" I make pots about the times in which we live, and the challenges of living in a time in which we are divorced from the natural world around us. I make my work to be appreciated by those who know a lot or a little about porcelain or art,
" I make pots about the times in which we live, and the challenges of living in a time in which we are divorced from the natural world around us. I make my work to be appreciated by those who know a lot or a little about porcelain or art,
A close up look at Tim Christensen’s instinctive and intricate etchings. Free and open to the public.
" I make pots about the times in which we live, and the challenges of living in a time in which we are divorced from the natural world around us. I make my work to be appreciated by those who know a lot or a little about porcelain or art,
" I make pots about the times in which we live, and the challenges of living in a time in which we are divorced from the natural world around us. I make my work to be appreciated by those who know a lot or a little about porcelain or art,
" I make pots about the times in which we live, and the challenges of living in a time in which we are divorced from the natural world around us. I make my work to be appreciated by those who know a lot or a little about porcelain or art,
" I make pots about the times in which we live, and the challenges of living in a time in which we are divorced from the natural world around us. I make my work to be appreciated by those who know a lot or a little about porcelain or art,
" I make pots about the times in which we live, and the challenges of living in a time in which we are divorced from the natural world around us. I make my work to be appreciated by those who know a lot or a little about porcelain or art,
" I make pots about the times in which we live, and the challenges of living in a time in which we are divorced from the natural world around us. I make my work to be appreciated by those who know a lot or a little about porcelain or art,
" I make pots about the times in which we live, and the challenges of living in a time in which we are divorced from the natural world around us. I make my work to be appreciated by those who know a lot or a little about porcelain or art,
" I make pots about the times in which we live, and the challenges of living in a time in which we are divorced from the natural world around us. I make my work to be appreciated by those who know a lot or a little about porcelain or art,
" I make pots about the times in which we live, and the challenges of living in a time in which we are divorced from the natural world around us. I make my work to be appreciated by those who know a lot or a little about porcelain or art,
" I make pots about the times in which we live, and the challenges of living in a time in which we are divorced from the natural world around us. I make my work to be appreciated by those who know a lot or a little about porcelain or art,
a diverse collection of ceramic art displaying the enticing emphasis that is possible using the black and white aesthetic.
The detailed sgraffito pottery of Tim Christensen : Tim works exclusively with black and white drawings on porcelain pottery with the motive of conveying a message for the times. Christensen claims his work reflects his environment, and the rhythmic, meditative movements of throwing the clay, shaping the vessels, sanding and carving them, give him time to become even closer to the woods, the sea and the night sky. Tim's story : ' I have been making black and white pieces since 2003. I am getting better as I get deeper into this technique of sgraffito. My work is narrative, specifically
Classical music, dance, theater, auditions, art museums and galleries
The advantages of natural gas as a fuel is that it produces very low levels of pollution, and that the fuel is relatively inexpensive.
The detailed sgraffito pottery of Tim Christensen : Tim works exclusively with black and white drawings on porcelain pottery with the motive of conveying a message for the times. Christensen claims his work reflects his environment, and the rhythmic, meditative movements of throwing the clay, shaping the vessels, sanding and carving them, give him time to become even closer to the woods, the sea and the night sky. Tim's story : ' I have been making black and white pieces since 2003. I am getting better as I get deeper into this technique of sgraffito. My work is narrative, specifically
The detailed sgraffito pottery of Tim Christensen : Tim works exclusively with black and white drawings on porcelain pottery with the motive of conveying a message for the times. Christensen claims his work reflects his environment, and the rhythmic, meditative movements of throwing the clay, shaping the vessels, sanding and carving them, give him time to become even closer to the woods, the sea and the night sky. Tim's story : ' I have been making black and white pieces since 2003. I am getting better as I get deeper into this technique of sgraffito. My work is narrative, specifically
" I make pots about the times in which we live, and the challenges of living in a time in which we are divorced from the natural world around us. I make my work to be appreciated by those who know a lot or a little about porcelain or art,
