Have you ever seen a barn quilt? Traditionally you can find them in the Northeast and Midwest, bringing color and beauty to the sides of old and new barns. But more recently, more and more people…
I just returned from my favorite annual event, the International Quilt Festival in Houston, TX. It is a great time to see old and new friends, and to be inspired and awed by the creativity and talent of the quilting community. I had two quilts in the judged show - the egg quilt, formally known as &q
by HEIDI EMMETT Do you have one? If it is a family heirloom, keep it that way. If it’s one that is tattered here and there , the HOT new look are jackets and coats made from old quilts. I nee…
This booklet contains the Ferris Wheel pattern I used for this quilt top. In my experience, the templates in these books are accurate, unlike some of the vintage newspaper patterns. There's not much in the way of instructio
by HEIDI EMMETT Do you have one? If it is a family heirloom, keep it that way. If it’s one that is tattered here and there , the HOT new look are jackets and coats made from old quilts. I nee…
Ontdek de verbluffende schoonheid van Arte Metal X Patina Quilt 60143, een meesterwerk van vakmanschap en stijl. Deze prachtige quilt voegt een vleugje verfijning toe aan elke ruimte, met zijn unieke metalen patina die een sfeer van tijdloze elegantie uitstraalt. De ambachtelijke details en het ingewikkelde ontwerp maken het een ware blikvanger in elk interieur. Of het nu gaat om het verfraaien van uw slaapkamer, woonkamer of zelfs kantoorruimte, deze quilt voegt een vleugje luxe toe aan elke omgeving. Ontdek vandaag nog de betoverende allure van Arte Metal X Patina Quilt 60143 en laat uw ruimte stralen met een ongeëvenaarde flair. Quilt Collection: Tijdloze luxe voor geavanceerde rebels: Elke ontwerp uit de Metal X Patina-collectie is op metaalfolie gedrukt om een creatieve verweerde gipslook op de muren te creëren. De patronen zijn afgeleid van traditionele schilderstechnieken of ambachten. We hebben geavanceerde printtechnieken gebruikt om een matte look met lichtgevende highlights te creëren om levendigheid en een natuurlijk patina toe te voegen. Quilt Design: natuurlijk, structuur, Grafisch Color: Goud
New York Beauties is like an old friend: we’ve hung out together, we’ve been sad together, happy together, goofed off together, and are now celebrating together a milestone: this flimsy…
Hi friends! It's Ariean from OneKriegerChick here to show you how to make a really fun accessory for your barn--a barn quilt! I love driving through the country and looking at the old farmhouses and barns. Over the past few years, I've noticed more and more quilt blocks hanging on both old and new barns. Just like the barns themselves, the quilt blocks tell their own stories. Some may be an original design, but more often they are based off of a vintage pattern. Today, I'll show you how you can create your own quilt block...it's easier than it looks! First, start by coming up with a design.
New York Beauties is like an old friend: we’ve hung out together, we’ve been sad together, happy together, goofed off together, and are now celebrating together a milestone: this flimsy…
Recycling an old or ugly quilt into a new project is a great way to use a quilt that you don't want to display.
We're showing off this beautiful new quilt from J. Wecker Frisch's Old School collection! The In His Hands Quilt by J. Wecker Frisch of Great Joy Studio features a raw-edge applique globe! Finished size is 44 1/2" x 50 1/2"
We're showing off this beautiful new quilt from J. Wecker Frisch's Old School collection! The In His Hands Quilt by J. Wecker Frisch of Great Joy Studio features a raw-edge applique globe! Finished size is 44 1/2" x 50 1/2"
New York Beauties is like an old friend: we’ve hung out together, we’ve been sad together, happy together, goofed off together, and are now celebrating together a milestone: this flimsy…
New York Beauties is like an old friend: we’ve hung out together, we’ve been sad together, happy together, goofed off together, and are now celebrating together a milestone: this flimsy…
Let your patriotic flag fly with this new take on the American Flag! This wall hanging measures about 30 inches across and is the perfect accent to any wall or table. The instructions provide you with all the information needed to make the miniature quilt, along with contact information if you have any trouble. The quilt finishes at30 inches across, although the pattern is somewhat customizable, so if you need a specific size please let me know and I can work with you to create the size you want. This project requires a 10-degree wedge ruler.
