Assemble a 12" Snail's Trail block. (This block is also called a Virginia Reel block.)
This beautiful 7" by 7" traditional quilt block is called "Virginia Reel". This listing is for an instant download quilt pattern, made with modern precision-piecing techniques. We used our Virginia Reel blocks to create our "Here Kitty Kitty" quilt , https://www.etsy.com/listing/678152372 , pictured above. This intermediate level quilt block pattern includes a list of materials needed and detailed instructions for making the blocks, including cutting instructions directions for the quick-piecing techniques that will make your sewing a joy. You can use the Virginia Reel block by itself in a quilt or combine it with other blocks. Purchase a couple of pretty fat quarters or use your scraps to make it fun and colorful! The possibilities are endless; just use your imagination! Original design by Ms P Designs USA https://www.etsy.com/shop/MsPDesignsUSA Happy Quilting, Ms P
Do you love winter but not the cold? Experience the beauty of winter with this stunning pieced quilt layered with easy to applique snowflakes. Finished size - 68 inches x 86 inches.
A stunning quilt designed by Norma Whaley. You'll love working on this scrappy beauty. The finished size is 62" x 72"
A blog about quilts, quilting, reading and travel.
When it comes to quilt design, we are drawn to dimensionality (such as attic windows and tumbling blocks ), color, and movement . In desig...
Night Sky Mini Quilt Dinosaurs! Block Flower Breaking Storm Vintage Quilt Revival Class Sample Roundabout - featured in Quilters Companion Issue 66 Maple Leaf Quilt - made for my brother and his wife for their wedding present Sunshine through the Rain - Umbrella Prints Trimmings Challenge mini quilt Radiant Orchid Challenge quilt Beach Ball Baby Quilt - tutorial at Moda Bake Shop, February 2014 Lipari Stars - January 2014 Full Moon Lagoon - October 2013 Marcelle Medallion - September 2013 Tesseract - Emerald Quilt Challenge 2013 Knitting bag - for Mum's Mother's Day present Reflected Textures Pillow - Fat Quarterly Issue 11 Once Upon a Time - Commissioned Mario - 6th Birthday present for my little man Melody Miller Messenger Bag Pillow Talk Swap 10 Retro Flowers Quilt February 2012 - Name Game Swap quilt February 2012 - For the love of solids swap small item March 2012 - Modern Mini quilt challenge entry February 2012 - For the Love of solids swap - big item March 2012 - Commissioned quilt #1 March 2012 - Commissioned quilt #2 April 2012 - Outfoxed on the High Seas April 2012 - Rainbow Trail Mini Giant Chevron Quilt I Love Sushi - pattern testing for Sonia (Artisania) Chicopee Ladies improv cushion Sailors Mouth Swap for Ella Groove Emma's Quilt Zoe's Quilt Spinning Canoes Fat Quarterly Designer Challenge August 2011 Enchanted Garden Quilt - SOLD August 2011 Fandango Pinwheels Quilt - donated to Lucy's Holiday to raise money for a family struck by tragedy. September 2011 Sweet Flower Fairies Quilt - SOLD September 2011 Beetle Bugs Quilts - SOLD September 2011 Bird Tree Quilt - available here September 2011 Lotus Garden Quilt - SOLD October 2011 Pop Garden Quilt - SOLD Custom Quilt October 2011 October 2011 Magenta Bird Tree Quilt - available here. Custom quilt September 2011 November 2011 Silent Cinema Quilt - SOLD November 2011 Rainbow Zoo quilt - SOLD Autumn Forest Quilt December 2011 Central park baby quilt - SOLD December 2011 Owls and spots baby quilt - SOLD October 2011 It's a girl thing... Gifted December 2011 Boys at Play - SOLD December 2011 Girls at Play - SOLD December 2011 1001 Peeps - made for my little girl December 2011 Charmed Prints QAL - gifted December 2011 Willow Wren - SOLD
Assemble a 12" Snail's Trail block. (This block is also called a Virginia Reel block.)
