Kev Craven is on Bored Panda again and this time with even more drawings of well-known characters in the aesthetics of "rubber hose" - the first animation style that became standardized in the American animation field.
Red Little House Studios, the company behind Fleish & Cherry in Crazy Hotel, has created these fun glimpses into what other video games would look like in their classic, rubber hose animation style, complete with the characters from their own video game running throughout. Maybe Micky Mouse is actually a Pokémon.
Kev Craven is on Bored Panda again and this time with even more drawings of well-known characters in the aesthetics of "rubber hose" - the first animation style that became standardized in the American animation field.
Rubber House is an award- winning animation studio in Melbourne with a unique and wild style that draws from a broad range of experiences to provide h...
Kev Craven is on Bored Panda again and this time with even more drawings of well-known characters in the aesthetics of "rubber hose" - the first animation style that became standardized in the American animation field.
fashionshop
Kev Craven is on Bored Panda again and this time with even more drawings of well-known characters in the aesthetics of "rubber hose" - the first animation style that became standardized in the American animation field.
Design features a cute hand-drawn rubber hose animation style cup of hot chocolate, with marshmallows and candy canes in it. The cup has a whistling face. Behind it is a checkered strip. Text above and below reads "Cozy drinks and winter vibes" in two different retro fonts. Please note that the design has a distressed texture for a vintage look. Gildan Sweatshirt Information ∙ 50% cotton 50% polyester blend ∙ Warm, but not too thick ∙ No side seams ∙ Go one size up for an extra comfy oversized look! ∙ Designs are Direct to Garment printed, resulting in a soft texture ∙ Please note color shades maybe slightly different to the pictures due to lighting and monitor settings Sizing Information ∙ Small - 27” in length and 20” wide. Sleeve length of 20” ∙ Medium - 28” in length and 22” wide. Sleeve length of 21” ∙ Large - 29” in length and 24” wide. Sleeve length of 22” ∙ Extra Large - 30” in length and 26” wide. Sleeve length of 23” ∙ 2XL - 31” in length and 28” wide. Sleeve length of 24” ∙ 3XL - 32” in length and 30” wide. Sleeve length of 25” ∙ 4XL - 33” in length and 32” wide. Sleeve length of 26” ∙ 5XL - 34” in length and 34” wide. Sleeve length of 27” ∙ Size measurements can vary by one inch Washing Instructions ∙ Machine wash cold with like colors ∙ Tumble dry on low heat or hang to dry ∙ Do not dry clean Our Business Model & Design Philosophy ∙ Our designs are built in-house, using public domain and commercially licensed graphics & fonts, which we have purchased. We also create a large percentage of our designs by hand using digital drawing software ∙ We use trend research to determine what buyers are looking for in our products, including colors, fonts, design elements, and placement ∙ We do not believe in stealing or copying designs from other vendors, and we hope our fellow shop owners feel the same way. Any resemblance to another shop’s design is purely coincidental Shipping Information ∙ Please note the estimated shipping times, as it can take up to 7 days BEFORE your order is shipped. If you need your order in a rush, please order earlier to ensure you receive it on time. ∙ Our sweatshirts are printed and shipped by our print partner, so we are not able to control shipping speed or packaging like gift wrapping. Returns and Cancellations ∙ Please note that each hoodie is made to order with your chosen design on your chosen color and size, so we are unable to accept returns. Exchanges can be made if something was printed or fulfilled incorrectly. Please don’t hesitate to contact us if you have any questions! If you experience an issue with your order, please reach out to us immediately and we will do whatever we can to make things right.
Kev Craven is on Bored Panda again and this time with even more drawings of well-known characters in the aesthetics of "rubber hose" - the first animation style that became standardized in the American animation field.
Illustrator McBess has released his first 2D animation, a dark 1920s-style cartoon to accompany the release of _Ugo_, the new single by his band Dead Pirates. The video brings to life the delightful yet ghoulish world of McBess’ illustrations, clashing cutesy characters with sinister themes. A drum forces a perma-smile while hitting himself in the face, and hula dancers wiggle hypnotically alongside others cloaked in sacks, while a Mickey Mouse hand gives the middle finger. The happy imagery mixed with more sadistic happenings makes it all the more eerie.
Homework for my animation class (we had to pick a rubber-hose style character :D) Feedbacks are more than welcome !
Red Little House Studios, the company behind Fleish & Cherry in Crazy Hotel, has created these fun glimpses into what other video games would look like in their classic, rubber hose animation style, complete with the characters from their own video game running throughout. Maybe Micky Mouse is actually a Pokémon.
