Star Connection, nylon, natural dyes, 68 x 83 inches Yoshiko Jinzenji lives and works in Japan and in Bali. Her quilts are simple and to the point. They are spiritual, covered with hand work and attention to detail. They are like prayers. Baby quilts, bamboo dyed silk, hand stitch She began quilting after she came upon quilts made by Canada's Mennonite people in the 70's and was moved by their resonant, sacred quality. When she attended the Mennonite Relief Sale she realized that the Waterloo area Quiltmakers played a role of global significance. "Women's handwork was making a huge contribution to the welfare of humanity, and that helped inspire my eventual decision to devote my own life to quilting." Ten Thousand piece quilt, Natural dye, cotton, 72 inches square The energy in the repeated texture of the many seams and the understated colour make Ten Thousand Piece Quilt a minimalist masterpiece. All images in this post are from Quilt Artistry: Inspired Designs from the East, a book published in 2002 about Yoshiko Jinzenji's work. Versification II Yoshiko calls the method used for the above quilt 'spiral block', a technique similar to the traditional log cabin technique in that the fabrics are stitched around a central square. What's different is the use of innovative materials such as titanic coated nylon and rubber in combination with silk, wool and cotton and the artist's use of piping cord to strengthen and enhance the wide variety of textures. Dew II, silk, cotton, wool, linen, natural dyes including bamboo, 75 x 77 inches "What I am striving for is to bring out and add to the essential textures of the cloth" she says. "to create shadows and light, to find a balance between minimalism and a sense of richness." white repose hand stitched bamboo dyed silk quilt 85 x 102 inches
quilt for a sleeping person detail, silk and cotton gauze, hand stitched, dyed with indigo and acid dye 1991 the hands know, the materials too, quite apart from your imaginings, less or more than your intentions - following the pattern that emerges, the story as it tells. Jane Whiteley Sides to the Middle, Fingers to the Bone, silk and cotton gauze quilt, indigo dyed. 2009 stitched with red thread on the 'worn areas' Born in England, Jane Whitely has lived in Freemantle, Australia since 1988. She works with the stuff of bandages. Hand stitched gauze. She works with the idea of reparation. Of extending life. She darns. She mends. Her quilt, Sides to the Middle, Fingers to the Bone references the English domestic practice of turning the sheets in order to prolong their life and was included in the important 2010 exhibition at the Victoria and Albert museum in London England, Quilts 1700-2010 Hidden Histories, Untold Stories. Large Red Cross, cotton bedsheet, flannelette and gauze. 1998 She works with the ideas behind the cloth. Under the covers, wrapped up with bandages. The intimacy of cloth. The memories of the body. She is a poet. In Art Textiles of the World Australia volume 2, her writing is given nearly the same amount of space as images of her work. I use cloth because it has a powerful human presence and has the capacity to express humanity, human endeavor, emotion. It is as if cloth takes on the imprint of energy, the memory, of the body through years of use and wear. down cotton gauze, cotton blanket, canvas, hand and machine stitched, eucalyptus dyed, 2006 Her work employs used domestic textiles in a very courageous way. With simplicity. The human body's mark. What would usually be thrown away, is made into art by Jane Whitely. Her work asks us to think about what is really important. Her work is almost sculptural. It suggests the body's absence. It recalls the body's presence. Her textiles breathe. Like passing footsteps. a story unfolding Leave no shadow, no stone unturned hand pieced silk, acid dye, cotton threads 2006 Most of these images are from Art Textiles of the World Australia, Volume two. The Powerhouse museum in Sydney, Australia mounted a solo exhibition of her work in 1999, but there are no images available on their website. The catalog for that exhibit, From Within is unavailable to purchase. I hope that this blog post brings more attention to this artist's work.