Learn to make a Virginia Reel quilt block or choose another our Free Quilt Block Patterns library. Download patterns and instructions for in 3 sizes
Enjoy the Tornado digital quilt pattern from Easy Quilts Scrap 2014 issue.
Virginia Reel Virginia Reel Cutting Instructions: (Need help cutting pieces using the rotary cutter? Refer to our Rotary Cutting lesson page.) Peach solid ... 2 strips 1 9/16" x 7" (*Strip cutting guide - PDF
A straightforward and brief tutorial for 6 fun and simple classic quilt blocks that may be incorporated into any quilt project.
……..at a local quilt shop called Quilt's Etc. picking out fabric for a kit for The Virginia Reel Quilt which I will be teaching there. I enjoyed so much looking through all of those beautiful bolts of fabric. My heart pitter patters at such a rate with the stimulation of all that gorgeous fabric and I hyperventilate just a bit too! I'm so looking forward to spending time with all of those signed up for the class. The border fabric was chosen and ordered from Diamond Textiles. Those signed up for the class are anxious to use this fabric. The vine fabric is in demand also, except it is an old fabric from my stash. However, I picked out a marvelous substitute. This is a great pattern to dig through your scraps.....so of those odd, kind of ugly and forgotten scraps will blend nicely with the kit. After all, everyone finds joy and stimulation with a few new pieces of fabric. Customers are also anxious for a kit for The Porch quilt. The border which I used was an old fabric from my stash which is no longer available. However, we found another beautiful Diamond Textiles fabric that will be a marvelous substitute and offer the same color appeal. We also picked out many complimentary fabrics and a beautiful Kona red. Take notice of the stunning quilting which was chosen to accent this quilt by the machine quilter, who I am so fortunate to have. The quilting can either enhance or detract. Karen always makes me happy! Now, I'm back sharing pictures from the antique shop I mention in a prior post from Shipshawana. The shop had many amazing quilt books from days gone by. And many sets of antique blocks. I was tempted by many of them. This basket quilt makes a gorgeous back drop for these beautiful quilt holders. I'm partial to cats, and this one is a beauty and does not shed...….but then it doesn't purr either. This is no substitute for the real thing. More sets of blocks. If I when I was visiting there, I would have enjoyed digging through the piles of quilts and all of the old books. Maybe next time. Courage "Courage doesn't always roar. Sometimes courage is the quiet voice at the end of the day saying, "I will try again tomorrow." -Mary Anne Radmacher
A straightforward and brief tutorial for 6 fun and simple classic quilt blocks that may be incorporated into any quilt project.
Have you ever made a Virginia Reel quilt block? If you have, you’ve probably used those blocks in a quilt, like Romantic Trails by Tammy Vanderschmitt. They have such a unique look to them, it’s
Assemble a 12" Snail's Trail block. (This block is also called a Virginia Reel block.)
……..at a local quilt shop called Quilt's Etc. picking out fabric for a kit for The Virginia Reel Quilt which I will be teaching there. ...
Learn to make a Virginia Reel quilt block or choose another our Free Quilt Block Patterns library. Download patterns and instructions for in 3 sizes
When it comes to quilt design, we are drawn to dimensionality (such as attic windows and tumbling blocks ), color, and movement . In desig...
Assemble a 14" Arrowhead block.