While you might expect that learning to quilt comes with a whole new set of skills and techniques, you might not expect the blast of new terms and quilt names that you will learn. Beginners and pros alike will love this page of 20+ Quilt Block Names and Meanings: The Ultimate Guide. Quilting is a tradition that is hundreds of years old and it comes with its own vocabulary. Just getting to know quilt blocks is a task in and of itself. That's why we have created this block-specific quilting resource! Our list of quilt block names and meanings is the ultimate guide because it includes names, photos, descriptions, and even a little history of the most popular quilt blocks out there. You'll love this list of quilting types. Names of quilt patterns can be obvious but there are a few subtle names as well. When it comes to traditional quilt block names, many will be recognizable. Even if you don't know the name, you can get close to guessing. That being said, this page takes the guesswork out of it so that you'll know instantly what the design is called (and why!). Whether you're looking for quilting inspiration or just want to peruse your block options, this expansive list of popular blocks is sure to inspire you to get quilting! Want more? Sign up for our free FaveQuilts Piecing it Together newsletter to get our latest patterns and tutorials!
Started by Emily Adams Bode in 2016, BODE is a brand that links the sentimentality and artisanship of yesteryear with modern takes on classic silhouettes. By repurposing historic materials from the past and reimagining them in a new context, BODE's pieces carry a dream-like, ethereal aura. From work jackets and pants surgically crafted from antique quilts to the excavation, celebration, and reinterpretation of Indiana's senior chord trend from the early to mid 20th century, Bode's reinterpretations are the perfect vehicle to highlight her eye for design while shining a spotlight on old textiles, arguing for both their beauty and their relevance in luxury menswear today. Based on a vintage denim smock, BODE has reproduced the embroidery along the waistband and hem of these trousers, which feature a "Knolly Brook, a Bode Product" label above the front right pocket. 100% Cotton Five-pocket styling Belt loops Zip-fly Logo patch at coin pocket and back Patch pocket at outseam Hammer loop at outseam Logo-engraved silver-tone hardware Made in India MRS24BT039
"Celtic Bubbles" It's a blustery miserably cold day here so I did some quilting and took some photos of this beautiful design. I have taught it in classes for years but never published it. It's one of those universal patterns, found in all areas of design from textiles to concrete. You may look down at your bathroom towel and see it in terry, or be wiping your feet on a doormat that is made up of this design! I first quilted it many years ago, sitting at my machine and doodling around, warming up, usually after an oiling so I get all the excess worked through before working on my project in the machine. I did it on muslin, and it looked so amazing I pinned it to the wall, thinking that someday I would use it in a quilt. There are variations of this I'll do in a future post. Students either prefer the circles, above, or other shapes that might be easier for them. Circles are fairly easy even for beginners, and the only difficult part is the tiny bit of travel as one Bubble collides with another. "Shadow Leaves" with floating Celtic Bubbles Currently I prefer to fill in all spaces with the design, or arcs from it in the odd spaces left between circles. However, originally I "floated" the bubbles across the surface, much like blowing bubbles, how they appear floating in the air, seen in photo, above. Some were clustered, some were solitary, and the spaces between them had to be filled. I used a close background like bananas or stippling, but now fill in with portions of other circles as it looks better to me and is SO much FASTER. The feather, above, was a sample from my class demo piece. I started filling in with Celtic Bubbles around it to see if it would be do-able as a background fill, and it is. In the future I think I would make sure the last echo around a design is the same color thread used for the Bubbles, so the travel stitching on that last echo would not show as much. This design goes fairly fast. It is not continuous. Each spiral is one complete unit. Each one is begun in the center. Work out from that first circle, echoing it, keeping spacing even. When you finish each one it is necessary to cut the threads and start a new one a short distance away. One of the key factors for success in this design is that you MUST stop after each one and cut the threads. This small interruption in your work keeps your focus at a high level, gives you a small