Star Connection, nylon, natural dyes, 68 x 83 inches Yoshiko Jinzenji lives and works in Japan and in Bali. Her quilts are simple and to the point. They are spiritual, covered with hand work and attention to detail. They are like prayers. Baby quilts, bamboo dyed silk, hand stitch She began quilting after she came upon quilts made by Canada's Mennonite people in the 70's and was moved by their resonant, sacred quality. When she attended the Mennonite Relief Sale she realized that the Waterloo area Quiltmakers played a role of global significance. "Women's handwork was making a huge contribution to the welfare of humanity, and that helped inspire my eventual decision to devote my own life to quilting." Ten Thousand piece quilt, Natural dye, cotton, 72 inches square The energy in the repeated texture of the many seams and the understated colour make Ten Thousand Piece Quilt a minimalist masterpiece. All images in this post are from Quilt Artistry: Inspired Designs from the East, a book published in 2002 about Yoshiko Jinzenji's work. Versification II Yoshiko calls the method used for the above quilt 'spiral block', a technique similar to the traditional log cabin technique in that the fabrics are stitched around a central square. What's different is the use of innovative materials such as titanic coated nylon and rubber in combination with silk, wool and cotton and the artist's use of piping cord to strengthen and enhance the wide variety of textures. Dew II, silk, cotton, wool, linen, natural dyes including bamboo, 75 x 77 inches "What I am striving for is to bring out and add to the essential textures of the cloth" she says. "to create shadows and light, to find a balance between minimalism and a sense of richness." white repose hand stitched bamboo dyed silk quilt 85 x 102 inches
10 FREE scrap quilt patterns! Make modern quilts with these free quilt patterns. Use fabric scraps from your stash or precut fabric.
Star Connection, nylon, natural dyes, 68 x 83 inches Yoshiko Jinzenji lives and works in Japan and in Bali. Her quilts are simple and to the point. They are spiritual, covered with hand work and attention to detail. They are like prayers. Baby quilts, bamboo dyed silk, hand stitch She began quilting after she came upon quilts made by Canada's Mennonite people in the 70's and was moved by their resonant, sacred quality. When she attended the Mennonite Relief Sale she realized that the Waterloo area Quiltmakers played a role of global significance. "Women's handwork was making a huge contribution to the welfare of humanity, and that helped inspire my eventual decision to devote my own life to quilting." Ten Thousand piece quilt, Natural dye, cotton, 72 inches square The energy in the repeated texture of the many seams and the understated colour make Ten Thousand Piece Quilt a minimalist masterpiece. All images in this post are from Quilt Artistry: Inspired Designs from the East, a book published in 2002 about Yoshiko Jinzenji's work. Versification II Yoshiko calls the method used for the above quilt 'spiral block', a technique similar to the traditional log cabin technique in that the fabrics are stitched around a central square. What's different is the use of innovative materials such as titanic coated nylon and rubber in combination with silk, wool and cotton and the artist's use of piping cord to strengthen and enhance the wide variety of textures. Dew II, silk, cotton, wool, linen, natural dyes including bamboo, 75 x 77 inches "What I am striving for is to bring out and add to the essential textures of the cloth" she says. "to create shadows and light, to find a balance between minimalism and a sense of richness." white repose hand stitched bamboo dyed silk quilt 85 x 102 inches
Letra Quilt Pattern Letra is a traditionally pieced quilt pattern designed by Annie Brady for Bound Company. This quilt features a modernist alphabet design. Finished size is 44” x 56”. Due to the curved blocks, this pattern is suitable for intermediate quilters. No special tools are necessary as templates are provided in the pattern. Fabrics are Bound Co. Beyond Bella for Moda. The fabric references also match Moda’s Bella Solids range. If you want to pick your own colors and fabrics, a handy coloring page is included in the pattern. I really hope you enjoy making this fun quilt! Finished Size: 44” x 56” All Patterns Are Brand New From The Designer or Manufacturer! You can find more patterns by Bound Company and lots more in my Etsy Shop (see link below) while supplies last. Shipping Policy - any shipping cost overages will be refunded to the buyer upon shipment of their order(s); this also includes combining orders. I always strive to get my customers the best possible deal on shipping costs. Be sure to click the link to make my shop a favorite for your quilting, embroidery, and sewing needs. https://www.Etsy.com/shop/ShopSewMe Thank you for supporting my small business 💗💗
This unique quilt features improv curved piecing and graffiti quilting. made from a variety of beautiful solid blues with a white background.