40 Order Number Eleven Imagine my surprise when I opened Civil War Quilts on a Saturday morning and found that the block for that week was the first applique block that I did in my class last August. That class taught the back basting applique method. I was no longer feeling incompetent as I tackled Block #40. I had already practiced. Here is how I did this block. Here is the pattern which I received from Jeana Kimball in her class. Fortunately is was just the right size. I cut the background fabric for my block adding a generous 1/2 inches. Once the applique was finished, the excess would be trimmed off. I folded the block in half each direction hand pressing a fold so that I could center the pattern. I then traced the pattern on the wrong side of the block. Starting with the fabric which would be on the bottom of the finished applique design, I placed a large square of the fabric on the right side of the block base with the right side facing out. (Wrong side to right side of base block.) I then basted through both fabrics ignoring the lines for the second fabric which would be the top fabric. After the basting is completed, the excess fabric is trimmed away leaving a scant 1/4 inch. Next find a fairly straight section of basting and clip to the basting line to begin the needle turn of the fabric clipping about every third stitch of basting as you go, pulling out the basting thread, and clipping the fabric as needed at the curves. Turn at the basting line and then attach the top fabric to the base fabric using the applique stitch. You will find that your stitching line will match almost exactly the traced line. Now take a large swatch of the second fabric and baste it to the base fabric as before. The front will look like this. After the basting is complete, trim this design as before - a scant 1/4 inch from the basting thread. Note that the red fabric design is all one piece as will be the top blue design. Work carefully to keep the point. The front side will look like this. And the back will have the colored thread stitches sitting right on top of the initial tracing lines. EASY! I was so excited that I decided to applique Block 41 as well. 41 Red, White, and Blue Quilt The directions called for piecing the star and there were lots of "Y" seams. At this point, I thought the applique would be easier. I might try hand piecing this block later. (LaNell, thank you for the star background fabric. I just had to use it for this block!) This week, the second pattern and fabric for "Aunt Grace's Garden Party" quilt arrived. Have I told you how happy the fabric for this quilt makes me? I saw the flower baskets with the appliqued handle and it reminded me of Block 13 of Civil War Quilts. 13 Little Blue Basket My block now has a little blue handle. I may also have to revisit Block 3, Seven Sisters and applique those 7 stars after all.
This year, I have been on the road so many times that I have not had a lot of time to design new quilts, much less finish quilts that were started quite a while ago. I never thought that I'd be saying "thank you" to June's Tropical Storm Bill - the storm regrettably forced me to cancel a trip up to Ft. Worth and Denton, Texas due to the flooding and heavy thunderstorms that made travel unsafe. My thanks was only expressed in that I got an all-too-brief respite wherein I could actually stay in my sewing room and work (ahem: play!). This month's post will show you some of the things that I've been working on... and some of the things that I've actually gotten to finish in the past couple of weeks. I have truly enjoyed the time to do some real quilting. So let's get started. First of all, I think I showed you my Simply Baltimore and Baltimore Squared in various stages of assembly, but I'm not sure that I ever showed you the finished -- quilted and bound - quilts. For starters, here's Simply Baltimore. I made this quilt because I felt like there was not a good "easy" or "beginner" Baltimore design on the market. I wanted something that everyone, of all skill levels, could tackle without being completely overwhelmed. In this quilt, there are nine blocks set on point. And they are fairly simple blocks without a lot of heavy overlays of applique pieces - and very few fabrics... just a few reds and greens and an occasional gold. All of the sashing and border strips are done with paper foundations. Some people hate using foundations, but I love them; they are fast, precision-pieced, absolutely accurate units when done with paper foundations. The secret is to use a VERY small stitch -- most people are astonished by the small size of my stitches - 22 to 25 stitches per inch (fewer if you use a large size 90/14 needle). The stitches are about the size of the period at the end of this sentence. The paper flies off the sewn units! This quilt also used "empty" or "alternate" blocks - that is, blocks without piecing or applique in