64 p. 23 cm

I love the beaded details on Ravelry user KnittyVet's version of the pine apple bag pattern: the regency pineapple reticule. Luxurious!

The ninth stop on my Regency Journey is to make a reticule, the Regency version of a handbag. In the 18th century, women had carried their various personal effects in pockets worn underneath their …

Here are a few of the promised pics. Or go HERE for the set on flickr. I have also posted this project, with links to the pattern on my Ravelry page. Just click on the previous link and my ravelry name is "knittyvet". Enjoy!

Artist: Joseph Whiting Stock | Painting: Girl with Reticule and Rose | Original Medium: oil on canvas

So I am the queen of procrastination and when I made my Renaissance Fair dress last month, I realized the night before that I had nowhere to put my “modern necessities,” i.e. my cellpho…

This is the first of a ‘Gallery’ of images I’m going to put up on my blog, to show some of the embroidery and beadwork I’ve finished over the years. This petal bag is a love…

Gentle Readers, Isabel G sent this link to a PDF document that provides explicit instructions for creating a pineapple-shaped reticule. The image on the right is of a costume at the Kyoto Costume Institute in which the mannequin is holding a regency era pineapple reticule, and the image on the left is of a similar reticule that you can make. If I might add only one critique: I'd choose the softer pineapple yellow of the Regency era than the more garish banana yellow in the image depicted at left. Posts about reticules on Jane Austen's World The Reticule Kyoto Costume Institute Fashion Book Posted by Vic, Jane Austen's World

Unsere Victoriana bestickte Handtasche aus schwarzem Samt öffnet das Tor in ein Reich der viktorianischen Eleganz. Die exquisite Handtasche ist eine Hommage an die ikonischen viktorianischen Handtaschen und fängt die Opulenz dieser Ära mit einem modernen Twist ein. Der weiche schwarze Samt wird von einer zarten Blumenstickerei geziert, die der Tasche einen romantischen Charme verleiht. Apropos Romantik... natürlich darf auch der Kussverschluss nicht fehlen! Damit die Vintage-Tasche nicht zu altbacken wirkt, haben wir einen modernen goldfarbenen Kettenriemen hinzugefügt. Schwelge in der Eleganz einer vergangenen Ära und genieße die raffinierte Schönheit und den zeitlosen Reiz dieses Accessoires. Hauptmerkmale: Ca. 18.5 (L) x 21.5 (H) x 3.5(D) cm Außen: 100% Polyester; Innen: 100% Polyester Mit einem feuchten Tuch abwischen

Superlative quality 100% SILK fabric in a very luscious BLUE with gorgeous PEACH, IVORY, AQUA, and GOLD embroidery. STUNNING! Would make a marvelous junk journal cover or a Regency reticule! How about a Rococo vest? VERY HARD TO GET ACCURATE PHOTO - THE ONE FLAT IN THE SECOND PICTURE IS SOMEWHAT CLOSER. * Listing is for a FAT QUARTER * Measures approximately 18" x 19" VERY LIMITED QUANTITY - CONTACT US TO SEE IF THERE IS ANY MORE AVAILABLE SHOULD YOU WISH MORE than the fat quarter More lace, stretch lace, appliques, flowers, leaves and other lovelies located here: LACES: http://www.etsy.com/shop/MaryNotMartha?section_id=6414105 STRETCH LACES: http://www.etsy.com/shop/MaryNotMartha/search?search_query=STRETCH+LACE&search_submit=&search_type=user_shop_ttt_id_5464080&shopname=MaryNotMartha APPLIQUES: http://www.etsy.com/shop/MaryNotMartha?section_id=6358724 BUTTONS: http://www.etsy.com/shop/MaryNotMartha?section_id=6414100 MILLINERY FLOWERS: http://www.etsy.com/shop/MaryNotMartha?section_id=5980621 LEAVES: http://www.etsy.com/shop/MaryNotMartha?section_id=7608054 TRIMS: http://www.etsy.com/shop/MaryNotMartha?section_id=5905586 RIBBONS: http://www.etsy.com/shop/MaryNotMartha?section_id=5980620 Out of country shoppers are always welcome.