break, lets you look at your work and see what to change as you move on. I find that the quality of the finished work is so worth having to cut the thread for each unit you quilt. Students have had spectacular results. Trust me. Quilting the Design: I began my sample by marking a 6" square on a larger piece of fabric, layered with wool batt, and muslin for backing. Give yourself plenty of room at the edges to hold the quilt. I am using #100 chartreuse silk thread for the quilting on a lilac cotton sateen. Starting at a left bottom area/corner works well for most designs as it is easiest to build the design to the right and UP. Try and do the first bubble in a fairly inconspicuous spot as it will probably not be your best one. Here I can end my first spiral at a line, and if you quilt it in open space, you must end the final row by merging into a previous round, and then cut threads, see photo below. This way is better so there is no problem with ending the spiral. Center spiral below was the first one quilted with the final round merged back into the spiral, threads cut. It's better to start at the bottom so your first spiral isn't the focal point! After a few rounds stitching over the thread tails, see photo above, I stop and cut the threads before proceeding. Thread tails are a visual distraction and every time you approach them while quilting you might veer off course, slow down, speed up, something. However if you HATE to stop and lose your momentum and concentration, it is fine to wait until the single bubble is complete and then cut those thread tails at the center. My best advice for the start of this design is to relax, and don't think too much about which dirction to spiral. I sometimes quilt my spirals clockwise and sometimes counter-clockwise; there is no right or wrong. It's nice to be consistent throughout the design, so don't decide which way you will circle, just begin and do it. Your body does what is natural. In this exercise I seem to have quilted them all counter-clockwise! But I have been known to take a break, come back, and quilt in the other direction. It all adds to the character of the quilt....do not worry about it. OK, let's begin! Insert needle, pull up bobbin thread, hold both threads gently with left finger. I take about 7 very small stitches to begin and then cut the thread at the quilt surface. If you choose to bury thread tails, leave them long, bury later. Start out at a slower controlled even speed. My spacing is a fat 1/8" or can go up to a scant 1/4". Try to keep within that zone as greater spacing will be a bit more difficult, especially on a home machine and for the first time you try this. This first circle you quilt is very important as it establishes the shape for the entire first "Bubble." If you quilt an egg shape as you begin, the Bubble will be egg shaped. And that is fine. Don't obsess over getting perfect circles; just go for it and try and make the spiral evenly spaced with good even stitches. After cutting the thread tails, carefully begin quilting and continue echoing the spiral. Quilt until you hit something - another spiral (in the future after this one is done), and here, the blue marked line, or in a quilt, a seam, edge, quilting design, applique, edge of piecing, etc. When you get to that edge or stopping point, slow down a bit, stitch on it, and travel to the place where you continue the next round. Here I have hit the blue line and filled in the corner with short parallel arcs, keeping the spacing as even as I can. Don't worry too much if the spacing isn't exactly the same. After you've quilted more of the Bubbles, it will all look so much better. My sprials are not perfect in this sample. My excuse is I lost momentum and concentration because I had to stop and take photos. I also got really upset when my machine started doing odd things, skipping stitches, doing funny jumping things with the needle. It turned out I had bumped my screen with the small light I was using for photos, and turned on some weird combi-stitch. I rebooted and was ok, but my quilting was shaky for a round or two. Cut the threads. Next step: Begin the second Bubble, photo above. Insert needle less than an inch from the outside of the first spiral you just finished. Begin the same way, establish the circle design for a few rounds, stop and cut threads, and spiral away. Tip! If you begin the second motif too far from the outer edge of the first one, the second one will become extremely large, look out of place, and be way more difficult to quilt on a home machine. Longarmers won't have this issue though. Here I have stopped and will cut the threads. Continue spiraling, perhaps increasing machine speed so the curved lines are smooth. Be careful not to move hands faster as you spiral out, or the stitches will