them. I like alternate blocks for several reasons: it allows me to quilt soft, relaxing designs in the open area; it means I don't have to do more piecing or applique; and it gives the quilt an overall airy look. In this quilt, I used a double feathered wreath with cross-hatching in the background in the empty blocks. See how simple these blocks are to make? I did cross-hatching in the background of each appliqued block - and used the 1- by 2-inch flying geese units as my "marker" for where those cross-hatch lines started and stopped on the diagonal. Most of these blocks were based on vintage Baltimore or red-and-green quilt blocks that I have spotted through the years. I just added little touches - like the bird in the block below. The next quilt is my brand new Baltimore Squared quilt. I have posted the pattern on my website for purchase (www.comequilt.com). It has the same blocks in it as the ones in Simply Baltimore except they are not set on point. In some cases, the blocks are the same, but in others - such as the harp block above, I had to redesign the block to make it fit the same 15-inch finished size. As you can see, I chose not to use the same flying geese sashing or open/alternate blocks in this quilt. I decided I wanted to achieve the same open and airy look by using 4-inch wide "empty" sashing strips, along with a lacy-looking ruffled swag border. I love how it turned out! Here is the same harp block - modified for a straight-set layout; compare it to the on-point block above and you can see how they are the same - but different! And here are close-ups of the rest of the blocks in this quilt. I love how easily I could stitch them up. I don't know that I'll ever tire of making red and green quilts. Here, you can get a better look at the sashing strips - I think they add movement to the quilt through the use of the meandering feather vine, but still remain "quiet" within the face of the quilt. And here is a close-up of the Lemoyne star cornerstones. Originally, I designed these with half-diamonds - that is, each diamond was half red and half-green. It was overkill and made the center of the star very, very bulky. I regrouped and made simpler Lemoyne stars and love how they are almost like sparkly snowflakes dancing across the quilt. It lends it self again to a very lacy, open look. Lest you think I'm done making Baltimore album quilts, I'm not! Far from it. This week, I finished the ninth block of a new, on-point "complex" Baltimore quilt that will be called Baltimore Glory. I call these complex blocks because most of the blocks are heavily layered with applique. I already have the layout for these blocks done - now I just need to finish making the units. But in the interim, you get a peak of all nine of the blocks. Woo hoo! In most of my blocks, I start with a notion of what I want the block to be: a woven basket, a ship with a wreath, etc. And then I start designing the layout of the applique units. I like to put at least something in each block that is unique. In the block below, I added two blue and yellow flowers that are made by folding a circle into a hexagon - with no raw edges showing on the top or bottom. It is really kind of a cool way to quickly do the prep work on these flowers! The cherry wreath block below doesn't really have any unique flowers in it - but each of those cherries is stuffed and they will look like trapunto cherries by the time I get the quilt quilted. In the cornucopia block below, I added five "seed pods" - and made the three corner rose buds have two different fabrics (red and gold). I saw that in an antique quilt and thought it was quite unique. And what Baltimore album quilt would be complete if it did not include an eagle?! This particular block was actually based on a mid-century recruitment poster for soldiers back in the 1860s. The rose and daisy block below includes a swag of beads across the vase - I love how that added a bit of "glory" to the block. In this block, I used a set of three stems, which I braided together, to make the top of the basket. The harp block below has nothing unique when it comes to applique, but I did fussy-cut each leaf so that it contained the same motif in it. I love this wreath -- it is just "rich" with berries! I don't think I've ever made a three-bow ribbon before, but they were often found in old album quilts and help historians in dating certain blocks. And an album block is a "necessity" in my mind, in a complex Baltimore album quilt. This one includes blue folded flowers in the bouquet. I am working on assembling the quilt this week and hope to finish it over the coming weekend. Once I put the final touches on the pattern (I've changed the sashing and border design several times!), I'll put the new Baltimore Glory pattern on www.comequilt.com -- hopefully that will happen within the next month - though I may decide to wait until I also finish quilting