INVENTORY REDUCTION - Snowflakes and Ribbons PAPER longarm quilting pantograph design by R&S Designs More Details A single row is 4.25” wide – printed with two rows – 144” long Click here to go to our main Panto Directory Page. Click here to see more items of interest to machine quilters. Don't know what a "panto" is? Click here to find out what the heck a "panto" is.
File Formats Include: .bqm .cqp .hqa .hqf .hqv .hqw .iqp .pat .qcc .qli .ssd .txt .plt There will also be an image file included as well. Please double check prior to purchase that your file format is included in the list of digital files provided. Once purchased, you will receive an email with link to your digital download for all file types.
Kelly Hanson talks about Mctavishing in this quilting video as well as discusses all the exciting and unique quilting techniques that are presented in her quilting book by Karen Mctavish.
As it turns out I am not very motivated to clean my studio. I headed out there this weekend with all good intentions of getting my space clean and I honestly cleaned (or more accurately, contemplated cleaning) for a total of five minutes before I found myself distracted by a drawing I had started at Quiltcon in my Compositional Quilting/DRAWING class. I have to admit that after returning home from Quiltcon I have felt a little panicked. Panicked that I taught everything I had and that I was going to be out of ideas. I began looking through some of the pictures I had taken while teaching (admittedly way too few) and that beautiful quote by Leonard Nimoy came back to me again. "The Miracle is this, the more we share, the more we have." Some Brilliant student work Wow. Wow. Wow. and WOW. It was either the threat of cleaning or all of the energy and openness that I absorbed from my students that inspired me again....or maybe a little bit of both. I wasn't really out of ideas after all. Phew. I put away any thoughts about cleaning (which wasn't hard) and started drawing and then quilting something I am pretty sure will be a sample for another class. As a rule I don't generally mark on quilts. A whole cloth type quilt is obviously an exception to this rule. In my Compositional Quilting/DRAWING class we spend the class marking on mylar and then marking on a whole cloth. Many years ago I took a whole cloth design class from Karen McTavish. It was a full day spent designing a whole cloth quilt that we took home to quilt. If you ever find yourself with an opportunity to take a class with her or see her lecture, DO IT, I'm not kidding. Whole cloth quilts are traditional by nature and are generally designed using beautiful floral or feathered motifs, stencils and if you have the patience the quilting usually involves some trapunto. This was my finished Wholecloth quilt from Karens class. From class to quilt. In my Compositional Drawing-(expanded version) class it is my hope to merge the traditional with a more modern aesthetic. I don't know that a whole cloth will ever be considered "modern" but I do believe in my heart of hearts that there is a place for this type of quilting and design somewhere. This is the fundamental basis for Compositional Quilting Filling in the blanks I had to get rid of my free motion drawn swirls, I found I could not follow my own drawings. I managed to quilt in the areas of feathers I should have left unquilted Some new moon ideas This is as far as I got, not bad for a weekend. As you can see, cleaning is overrated and I am not out of ideas yet. I am hoping to be teaching this class and many others in the near future. I will keep you posted on the details here. For those of you who feel inspired by this post, awesome. For those of you who enjoyed this post but feel less inspired and more discouraged by this post this last picture is for you. While I openly admit I have skills, I know that those skills didn't come without a lot of failures, practice and flat out shitty quilting. Give yourself the benefit of the doubt, be ok with shit quilting, move on, take classes, learn as much as you can from yourself and others. You will never quilt exactly like me, just as I will never quilt exactly like Karen McTavish. And thank goodness for that, lord knows theres only room for one of her, and me and you. Be ok with that. You be You.
Keryn's Camellia - Pantograph / E2E © 2016 Keryn Emmerson PAPER: A single row is 8.25 inches - printed with one row - 144 inches long DIGITAL (computerized quilting systems): Zip file includes: BQM, CQP, DXF, HQF, IQP, PAT, QLI, SSD, TXT, WMF and 4QB or PLT. Most designs also include a DWG, GPF, PDF, PNG and SVG. SELF-PRINT: A single row is 6.75 inches - printed with one row.
