The entrance hall and lamps: the blood trickled down the fluted groves into the base and a red colouring would be cast over the space and crowd.

This building stood until the 1980s. Photos of it have been removed from public access. That is due to the public spectacles which started to emerge in Christendom Europe from Asian (Turk, Arabic and Mongol) who are influenced by the far East.

In a parallel with Ross Wolfe, (yet purely coincidential) we publish here an early industrial work of architect Hans Poelzig, one of the finest examples of German...