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Ogata Korin: Willow - Rimpa School Series - Artelino
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1966年に日本初の日本画専門の美術館として開館。2009年渋谷区広尾に移転。近代・現代日本画を中心に、古画、浮世絵、油彩画、6点の重要文化財を含む約1800点を所蔵し、年5～6回の展覧会にて順次公開しています。創立者・山﨑種二の「美術を通じて社会、特に文化のために貢献する」という理念を受け継ぎ、理想的な環境づくりと質の高い展覧会を通じて、日本画の魅力を発信する美術館です。
Januari 1907, Mitsutani Kunishiro, 1907
Hon'ami Kōetsu (Japanese, 1558–1637)
Detail. Suzuki Kiitsu. New Year's Day scroll. Japan. Nineteenth century. Rimpa School.
The artist Suzuki Kiitsu (1796-1858) was long considered a late and somewhat minor player in the Rimpa school, which emerged in Kyoto early in the Edo Period (1603-1868). The Suntory Museum of Art's current exhibition now re-evaluates Kiitsu's career and his contributions to this tradition. 'Suzuki Kiitsu...
For Sale on 1stDibs - Rimpa School painting featuring cascading chrysanthemums as well as cockscombs, summer wild flowers, and a climbing morning glory vine. Beautifully executed,
View this item and discover similar for sale at 1stDibs - Six-panel folding screen with painting by an artist of the Rimpa School of seasonal flowers in mineral colors, ink and gold on paper with gold leaf.
Edo Period (1614 – 1868) Rimpa school painting featuring cascading chrysanthemums as well as cockscombs, summer wild flowers, and a climbing morning glory vine. Beautifully executed. Mineral pigments on mulberry paper with gold dust and a silk brocade border.
A World of Flowers – from the Rimpa School to Contemporary Art A German version of this posting you can find here. Eine deutsche Version dieses Artikels finden Sie hier. Attentive readers of my postings may remember a magnificent exhibition I had the pleasure of introducing in October last year that was shown on the…
Japanese antique scroll painting of a praying mantis and blossoming chrysanthemums, painted in mineral colors on paper, beautiful detail and color, some minor losses, charming subject matter, Rimpa School, Edo Period, attributed to Ogata Korin. Total size of scroll: 62 1/4″ high x 21 1/2″ wide (19 1/2″ wide not including ends). Size of art: […]
Images from new exhibitions at Japan Society and the Metropolitan Museum of Art.
Works from the exhibition: The ceramic artist Ogata Kenzan (1663-1743) was the younger brother of the artist Ogata Korin, founder of what became known as the Rimpa School. Born in a cultivated Kyoto family that owned the Kariganeya, a prosperous store dealing in kimono fabrics, Kenzan was raised in context of great artistic refinement. As a potter, he introduced new designs based on painting and literature to the world of ceramics. The Kenzan style has been sustained in a lineage that includes Kyoto ware potters and such modern ceramic artists as Miura Kenya thanks to Sakai Hoitsu’s work in honoring, reviving, and developing the Rimpa School(in the later years). This exhibition will introduce Kenzan’s legacy, a heritage of beauty sustained over the generations from Kenzan to today.
Découvrez les réalisations rimpa cho de l'école d'ikebana à La Rochelle.
View this item and discover similar for sale at 1stDibs - Japanese Screen Rimpa Style Garden Landscape colored pigments on gold (one of a pair, sold separately)
Tawaraya Sotatsu and Hon’ami Koetsu are both associated with the founding of the Rimpa school of Japanese painting. In this poem-card––one of 16 that survive––Tawaraya painted the gold and silver design, over which Hon’ami recorded poems from Shinkokin wakashu. The verses read from top to bottom and from right to left: "Even as I gaze, the thought of it is lonely. High in the heavens the moon-capital lies still in the sky of its dawning."
Watanabe Shiko, an Edo period painter who combined Kano school style with Rimpa style, re-created the Xiao and the Xiang rivers on a pair of eight-panel screens. For this composition, he followed the Kano school’s sense of space, adapted from miniature copying paintings (shukuzu) by the Japanese artist Kano Tanyu. Watanabe revised the typical representations of the Xiao and the Xiang rivers by rendering the theme Wild Geese Descending to Sandbar on the right screen and Evening Bell from Mist-Shrouded Temple on the left screen. He depicted simple motifs—moon, boat, geese, and temple—to suggest the other scenes while also creating airy space.