13+Free Quilt Patterns to tickle your quilting fantasies! You can snag these 13 FREE modern Quilting Patterns TODAY and be sewing before you know it!
Improv work is arguably the most original and personal type of modern quilting. It requires the maker to chart their own path. Sometimes improvisation exudes impulsivity while at other times it is restrained and intentional. The Improvisation category is usually one of the most popular for submissions into QuiltCon. A
Soulskin: Seeding the Prairie 1999 nylon, iron, copper, pigment 76 x 41 x 3 inches Susan Lordi Marker When Susan Lordi Marker was a li...
Traditional Quilt Patterns with a Modern Twist
It's time to quilt with the masters! Join us as we learn how to make a Starry Night quilt — one of Vincent van Gogh's most memorable works.
Improv work is arguably the most original and personal type of modern quilting. It requires the maker to chart their own path. Sometimes improvisation exudes impulsivity while at other times it is restrained and intentional. The Improvisation category is usually one of the most popular for submissions into QuiltCon. A
Mountain Rainbows is a striking modern quilt based on the Dresden Plate block that is quick to piece, with easy appliquéd Dresden Plate petals. This pattern also includes three options for how to finish your quilt. In addition to a plain binding, try building your skills with a facing (creating an invisible finish with no visible binding), or the matched pieced binding shown in the sample quilts! You will receive: • Piecing instructions for the quilt, including full-size templates (When printing your pattern, please ensure that scaling is set to 100% in order for all pattern pieces to print correctly.) • Three binding options, including complete instructions for a facing and a matched pieced binding. • A coloring page to test out your fabric choices Finished size: 36" x 36" Download: You will be emailed a download link after checkout. Please save the PDF to your hard disk immediately; patterns are limited to 3 downloads. EU/UK customers: In order to comply with VAT regulations, please purchase this pattern through my Payhip shop. This pattern is for personal use and for one person only. Please do not distribute. All digital pattern sales are final.
It's time to quilt with the masters! Join us as we learn how to make a Starry Night quilt — one of Vincent van Gogh's most memorable works.
Easy to hang, 150gsm fine grade coated non-woven wallcovering Roll: 52cm x 10m (20.5” x 11yd) Coverage: 5.2m² (56ft²) Pattern repeat: 52cm (20.5”) / Straight across match Sample size: A4 (8.5”x 12”) Made in the UK Riga from the Modernist III collection is a stunning example of optical art in interior design, where the illusion of depth transforms a flat surface into a dynamic three-dimensional experience. This wallpaper features an array of geometric pillars that appear to be interlocked, creating a mesmerizing effect. The colour palette is a sophisticated combination of black, cream, and shades of gray, accented with rich bronze that brings an unexpected warmth to the cool tones. The pattern's vertical orientation and the interplay of colours give it a sleek, modern look, perfect for an accent wall in a contemporary space. Riga is also environmentally conscious, printed with environmentally friendly inks on 100% non-toxic, eco-friendly paper from sustainably managed sources, without the presence of glass fibres and PVC.
It's time to quilt with the masters! Join us as we learn how to make a Starry Night quilt — one of Vincent van Gogh's most memorable works.
Star Connection, nylon, natural dyes, 68 x 83 inches Yoshiko Jinzenji lives and works in Japan and in Bali. Her quilts are simple and to the point. They are spiritual, covered with hand work and attention to detail. They are like prayers. Baby quilts, bamboo dyed silk, hand stitch She began quilting after she came upon quilts made by Canada's Mennonite people in the 70's and was moved by their resonant, sacred quality. When she attended the Mennonite Relief Sale she realized that the Waterloo area Quiltmakers played a role of global significance. "Women's handwork was making a huge contribution to the welfare of humanity, and that helped inspire my eventual decision to devote my own life to quilting." Ten Thousand piece quilt, Natural dye, cotton, 72 inches square The energy in the repeated texture of the many seams and the understated colour make Ten Thousand Piece Quilt a minimalist masterpiece. All images in this post are from Quilt Artistry: Inspired Designs from the East, a book published in 2002 about Yoshiko Jinzenji's work. Versification II Yoshiko calls the method used for the above quilt 'spiral block', a technique similar to the traditional log cabin technique in that the fabrics are stitched around a central square. What's different is the use of innovative materials such as titanic coated nylon and rubber in combination with silk, wool and cotton and the artist's use of piping cord to strengthen and enhance the wide variety of textures. Dew II, silk, cotton, wool, linen, natural dyes including bamboo, 75 x 77 inches "What I am striving for is to bring out and add to the essential textures of the cloth" she says. "to create shadows and light, to find a balance between minimalism and a sense of richness." white repose hand stitched bamboo dyed silk quilt 85 x 102 inches
It's time to quilt with the masters! Join us as we learn how to make a Starry Night quilt — one of Vincent van Gogh's most memorable works.
