View Portrait Of Mrs. Claude Leigh And Miss Virginia Leigh by Philip Alexius de László and other Artworks on Artvee

We help men to be gentlemen with a focus on lifestyle, clothing & craftsmanship. We stand for classic men’s style, not fast fashion. Backed by history, not trends. Quality, not quantity.

Art and Artists, Paintings, Painters, Prints, Printmakers, Illustration, Illustrators

Jean-Auguste-Dominique Ingres (1780 – 1867) was a French Neoclassical artist. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognised as his greatest legacy. For a full biography see part 1. For earlier works see parts 1 and 2 also. This is part 3 of a 8 – part series on the works of Jean-Auguste-Dominique Ingres: 1814 Madame de Senonnes oil on canvas 84 x 106 cm Musée des Beaux-Arts, Nantes, France 1814 Madame Haudborg-Lescot graphite on light grey laid paper 31.2 x 24.1 cm de Young - Legion of Honour Fine Arts Museums of San Francisco, CA 1814 Madame Jean-Auguste-Dominique Ingres, née Madeleine Chapelle graphite on off-white paper 19.3 x 14.3 cm Metropolitan Museum of Art, New York 1814 Marquis Allesandro d'Azzia graphite and white gouache on tan wove paper laid on cardboard 26.8 x 21.1 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1814 Pope Pius VII in the Sistine Chapel oil on canvas 74.5 x 92.7 cm National Gallery of Art, Washington, DC 1814 Portrait of a Man graphite 21.8 x 16.6 cm Metropolitan Museum of Art, New York 1814 Portrait of a Seated Lady graphite 29.2 x 20.6 cm Metropolitan Museum of Art, New York City 1814 Raphael and the Fornarina This composition, the first of six versions, articulates Ingres’s conception of the art of painting. For him, the oeuvre of the Renaissance artist Raphael was the pinnacle of artistic achievement. Here Ingres draws on Raphael’s relationship with the woman known as “La Fornarina” (the Little Baker), which, according to the biographer Giorgio Vasari, led to the young artist’s death from an excess of lovemaking. Raphael has just sketched the famous portrait of her, and his beloved subject sits on his knee. But Raphael has eyes only for his own creation, which, like Ingres’s representation of its model, meets the viewer’s gaze. This triangle of glances is complicated by the presence of the Virgin in Raphael’s Madonna of the Chair, seen against the back wall, where she resembles the artist’s lover. 1814 Raphael and the Fornarina oil on canvas 64.8 x 53,3 cm Fogg Museum, Harvard Art Museums, Cambridge, MA 1814-40 Raphael And Fornarina oil on canvas Columbus Museum of Art, Ohio 1814c Study for "Raphael and the Fornarina" graphite on white wove paper 25.4 x 19.7 cm Metropolitan Museum of Art, New York City 1814c Study for "Raphael and the Fornarina" graphite on white wove paper 37 x 26.2 cm Fogg Museum, Harvard Art Museums, Cambridge, MA 1814 The Architect Guillaume Edouard Allais chalk 21.1 x 16 cm Private Collection 1814-16 Sheet of Studies with the Head of the Fornarina and Hands of Madame de Senonnes graphite with stumping on tan wove paper 18.9 x 21 cm Art Institute of Chicago, IL 1814c Don Pedro of Toledo Kissing the Sword of Henri IV oil on panel 49 x 41 cm Private Collection 1814c Madeleine Ingres, nee Chapelle oil on canvas 68 x 54 cm Sammlung E.G.Bührle, Zurich, Switzerland 1815 Alexandre Lethiere Family 1815 Frau Reinhold and Her Daughters, Susette-Marie and Marie-Auguste-Friederike graphite 303 x 22.5 cm The Morgan Library and Museum, New York City 1815 Frederic Sylvester Douglas lithograph National Gallery of Art, Washington, DC 1815 Guillaume Guillon Lethière ( 1760-1832 ) graphite on wove paper 28 x 23.1 cm The Morgan Library and Museum, New York City 1815 Jean Pierre Cortot 33 x 41.5 cm 1815 Jean-Joseph Fournier graphite on wove paper 24.2 x 16.2 cm Metropolitan Museum of Art, New York 1815 John Russel, Sixth Duke of Bedford 1815 Joseph-Antoine de Nogent oil on panel 47 x 33.3 cm Fogg Art Galler, Harvard Art Museums, Cambridge MA 1815 Madame Alexandre Lethière, née Rosa Meli, and Her Daughter, Letizia graphite on tracing paper 23.1 x 20.2 cm Metropolitan Museum of Art, New York 1815 Madame Charles Hayard and Her Daughter Caroline graphite on white wove paper 29.2 x 22 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1815 Mademoiselle Jeanne Hayard 1815 Maréchale Kutusov graphite on paper 13.2 x 8.7 cm The Fitzwilliam Museum, Cambridge, UK 1815 Portrait of a Russian General watercolour 29.6 x 22 cm The State Hermitage Museum, St. Petersburg, Russia 1815 Portrait of the Family of Lucien Bonaparte graphite on white wove paper 41.2 x 53.2 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1815 The Duke of Alba Receiving the Pope's Blessing in the Cathedral of Sainte-Gudule, Brussels pen and brown ink and brown wash heightened with white gouache, with red and black chalk and graphite 43 x 52.9 cm J. Paul Getty Museum, Los Angeles 1815 The Hon. Frederick North graphite 47 x 41 cm Art Gallery of New South Wales, Sydney, Australia 1815-17c Portrait of a Lady graphite on wove paper 27.6 x 19.9 cm Museum of Modern Art, New York 1815c Portrait of a Young Woman graphite 28 x 20.7 cm The State Hermitage Museum, St. Petersburg, Russia 1816 Alexander Baillie graphite on paper Private Collection 1816 Gabriel Cortois de Pressigny etching National Gallery of Art, Washington, DC 1816 Lady Glenbervie, née Catherine Anne North graphite on wove paper 21 x 16.5 cm The Morgan Library and Museum, New York 1816 Lady Mary Cavendish-Bentinck graphite 21.9 x 17.1 cm Metropolitan Museum of Art, New York 1816 Lord Graham graphite 40.5 x 28.3 cm J. Paul Getty Museum, Los Angeles, CA 1816 Mademoiselle Henriette Ursule Claire, Maybe Thevenin, and Her Dog Trim 1816 Mr and Mrs Joseph Woodhead and Mr Henry Comber in Rome graphite on paper 30.4 x 22.4 cm The Fitzwilliam Museum, Cambridge, UK 1816 Mrs Charles Badham graphite on wove paper 26.3 x 21.8 cm National Gallery of Art, Washington, DC 1816 Mrs John Mackie graphite on paper 17 x 16.5 cm © Victoria & Albert Museum, London 1816 Mrs. George Vesey and Her Daughter Elizabeth Vesey, later Lady Colthurst graphite and white gouache on white wove paper 29.9 x 22.4 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1816 Sylvester Douglas, Lord Glenbervie graphite on wove paper 21 x 16.4 cm The Morgan Library and Museum, New York City 1816 The Tomb of Lady Jane Montagu pen and brown ink and watercolour over graphite 44.5 x 55.8 cm National Gallery of Victoria, Melbourne, Australia