the quilt before I do the cover photos for the pattern. My goal is to have the quilt completely finished before I head up to Omaha for my Baltimore on the Prairie workshops in September. So what else have I been working on? I started a reproduction of the quilt below, a while back. This quilt was made by Addie Heipler Allen in 1917 and it measured 90 by 78 inches. I first saw a picture of this quilt back in 1991... and fell in love with it. I've followed it around at various points - and saw that it was sold at an auction in 2010 for $5,382. I finally found the time to sit down and start to "remake" this old quilt for myself late last year... but it took me quite a while to finish it due to the interruptions of travel. It is now done! Ordinarily I would lay the quilt out on the floor, photograph it, edit the photo using Photoshop, and then post it here. When I had this quilt downstairs to be photographed, the sun shining through the stained glass windows of my entryway discolored it with prismatic spots... so I ended up just putting the quilt across the grand piano for your viewing pleasure. Beside it, on the piano bench, is a jar of porcelain "letter balls" that were used in Victorian times to teach children their alphabet. Here is the best shot of the quilt that I could get on my entry room floor - so you can at least see the layout. The quilt is paper pieced - and I promise, the foundation piecing is easy with simple flip-and-sew piecing. I love this quilt! I am working on writing up the pattern on this one, too... and should have it on my website next month. It is called Addie's Alphabet. You saw in the Baltimore Squared quilt above, where I used Lemoyne Star blocks in the sashing - and I mentioned that I did not use split diamonds in that quilt. Because the blocks in this quilt were considerably larger, I was able to make these blocks using split (two-color) diamonds without having as much bulk in the middle -- because I could trim a lot of it away and then put a circle on top of the center. It's a simple way to hide any assembly ills. Here is a close-up of the blocks... again, each is paper-pieced with a flip-and-sew method. As I was making the quilt, I came across several different fabrics that were perfect for the backing of the quilt. I chose three different fabrics; you can see two here. The third one is like the one on the bottom, but has a red background instead of black. Finding "perfect fabrics" is so much fun! So what else have I been working on? My daughter and my grand daughter and I now claim finished quilts, so let me show those to you now. The quilt below, Daisy's Cowgirls, was designed by my 8-year old grand daughter, Daisy. She is always happy to come sew with me and to choose what she's making next. She has mastered pillow-making without my help, but needs a little more help with quilts. On this quilt, I bought the blocks on eBay (aren't they darling?!) and Daisy immediately grabbed them for her own use. Her folks own a ranch, so why not a cowgirl quilt? Each little cowgirl was appliqued with a blanket stitch. Sometimes simple options are the best choice! Daisy stitched a few of the sashing strips in place and left he rest for me to do - right after she begged me to take her to JoAnn's so that she could choose a backing. She chose a soft Minkee fabric... which is always a challenge. The quilting was easy, but the clean-up of all those furry threads is a mess! Daisy is the only 8-year old I know that is proud of now having finished four quilts... and having three UFOs. She's taking after me already! My daughter, Jenny, comes over on Tuesday nights and we get to spend the evening sewing. Sometimes we work on the same thing and sometimes we work on different things. We started making a bunch of paper-pieced blocks last year... and stitched and stitched and stitched... thinking that we'd each need about 100 blocks. Then we put our heads together and made a wise decision. I put together a layout in Electric Quilt that required only 48 blocks. Suddenly, we could stop piecing blocks and we were ready to assemble our quilts! Below is Jenny's quilt. She chose to set the blocks with alternate empty blocks -- which is how we saved ourselves from making so many extra blocks. She used a brown print border - and a deep pinkish backing. She asked me to quilt feathered wreaths in the open blocks - and to stitch in the ditch around the pieced block units. These were pretty simple blocks to make; I made paper foundations for them, and we pieced the blocks by making them out of three individual strips. I love easy-breezy piecing like this. And there was a bonus: the blocks were great scrap-eaters. I added a meandering feathered vine in the border to complete the feathered look to the quilt. Here's another picture of the border, showing the corner. I love how meandering feathered vines travel quietly around the outside of a quilt. And