increase dramatically in size. The small even stitches help maintain smoothness of design, and create "puff" in the finished design. Large stitches let the puff leak out and your spirals will be flat. Now we begin "layering" the Bubbles. As you spiral around the second one, quilt until you collide with the adjacent Bubble, the first one you quilted. Slow down a bit, and stitch on the outside line of that first Bubble out to where you can continue the correct spacing and quilt the next spiral. This technique makes it appear that the second spiral is partially hidden by the first one, or "layered." Above, I have hit the first Bubble and stopped. I will quilt on that line, to the left a few stitches to establish spacing, then quilt away from that point, around my spiral, below. The catch is, you will be reversing your direction here. You collided with the first Bubble as you quilted towards it, then stitched on it to the left, and now are quilting back away from that first Bubble. Tip: Don't turn the quilt. You may tweak its position in the machine a bit to see better, but it's best to look behind the foot and estimate the spacing. Do not look at the needle. You will get better at this with practice. I ask you not to turn this small sample (even though it would be soooooo easy to do it) so that you build your skill and when a larger quilt is in your home machine, you will know how to quilt away from yourself and do it correctly and easily. Do the same thing as you come around the spiral and hit the first Bubble on the lower side. Slow a bit, stitch on the last line of that first Bubble, then quilt away from it keeping the spacing even, around to the other side. Isn't this so pretty??!! Tip: An open-toe foot really lets you see the line you are traveling on so this small amount of two sets of stitches will not be noticeable. It would be extremely time consuming to cut threads when you hit another line, so this method works well to get you to the next round of the spiral. Keep going as many rounds as look right to you. Some Bubbles are larger, some smaller; this makes the design interesting. The larger the Bubble becomes, the more difficult to quilt that huge curve on a home machine. Be aware as the Bubble increases in size, you might tend to make straighter lines and lose the nice round you began with. Longarm quilters will have an easier time with these large shapes. Here are the first two Bubbles (or spirals, but Bubbles float so nicely....) completed. Threads will be cut at the quilt after tiny overlapping stitches on a previous line of quilting are made to lock them in. Note that my final big round is beginning to flatten out a bit. I knew it was time to quit and begin a THIRD BUBBLE, below. Tip: You might want to take a small break now, pat yourself on the back and look at those gorgeous spirals before starting Bubble #3. Here I began the third Bubble, and quilted to the right as far as I liked because I ran out of room to do a complete spiral. I traveled on the blue marked line (a ditch or seam in a real quilt), and on the last quilted line of my second Bubble on the top part. I stopped, cut the threads, and will fill in the space at the bottom next. All filled in! Keep going like this, beginning the next center less than an inch out from a quilted spiral edge. Keep going, fill in spaces, take breaks if you need to. You can see that the areas stitched twice are hardly noticeable. The color of the fabric is affected by the lighting. Under the needle it is in fluorescent light from the machine, and the photo above is natural light. More Bubbles completed!! A stack of Bubbles..... I could stop now at this point of the design, and do another design in the top portion, or continue adding spirals, filling in odd spaces, always traveling over another line to get to my next row. Sometimes, alas, you do get into a spot where you must cut the threads. It doesn't happen often, but accept it, move on, look across the room to refresh your eyes, pet your cat or dog. Complete!! Not all round, not all perfect, but very pretty. The entire square is now filled with these lovely Bubbles. There is depth and dimension, so much texture and visual interest. This design even shows up well on prints. Any parallel line quilting will show well on most fabrics. The design is not marked. It goes fast, stands alone as a terrific design, or can be used as background. It's harder to do that, but not impossibly difficult. Instead of colliding with another spiral, you will be colliding with a quilted design such as a feather or anything else you have quilted and want to set off nicely. You do need some space to make this design show or it will be fragmented too much in small spaces. Tips: Because the lines are arcs and not straight, this design doesn't distort or push/pull