車に乗ることができる。 Watashi wa jitensha ni noru koto ga dekiru. I can ride a bicycle. 私たちはそこで重要な文化を学ぶことができる。 Watashitachiha sokode jūyōna bunka o manabu koto ga dekiru. We can learn valuable …
JLPT N2 Grammar List まったく + Verb-ないform まったく + Noun + ではない/がない まったく + いadj （－い） + くない まったく + なadj + ではない 祖父はお酒をまったく飲めない / まったく飲めません。 Sofu wa o sake o mattaku nomenai/ mattaku nomemasen. My grandfather can’t drink alcohol at all. 祖母は日本語での会話はまったくできない / まったくできません。 Sobo wa nihongode no kaiwa wa mattaku dekinai/ mattaku dekimasen. …
On Friday afternoon I had some free time before going to a concert and had a walk around Johnstone Park in Geelong. In the bright afternoon sunlight I noticed that some of the large Brachychiton's were in flower. These are tall trees with the flowers scattered along the branches. Often I first notice the flowers on the path. I was pleased to be able to get these photographs with some ease as they were only a few metres above the ground. This cluster of flowers is among the newly-formed seed pods from flowering earlier in the Spring. In my Geelong class... ...Anne's exercise was a to make an Upright Variation No. 3 ikebana. In this variation the Shin line and its support, the Soe, are on opposite sides of the Hikae flower line. Maree's exercise was to make a celebratory arrangement. The student is asked to take into account the circumstance of the celebration. She prepared this ikebana for a friend who was becoming engaged, who loves roses, and whose favourite colour is pink. She added Sea holly Eryngium to the central mass and joyously radiating lines of Maple Acer. The senior students' exercise was to make an ikebana on the theme: "Expressions of summer". Ellie placed a dried branch and added summery yellow flowers, including a small Sunflower and some colourful Hellichrysum flowers; yellow being a typical colour in an Australian summer. Helen arranged dried bark, a large Cordyline infloresence and some Cotyledon orbiculata flowers. She wanted to represent the hot strong winds we have experienced recently, which brought down strips of bark from many of the Eucalyptus trees. Christine used the last of her Summer Hydrangeas. The two bare dry branch lines represent the dryness of summer. Maureen arranged twisting black-painted lines of vine and Plumed Cockscomb Celosia argentea. At the first meeting of the Victorian Branch of the Sogetsu School this year, the theme was 'using Aspidistra leaves only'. Aileen Clarke, who presented the workshop, used the following quote from Sofu Teshigahara's Kadensho: "Try setting leaves. You can fake nice arrangements with flowers, but not with leaves. Leaves are the proof of a plant's dimensionality." We were also invited to explore the material, and to try something we had not done previously. I was interested to try to create an over-all sense of flowing movement that I had previously seen other ikebanists achieve. I have used six variegated leaves and tried to created a flowing movement to the right. I found the task surprisingly difficult (Sofu Teshigahara was quite right) and was running out of time at the end. With more time I would have liked to shorten the upward curving leaf on the far right side of the ikebana. I enjoyed the learning experience and was impressed with the strength and variety of ikebana that my colleagues created. Follow this link to Photos from the Aspidistra workshop. Greetings from Christopher 2nd March 2025
This past fall we headed back to Japan, returning to places we've loved and finding new ones as well. I wanted to share some of these new places with you. I took all the photos unless otherwise noted. TOKYO This is an update, a bit random...for a fuller range of places in Tokyo here's a link to the original post. Morning Coffee Sounds like an easy thing, but many Japanese coffee houses open late. A few suggestions follow. You'll want to find something close to where you're staying. Always check online to see which days places are open. Kabaya Coffee, Yanaka, Tokyo. Originally built as a milk bar and sweets shop in 1916, it became Kabaya Coffe in 1938. Downstairs corner Upstairs corner Parklet Nihonbashi, Tokyo. A cafe and a bakery, started by a California couple. Kate Jaksich managed Tartine Baker and Jerry Jaksich worked at Chez Panisse. Set into a children's park it seems almost like an extension of the park. The food is delicious as well as the coffee...for breakfast baked sweets, toasts, porridge, or yogurt, and wonderful sandwiches, soups, and salads at lunch. Photo by Keisuke Tanigawa Cafe La Fresa. We were there in 2019 and it's even more overwhelmed with ivy now then it was at the time, but here is what it looked like then. Cafe La Fresa is a traditional Japanese Kissaten, or coffee shop. It appears to be open 8-8 Monday-Friday only. Above: A recent picture I found online. The building on the left has been demolished but La Fresa remains. Tokyo Art Trip Coffee Shop Guide This guide will show you many