Feel the heat with Karin Jordan’s desert-inspired quilt in soft greys and pops of fresh aqua.
IThe Peanut Butter Quilt is a FREE Quilt Pattern by Meghan of Then Came June. It is available for download now! The Peanut Butter Cover Quilt is on the blog too! Read that first if you want some background on the pattern design and the journey it took for me to get here. I didn't even finish my first Peanut Butter Quil
Easy to hang, 150gsm fine grade coated non-woven wallcovering Roll: 52cm x 10m (20.5” x 11yd) Coverage: 5.2m² (56ft²) Pattern repeat: 18cm (7.5”) / Straight across match Sample size: A4 (8.5”x 12”) Made in the UK Step into the understated sophistication of Helsinki from the Modernist I collection, a wallpaper that champions the timeless appeal of minimalistic design. Its grid-like pattern is a harmonious blend of taupe squares outlined by intersecting lines in shades of deep teal and muted cerulean, punctuated with occasional dots that add a subtle, rhythmic variation. The design's clean geometry and muted colour palette make it an ideal backdrop for modern interiors, offering a sense of order and calm. Helsinki's unassuming elegance is perfect for creating a serene and contemporary space, designed to align with the principles of modernist aesthetics. Digitally printed with environmentally friendly inks on 100% non-toxic, eco-friendly paper from sustainably managed sources. Free of glass fibres and PVC.
Victor Vasarely occupies a unique place in the history of 20th Century painting. Beginning as a kind of late-comer to the Surrealist camp, his works of the 1930's suggest Miro, Ernst, De Chirico, Gris. But his work showed tantalizing qualities which would later blossom into a full-blown preoccupation. In the 1940's, he continued to work with familiar shapes and arrangements, rather in the manner of a soft Surrealist. His work had always shown a tendency toward geometric linear plaiting or layering. By the early 1950's, he had begun to experiment with pure linear abstraction, rather in the manner of Esher--even employing nested mirror imagery and trick perspective. This tendency towards illusionary space eventually came to dominate his work, and in his mature period, during the 1960's, he became identified with the Op Art movement. During this period his glowing, shimmering grids, distorted into bulging or twisting convexities and concavities, became familiar images to a growing public. An early work from the mid-1930's Vasarely's work hovers uncertainly between playful, geometric abstraction and eerie, psychedelic transport. In the 1960's his work, like Esher's, was often associated with hypnotic or hallucinatory states of mind, or with far-out dazzling scientific fantasy. These associations were purely gratuitous, but Vasarely benefited from the publicity. There's something very satisfying about Vasarely's imagery. It demands very little of the viewer in terms of understanding or context, and can be appreciated by people of all ages, especially children. But when I first looked at it, I thought it meretricious and bland. Like Esher's work, I thought it rather "game-like" or trivial. But the more you see it, the more you realize that Vasarely's concentration upon geometry and illusion is genuine and not mere trickery. It isn't merely a "light show" or an innocent flowery indulgence (like a Peter Max design). The work displays a classical balance and symmetry which may suggest calmness and serenity, or frenetic, percolating activity. Obtruding, flowing forms roll forwards or intersect across space like kaleidoscopic Chinese checker-boards, or immense spinning disks of colored polka-dotted mechanisms. [Copy this image to your desk-top and expand it to full scale for best effect] No one had ever mined the possibilities of geometry in quite this way, before Vasarely began to explore them. He wasn't making arithmetical statements, but the equations that could express his works numerically were undoubtedly elegant indeed. On an intuitive level, these kinds of imaginative spaces and designs might be accompaniments to visionary propositions about the behavior of matter in space, or the ways in which we might visualize concepts too abstruse to get a handle on. Vasarely's elaborations included sculpture, architecture, commercial furnishing design. He even went so far as to develop permutations of specific shapes and colors, whose proliferating variations undermined the meaning of the unique created object, much as Duchamp had done with his Rotoreliefs: There is much more to be said about Vasarely than this momentary glimpse. His work seems to point to a future in which the very large scale and the very minute scale, are commonly available and can be perceived. In my mind, these two worlds are different versions of each other, and intersect or co-exist simultaneously. Like the balletic movements of the space stations in 2001: A Space Odyssey, conducted to the oompah-pah, oompah-pah of Strauss Waltzes, Vasarely's work may seem like the perfect accompaniment to Elliott Carter's Piano Sonata, or Steve Reich's Six Pianos--or even like the dancing white spheres in Thirty Two Short Films About Glenn Gould. These are all apt comparisons for further study.
