Catálogo OQO 2013 español
Tapa del libro ( Nariz de Oro)que ilustré para edit OQO /Galicia /España.( en español y gallego) La autora es Raquel Saiz Collage- cartones y chatarras relieves - tintas acrilicas
🍮 Irresistible Mini Crème Brûlée Cheesecakes - a bite-sized indulgence! 🍮 Ingredients: - 1 cup graham cracker crumbs - 2 tbsp unsalted butter, melted -...
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Félix OQO
¿Quién puede vencer al viento? Texto: Charo Pita Ilustración: Marion Arbona OQO editora Cartoné, 25x23, 48 págs. I...
Cuento infantil sobre un pollito y un gato. Editado por OQO, escrito por Marisa Núñez e ilustrado por Helga Bansch
From The Bear and the Crow , OQO Editora, 2008 In recent months I have often been spending time on tumblr, an activity which, besides be...
Hier commençait l'exposition "NATURE" à la galerie Curiosités... Voici donc les 4 oeuvres que j'ai présenté à cette occasion : Rana , personnage du livre "Ranilda" paru chez OQO en 2010 * disponible ICI Dans la Forêt Lointaine , boîte illustrative paru...
https://youtu.be/3UxL-0--oQo?t=24m54s Inventor and entrepreneur Elon Musk explained in a recent interview that he built an alternative school for his children and went on to describe the process of "unschooling" that his children are involved with. Musk
El Camino de Santiago: Sophie en el Camino Publicación digital interactiva para alumnos de Segundo y Tercer Ciclo de Educación Primaria, elaborada por el la Secretaría del Consejo Jacobeo (Secretaría de Estado de Cultura) y OQO Editora, con la colaboración de la Xunta de Galicia, Gobierno de La Rioja, Gobierno de Aragón, Gobierno de Navarra y Junta de Castilla y León.
Hoy os traemos un adiocuento muy sabroso. "La cocinera del Rey", (texto de Soledad Felloza e ilustraciones de Sandra de la Prada), es un cuento editado por Oqo. La historia que hoy mos narra nuestra amiga Mª José, desborda optimismo por los cuatro costados y nos enseña a valorar la cocina, no solo como base de nuestra cultura, sino como parte de nuestra vida, de nuestras emociones y recuerdos.
Adoramos el trabajo de Elena Odriozola, una ilustradora con una larga y exitosa trayectoria laboral, y una de las participantes de la pasada edición de Mazoka. Te invitamos a conocer su trabajo, si aún no has tenido el placer de descubrirlo. Descubrimos el trabajo de Elena Odriozola hace ya algunos años, gracias a uno de los muchos libros infantes y juveniles que ha ilustrado: «La princesa que bostezaba a todas horas» de la editorial OQO. Una tierna y divertida historia sobre la amistad que, debemos confesar, cayó en nuestras manos gracias a sus fantásticas ilustraciones. Sus dulces personajes de cuello ancho, la delicadeza y ternura que desprenden sus dibujos y el uso que hace de los colores, ha conseguido que nos enamoremos de su trabajo. Y A ti, ¿también te ha gustado? Por cierto, ¡no te pierdas el vídeo del final! https://youtu.be/cf31RMi6yEg
Un petit récapitulatif de mes livres pour que tout soit au même endroit... et bien en place, pour ceux et celles qui peinent à trouver les informations complètes... Alors au début était... "Il Signor Nessuno" ( "Monsieur Personne") ...un Monsieur gris, habitant dans un quartier gris, un immeuble gris... et ayant une occupation mystérieuse durant ses nuits. Chez Topipittori pour l'Italie ( ISBN 978-88-89210-24-6 ) Chez Rouergue pour la France ( ISBN 978-2-8415-6912-0 ) ...mangeait tous seul sa soupe... ...reprisait sa chaussette trouée... ensuite est paru "Grand et Petit" ( texte d'Henri Meunier )histoire de complicité entre deux frères tantôt grands, tantôt petits... Chez L'Atelier du Poisson Soluble ( ISBN 978-2-913741-62-1 ) ...et le temps se détend... ...alors il se peut qu'un jour de vent... et puis " L'Angelo delle scarpe" ( L'Ange des chaussures" )texte de Giovanna Zoboli Je suis très émue chaque fois que je le relis... tout simplement magnifique! Chez Topipittori pour l'Italie ( ISBN 978-88-89210-32-1) Chez Notari pour la Suisse et la France (ISBN 978-2-940408-07-8) ...en vérité ce que Simon avait vu n'était pas vraiment un monsieur... ...lui, faisait juste semblant de les aimer, pour ne pas déplaire à son père... ...des chaussures célèbres sans propriétaires... peu de temps après paraît "Humo" ("Fumée") texte de Anton Fortes. Un livre dur et douloureux ... chez OQO pour l'Espagne et tous les autres pays (ISBN 978-84-9871-059-5) ...je ne pleure jamais... ...on nous donne les patates crues... ...on ferme déjà la porte... vient le tour de "Au clair de la nuit" texte de Janine Teisson. un recueil de poèmes où la lune se joue de nous... et nous jouons à la lune... chez Motus ( ISBN 978-2-907354-94-3 ) ...qui a fait une bêtise?... ...la lune est lunatique... ...la lune penche la tête... puis c'est le tours de "Cuando no encuentras tu casa" texte de Paloma Sanchez Ibarzabal. Livre voyage dans un rêve d'enfant... Chez OQO pour l'Espagne et les autres pays (ISBN 978-84-9871-218-6) ...parfois tu te perds dans la nuit... ...tu marches avec hâte... il y a aussi "Entrez!" (texte de Sébastien Joanniez) mais j'en ai déjà écrit dans ce blog... cher Rouergue (ISBN 978-2-8126-0126-2) et "Les Cygnes Sauvages " d'Andersen qui arrivent...