As it turns out I am not very motivated to clean my studio. I headed out there this weekend with all good intentions of getting my space clean and I honestly cleaned (or more accurately, contemplated cleaning) for a total of five minutes before I found myself distracted by a drawing I had started at Quiltcon in my Compositional Quilting/DRAWING class. I have to admit that after returning home from Quiltcon I have felt a little panicked. Panicked that I taught everything I had and that I was going to be out of ideas. I began looking through some of the pictures I had taken while teaching (admittedly way too few) and that beautiful quote by Leonard Nimoy came back to me again. "The Miracle is this, the more we share, the more we have." Some Brilliant student work Wow. Wow. Wow. and WOW. It was either the threat of cleaning or all of the energy and openness that I absorbed from my students that inspired me again....or maybe a little bit of both. I wasn't really out of ideas after all. Phew. I put away any thoughts about cleaning (which wasn't hard) and started drawing and then quilting something I am pretty sure will be a sample for another class. As a rule I don't generally mark on quilts. A whole cloth type quilt is obviously an exception to this rule. In my Compositional Quilting/DRAWING class we spend the class marking on mylar and then marking on a whole cloth. Many years ago I took a whole cloth design class from Karen McTavish. It was a full day spent designing a whole cloth quilt that we took home to quilt. If you ever find yourself with an opportunity to take a class with her or see her lecture, DO IT, I'm not kidding. Whole cloth quilts are traditional by nature and are generally designed using beautiful floral or feathered motifs, stencils and if you have the patience the quilting usually involves some trapunto. This was my finished Wholecloth quilt from Karens class. From class to quilt. In my Compositional Drawing-(expanded version) class it is my hope to merge the traditional with a more modern aesthetic. I don't know that a whole cloth will ever be considered "modern" but I do believe in my heart of hearts that there is a place for this type of quilting and design somewhere. This is the fundamental basis for Compositional Quilting Filling in the blanks I had to get rid of my free motion drawn swirls, I found I could not follow my own drawings. I managed to quilt in the areas of feathers I should have left unquilted Some new moon ideas This is as far as I got, not bad for a weekend. As you can see, cleaning is overrated and I am not out of ideas yet. I am hoping to be teaching this class and many others in the near future. I will keep you posted on the details here. For those of you who feel inspired by this post, awesome. For those of you who enjoyed this post but feel less inspired and more discouraged by this post this last picture is for you. While I openly admit I have skills, I know that those skills didn't come without a lot of failures, practice and flat out shitty quilting. Give yourself the benefit of the doubt, be ok with shit quilting, move on, take classes, learn as much as you can from yourself and others. You will never quilt exactly like me, just as I will never quilt exactly like Karen McTavish. And thank goodness for that, lord knows theres only room for one of her, and me and you. Be ok with that. You be You.
E2E
You will love the way our Poly Loops roll across your quilt! Size: height by width Digital: 10" x 13" Paper: 8" x 11" Print Rows: 1
As it turns out I am not very motivated to clean my studio. I headed out there this weekend with all good intentions of getting my space clean and I honestly cleaned (or more accurately, contemplated cleaning) for a total of five minutes before I found myself distracted by a drawing I had started at Quiltcon in my Compositional Quilting/DRAWING class. I have to admit that after returning home from Quiltcon I have felt a little panicked. Panicked that I taught everything I had and that I was going to be out of ideas. I began looking through some of the pictures I had taken while teaching (admittedly way too few) and that beautiful quote by Leonard Nimoy came back to me again. "The Miracle is this, the more we share, the more we have." Some Brilliant student work Wow. Wow. Wow. and WOW. It was either the threat of cleaning or all of the energy and openness that I absorbed from my students that inspired me again....or maybe a little bit of both. I wasn't really out of ideas after all. Phew. I put away any thoughts about cleaning (which wasn't hard) and started drawing and then quilting something I am pretty sure will be a sample for another class. As a rule I don't generally mark on quilts. A whole cloth type quilt is obviously an exception to this rule. In my Compositional Quilting/DRAWING class we spend the class marking on mylar and then marking on a whole cloth. Many years ago I took a whole cloth design class from Karen McTavish. It was a full day spent designing a whole cloth quilt that we took home to quilt. If you ever find yourself with an opportunity to take a class with her or see her lecture, DO IT, I'm not kidding. Whole cloth quilts are traditional by nature and are generally designed using beautiful floral or feathered motifs, stencils and if you have the patience the quilting usually involves some trapunto. This was my finished Wholecloth quilt from Karens class. From class to quilt. In my Compositional Drawing-(expanded version) class it is my hope to merge the traditional with a more modern aesthetic. I don't know that a whole cloth will ever be considered "modern" but I do believe in my heart of hearts that there is a place for this type of quilting and design somewhere. This is the fundamental basis for Compositional Quilting Filling in the blanks I had to get rid of my free motion drawn swirls, I found I could not follow my own drawings. I managed to quilt in the areas of feathers I should have left unquilted Some new moon ideas This is as far as I got, not bad for a weekend. As you can see, cleaning is overrated and I am not out of ideas yet. I am hoping to be teaching this class and many others in the near future. I will keep you posted on the details here. For those of you who feel inspired by this post, awesome. For those of you who enjoyed this post but feel less inspired and more discouraged by this post this last picture is for you. While I openly admit I have skills, I know that those skills didn't come without a lot of failures, practice and flat out shitty quilting. Give yourself the benefit of the doubt, be ok with shit quilting, move on, take classes, learn as much as you can from yourself and others. You will never quilt exactly like me, just as I will never quilt exactly like Karen McTavish. And thank goodness for that, lord knows theres only room for one of her, and me and you. Be ok with that. You be You.