So far ago as 1902 Mr. Andrew Carnegie announced his intention to found a Library for the permanent Court of Arbitration, created at the Hague by the Peace...

This three story townhouse overlooks Buffalo Bayou near the urban edge of River Oaks. The Nathaniel Russell house in Charleston served as inspiration for its brick and limestone facade. Inside, large high-ceilinged rooms are reached either by elevator or the grand elliptical stair with its art...

Tour tecnologico alle terme di Caracalla di Roma muniti di visore 3D e smartphone per essere trasportati al 216 d.C. e ammirare statue, mosaici e piscine come erano appena inaugurate. Miracoli della realtà virtuale

Added title-page, Livre d'ornements, par Liénard ... Année MDCCCLXXII and three special title-pages, lettered A,B,C, Spécimens de la décoration et de...

Fatima, Spain & Lourdes with 206 Tours - Catholic Pilgrimages

Pietro ANNIGONI (1910-1988) Italian Portrait and Fresco painter Pietro Annigoni è uno dei più noti pittori italiani del '900. Artista di grande carisma, nato in un secolo di grandi rivoluzioni e contestazioni, ha impegnato le sue capacità tecniche, uniche al mondo, per realizzare opere gigantesche e minuscole incisioni, ritratti, paesaggi e grandi composizioni allegoriche che hanno suscitato contrastanti reazioni di ammirazione o di rifiuto. Artista ormai affermato in tutto il mondo, la rivista "Time" gli ha dedicato ben sette copertine,

So far ago as 1902 Mr. Andrew Carnegie announced his intention to found a Library for the permanent Court of Arbitration, created at the Hague by the Peace...

È in mostra, a partire dal 1 gennaio, il Ritratto del Colonnello Arese Lucini in carcere, dipinto di Francesco Hayez che ritrae il conte e militare napoleonico

When portrait paintings it's the focus. Have you decided where to go to sleep? Try Kirkwood Inn, http://www.kirkwoodinn.com/ a romantic motel with a complimentary breakfast and an outdoor pool. In thi