more places to try out. Always a fun way to find a new neighborhood. They have other guides as well on a large array of subjects from antiques to tea. Tokyo Toilet Project Above: We liked the use of playful sculptures on the outside of a toilet in Yanaka (the old part of town). I didn't know then about the recently created public toilets that are architectural masterpieces of design in Tokyo, and can be seen in Wim Wenders beautiful new movie "Perfect Days". They were created for the 2020 Olympics, "The Tokyo Toilet Project", funded through Koji Yanai of Uniglo, and designed by Pritzker Prize winning architects including Tadao Ando, Shigero Ban, and Kengo Kuma. Because of covid they never received the public attention that was planned, but they are now being celebrated in the new Wenders film as settings for the story. Some images below: Photo by Satoshi Nagare Above and below: Designed by Shigeru Ban, the tinted glass exteriors become opaque when in use. Photo by Satoshi Nagare Photo by Satoshi Nagare Above and below: Tadao Ando public toilet. Photo by Satoshi Nagare Photo by Satoshi Nagare Above: Masamichi Katayama public toilet The project is evolving and toilets continue to be created by talented architects. You can find out more here. Museums, Galleries, and Art Installations National Museum of Modern Art Always worth checking out what's on view here. We were already fans of Munakata's work, but we hadn't seen it in person and were so glad to be here when the show was up. Munakata is known for his graphics and book designs, as well as large scale screen designs. Above: Munukata (1903-1975) in his studio, 1959. Shiko Munakata doing his morning warm up exercises in his NYC apartment". Photo by Bela Kalman. Shiko Munukata grew up in Aomori, the 3rd of 15 children, the son of a blacksmith. When Shiko was 18 his teacher showed him a copy of Van Gogh's Sunflowers, and he decided he would become the Van Gogh of Aomori. Through the medium of wood block he did become one of the most important 20th century artists in Japan. Above: Munakata, 1949 Above: Munakata, Horned Owls, 1957 Above: Munakata, "Oshira-sama: The Flying Silkworm Deities", 1968 Above: Munakata, "In Praise of Tohoku" is a 32' wide 10 paneled set of folding screens features a wall of semi abstraction with Amida Nyorai, the Buddha of limitless light and compassion at it's center. Below: Not far from the National Museum of Modern Art, is "Jimbocho" or book town. I've included more about it in the earlier Tokyo post but one addition here is a great magazine store...Magnif. They have lots of vintage issues of a wide range of magazines, particularly fashion and design. Above: Two vintage issues of magazines from 1955 and 1959 I bought at Magnif. Kamiya Art (Close to JR stop Shin-Nihombashi) Kamiya Art is both a ceramics gallery and a paper specialist, making paper, repairing and mounting paper based work, and showing paper based artists. They represent a ceramic artist we love, Shiro Tsujimura, who works with wood fired Shigaraki clay. Here are some pieces we saw when we were there. Also in the same neighborhood is an iconic brush store, Edoya. The selection is incredible, and makes you want brushes you never knew you needed. A few examples... A 20 minute walk in a northeast direction is an antique store and contemporary craft gallery, Hakujitu that had some beautiful pieces. You can follow them on instagram here. A few photos below: Gallery 38, Shibuya, Tokyo. When we were there in November the exhibition was ceramic artist Eiji Uematsu. Mori Art Museum, Roppongi Hills. An exciting museum to visit as it's located at the top of a skyscraper with a dramatic city view/sky deck space. That can mean crowds at the weekends and in the busier times of the year, but it is a great place from which to see the city. When we were there the exhibit was "Our Ecology: Toward a Planetary Living". Some images from the show follow... Kate Newby Kate Newby The terrazzo floors in Kate Newby's installation have materials found on the Tokyo sidewalks mixed in...stone, ceramics, glass, rubber, enamel, cork, metal, rope, concrete, and shell. Newby uses local elements in her pieces, and works with local manufacturers to actually create them...the indigo fabric panels were created locally as were the terrazzo floors tiles. Above and below: Part of the Mori exibit, this piece was created by Akane Saijo, "Orchard", 2022. Saijo has been creating works where sound is made by blowing into the hollow chambers of ceramics. You can see a movie of her work in use here as part of her exibit at Artcourt Gallery, Osaka, in 2022, "Phantom Body". Photo: Takeru Koroda Akiko Fujita Above: In the 1970s, in Tokoname Akiko Fujita built outdoor architectural sculptures the size of buildings out of clay, and fired them in ceremonial blazes. These are documented in the show. Monira Al Qadiri The Sogetsu Foundation, Akasaka, Tokyo Above and below: The Sogetsu Foundation, the