In honor of her 85th birthday, we look back at Audrey Hepburn's best beauty looks—as well as Hollywood's modern interpretation.
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Victorian Era Circus Performances
Looking for a new photo concept to try your hand at? The Cooperative of Photography just released this short video with 7 different photo tricks and ideas
Hey guys! Happy Friday! I hope that you all had a great week. Our week over here was pretty chill & we got some more DIY projects done around the house... now it's time to blog them all.. stay tuned! Ps. there was a pretty exciting Ikea trip that happened this week too. Can't wait to update you on all of that. Let's get on to this weeks favorites because I know that's why you are all here. Thank you for stopping by today & I hope you enjoy my favs of the week! Favorite hallway. Favorite tables. Favorite shelving.
While most Japanese women were subject to rigid social expectations of domesticity, onna-bugeisha women warriors who were known to be to be every bit as strong, capable, and courageous as their male counterparts
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The 1937 Christmas production was directed by Tyrone Guthrie, with sets and costumes by Oliver Messel. Shakespeare's play was presented as an affectionate Victorian pastiche, and included large choruses of muslin-clad fairies flying in on wires. Mendelssohn's famous incidental music was much in evidence, with choreography by Ninette de Valois. Vivien Leigh's Oberon was played by Robert Helpmann, Ralph Richardson played Bottom, and Gordon Miller, Puck. *** Titania's fairy crown, designed by Oliver Messel and worn by Vivien Leigh.
Bronx New York 1963 - Photo by Paul Rice Clown by Frederick W. Glasier, 1902
From the Sex Pistols to the Clash, how poster design helped spread the rebellious reputation of punk
Nothing red, pink, or heart-shaped here.
Talking strictly Fashion and Glamour here! Suddenly I feel nostalgic of a bygone era of elegance and romance, perhaps it is because lately lmy friends and I have been talking about our parents …
Повседневная послевоенная Италия на фотографиях документалиста Джанни Беренго Гардина. Everyday I Show свободная от рекламы площадка для вдохновения, созданная на добровольных началах и поддерживающая свое существование исключительно за счет энтузиазма её смотрителей и благодарных подписчиков.…
Maybe it’s a sidewalk glimpse of a crisp cat eye. Or maybe it’s full-on fringe envy from the salon chair. Beauty inspiration can strike at any time. But when it comes to finding your own signature style, the fuel often comes from Hollywood, whether…
Avec le temps... Avec le temps, va, tout s'en va. On oublie le visage et l'on oublie la voix, le coeur, quand ça bat plus, c'est pas la peine d'aller chercher plus loin, faut laisser faire et c'est très bien. Avec le temps... (...) Avec le temps, va, tout s'en va, et l'on se sent blanchi comme un cheval fourbu et l'on se sent glacé dans un lit de hasard et l'on se sent tout seul peut-être mais peinard et l'on se sent floué par les années perdues. Alors vraiment, Avec le temps on n'aime plus.
Taken at a punk festival in Frankfurt.
Photo of RUNAWAYS and Joan JETT and Gaye ADVERT and ADVERTS; L-R. Joan Jett & Gaye Advert
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Lillian Bassman (June 15, 1917 – February 13, 2012) was an American photographer and painter. She grew up in Brooklyn and Greenwich Village, New York, and studied at the Textile High School in Manhattan and graduated in 1933. From the 1940s until the 1960s Bassman worked as a fashion photographer for Junior Bazaar and later at Harper's Bazaar where she promoted the careers of photographers such as Richard Avedon, Robert Frank, Louis Faurer and Arnold Newman. Under the guidance of the Russian emigrant, Alexey Brodovitch, she began to photograph her model subjects primarily in black and white. Her work was published for the most part in Harper’s Bazaar from 1950 to 1965. By the 1970s Bassman’s interest in pure form in her fashion photography was out of vogue. She turned to her own photo projects and abandoned fashion photography. In doing so she tossed out 40 years of negatives and prints - her life’s work. A forgotten bag filled with hundreds of images was discovered over 20 years later. Bassman’s fashion photographic work began to be re-appreciated in the 1990s. She worked with digital technology and abstract color photography into her 90s to create a new series of work. She used Photoshop for her image manipulation. The most notable qualities about her photographic work are the high contrasts between light and dark, the graininess of the finished photos, and the geometric placement and camera angles of the subjects. Bassman became one of the last great woman photographers in the world of fashion. An amazing collection of 50 black and white photos below will prove why she was.
