Pintures murals de Sant Domènec: Imatges, retaules i objectes litúrgics, situada a Interior de l'església de Sant Domènec (Puigcerdà) de Guillem de Manresa (atrib.), d'estil Gòtic, del període Segle XIII a XV. Descripció de l'element, fotografies i localització geogràfica (situació en mapa).
Ocell en la nit
Foto de Pedrera romana del Mèdol, Cim de Sant Simplici, Pintures rupestres de l'Abric de l'Apotecari, Mas de Sorder, Mas de Cosidor a Torre de la Mora, Catalunya (España). Descarrega el track GPS i segueix l'itinerari del sender des d'un mapa. Grava el teu propi recorregut des de l'app, puja la ruta i comparteix-la amb la comunitat.
Foto de La Mussara, Muntanyes de Prades: Pintures rupestres de l'Abric de la Serra de la Mussara a Vilaplana, Catalunya (España). Descarrega el track GPS i segueix l'itinerari del sender des d'un mapa. Grava el teu propi recorregut des de l'app, puja la ruta i comparteix-la amb la comunitat.
MAY Art - I'm so excited to share my little ideas with all of you...! Painting with acrylic / Painting TechniquesArt Ideas for Beginners | Easy Acrylic Paint...
Marian van der Sanden | OIL | In the Closet
мой ник читается как Хпивер! можно хпива пиво и любые другие варианты какие вам нравятся
Fine Art
David Lidbetter
We show a wonderful selection of Yvonne's joyful work at our gallery in Devon, a short distance from her secluded rural studio.
Sara Carbonero se ha cruzado por casualidad con Elena Huelva y no ha dudado en llamar su atención para mostrarle personalmente su admiración
Post su LORCK Karl Julius scritto da CantervilleGhost
$100,00
This Oil Paintings item by BilykArt has 48 favourites from Etsy shoppers. Dispatched from Ukraine. Listed on 28 Nov, 2024
This bronze ram head sculpture is a tailor-made design for our customers, and the whole statue depicts the ram's image to life. The height of the entire stat...
In 1929, Salvador Dalí joined the artists of the Surrealist movement in Paris, sharing their belief in the importance of the subconscious and the freedom of the imagination. Subsequently, in the early 1930s, Dalí pioneered what he called the “paranoic-critical method” of painting—his inspired answer to making irrational images from the imagination and dreams look very real. He did not aim to illustrate specific dreams but, instead, sought to instill in his art their distorted sense of objects, time, and space. The title of this work is almost a warning against trying to rationally explain its imagery: “The Transparent (see-through) Simulacrum (a semblance of something) of the Feigned (not real) Image (a reproduction of something or a picture in the mind).” Dalí often incorporated doubled or multiple images into his compositions, where one object can simultaneously appear to be something else entirely. “The Transparent Simulacrum of the Feigned Image,” for example, features a table on which rests a napkin and a bowl of food that can also be seen as a landscape in which the bowl becomes a bay and the contents appear to be distant mountains. The head floating on the right side of the work is that of Dalí’s wife, Gala, whom he often referred to as his inspirational muse. Many of his works, including this one, are signed with both of their names.