school Sofu Teshigahara (1900-1979) founded in 1927 to teach his Ikebana techniques. Ikebana is the traditional Japanese art of flower arrangement, originally developed in the Heian period (794-1185) when floral offerings were made at altars. Teshigahara said that the difference between the Sogetsu School and Ikebana is the belief that once the rules are learned and the techniques mastered an unbounded field remains for freer personal expression, not just flowers. In 1977 Teshigahara asked Isamu Noguchi to design the entry area to the school, a place to display Ikebana arrangements as well as hosting performances, and it was completed in 1978. The space is titled "Heaven" You can read more here. Above: Teshigahara with some of the elements he used is his Ikebana sculptures. Above: A book Teshigahara published with photos of some of his work, 1952. Above and below: Ikebana incorporates surprising elements and surprising combinations so that you see these elements in fresh ways. Above and below: Ikebana is a kind of sculpture with elements of form and proportion that can be taught. This is what Teshigahara believed in mastering, and then moving forward without adherence to the rules. Above: Some of Teshigahara's pieces were enormous. This one is called "Winter" and is 7' high and 12' wide. Above: Ikebana classes are held here, and are open to anyone. Trial lessons are offered, and can be arranged at fairly short notice if space is available. After Sofu Teshigahara's passing his daughter Kasumi briefly became headmaster, but when she passed a year later Sofu's son Hiroshi (1927-2001), a successful filmmaker, who in 1964 made the avant-garde film "Women in the Dunes", gave up his film career to run the school. When Hiroshi passed in 2001, his daughter Akane Teshigahara took over and is the current headmaster. Below: Postcard from the gift shop. Enoura Observatory/ Odwara Art Foundation Opened in 2017, the Enoura Observatory is about half an hour from Tokyo by Shinkansen train and shuttle bus from the town of Nebukawa. It was created by artist Hiroshi Sugimoto as part of the Odwara Foundation. There is something sublime and mysterious about the place. As if guided by an unseen hand, I was drawn to this place of memories. In a sprawling mikan citrus grove in Enoura, I established the Odawara Art Foundation with the aim of conveying the essence of Japanese culture to a wider audience. While Odawara was passed over in favor of Tokyo as the site of Japan’s capital, Odawara has the potential to be the capital of communication of our culture to the world. This is because the unique character of Japanese culture, a continuous legacy dating back to the prehistoric Jomon period, has been the art of living in harmony with nature. The Japanese people developed a unique culture incorporating the worship of myriad deities and spirits of the natural realm. In today’s grim world of rampant materialism and consumerism, when so much of this natural splendor has been destroyed, it is the revival of these ancient Japanese traditions that we need most. Hiroshi Sugimoto I didn't want to include too many photos as it's nice to be surprised. Really get here if you can...so worth it! Places for a lovely tea experience. These places serve a graceful offering of tea, in a serene environment. These are not however tea ceremonies. Yakumo Saryo This place feels far removed from the neighborhood around it. Through large weathered steel gates, and up into what appears to be a park, is an old structure with an elegantly simple interior. Having tea or a meal there is a sublime and peaceful experience. The person making tea for us was friendly, warm, and unintimidating. Sakurai Japanese Tea Experience We enjoyed tea here at the end of the day, having made reservations the day before. They roast the tea on site, and have a large array to offer, bringing you samples of each leaf, to examine and see what appeals. It's upstairs in the Spiral Building, not far from Omotesando, a major shopping street. Photo: Analiese Gregory Dinner Locale Located in Meguro, a block from the Meguro River, is our favorite restaurant. Theirs is a farm to table approach in a welcoming small place. Do make reservations. Above: Locale chef and owner Katy Cole KYOTO This is an update to an earlier post you can find here...some new places we've discovered since then. Morning coffee in Kyoto is also hard to find. This article was extremely helpful! A couple of favorite places from the list.... Lignum The coffee is excellent at Lignum, and it's a great place for breakfast on the way to the National Museum of Modern Art. If you're there on the right day it's also close to my favorite flea market, the Heian Antique Market. It could also be a stop on the way to the Philospher's Path and a visit to the shrines to the east of the path. Kawama Cafe Kawama Cafe opens to the Kamo river in the back, and you walk along a small canal to get there. It