Sigve Knutson’s (b.1991, Lillesand) practice is driven by his exploration of tools and materials and focuses on the intuitive and the spontaneous in the process of making. Deeply motivated by a drawing mentality, he creates sculptural objects that call for an interaction with the very materials, as much as a connection with our collective creative memory.
Sigve Knutson// Assembly at Carwan Gallery, Greece - November 04, 2021 - January 08, 2022 - Explore the Curatorial Note, Exhibition Videos and More on STIRpad.
My solo show at Gerhardsen Gerner in Oslo will be opening 24th January. Read the interview in the last ever A New Type of Imprint Mag. Get 10% off...
Drawn Molds 2016 Black silicone, stoneware, concrete Various dimensions
Oslo-based Norwegian designer Sigve Knutson has an experimental practice that seems defined by a sense of play and a desire for evolution.
Material Nuggets 2017 Various materials and dimensions Material Nuggets is meant as an ever expanding collection of stool- like objects executed in a...
Sigve Knutson has been able to harness his playfulness, experimenting with many materials to create a collection of objects and furniture that prod at the line between sculptural and practical.
norwegian designer sigve knutson sets on display 'assembly' series, a selection of handcrafted signature works from the past five years.
For his Milan design week exhibition, Sigve Knutson presented a series of textured objects inspired by the lines he uses in his drawings.
Leading names such as MAD and Fuseproject, plus rising stars like Sigve Knutson and Penda, are on the longlist for the Ultimate Dezeen Awards.
This week: exhibitions in Athens by Philippe Malouin and Sigve Knutson, the first Boy Smells store, and the shelving of our dreams by Barbora Žilinskaité.
Mixed media landscape, watercolor, charcoal, 2018 Artist: Karen Knutson https://www.karenknutson.com
ELEPHANT 2009, Wire Sculpture by Tara Knutson
Figuratives | Karen Knutson Art
It’s no surprise that artist Karen Knutson is a member and signature member of a half dozen watercolor societies. What then is surprising is how she first felt about watercolor. “I didn’t even like watercolor,” she says when a friend asked her to take a community watercolor class together. Besides her misgivings of the
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