Snowflakes and Ornaments are highlighted in this catalog of Winter, Christmas Holiday pantograph quilting designs.
I am delighted to have Patsy Thompson as our December FMQ Expert, for the 2012 Free Motion Quilting Challenge. Whe...
INVENTORY REDUCTION - Overflow PAPER longarm quilting pantograph design by Sarah Ann Myers More Details A single row is 5.5 inches wide - printed with two rows - 144 inches long Click here to go to our main Panto Directory Page. Click here to see more items of interest to machine quilters. Don't know what a "panto" is? Click here to find out what the heck a "panto" is.
Customer Quilts Quilt by Noelle Powers Quilt by Noelle Powers Quilt by Heather Bostic Quilt by Jenny Redwig Quilt by Jenny Redwig Quilt by Julianna Gasiorowska Quilt by Julianna Gasiorowska Quilt by Michelle @Ilikeorangetoo Quilt by Penny Layman Quilt by Cindy Wiens Quilt by Cindy Wiens Customer Quilt Quilt by Angela Pingel Quilt by Katie Pedersen Quilt by Katie Pedersen Quilt by Krista Fleckenstein Quilt by Krista Fleckenstein Quilt by Sonja Callaghan Quilt by Sonja Callaghan Quilt by Jenny Redwig Quilt by Krista Fleckensten Quilt by Alison Robins Amanda's Value Quilt Personal Quilts
Pantograph designs for every machine and every frame! You can now find the perfect sized pantograph design to fit your home machine or longarm machine. We've stitched our pantographs up a notch - with an easy advancing system and mix n' match ability to create unique designs for your quilts. Each PDF Pantograph Design file includes two sizes of the design. Use the smaller design if you're quilting on a home sewing machine on a frame: Use the larger 7 inch design if you have a longarm. Mix n Match by printing out multiple designs and taping them together to create a pantograph design perfectly sized for your longarm machine. If you have an even bigger longarm, you want to maximize that quilting space! These Mix n' Match Pantographs are designed so you can tape multiple rows together to create a truly unique design for your quilt. Start Pantograph Quilting Right Now Our pantograph quilting designs arrive instantly via email as a PDF file. Simply follow the instructions within the pantograph to print, trim, and tape together the perfect sized pantograph for you! Frequently Asked Questions about Mix n' Match Pantographs What do I need to quilt pantographs with a Grace Qnique longarm? Rear Handlebars so you can control the longarm from the back. Qnique Laser Light to follow the pantograph. Solid back table on your frame to support the pantograph. What do I need to quilt pantographs with my home machine? Gracie Laser Light to follow the pantograph. Solid back table on your frame to support the pantograph. Click Here to contact us for help adding a back table to your frame! Can I use pantographs on a home machine set in a table? Not really. These designs are intended for quilting on a frame where the machine moves over the quilt. How many pantograph designs do I get in one PDF? You will receive one 3-inch and one 7-inch version of one design. Example - if you select the Spiraling Pantograph, you will receive one 3-inch and one 7-inch row of Spiraling. Follow the instructions in the PDF to print your rows, cut the designs and tape them together to create your pantograph design. Charts are included to guide you on printing out the correct number of pages for your machine and frame. ----------------------------------------------------------- NOTE - These pantographs are only available as digital downloads. You must have a printer and be able to print in full color on US Letter sized paper. ----------------------------------------------------------- Learn even more about quilting with pantographs! If you need more help understanding how to use these designs, check out Leah's Pantograph Quilting PDF Guidebook. This guide includes a wealth of information on placing your pantographs, how to recover from common mistakes, and how to make the most of the quilting frame you're using. Click Here to find the Pantograph Quilting Guidebook!