does open early and as we stayed in a Machiya (a renovated old house) nearby I was very happy to discover it. Do check online as they're not open every day. Above: Steven's watercolor of me, having breakfast, sitting on the wall above the Kamo, just to the left of the view through the cafe doorway above. Above: A small personal shrine in the wood house (the black finish is "shou sugi ban"), on the same block as Kawama. In the back, to the left, is the Kamo. Above: Across the street from Kawama is a canal that runs parallel to the Kamo River. We've rented a couple of Machiyas to stay in nearby. They're old homes that have been rescued by being restored as vacation rentals. The insides are simple, basic, but pretty, and it allows you to stay in a neighborhood, not feel like a tourist, and have extra space, with a washer/dryer too! The rental agency we've used is Machiya Residence Inn. There's no concierge, though I think the agency will help with concierge services if you ask them to. The canal has proven to be one of my favorite spots. It changes it's character as it goes from the busier business areas north of to the area just south of Goji Dori street where Kawama is. We discovered this time troves of pottery shards. Nothing of value, broken pieces tossed out and covered in algae, but some lovely patterns. There are some crossings that feel a bit magical, like a fairytale. Unlike our country, where law suits would abound, here they let you make your way across blocks in the water or very skinny bridges. Steven Baker Steven Baker Above: Shards of pottery on the canal floor. Above and below...the same canal as you head north Above: across from the canal further north, a funny juxtaposition of antique display and vending machine. We rented another Machiya in Hagashiyama this time, just south of Sanjo Dori. It was close to a different lovely canal, a bit wider, with a tiny bridge. Something about crossing the tiny bridge makes you feel like a child. The Kamo The Kamo is the large river that runs through Kyoto, north south, making a Y on the northern end. I use it to orient myself. Knowing where something is in relation to the Kamo...west or east, and then above or below certain main streets like Sanjo Dori, Shijo Dori, and Gojo Dori. The train station is at the furthest south of anywhere we've wandered. The Kamo has wide paths for strolling on the sides, and it's a great way to walk a long distance north south away from traffic and lights. Below, some moments walking along the Kamo... Above: Look hard and you'll see a school of fish under the water. Above: I became transfixed with the colors women wore...yes, there's plenty of black and navy and white, but there's also a joyful use of vibrant color. A gouache painting of mine above. Shrines in Higashiyama Yasui Konpira-gu Shrine, in the Gion area of Hagashiyama, is a shrine where people write their wishes on a white paper amulet, covering a stone shaped structure with them, called the enmusubi stone. They perform a ritual of climbing through the structure, and then return through it the other way in order to break off bad relationships and initiate good ones, and then pin their wish to the stone. Photo below: As you walk from Gion northeast to the Philosopher's Path you are likely to pass through or by Chion-In Temple. It's a dramatic structure, resting on enormous wood columns. The siting gives a good view of the city. East and slightly north of Sanjo Dori is the Tenjuan Garden, a part of the Nazenji Temple, is really lovely. Some images below: Above: A drip fountain made from a moss covered rock. Above: I love the way this bridge makes you conscious of the experience of crossing over water as you have to pay attention, you can't just go in a straight line. Above and below: Photos of Tenjuan Garden by Sophia Walker from her book "The Japanese Garden". Honen-In Temple is east of the Philosopher's Path, in Northern Higashiyama. It's got a peaceful garden and an enormous cemetery that is worth walking through. Some photos below: One of the elements Honen-In is known for, are these two raked sand mounds called Byakusadan that you pass between to enter. They are said to purify the visitor. The seasonal designs change every week or so. Above and below: It was fascinating to watch this landscaper arranging the camellias so as to make the water drip continuously from their leaves. Quite an art. Ginkaku-Ji Temple (The Silver Pavillion), is at the north end of the Philosopher's Path. Some photos below: Above: As you wander up the hill behind the temple you come to a place where you see the temple below and all of Kyoto in the distance. Above: "The Sea of Silver Sand", which can be seen in the photo above this one. Photo by Akira Nakata from The Japanese Garden Above: "The Moon Viewing Platform" Flea Markets You'd be lucky to be in Kyoto when Heian Antique Market is on, but check here and go if it is. The spring dates are on the calendar