This overshirt is inspired by an antique crocheted reticule—a type of small women's handbag with a drawstring. We reproduced the lavender, green, and mustard stripe on this hand-crocheted shirt. 100% cotton Made in Peru Dry clean only View all knitwear Neil is 6' and wearing a size M.

Fashion plate dated 1801 showing a circular reticle. I am fascinated by the lovely reticules Federal-era ladies carried with them. A reticule was a small bag that easily held items the owner may need throughout her day. They came in a wide variety of sizes and designs. One of my favorite shapes is what is called the 'circular' reticule. Most of the original ones I've seen are rather petite like the one in the fashion plate at left. After finding very little on the internet by way of tutorials, I decided to put my own together. There are a couple different ways to create this style of reticule. The one I will show here seems to be the most straight-forward. If you'd like to try your hand at a second method, read pages 262-263 of "American Girl's Book: Or Occupation for Play Hours" by Eliza Leslie published in 1831. Google has a free online copy available here. Let's get started! The two paper pattern pieces I drafted to make cutting my fabric easier. The top circular piece will be used for the fabric and cardboard pieces of the side medallions. And the long piece for the body of the reticule. Cut a piece of silk 7" wide by 27" long for the body of the reticule. It can be cut wider and longer, it's really up to you but I wouldn't make it any smaller. On both long sides fold the edge in about 1/4" and press. One long side folded in and pressed. Do the same on the other long side. Fold the short edges in 1/4" then again 1/2" to create a channel on both ends. Whipstitch these edges down. In the last step, a ribbon will be added to the channels to enable the reticule to open and close. Short edge folded over 1/4" plus 1/2" and pinned in place. The lower edge can now be whipstitched down. This creates the channel used to close the reticule with the ribbon in the final step. All the body's edges are prepped and ready to be sewn. This photo shows the whipstitching on a short edge. Be sure to leave the ends of the channel open. Now, I could have done this next step before sewing the channels (above) but I didn't. Hindsight is 20/20. In the photo below it's obvious that a small section, below the channel (about 1") on both sides, was folded in and pinned. This was done on both ends of the body piece. This area of the body is not sewn to a center medallion (later step) so the cut edges needed finishing to keep them from fraying during use. The area below the channel (about 1" on each side) was folded under and whipstitched down. This will prevent the cut edge from fraying. A small running stitch is used along both long sides. Start and end the running stitch below the 1" sections sewn in the previous step. I doubled my thread to make it extra strong since I used regular cotton thread. This thread will be pulled in a later step to gather the body to a medallion. Do not gather it yet. The small running stitch on one long side of the body. Repeat this on the other long side. Creating the medallions is the next step. First, cut out four 3" wide circles from some type of sturdy cardboard. I used mat board, the type used in framing. Another source would be the back of an inexpensive sketchbook (like you can buy at Walmart or Michaels). Just use something sturdy that doesn't bend easily (preferably no box cardboard). The medallion can be larger or smaller than 3" but be sure that it's diameter is roughly 1/3 the size of the overall finished reticule. Pictured here are four cardboard disks (aka medallions) cut from sturdy mat board. The large square is leftover mat board. The paper pattern shows the 3" circle of the medallion and the additional 1" needed when cutting out the fabric to cover each medallion. Close-up of the paper pattern and one mat board disk. The thickness of the mat board. Many extant circular reticules have decorative stitching or details sewn to the center medallions. Embroidered initials, painted paper, theorems or spangles are common choices during the Federal/Regency period. Below are three extant reticules with medallion detail. Of course, it's not a requirement for the medallions to be decorated. This reticule style is lovely with or without details. Early 19th Century Silk, Satin, and Paper Drawstring Bag - Museum of Fine Arts Boston Reticule. Worn by Mehetable Stoddard Sumner (Welles), Made in France but used in American, 1784-1826. Museum of Fine Arts Boston Embroidered Silk and Watercolor on Paper "Memento Mori" Reticule, America, first-quarter 19th century. Sold by Skinner Auctioneers and Appraisers. A total of four silk fabric circles will be needed to cover the medallions in the next few steps. I chose to use some embroidered silk leftover from a previous project to cover