Kev Craven is on Bored Panda again and this time with even more drawings of well-known characters in the aesthetics of "rubber hose" - the first animation style that became standardized in the American animation field.
SWING YOU SINNERS! (1930) Dir - The Fleischer Brothers Overall: GOOD The most famous horror entry in the New York-based, Fleischer Brothers Talkartoons catalog which produced forty-two shorts in a mere three year period was Swing You Sinners!. A surreal musical with enough dark elements to warrant its reputation, it was based somewhat on the song "Sing, You Sinners" by W. Franke Harling and Sam Coslow, here with slightly reworked lyrics. Betty Boop's frequent love interest Bimbo, (even though he is a dog and ergo not human, but that is neither here nor there), finds himself trapped in a graveyard come to life where every tombstone, ghost, and vaguely sinister looking monster begins chasing him around and notifying him that his "time is up" and hell most certainly awaits. The fact that it wraps up without any lighthearted payoff the way Disney most likely would have handled it sets it apart as a more glum, supernatural cartoon from the early sound era. BIMBO'S INITIATION (1931) Dir - Dave Fleischer Overall: GOOD Bimbo back into more mischief in another odd smorgasbord of dangerous set pieces, Bimbo's Initiation finds the Fleischer Studios trademark dog being pursued in an underground bizarro world by vaguely racists looking ghosts with melted candles on their heads. The strangeness does not stop there. Lauded as one of the most surreal cartoons from the studio or indeed from any during the era, creepy and/or disturbing visuals like skeletons, axe murdering machines, animated flames, and an overall fascination with characters butts certainly makes the whole experience more weird than horrifying. This is enhanced ever more so by the jovial music that accompanies it from beginning to end. The outcome is equally puzzling with a barrage of dog-eared Betty Boops showing up, but by that point, eh, why not? BETTY BOOP'S HALLOWE'EN PARTY (1933) Dir - Dave Fleischer Overall: GOOD This straight-forward entry in the Betty Boop series and penultimate one released that year, (oddly enough, four days AFTER Halloween), Betty Boop's Hallowe'en Party is exactly what the title proclaims. With every character perpetually bobbing along to the musical soundtrack and Betty herself busting into "Let's All Sing Like the Birdies Sing", (which what that has to do with All Hallows Eve is anybody's guess), it is a buoyant presentation to be sure. Inventive moments like cans of cat and witch paint being able to provide perfect wall decor, a cow that punches holes in all the jack-o'-lanterns, and a bunch of ghosts terrorizing a party-crashing gorilla all make for a lot of innocent fun. Nothing unwholesome going on here, just mildly spooky, festive fare. SHIVER ME TIMBERS! (1934) Dir - Dave Fleischer/Willard Bowsky Overall: GOOD Moving from Bimbo and Betty Boop onto Fleischer Studios' other major and possibly most enduring property Popeye the Sailor, Shiver Me Timbers! was the twelfth cartoon ever produced featuring the spinach-eating, squinty-eyed sailor man. He, Olive Oyl, and Wimpy stumble across a ghost ship on a beach which quickly sends them off on rocky waters and ghosts, skeletons, and other poltergeist like activity messes with them for six-odd minutes before Popeye punches everybody to extra death. It is the usual concept of every Popeye cartoon where he is never once afraid of anything and his sidekicks never once are NOT afraid of everything. Plus there are some clever gags providing enough hoots, like Olive Oyl falling into flour and then getting confused as looking like one of the ghosts. COBWEB HOTEL (1936) Dir - Dave Fleischer Overall: GOOD This one being a part of Fleischer Studios' self-explanatory Color Classics series which ran from 1934 to 1941, Cobweb Hotel is not horror in the conventional sense of having ghosts, goblins, or spooky visuals presented in any kind of fun, haunted house manner. Yet it does have a inventive premise of a hoax hotel run by a spider who uses it to keep his fly guests captive against their will. It is presented in a disturbing enough manner as to qualify as macabre, with the aforementioned insidious spider gleefully singing about his establishment while helpless flies are shown struggling in vein to get free. The fact that the spider's voice is almost annoyingly raspy and breathing makes the whole ordeal even more creepy. Just desserts are served though so it all ends up a happily every after affair.
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Kev Craven is on Bored Panda again and this time with even more drawings of well-known characters in the aesthetics of "rubber hose" - the first animation style that became standardized in the American animation field.