and I believe it updates through the year. Photos below: Tenjin-San Shrine flea market takes place on the 25th of every month. It's at a shrine in the western part of Kyoto. This is a sample from one of the dealers with a sense of modern display, leaving space to see things. It's a very large market. Above: Flea Market fabrics and pottery shards we found Cafes A few spots we've enjoyed...a very random selection! Moan Tea Room A remarkable setting. We walked up a hill through an overgrown forest sort of park using GPS, about 15 minutes, from the northeast side of Yoshidayama Park. Truly feels as though you've gone far away, into the mountains, yet you're in the middle of Kyoto! When we arrived at the rustic lodge we could see people through the windows on the second floor, and were very happy we'd found it. Moan serves tea, coffee, soft drinks, and sweets. Check hours. On the way down we chose a simpler route to the southwest. Mememe Coffee House Mememe has really good sandwiches etc, in a comfortable friendly atmosphere. It's located just to the west of the Kamo, north of the busier parts of Kyoto. Pictures below: Tea Room Toka Not far from Mememe is a tranquil place for tea, Tea Room Toka. Reservations are requested, though we were accommodated without them. The tea is served in a traditional manner, and wagashi, or sweets, are served with the tea. The tea room is entered through Gallery Nichinichi, a gallery showing fine tea ware, vases, rings, and other decorative objects. Above: The entrance to Tea Room Toka and Gallery Nichinichi. TOKA WEB SITE TOKA WEB SITE Stardust Stardust is located quite a bit farther north, to the west of the left Y of the Kamo. It's a very beautiful place. Lunch is light, just soup and bread but it's a nice place to be. More of a tea place and for sweets. Reservations needed. Pictures below: Stand By Me Yakitori Stand By Me is a counter style yakitori restaurant, great noodles and a quick meal. It's a fun area to walk around, about a block east of the Ace Hotel. Photo below: Ippodo Tea Ippodo Tea is family run Japanese tea company founded in 1717. They sell high quality tea and also have a tea room in their main store, on Teramachi Street, in Kyoto. When we went there to buy some loose tea I saw these illustrations on their display...very appealing! Street texture One of the great things about walking around Kyoto is the texture of the streets and sidewalks. A few images below... Galleries and Museums Shinya Art Shinya Art is a gallery in Gion showing artists from the late 19th century to mid 20th century. Photo below of Yushi Ikeda's work, one of their artists. Kahitsukan Kyoto Museum of Contemporary Art This past fall we saw an exhibit at the Kyoto Museum of Contemporary Art by Kitaoji Rosanjin (1883-1959). A few images of his work below: Above: Cylinder shaped vase, Bizen, 1957 Above: Shigaraki flower vase, 1951 Below: Small fishes, 1955 The National Museum of Modern Art, Kyoto We were lucky to see a show at MOMAK called "The Kyoto Art World Comes of Age, A New Generation Takes Over from Seiho and Shoen". We discovered so many interesting Japanese artists working in the beginning of the 20th century in the Nihonga style. There were works painted from 1899-1937. Seiho and Shoen were artists of great influence in the late 1800s. These young artists were trying to find their own way, in reaction both to the past and to the western influenced style, "Yoga" that was gaining influence.These works combine traditional elements with a more modern simplicity and sense of space. The idea was to appreciate the older materials and techniques using washi paper and silk surfaces, and pigments from natural ingredients...minerals, shells, corals, and semi precious stones, and to combine the respect for Japanese traditional painting with a more western use of perspective, shading, and naturalistic poses. Nihonga translates to "Pictures of Japan". Some of the images from the show below: Above: Tsuchida Bakusen (1887-1936). "Women Peddlars from Ohara", 1927. Bakusen studied with Seiho (in the exhibit title) and went on to start the Society for the Creation of National Painting as a way to bring together an eclectic group of Yoga (western style) painters and Nihonga (Japanese painting techniques and styles). Above: Tsuchida Bakusen, "Island Women", 1912 Above: Tsuchida Bakusen, "Women Divers", 1913, showing 8 of the 12 panels. Above: Tsuji Kako, "Terra Cotta Tumulus Figures", 1916 (Haniwa) Above: Keigetsu Kikuchi (1879-1955), "Beating Cloth". Kikuchi was included in the show but this painting wasn't part of it. After discovering these artists I was curious to look further. Here are some other Japanese artists from the same period, or a little later that I've came across... Above: Fumie Taniguchi (1910-2001) (also known as Senka Taniguchi), Preparing to go Out, 1935. Ink, color pigment on silk. Taniguchi became known in the 1930s for her Nihonga paintings of fashionable