Born in a small coastal town in Liguria, Italy, to a Filipina mother and Swiss father, Philip Giordano is a tireless globetrotter, who now lives and works in Tokyo. After studying at the Brera Academy of Fine Arts and at the European Institute of Design, he earned a Master in Animation in Turin. He works for a number of magazines and publishing houses around the world, illustrating book covers, designing toys, and creating children's books and animations. The simple and colorful shapes of his illustrations, his iconic characters, and his graphic landscapes render his unique style immediately recognizable and transform his stories into breathtaking visual journeys. Exploring different techniques, from digital collage to painting on wood, his work has been selected and featured in American Illustration Annual, Communication Arts Illustration Annual, 3x3 illustration Annual, and the "Applied Arts Photography & Illustration Awards". His illustrations have received international recognition and awards including the Silver Medal by the Society of Illustrators; the White Raven Award; the International Illustration Prize Bologna / SM Foundation; Illustrarte, Biennial of illustration, Lisbon, the Prix des Adultes and Prix des Mediateurs: Figure-Future at the Montreuil, Paris Book Fair. His artworks was presented in the exhibition and Annul “Artist and illustrations masterpieces - 50 Illustrators Exhibitions 1967 - 2016", of the 50th anniversary of the Children's Book Fair Illustrator Exhibition in Bologna. SELECTED CLIENTS INCLUDE: Monocle magazine ( UK ), Oxford University Press ( UK ), Playtime Fair ( France ), Itabashi Art Museum ( Japan ), The Boston Globe ( USA ), Amsterdam Airport / ING ( Netherlands ), MTR hong kong metro ( Hong Kong ), Snapchat ( USA ), Samsung ( Korea ), Spectrum Magazine ( USA ), Konica Minolta ( Japan ), Retail News Magazine ( Canada ), NHK ( Japan ), Djeco Toys ( France ), Passion Pictures ( NY ), Martha Stewart Living Magazine ( USA ), Fukuinkan Shoten ( Japan ), Ferrero ( Italy ), Feltrinelli ( Italy ), Mondadori ( Italy ), Gestalten Book ( Germany ), Topipittori ( Italy ), Sloow food Foundation, Milan Edition ( France ), Leo Burnett ( USA ), De Agostini ( Italy ), Hodder children's books ( UK ), OQO editora ( Spain ), SM edition ( Spain ), Zoolibri ( Italy ) Il corriere della sera ( Italy ), Il solo24ore ( Italy ) Jammy ( Japan )
Typically, when a company wants to meet, you expect more of the same -- not a change in strategy, nor a decision to enter an entirely new product category. So when Razer wanted to meet us one bright, oddly cold San Franciscan morning last August, we certainly weren't expecting to meet its CEO, Min-Liang Tan, and we definitely weren't prepared to find a 17-inch prototype laptop, henceforth known as the Blade. Shaving puns aside, we listened to Tan proudly wax on about the results of nearly three years of development, much of which involved recruiting a bevy of talent from the now-defunct OQO. What they'd accomplished, according to Tan, was the "world's first true gaming portable." An audacious statement, sure, especially considering the Blade was to be Razer's foray into the PC market. No matter. Tan's impetus was clear: the outfit would cater to gamers who'd been left in a vacuum after formerly gaming-obsessed companies sold out, leaving the segment to languish. His angle, however, would be different. The Blade wasn't going to be a gaudy, gargantuan, no-holds barred device with outright performance in mind. No, instead the 0.8-inch thick aluminum beaut would attempt to straddle the worlds of portability with performance, seeking to hit a perfectly balanced middle ground. That sounded reasonable, but judging by reactions from most of you, the decision to stuff this $2,799 rig with a mid-range GeForce GT 555M card wasn't. Nor was the call to kit it with a paltry 320GB of rotational storage. Razer would rectify the latter in December, promising 256GB SSDs for all -- a concession that would push shipments back, well, until now. Still, even after toying with it briefly at CES, our impressions were ultimately shallow, as we couldn't get much of a feel for it in that controlled environment. Which brings us to the present day, and with Razer graciously airdropping a Blade onto our doorstep, does this experimental laptop stand up to its maker's gutsy claims? Or will those who've shelled just shy of three grand be sorely disappointed with its execution? Well, there's only one way to find out, and that's to join us past the break.