then, there was my set of blocks and my quilt that I needed to finish. I assembled the blocks in much the same way; here is my quilt, loaded on my longarm... I decided that I wanted a bit different look to mine, though, so I used a darker background for the alternate blocks and added a little one-inch floater within my border before I started quilting it. I honestly thought I would get really tired of quilting feathered wreaths, but they are fast and easy to make. In addition, the blocks were very easy to quilt - I could start at one end of the quilt and in a single pass, I could quilt an entire line of blocks with no starts or stops. That was an amazing discovery! Also, I did something a bit different in a few of my blocks - the center one, below, has a half-square triangle in the center of the block. Others had four-patches or square-in-squares in the center. I also decided that I wanted to try quilting something different in my border. I dug through my box of quilt templates and found this one... and decided it was the one I wanted to use. So much of what I enjoy about quilt making involves being able to experiment and play with color, shape, style, etc. I feel no compulsion to follow a pattern at all! So here is my quilt with the quilting in the border, using that template. But what in the world are we going to do with all those extra blocks we had been making??? Easy! We packed up 48 of them in a bag that will go in my guild's August auction... And then we packed up all the pre-cut paper foundation units, with the paper foundations, in two more packs, which will also go into our guild's auction. Bonus!!! I was on a roll this month with quilting, so I also spent a couple of days quilting a quilt that a bee had made for my guild's auction. The quilt is one that the bee has made a few times already, so I was prepared to quilt it without having to put a lot of time into which design motifs I was going to use - I asked for them to put 4-inch wide sashing strips around the blocks, and add an 8-inch border. I love how this quilt looks! The blocks are oak leaf and reel blocks - with cherries used instead of the traditional red hoop around the center of the oak leaf stems. Here is the finished quilt... followed by some detail pictures. When I'm making the meandering little feathered vine in the sashing strip, I start by making the stem, using a wavy template. Next, I add feathers on one side of the vine... And then on the other side of the vine. Here's what the whole block looks like - with feathers added around the circles in the sashing cornerstones. And here is a picture where you can get a better idea of how I quilted the border, and the corner. So is that all that I've been doing? Well... you must know me by now. No, that's not all. That's all I've finished but I've been making a lot of progress on another quilt that is dear to my heart. I've been piecing these blocks for a long time now... they are made of thirty-six half-square triangles. Yes, I paper piece them, but not as individual half-square triangles. Instead, I piece strips of triangles... six of them... and then I stitch the strips together to form the block. I realized there were a lot of ways to set these blocks. They could be set all facing the same direction, set touching or separated by sashing strips, set with the center triangles facing away or facing toward the center. I decided to set them with four blocks together, with the triangles all facing (long sides) away from the center. Here is a set of four with half-inch sashing and a single half-inch cornerstone in the middle of a set of four. Okay - so now that I've decided how I want the blocks set... what about the borders? How do you pull together all these blocks in a meaningful way with a border that compliments them? I started with another stack of big traingles for paper piecing... And started cutting and stitching and experimenting and playing... And then... I suddenly had enough blocks to make a border strip! Here is what the border strip looks like, next to a set of the blocks. I like it! And so here is the draft design of how I'm going to assemble the quilt top. This is only a draft... but it's getting close! It is so grand, in my eyes. I can't wait to finish it! I've already started writing the pattern. Already, I'm going to have to modify it. Do you see the extra row of quarter-square triangles on the top and bottom of the quilt, inside of the pieced border? I've decided that making those quarter-square triangles is more work than I want to tackle (please - no comments from the peanut gallery about how I think these might be too much work, bearing in mind the amount of piecing in the rest of the quilt!!!!). I'm going to replace those strips with simple piano-key/slat strips. Once I assemble this quilt, I'll quickly finish the pattern. Look for it in a couple months -- you may have noticed that I am accumulating