modern women. This generation of women were the first to begin to be empowered, financially independent, able to buy their own clothes, dress as they wanted to, be a part of the modern world through magazines and cinema. This six panel screen that takes it's inspiration from the 17th century Matsuura screens, depicts 6 women changing from traditional to contemporary fashion, and shows their growing independence. "They're preparing to go out but they're also leaving the past behind". Above and below: Details from Preparing to go Out Above: Fumie Taniguchi, the sole female artist in a group of her peers. Above: Fumie Taniguchi, "Yama no ikoi" (Mountain Retreat), 1936 Above: A portrait of Fumie Taniguchi sketching in the Rokko mountains,1957 Above: Fumie Taniguchi, "Bakushu", (Early Summer), 1930 Above: Saeki Shunko (1909-1942), "Tearoom", 1936 Above: Saeki Shunko (1909-1942), "Tea and Coffee Salon", 1939. Ink, color paper, lacquer. Shunko painted this only 3 years after the similar subject above, but you can see his style has become more naturalistic, more relaxed. Above: Tateishi Harumi (1908-1994), "Clover", 1934 Above: Tateishi Harumi, "Teiten Exhibition Byobu with Beauties & Orchid", 1933 Above: Azumaya Toen (1893-1976), Toge (Ridge) 1934. Toen's paintings feature self assured modern girls, "moga", who make a statement for change in women's identity in the early 20th century. Above: Akino Fuku (1908-2001), "Benimo", 1938. She began to study Nihonga painting in Kyoto in the late 1920s. Below: Both painters below studied with Asai Chu (1856-1907) who developed the yoga style, or western art movement in the late 19th century. Above: Ryuzaburo Umehara (1888-1986) Below: Yasui Sotaro (1888-1955), "Seated Woman", 1930 Dinner You ALWAYS need to make dinner reservations in Kyoto. Lurra Lurra is a terrific Michelin starred experience. Sitting at a counter, watching a real performance, the chefs making the most exquisite and delicious small courses. The chef Jacob Kear, is California born, and raised in Japan. There are assistants speaking English or Japanese as appropriate, checking on your preferences and describing each course. It's a very friendly interactive place, with about 10 customers at a time, in two sittings. Photo: Alexandria Daria Yasai Hori Yasai Hori is a place we found in 2015, and have returned there many times when we've been in Kyoto. Each time we enjoy the same excellent grilled food which includes an abundance and variety of vegetables. Sitting at the counter, you can watch the cooking, enjoy the thoughtful selection of unusual serving pieces, and let the chef owner know if there's anything you particularly want. Otherwise he'll serve you what he thinks is best. Kosa We haven't been to Kosa (at the Ace Hotel in Kyoto) but given that's it's a sister restaurant to Locale in Tokyo which we love we look forward to going there next trip. The menu looks terrific. KOSA Monk Monk: A small place serving pizza on the Philosopher's Path in Kyoto, it's the subject of Chef's Table episode 5 with chef/owner Yoshihiro Imai. The only way to get a reservation is to call (yourself) 2 months in advance at 12:00 pm. We haven't managed it yet...someday! MONK MONK Below: Suba, a very popular soba noodle stand up restaurant, open for lunch and dinner. Their instagram here. photo found here Suba web site Day Trip Omihachiman is a about a 45 minute train ride north from Kyoto, near Lake Biwa. It's centered on a canal that leads into Lake Biwa. Overnight Trip Fukudaya Oumi We found an inn on Lake Biwa and decided to try it for a night. Fukudaya Oumi is a truly special place. It was used as an inn for 140 years when it functioned as a port town, and was a busier place. It closed for some time, and 6 years ago it was revived. We were greeted at the train in Omi Imazu station by the loveliest woman, Yumiko, so warm and enthusiastic! We hadn't realized that Fukudaya is taken by one group at a time and we were the group! The experience was just perfect...fantastic food made to our preferences by the chef seen above, but more adventurous then I might normally have chosen. I loved it. It's is set right on Lake Biwa, the largest lake in Japan. There's a large indoor onsen bath with a beautiful view of the lake, and you can go for a swim if you like. We enjoyed walking along the beach collecting things as always. And the view from the room was astonishing. Watching the changing light over the water made the view constantly different. Above and below: View from our room. Above: The dining room. Above: The view of Fukudaya from the shore. Above: An old map of the town. ONOMICHI Takuji Nakamura, 1978 The place I was most looking forward to returning to was Onomichi. It's a small town, and very welcoming. We loved the hotel we stayed in, the LOG, and were excited to be going back. My favorite parts of Onomichi are the walk in the hills, secret paths meandering between the shrines, tea houses, coffee