excess fabric and batt to form pleats. If you find as you approach a quilted line from the previous spiral and excess is building up a bit, slow down and allow the fabric to ease into your quilting. Also reduce the pressure on the foot just a bit so the free motion foot will float over the excess fabric. Quilt at a nice even speed. You might increase the speed as you get comfortable, or as the spirals increase in size. If you go too slow, the stitches get HUGE. Speed up the machine, slow down your hands. Slow down for the traveling stitches so you are accurate. This design looks so beautiful if you can't see where you had to stitch twice. On the bigger spirals you will have to stop and move your hands. Stop the machine as well. Then begin slowly and I even stitch once or twice "in place" and then proceed to eliminate the tell-tale wobble when you have to start and stop in the middle of a stretch of quilting. Work on spacing. Visualize the path or "puff" between the rows of stitching, not the lines themselves. Look down the path not at the needle. Quilt at a speed that gives you control, good spacing, and even stitches. Your speed will increase as you become comfortable. In a Real Quilt, the marked square would first be quilted to stabilize it and prevent the square from becoming distorted. It might be a corner square, part of a pieced block, a section of border and the ditches would be quilted first for stabilization. Don't get discouraged, keep going. The only way to become good at this is to do it often, each day for awhile, until it is natural. Locking the technique into muscle memory is important. As soon as you become fairly pleased with your work, use it on a REAL QUILT. Don't put the sample away and move on. Make a small piece using this design to see how it looks in something REAL. Above is a piece of fabric with this design I bought at The Back Porch quilt shop in Pacific Grove, CA. I had a senior moment and left my package on a bench in town while waiting for a cab, and someone found it, came out to Asilomar where I was teaching and left it at the desk, where it was delivered to me in the main hall that very evening by a handsome park ranger! I was thrilled. Of course I bought it because it was a great sample of this quilting design. Below, a towel I bought when I saw the design. I couldn't resist, and then the purple pillow from just after Christmas, same story. The rounds on the pillow are from a digitized design/machine and each round is complete, rather than a spiral that is continuous. Fortunately these things were very inexpensive....! You can find the design in many places, it's classic and wonderful and is any style of quilting, from funky and modern to classic formal quilting. Good luck with your quilting, let me know how it goes. My email is dianequilter@sbcglobal if you have a finished sample photo for me to see. Post questions in comments, and I'll do a future post and answer them for all to read. Meanwhile, warm up the machine, give it some oil, make up a bunch of layered samples, and give this a try. I'll post variations of the design for you to try next time. Keep quilting! Your work gets better every freezing day..... Diane
The Granda Quilt Pattern is here....AND...its FREE!
New York Beauties is like an old friend: we’ve hung out together, we’ve been sad together, happy together, goofed off together, and are now celebrating together a milestone: this flimsy…
One of the things I love about quilting is mixing old with new. Quilting has been around for centuries, yet we still find ways to
Recycling an old or ugly quilt into a new project is a great way to use a quilt that you don't want to display.
Started by Emily Adams Bode in 2016, BODE is a brand that links the sentimentality and artisanship of yesteryear with modern takes on classic silhouettes. By repurposing historic materials from the past and reimagining them in a new context, BODE's pieces carry a dream-like, ethereal aura. From work jackets and pants surgically crafted from antique quilts to the excavation, celebration, and reinterpretation of Indiana's senior chord trend from the early to mid 20th century, Bode's reinterpretations are the perfect vehicle to highlight her eye for design while shining a spotlight on old textiles, arguing for both their beauty and their relevance in luxury menswear today. Inspired by a souvenir tee from the late 20th century, BODE has reimagined the original graphic with an image of the Customs House Tower in Boston. 100% Cotton Graphic printed at the front Made in Portugal MRS24CS030
New York Beauties is like an old friend: we’ve hung out together, we’ve been sad together, happy together, goofed off together, and are now celebrating together a milestone: this flimsy…
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