"Chaise Longue" re-imagines the new classic by Wet Leg as the cover for a midcentury sleaze pulp novel. This is a fine art giclee print on acid free, 330gsm, 100% cotton rag paper with a bright smooth finish. Watermark does not appear on finished print. Prints come in four sizes: 8.5x11, 11x17, 18x24 and 24x36. Please be aware that all prints feature a white border to help with framing your item. Depending on which size print you order, this border may be wider on the top and bottom than on the sides. I recommended that you wait until you have your print in hand before you shop for a frame.
1955; Fall of Night by Giose Rimanelli. Cover by Owen Kampen
‘His ’N’ Hers’ may have thrust Pulp towards the limelight, but the album suggested that Jarvis Cocker and co seemed much happier as voyeurs.
Enjoy Kafka For Lovers.
The cover of ‘Rent Party’ illustrated by Eric Stanton, 1964. Fans of fetish artist and illustrator Eric Stanton allegedly included Howard Hughes, Douglas Fairbanks Jr., and well-known white cotton panty enthusiast Elvis Presley. During the 50s and 60s Stanton’s illustrations of tough, truculent women (often clad in bondage-style outfits) graced the covers of a huge number of “adult oriented” pulp novels and paperbacks that to this day are as controversial as they were six decades ago. ‘Young Danny,’ 1966. Stanton was a part of a group of New York City-based fetish artists who were all getting their start around the same time like Bill Ward, Bill Alexander, and Exotique magazine illustrator Gene Bilbrew. In the late 1940’s after responding to an ad placed by the notorious Irving Klaw, Stanton’s illustrations started to get a bit more attention. He would then go on to improve his artistic style under the tutelage of the pioneering comic illustrator Jerry Robinson—the creator of Robin the Boy Wonder; the Joker; Bruce Wayne’s butler, Alfred; and Two-Face. Later, at the urging of Klaw Stanton, started to introduce BDSM themes into his illustrations. Here’s a quote from Stanton about some of...
This is a 10" x 16" giclée canvas print stretched on a 5/8" wooden stretcher bar and finished with a clear satin polyacrylic varnish to prevent surface scuffing. It is a reproduction of a cover of a vintage paperback from my personal collection. For examples of completed canvases, see the additional photo. Watermark on web image only. Canvases are custom made to order, so please allow 2 - 3 weeks for delivery. I’m always adding to my collection, so please check the Cheeseboy Products page often for additional new items for sale. (Publishers' names and logos are trademarks of their respective holders.)
The Best Of The Worst
Stocking Themes
This is a 10" x 16" giclée canvas print stretched on a 5/8" wooden stretcher bar and finished with a clear satin polyacrylic varnish to prevent surface scuffing. It is a reproduction of a cover of a vintage paperback from my personal collection. For examples of completed canvases, see the additional photo. FOR MULTIPLE ORDERS PLEASE USE BULK DISCOUNT LISTINGS. http://www.etsy.com/shop/cheeseboyproducts?section_id=13221865 Watermark on web image only. Canvases are custom made to order, so please allow 2 - 3 weeks for delivery. I’m always adding to my collection, so please check the Cheeseboy Products page often for additional new items for sale. (Publishers' names and logos are trademarks of their respective holders.)
Pop, an exhibition currently on view at James Cohan’s new Grand Street location, explores a more obscure phase of Robert Smithson’s tragically brief career: his figurative engagement with popular culture.
Steve Ferrier was a pro... whether he was busy in an amorous mistress's bedroom or out on the tennis court during a hot match! via