houses, and cafes, and the islands extending into the Seto inland sea, reachable by bike and ferry. Many people come here for the biking, where a 60 kilometer road passes through 6 islands connected by steep bridges. It's called the Shimanami Kaido. Alternatively you can take a bike on the ferry, and visit the islands in a gentler way! Many places for bike rentals including ebikes, and a frequent ferry schedule give you lots of options. We were happy to see that Onimichi is thriving, but it hasn't in any way lost it's port town character. Since we were last here, 4 years prior, there are more restaurants and tea houses, more places to rent bikes, but on the whole it hasn't changed. This is an update to my previous post on Onomichi you can see here. Above: Returning to the LOG In the hills... Above and below: As you can see these trails are only for walkers...no cars. The first thing we wanted to do when we arrived in Onomichi was to take a walk in the hills, rediscovering the trails. You can see lots of photos of the pathways in my earlier Onomichi post, so all I'll include now are some of the new places opened since we were last here. Above and below: Nekonotepan Factory, a bakery serving bread as well as pizza and sweets. The bakers are working on a slightly lower level then the sidewalk outside so the window allows you to look down into the kitchen. You can see headphones on the left, which offer a playlist while you wait, as only one customer at a time can fit inside. Above and below: Just down the hill from the bakery is Totem, a cafe serving chai and other things including curry on Saturdays. The cafe is located on the 2nd floor taking advantage of the dramatic views. It's painted in a wonderful coral pink that makes it always feel aglow with sunset light. Above: Charyu Gen Yamate, a soothing tea house in the hillside created in a recently restored old structure. Their vision is that people will rest here during their walk between the shrines, like an old mountain pass teahouse. The proprietor grows his own tea in southern Japan. Above and below: A new coffee stand, Airship. The Onomichi City Museum of Art To get to the museum walk up to the top of the hill, following your GPS along many paths and you'll arrive. Beautiful views from the top! Below: Last time we were in Onomichi an artist named Shooshie Sulaiman had created an exhibition of found objects from buildings being demolished at Air Cafe. This time, 4 years later, the collection had turned into a full art show at the Onomichi City Museum of Art. The Islands There are 6 main islands extending out into the Seto Inland Sea, and reachable by ferry, with myriad smaller ones as well. We spent one day visiting Setoda on Ikuchi Island, and one day with rented bikes we took a ferry to Mukaishima Island, and a picturesque bridge to a Iwashi Island, which was small enough to circumnavigate. Above and below: The ferry we took to Setoda. Sitting by the window with a wonderful breeze and perfect view. Above and below: Soil Coffee in Setoda, just off the harbor. Above: Shiomachi shopping street in Setoda is lemonade themed, as the island is known as the number one producer of lemons in Japan. Above and below: All sorts of citrus for sale in town. Above: Oranges growing on a hillside. Above: Persimmons growing near the shore Above and below: Walking along the edges of the island. A couple of days later we rented bikes at U2 and headed out to Mukaishima Island. Above: The bridge to Iwashi Island. Above: Itsukushima-jinja Shrine on Iwashi Island. "Downtown" Onomichi When you get off the train in Onomichi you're across from the harbor. There's a covered mall that extends all the way through the town with shops and restaurants, and between the mall and the port are alleyways with ramen shops and tea shops and vintage clothing in old structures that were restored in lovely handmade ways. There's a real unpretentious creativity in the way things are made to take on new lives. Above and below: A terrific addition to Onomichi is this tea shop, Tea Stand Gen. We were lured inside by the old teapot, and discovered a wonderful place. The owner was so happy to speak about his tea and various types and where it comes from and so on. In no time he and two other customers and the two of us were conversing about all sorts of things despite the rudimentary language we had in common. Felt like a salon. The owner is the same person who opened the tea shop in the hills, Charyu Gen Yamate as well. Above: We loved this ramen shop. It's in an alley between the covered mall and the water, around the corner from Tea Stand Gen, which is easier to find. Above and below: Close to the entrance to the mall is Kofuku Okonomiyaki, specializing in a type of noodle pancake called, as the name says, Okonomiyaki...batter mixed with noodles and with lots of cabbage and other shredded vegetables (and meats if you like) that looks to be enough for several people