Common Threads exhibit at Prescott College Art Gallery at Sam Hill Warehouse. This is my piece, "Raps."
This vintage Victor Vasarely Op Art Modernist geometric offset lithograph print Oet - Oet is a very special and unique, cool piece to add to your collection. Victor Vasarely ( 1906 - 1997 ) Hungarian born artist who is widely acknowledged as the grandfather and leader of the Op Art movement of modern Art. The vintage offset lithograph print was printed in Germany by Taschen publishers in 2006. It features an original artwork by Vasarely titled Oet - Oet created in 1955. The print has details about the artist and artwork on the reverse back side. It is printed on heavyweight paper stock with saturated ink colors in a satin finish. The print measures 11 W X 14 1/4 H. It is in excellent like new condition, with very light signs of handling. It has never been framed. There is a very small minor smudge spot in the lower left margin edge. Please see photos for condition reference. It is now being offered here for an excellent price. less
PARIS — In our period of the rampant merging of art and fashion, it is refreshing to revisit where this hybridization more or less began in the modernism period with the first retrospective since 1967 of Sonia Terk Delaunay.
Surface designer Renata Rubim partnered with Oca Brasil on a series of wooden tiles that aim to revisit distinct periods of Brazilian design history.
Bosna Quilt Werkstatt Entwurf und Ausstellung Weiherstrasse 2, A-6900 Bregenz Offen jeden ersten Samstag im Monat von 11.00 bis 16.00 Uhr. Und nach Vereinbarung: Tel. +43 (0)699 19 07 81 82 www.bosnaquilt.at Die Bosna Quilt Werkstatt entstand 1993 im Caritas Flüchtlingsheim Galina in Vorarlberg. Die nach den Entwürfen der Malerin Lucia Lienhard-Giesinger hergestellten Quilts sind Decken, die von bosnischen Frauen nach eigenen Vorstellungen von Hand gesteppt werden. In der Zeit des Exils war die Arbeit an den Quilts nicht nur eine Erwerbsmöglichkeit, sondern auch eine Beschäftigung gegen das Trauma von Krieg und Flucht. Seit 1998 befindet sich die Bosna Quilt Werkstatt in der bosnischen Stadt Goražde an der Drina, die bis heute an den Folgen des Krieges leidet. Zwölf Frauen tragen mit ihrer Arbeit an den Quilts zum Lebensunterhalt ihrer Familien bei.
This month’s collection of Finish Line quilts come from different sources. They are from former students, readers of my book “Serendipity Quilts” (such as Connie Morrison’s …
Lucinda made this stunning Bravo Indigo quilt using a pattern designed by Nightingale Quilts. You can find the pattern here. I quilted it with the Whitecaps pantograph, used White So Fine thread and Quilters Dream 80/20 white batting. Finally some blue sky and calm winds to get outdoor quilt pictures. It has been a very slow spring melt here but the snow is disappearing.
These quilts designed by Libs Elliott after collaborating with Joshua Davis using a programming language called Processing are a an extraordinary addition to the symbiotic relationship between crafting and code.