As it turns out I am not very motivated to clean my studio. I headed out there this weekend with all good intentions of getting my space clean and I honestly cleaned (or more accurately, contemplated cleaning) for a total of five minutes before I found myself distracted by a drawing I had started at Quiltcon in my Compositional Quilting/DRAWING class. I have to admit that after returning home from Quiltcon I have felt a little panicked. Panicked that I taught everything I had and that I was going to be out of ideas. I began looking through some of the pictures I had taken while teaching (admittedly way too few) and that beautiful quote by Leonard Nimoy came back to me again. "The Miracle is this, the more we share, the more we have." Some Brilliant student work Wow. Wow. Wow. and WOW. It was either the threat of cleaning or all of the energy and openness that I absorbed from my students that inspired me again....or maybe a little bit of both. I wasn't really out of ideas after all. Phew. I put away any thoughts about cleaning (which wasn't hard) and started drawing and then quilting something I am pretty sure will be a sample for another class. As a rule I don't generally mark on quilts. A whole cloth type quilt is obviously an exception to this rule. In my Compositional Quilting/DRAWING class we spend the class marking on mylar and then marking on a whole cloth. Many years ago I took a whole cloth design class from Karen McTavish. It was a full day spent designing a whole cloth quilt that we took home to quilt. If you ever find yourself with an opportunity to take a class with her or see her lecture, DO IT, I'm not kidding. Whole cloth quilts are traditional by nature and are generally designed using beautiful floral or feathered motifs, stencils and if you have the patience the quilting usually involves some trapunto. This was my finished Wholecloth quilt from Karens class. From class to quilt. In my Compositional Drawing-(expanded version) class it is my hope to merge the traditional with a more modern aesthetic. I don't know that a whole cloth will ever be considered "modern" but I do believe in my heart of hearts that there is a place for this type of quilting and design somewhere. This is the fundamental basis for Compositional Quilting Filling in the blanks I had to get rid of my free motion drawn swirls, I found I could not follow my own drawings. I managed to quilt in the areas of feathers I should have left unquilted Some new moon ideas This is as far as I got, not bad for a weekend. As you can see, cleaning is overrated and I am not out of ideas yet. I am hoping to be teaching this class and many others in the near future. I will keep you posted on the details here. For those of you who feel inspired by this post, awesome. For those of you who enjoyed this post but feel less inspired and more discouraged by this post this last picture is for you. While I openly admit I have skills, I know that those skills didn't come without a lot of failures, practice and flat out shitty quilting. Give yourself the benefit of the doubt, be ok with shit quilting, move on, take classes, learn as much as you can from yourself and others. You will never quilt exactly like me, just as I will never quilt exactly like Karen McTavish. And thank goodness for that, lord knows theres only room for one of her, and me and you. Be ok with that. You be You.
Disco - Pantograph / E2E © 2016 Patricia E. Ritter PAPER: A single row is 13.5 inches - printed with one row - 144 inches long DIGITAL (computerized quilting systems): Zip file includes: BQM, CQP, DXF, HQF, IQP, PAT, QLI, SSD, TXT, WMF and 4QB or PLT. Most designs also include a DWG, GPF, PDF, PNG and SVG. SELF-PRINT: A single row is 13.5 inches - printed with one row.
Let our Circle Swirls roll across your quilt! Size: height by width Digital: 10" x 13.25" Paper: 8.25" x 11" Print Rows: 1
Kindling PAPER longarm quilting pantograph design by Patricia Ritter & Leisha Farnsworth More Details A single row is 10 inches wide - printed with one row - 144 inches long This is a PAPER roll of a continuous line quilting pantograph pattern. Main Pantograph Directory Page Don't know what a quilting pantograph is? Click Here to find out what the heck a "panto" is.
Dave's Sunflowers - Pantograph / E2E © 2014 Dave Hudson PAPER: A single row is 10 inches - printed with one row - 144 inches long DIGITAL (computerized quilting systems): Zip file includes: BQM, CQP, DXF, HQF, IQP, PAT, QLI, SSD, TXT, WMF and 4QB or PLT. Most designs also include a DWG, GPF, PDF, PNG and SVG. SELF-PRINT: A single row is 9 inches - printed with one row.
DIGITAL PRODUCT: Digital products include the following file types and are intended for computerized robotic quilting systems. All formats included in this download. BQM CQP DXF HQF HQV IQP PAT PLT QLI SSD PRINTABLE PRODUCT: Printable products for this design may not be available yet.
Ripples PAPER longarm quilting pantograph design by Lorien Quilting More Details A single row is 9.25 inches wide - printed with one row - 144 inches long Click here to go to our main Panto Directory Page. Click here to see more items of interest to machine quilters. Don't know what a "panto" is? Click here to find out what the heck a "panto" is.