and yet you can't help but finish it! It stays warm on the griddle that runs continuously along the counter. Above: A corner store where we'd stop for a banana each morning also sold umbrellas. I love the variety of yellows that they come in! The very kind owner also handed out tangerines as a gift to supplement the bananas. Tangerines seem to be abundant in the fall. The LOG Hotel For a more serene dinner with incredible ingredients the LOG is a wonderful place for dinner. They're open for breakfast also. LOG Above: The dining room at the LOG. Above: The cafe is a place for a glass of wine, dessert, or a cup of tea. Above: Steven brought Noriko, who manages the LOG a vase he'd made. She placed it in the cafe. Above and below: The library, a place to look through their collection of books and magazines, mostly design oriented, or set up your computer on the desk. LOG Above: An open space to gather, eat (the cafe is next door), sketch, read, or work online. Above: When you wake up you can open a sliding panel and enjoy the view. Above: The view from the room Above: A painting of mine looking outside, in gouache. Above: Sunrise in our room. There are two old houses LOG has restored and can be rented for larger groups...one of a traditional wood and stucco design, Izumo Mansion, and Shimai House, from 1931. Here are a few photos: Above and below: This is Izumo Mansion. Many spaces for futon beds as well as two kitchens and an authentic tea house from the Edo period. LOG Above: Exterior view of Izumo Mansion. Above and below: A particularly beautiful spot upstairs in Shimai House. LOG Above: A recessed sitting area on the first floor of Shimai House. Above: A view of Onomichi at sunset. Sorry to leave. Heading South On the way to a Ryokan at the southern end of the island of Kyushu, we stopped in Fukuoka. Fukuoka feels like a very modern city, with a young population. It's known for it's food, it's night market stalls, and it's a center for tech. We also saw a lot of vintage clothing...many US college sweatshirts and plaid flannel shirts. It's a very international place, attracting lots of tourists and being extremely close to South Korea. Above: Breakfast at Orto Cafe We knew that the Fukuoka Prefectual Museum of Art had an exhibit of Zenzaburo Kojima whose work we'd seen in LA at Nonaka Hill, and we were glad to have a chance to see the show. His works below: Above: Zenzaburo Kojima, Lilies and Carnations, 1955 Above: Zenzaburo Kojima, Anemones, 1952 Above: Zenzaburo Kojima, Mimosa Arrangement, 1957 The museum focuses on a collection of artists with ties to Fukuoka, and what they describe as "Modern Japanese Western Style Painting". These artists include Nakamura Takuji who painted the view of Onomichi I included. I love this painting he did in 1968. Got the postcard at the museum. Above: Harue Koga (1895-1933), Innocent Moonlit Night. Harue Koga is another artist associated with Fukuoka and collected by the museum. Influenced by Paul Klee in his earlier work, he developed into one of the first Japanese surrealist painters. Above: Harue Koga Summer Mountains, 1927. Below: Harue Koga painted a number of pieces for a children's magazine, Kodomo no Kuni, (Children's Land) that are wonderful...Harue Koga and Kodomo no Kuni both have stories worth exploring further. Yatai Food Stalls Andrew Faulk for NYT Above: From NYT "Gateway to Asia" article Above: This Yatai, or food stall, is at the end of Nakasu Island in Fukuoka. Above and below: Had dinner here at Keyakidori Murata the 2nd night in Fukuoka. Recommended by a local for good soba noodles, and we enjoyed it. Info in english here. from web site Onward south to Kirishima! To get to Myoken Ishiharaso in Kirishima you can take a Shinkansen train from Fukuoka to Kagoshima, or rent a car. Thinking it would be interesting to see what the forests of Kyushu looked like we rented a car. We whizzed through bamboo and pine forests, into long tunnels through the mountains, and eventually arrived at our destination without getting lost more than a few minutes. Myoken Ishiharaso Hotspring is a ryokan on the edge of a river with natural hot spring pools set right into the river and above it. A magical spot. I had seen photos and we decided to visit. Then just a month ago it was featured in the NY Times in a piece about the area, Kagoshima, a dragon shaped region especially popular this year, the year of the Dragon. Photo: Josh Robenstone Photo: Agoda Above: Way to the hot springs. Above: View from our room Above: Moss covered rocks in the river. Above: Foot bath with natural hot spring water. Above: Natural hot spring bath along the river. Above: This hot spring bath can be reserved privately. Above: One of the rooms, which is set up with bedding at night. Above and below: Breakfast is served in this dining room. Dinner is served in private dining rooms. They serve delicious local specialties. Steven Baker sketchbook It was a lovely adventure.
