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Thalia Melpomene Calliope Clio Terpsichore
I've treated myself to a few new lockdown art supplies which has felt like a real treat and really lifted my spirits. Now is the time to create art.
Brand TOOLI-ART Ink colour Assorted metallic colors Number of items 24 Point type extra fine and medium Recommended uses for product Glass
Lifestyle photographer, based in London. Collaborating with agencies, brands and production companies. Shooting emotional complexity, different, visceral and real. This is my lens and makes me fire as a commercial lifestyle photographer today.
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Hello everyone, I hope you are all doing well. I am still waiting on some candelabra for the table, but since it has been a while since my last post, I thought it was time to present the banquet hall to you. The room measures 24 inches wide, 39 inches deep and 18 1/2 inches high. The design was inspired by my favourite architect, Robert Adam. The colour palette was inspired by winter. The blues remind of nice winter days, and the metallic platinum paint I highlighted the details with makes me think of ice. The white was perfect to make the architectural elements pop out. The walls My original plans were for a room 21.5 inches high, but the proportions of my drawings looked a bit off to me I decided to remove the 3 inches below the pilasters. I emailed Sue Cook and she was kind enough to send me pictured of the plaster pieces as per my drawings. When the plans were finalized I cut the openings into the MDF and covered the walls in 2 layers of Illustration board. The reason I used 2 layers is because I needed the first one to give me the depth I needed for the niches I was going to use, and the second layer I cut out openings for the plaster plaques that went over the frieze. I thought gluing them right onto the walls would make them stick out to much and take away from the realism of the room. The darker blue circles at the top of the room are rectangular boxes in which I will put busts. I don't have great tools for cutting 5/8 mdf, so I used plaster filler in the curved openings of the 8 arches in the room which I sanded smooth I also used illustration board on the ceiling with a cut-out for the plasterwork. I painted the whole room in a pale blue. Then I glued on all the pre-painted plasterwork onto the walls. Each piece got 3 coats of dark blue, 3 coats of white, and 2 coats of platinum, then touch ups. The doors are illustration board, basewood mouldings and Plexiglas. I faux finished them darker than most of the warm woodwork in the manor so they would stand out better! The ceiling I used the paint app. on my computer and copy/ pasted images from Sue Cook's website to create the ceiling, and I also had a dry run to see it live. I was happy with the effect! The different pieces were not all the same thickness. When the time came to glue them, it involved a lot of sanding and using thin cardboard to get every piece to the right depth. It was not really difficult and was faster than I thought. To fill any gaps and cover any inconsistencies in depth I used a simple moulding strip to frame the plasterwork. The 2 chandeliers are Olivias from the Getzans. I was originally going to paint the ceiling plasterwork the darker blue, but I thought that would make the ceiling look to heavy, not light and airy which was my hope. The floor I decided early on to have a stone floor in this room. Wood just felt wrong , not to mention I have had my full of making parquet wood floors. I drew up a plan which reflected the areas of the ceiling (you can compare it with the ceiling plan earlier in the post I covered the illustration board subfloor with 3 coats of acrylic Gesso which I sanded down and covered in a sand grey paint. Even though the theme is Adam winter, I still needed to warm the room up somehow. I then made templates using thin cardboard to help me paint the dark grey areas. When that was done I used a sculpting tool to score the individual tiles and then covered 6 inch sections at a time with spackle I wiped of immediately for grout. I glued it down using books and weights. The furniture It has often been difficult to find furniture that is the right scale for the manor, so in this room I decided to make it myself except for the chairs. The table The table was made from leftover MDF and turned wood pieces I had left over. It measure 6 inches wide and 21 inches long. The first picture shows how I used the drill to create the curved parts of the bottom of the feet before I cut each one out. I then glued the feet, filled any imperfections with spackle and sanded everything smooth. then faux finished it with a yellow base coat and created my usual faux walnut finish with oil paints that match the doors and windows of the room. The table top was 2 pieces of MDF glued together. I applied coats of gesso and sanded about 5 times to get a smooth finish, but the faux-finish looked terrible and showed the separate pieces the table top was made from, so I ordered 1/32 inch thick basewood to cover it. The basewood had a nice grain to it, so I cut the pieces at an angle to create a pattern. I did not use a yellow basecoat, I just covered it with the oil paint and liquin mix which I wiped off with paper towels after 3 minutes. The Chairs The chairs were Chrysnbon Victorian chair kits I assembled, faux-finished and upholstered using a fabric from Les Chinoiseries...all 20 of them! The sideboards, cutlery urns and server I made these out of leftover bits and pieces I had. The hardest part was the rounded faux drawers. I cut the tops and bottoms of each one and curved a thin piece of basewood over the front, then glued a basewood molding over that to create the detailed front The side pieces are illustration board boxes topped with upside down crown moulding. I faux finished it with the yellow base and oil-liquin mix, but the tops and panels were the same as the table top so the grain would show. The cutlery urns were impossible to find, so I purchases wood finials. I do not have a lathe, so I put the bottom into my drill and as I held down the button of the drill to make it turn I used sandpaper, files and a saw to cut off the top, make the rounded section where I put the keyhole less round, and I made the base thinner. I used the paint on-wipe off technique again to make the grain stand out. The keyholes on the urn are from Le Mini di Pierluigi, and the pineapple finials on the top are by Sue Cook. I painted them and the base of the urns using the yellow base coat first to contrast with the central part of the urns. I also made a smaller server for the back of the room. Same techniques, just a little bit simpler. And here is the furniture in place As I mentioned I am waiting on candelabra from Jens Torp for the table. All the rest of the silver in the room is by Pete Acquisto. I am also waiting on some decanters by Gerd Felka for the server. I would love to set the table one day, but 20 place settings including plates, glassware, flatware and cutlery is not my budget priority right now. And that is the banquet hall my friends. Here are a few empty room pictures for your enjoyment: That was the last of the big rooms of the house. I have been working on remodelling and completing other rooms and will post about them soon. Until then I thank you all for your support my friends. I hope you all stay well, healthy, and happy. Big hugs, Giac
light chaser, wanderlust gypsy, paint splasher, word crafter, sacred journaler, beauty unveiler, adventure seeker and soul feeder. Go Deep, Stay Light
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