Pebble Passion Love making quilt tops but need help with the quilting? Try Pebble Passion! This collection has you covered! The collection features 33 unique quilting designs. Choose from an assortment of blocks in multiple sizes. Add borders and sashing designs to finish your quilt. Just follow these three steps to success: Step 1. Piece your quilt top. Step 2. Make a quilt sandwich. Step 3. Embroidery the quilt designs. Bind the quilt using your preferred method. All designs are available in multiple sizes! - This is a downloadable product, you will receive an email containing a link to download your designs. Hoop requirements: 5" x 7" or 6" x 10" 33 Unique Designs 71 Total Designs Formats Available: ART, DST, EXP, HUS, JEF, PES, VIP, VP3
Let's Go Sailing - Pantograph / E2E © 2017 Naomi Hynes PAPER: A single row is 11 inches - printed with one row - 144 inches long DIGITAL (computerized quilting systems): Zip file includes: BQM, CQP, DXF, HQF, IQP, PAT, QLI, SSD, TXT, WMF and 4QB or PLT. Most designs also include a DWG, GPF, PDF, PNG and SVG. SELF-PRINT: A single row is 10.25 inches - printed with one row.
The Fleur de Lis quilting motif is a classic design suitable for any quilt. Pattern Type: Block Pattern Style: Geometric, Floral Suggested Stitch Height: 4" and up DIGITAL PRODUCT: Digital products include the following file types and are intended for computerized robotic quilting systems. All formats included in this download. BQM CQP DXF HQF HQV IQP PAT PLT QLI SSD PRINTABLE PRODUCT: Printable products for this design may not be available yet.
Moi qui aime plutôt les quilts abstraits, je n’ai pas résisté au talent incroyable de Annemieke Mein. Son travail est unique : observation de la nature, dessins et aquarelles, puis broderies, travail en relief sur le tissu, c’est époustouflant de réalisme. Vous pouvez visiter son site pour plus d’infos et de photos. … Continuer la lecture de L’artiste du vendredi : Annemieke Mein →
Breath of the Gods PAPER longarm quilting pantograph design by Apricot Moon Designs More Details A single row is 6 inches wide - printed with one row - 144 inches long This is a PAPER roll of a continuous line quilting pantograph pattern. Main Pantograph Directory Page Don't know what a quilting pantograph is? Click Here to find out what the heck a "panto" is.
Originaire d'Hollande, Annemieke arriva en Australie à l'age de 7 ans. Issue d'une famille de créatifs, elle a toujours été fascinée par la nature. Elle retranscrit cet amour grâce à de nombreuses techniques : broderie machine et broderie main, peinture...
Troubled Seas - Pantograph / E2E © 2015 It's A Quilt Thing PAPER: A single row is 1.5 inches - printed with twelve (multiple offset) rows equals a 9.75 inch design - 144 inches long DIGITAL (computerized quilting systems): Zip file includes: BQM, CQP, DXF, HQF, IQP, PAT, QLI, SSD, TXT, WMF and 4QB or PLT. Most designs also include a DWG, GPF, PDF, PNG and SVG. This design includes multiple files options. DIGITAL MULTIPLE ROW FILE - is formatted at 9.75 inches and comes in lengths of 44/68/94/124 inches long, resizing from these dimensions is not recommended. Caution: This design stitches left to right and right to left. Multiple row repeats do not connect to each other like a regular pantograph. Tying off the multiple row design and repeating is required. In most systems a block set up is recommended. DIGITAL SINGLE REPEAT FILE - design is formatted for manual set up. SELF-PRINT: A single row is 1.5 inches - printed with twelve (multiple offset) rows equals a 9.75 inch design.
Learn more about quilting with your walking foot during my "31 Days of Walking Foot Quilting" series.
Follow along with this step-by-step to learn how to free-motion quilt swirl designs.
A tangle for Shelley - you can make one for Shelley and send it to her for wellness wishes - see this blog post from Beez in the Belfry And now ... I know some of you have been waiting patiently for my new patterns ... below you will find six of my new patterns ... I hope you like them. An A5 sized zentangle using a variation of my new pattern ... see below. Okay ... Jane's new pattern "Loave It" (although I'm not sure about the name - I love the tangle). Jane's new pattern "Fern" - make them any size, shape etc to fit. Same with this pattern - "Amaze" - any shape any combination of mazes. Jane's new pattern "Scrolls" ... these remind me of chelsea bun scrolls ... love the freeform of these. Jane's new pattern "Connector" And last but not least, Jane's new pattern "Click Clack" .... I really love this one, especially the variation number 2 - you get a whole new dimension to the pattern. I hope you enjoy these zentangle patterns. Leave a comment to let me know you have been, and send me a picture of your tangles using these patterns. Happy Tangling for now....Jane x