a lot of "as soon as I finish this" tasks involving patterns and my website. They start adding up, and my time is still being usurped with a LOT of travel. * * * * * * And so now... is there anything else I'm working on??? Yes, but none of it is ready for prime time display yet. Just wait and everything will be here eventually. In the meantime, though, some of you have sent me pictures of your own quilts. I always love seeing your quilts. And I especially love when you've taken one of my patterns and 1) modified it in some way (creativity lives!) and 2) decided to enter your quilt in a show. I have probably said it before but I'll say it again. ENTER YOUR QUILTS IN SHOWS! Why? Most people will say you should enter your quilt so that you can learn how you can improve, based on the judge's comments. I have a bit of a different philosophy. I already know where all the mistakes are in my quilt. Tons of them. So why do I care what the judges tell me? I don't... I care about the fact that entering quilts makes me a better quilter! Face it: none of us wants to be embarrassed. If we know when we start a quilt that it is going in a show... most of us will take a little more time to do a little better job. And that is why I say enter your quilts: it will make you a better quilter. You'll be happier and more satisfied with the results of your effort. And it is also quite nice to have others say they love your quilts when they see them! Here are some more quilts to inspire you. Christie Stevens sent me a picture of her Trip to Temecula quilt, based on my Postage Due pattern. She entered it in her guild's show in June -- the East Cobb Quilters' Guild hosts the largest quilt show in Georgia every other year, with over 350 quilts on display. Here is her quilt at the basting stage... with lots of quilting to be done! Those little on-point squares are each 1/2-inch in size. Whoa! Here's a close-up of a block from her quilt (with the basting pins in it...). What a great job she did in piecing this quilt. It takes forever (or so it seems) but it's worth the effort and time. Here's a finished block with the quilting completed. And here is her finished quilt. Hooray for Christie! She named her quilt Trip to Temecula because the postage stamp design is sometimes called Trip Around the World, and because of her trip to Temecula, California (there is a great quilt shop there - and I get to go see it this month - I'm thrilled!). Christie got great news after entering this quilt in her guild's show: the judges awarded her quilt the NQA Award of Merit for Outstanding Achievement in Quiltmaking. Congratulations! Debbie Williams created her masterpiece quilt after modifying my Ruffled Roses pattern. I love how she put flowers in each of the different baskets - and added wonderful cornerstones in the basket border as well as the outer pieced swag border. The photo suffers only from the fact the "holders" were not tall enough to hold it up as high as it needed to be - but the quilt suffers not at all from it; it's gorgeous! Debbie also used a gorgeous different center block in her version - it pulls it all together. The quilt below (based on my Ladies of the Sea pattern) was made by Diane Johnston and machine-quilted by Cory Allender. It was entered in the HMQS show in Salt Lake City and received a third place award -- and Linda Taylor gave it her Judge's Choice award. Alright!!! I love the soft color of the background fabric that Diane chose to use -- and her work is wonderful. Somehow I think I missed posting the photo below (and if I did post it earlier, it is worth posting again!). JoAnne MePherson made her own version of my Omigosh quilt and it has done quite a bit of traveling. It hung in a Honolulu Hawaii Quilt Guild show and the Peninsula Piecemakers Quilt Show in Poquoson, Virginia. In that latter show, it attracted the attention of a curator for a quilt display of pieces made by quilters in Virginia's Tidewater, so it hung last summer in the Virginia Quilt museum. Congrats, JoAnne! She is now working on her rendition of my Sarah's Revival - she likes a challenge, obviously! Sheryl Phipps made the quilt below, after being inspired by my Stars for a New Day quilt. Sheryl has a good eye for color and I like how she finished off the quilt with a wide border and large cornerstone blocks. Judy Welch sent me pictures of the Lake County Quilters Guild Raffle Quilt, which she was responsible for getting made. They named this quilt "Virginia Reel" in honor of Fanny Tod, the original creator of the antique quilt on which my Twirly Balls and Pinwheels (and their raffle quilt) is based. When Judy and her team (Judy Welch, Vanessa Hampton, Brenda Knox, and Sandy Earnest) made this quilt, they added a bit to the outer border to make the quilt larger and so that the pinwheel sashings floated in the quilt instead of meeting the edge of the quilt -- it's a nice touch. You