the outer medallions of my reticule. The interior medallions are covered with the same silk as the body since they will not be visible. The silk for the medallions should be cut at least 1" larger than the cardboard circle piece (see paper pattern piece pictured above). The paper pattern in the photo below shows the 3" circle (cardboard piece, center) and the 1" allowance surrounding it. The pattern piece on the left shows the 3" center circle (to be used to cut out the cardboard needed for the medallions) and the larger outer circle (to be used to cut out the silk to cover the cardboard pieces). The silk on the right will be used to cover the outer medallions of the reticule. All four silk circles have been cut and are ready to cover the cardboard circles. Since the interior medallions will not be visible, I chose to use the same fabric as the body. The embroidered silk for the outer medallions was really thin and delicate. I added light-weight linen as a backing to give it some support and durability. If your silk is strong enough, this lining is not necessary. Here the two layers are pinned together. Sew a running stitch 1/2" in from the edge of the silk circle. I used a doubled thread with a large knot in the end. The knot needs to be large enough to keep the thread from slipping in the next step. Here the linen lining of the outer medallion silk is visible. Place one of the cardboard circles on the wrong side of a silk circle. Be sure the running stitches extend beyond the edge of the cardboard piece and the cardboard is in the center. Pull the thread so the fabric gathers around the cardboard. Pull it snug. To secure the back, crisscross the thread over the back piece several times catching the cut edges (see next picture for a closeup of this) then tie off the thread. Detail of the criss-cross thread on the back of the medallion. This step is very similar to the technique used to cover buttons. The stitching doesn't have to be pretty since it won't be seen. Once all four medallions have been covered with silk it's time to start attaching them to the body. The easiest way to do this is to section off each medallion and the body into quarters starting below the 1" section sewn below the ribbon channel in a previous step. Use a disappearing fabric marker for this. Make the marks on the backside of the fabric so they are not visible on the finished side. Match-up the quarters on the body to those on one medallion. Below I've pinned the pieces (body and one medallion) together at the quarter marks. The body is pinned to an outside medallion at the quarter marks. Keep the 1" section of the body (below the ribbon channels) free from the medallions. When pinning the reticule body to the medallion, be sure the cut edge of the body (that has been folded and a gathering stitched sewn through it) sits in from the edge of the medallion. Start pulling the gathering stitch (on the body) to fit each quarter section together. Gently adjust the gathers to be evenly distributed. Pin in place as you go. All quarters have been gathered and pinned in place. Note the 1" sections that have not been pinned to the medallion at the top of the photo. The pinned reticule from the right side. It is now ready to sew the first medallion in place. Use a small slip-stitch to attach the gathered body to the silk-covered medallion. Try to catch only the edge of the silk on the cardboard piece, this will help hide your stitches. Be sure to use small stitches spaced close together for a strong seam. Continue all the way around the medallion. Another shot of the stitches attaching the body to the medallion. The first medallion is now completely sewn to the body. The right side of the reticule after the first medallion is complete. You will repeat the above steps to attach the other outer medallion to the body. Once the second outer medallion is attached then the reticule can be turned inside out and the interior medallions sewed down. Attaching the interior medallions are fairly simple to complete. Just lay one medallion on top of all the interior stitches (one on each side) and attach using a small slip stitch. One interior medallion is sewn in place in the same way at the outer medallions. The 1" sections that were not sewn to the medallions can either be left open or sewn together closing the 1" gap. I chose to sew the gap closed. Unfortunately, I did not get a photo of this step. Place the two outside folded edges together and sew a small whipstitch over the edges. The last step is to run your ribbon through the channels. You will need two ribbons the same length (however long you want your ribbon straps to be). Starting on one side, run your ribbon through the channel using a long needle-shaped bodkin. Once through the first channel, bring it around through the other channel and tie it off. Repeat this on the opposite side. You will have two ribbons that when pulled will close the reticule.