Phillip Stearns takes the idea of our camera being an extension of the eye literally to an extreme. He is bending, cracking and breaking the...
the triptych of large woven tapestries uses RGB pixels captured from a computer’s physical memory and binary data as patterns for textiles.
For High Voltage Image Making, Brooklyn-based artist Phillip Stearns fundamentally alters the structure of color film by administering as many as 15,000 electrical volts to its surface, producing a resultant print set ablaze with woven Lichtenberg figures.
Year: 2013 Materials: Digitally designed and woven cotton textile Dimensions:160cm wide x 205 cm tall Fragmented Memory is a triptych of large woven tapestries completed in May 2013 in Tilburg, NL at the Audax Textielmuseum’s Textiellab. The project uses digital practices and processes to blur the lines between photography, data visualization, textile design, and computer science. The result are works of visual art that serve not only to render visible the invisible processes mediating everyday experience, but also to operate as distinctly tactile and lo-fi digital storage media—the process becomes a means to capture, record, and transmit data.
Today’s edition of meet the maker might be the ultimate intersection of tech and making. Phillip Stearns of Glitch Textiles started with a simple idea, “Transcode glitches in the cold, hard logic of digital circuits into soft, warm textiles.” What does that mean exactly? He takes visualizations of code from your favorite products (Google Chrome, iTunes, Microsoft Word) and turns them into gorgeous blankets. Who knew code could be so beautiful?
Computers and weaving have a historic relationship. It goes back over centuries to when the Jacquard loom first used punched cards as a way to encode weaving. Now over 200 years later, the ties between coding and weaving are still very much present, they just look a little different. Five years ago, Brooklyn-based arti
Phillip Stearns
Glitch Textiles by Phillip David Stearns
Via Phillip Stearns. TRANSFER is pleased to present ‘EVIDENT MATERIAL’ a new series of work from Phillip David Stearns. For this exhibition, Stearns produced film-based images without a camera by a…
A Yearlong Glitch-A-Day Project by Phillip Stearns
For his latest project, Phillip Stearns zapped instant film with 15,000 volts of electricity.
Phillip Stearns weaves gorgeous blankets and tapestries from the unlikely media of fried cameras and digital error.
Digitally designed woven throws, blankets made from cotton and wool on computerized looms. Designed by Phillip David Stearns
After working with standard photography and digital cameras, Brooklyn-based artist Phillip Stearns decided to experiment with creating works of art using
Founded in 2012 by NY based designer, Phillip David Stearns, GlitchTextiles is a full-service textile design studio specializing in jacquard woven textiles, capable of producing one-off items, processing custom projects and wholesale orders.
As winter’s chill sets in, any self-respecting lover of digital visual distortions will no doubt be curling under the protective warmth of a glitch blanket. New York-based artist Phillip David Stearns, himself a kind of guru of glitch, has produced detailed, organic patterns spun out of camera hacks. Via machine knitting and weaving, complex, non-repeating […]
Located on Santa Barbara's waterfront at the end of State Street, Stearns Wharf is a favored spot for both locals and tourists.
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