may not be able to see it in the photo below, but they also put piping in the binding. This quilt is nothing short of spectacular! I also love how they also quilted this quilt with feathers in the white setting triangles. Judy said their raffle ticket sellers (affectionately known as the Quilt Nannie-ettes) cannot wait to sell tickets for the guild. Judy digitized the design (with my permission) and made small quilts on her Bernina for her team. What a sweetheart.... and a work horse! So now I have to ask one more time: is that all? Not quite. Before I close, I thought I'd share that other than a few more guilds where I'm going to lecture and teach in the next few months, I'm also teaching at these two national seminars: Applique Away on Galveston Bay - February 21 to February 25, 2016 - http://www.appliqueawayongalvestonbay.com/ - I'll be teaching two 2-day classes. There will be plenty of opportunity to improve on your applique techniques in these workshops. Empty Spools Seminars - Sunday, April 10 to Friday, April 15, 2016 - http://www.appliqueawayongalvestonbay.com/ - I'll be teaching one applique class for five full days -- you'll get a total applique immersion experience in this workshop in a gorgeous setting on the California coast. And finally... I have nothing else to add to this post! But don't worry - I'll have more pictures to show you next month and more stories to tell. Until then, happy stitching! Sue www.comequilt.com (c)2015 Susan H. Garman
Assemble a 12" Snail's Trail block. (This block is also called a Virginia Reel block.)
......I can't help believe is just around the corner. The snow we had disappeared quickly as the temperature's rose with the sun shine which is always a welcome sight. I have this pattern to give away to the first responder. Email me at [email protected] Remember to include your address. This little design is made out of wool, and is placed on cotton. Notice how I've frayed the wool a bit for the nest, hoping it to look nest like. I believe this design would also look really great as a pillow. If I decided to do that, I would simply frame it with strips like a log cabin. There are of course endless possibilities. Our hearts skipped a beat the closer we got to Bryce Canyon. The red rock against that incredibly blue sky takes one's breath away. And then, we are anticipating the family reunion of sorts that awaits us on arrival. All of the friendships we have developed over the past are soon to be renewed and deepened. The majestic arch to pass through to our final destination. In fact we pass through two of them. We unloaded our cars under the beautiful blue skies and balmy weather.......it has varied greatly from this over the years. We were delighted to be greeted with such fine weather.......making the unpacking and transporting easy! I traveled with a dear friend, Leslie. Here she is in her bed knitting a sweater for the arrival of her first great grand child, soon to arrive. I brought this new design to work on.......doing the applique hand work. It continues to grow. I completed several blocks on row FOUR. I'm making progress. I only work on it here and there, in between other projects. This Lap App which I use for all of my hand stitching, I've found to be indispensable. It helps me to maintain good posture, so that I don't cross my legs and develop sciatic issues, and since I tore my rotator cuff and bicep muscles two years ago, it has been my very good friend! We always plan to arrive at lest a day early so that we have uninterrupted time to sew, before we start teaching. This is a summer quilt I am working on. One of the special events that we look forward to every year is when the potter Ben Behunin arrives every year. We so love the beautiful pottery he brings, but for the inspiring presentation he delivers. I am sorry I forgot to photograph his incredibly lovely pottery to show you. Besides being a potter, he is the author of several inspiring reads. I bought 2 new ones this year, that I will share from in the future. For starts I will share a bit from one of the books to get us started on this new week. "God left the world unfinished for man to work his skill upon. He left the electricity in the cloud, the oil in the earth. He left the rivers unbridged and the forests unfelled and the cities unbuilt. God gives to man the challenge of raw materials, not the ease of finished things. He leaves the pictures unpainted and the music unsung and the problems unsolved, that man might know the joys and glories of creation. -Thomas S. Monson
A straightforward and brief tutorial for 6 fun and simple classic quilt blocks that may be incorporated into any quilt project.
Whirling Pinwheel quilt block is easy to make using these two easy techniques for pointy points everytime! Beginner friendly, step-by-step tutorial.
Assemble a 12" Snail's Trail block. (This block is also called a Virginia Reel block.)
