Nonrepresentational art is one of the forms of figurative art. It reflects the vision of the artist, and is in total contrast to representational art. Let us now understand nonrepresentational art with its examples.
Nonrepresentational art is one of the forms of figurative art. It reflects the vision of the artist, and is in total contrast to representational art. Let us now understand nonrepresentational art with its examples.
I believe that the viewers will get in touch with compassion and understanding of the human condition. She is calm and preparing for what is to come. Abstract art, also called nonobjective art or nonrepresentational art, painting, Valuation of Shapes, Colors, Lines and Textures, Figurative Art
Learn about the work and career of artist Rick Lowe. Artworks, biography, exhibitions, news, museum exhibitions, press, and more.
I’m getting excited thinking about our upcoming unit on American Artists! Every January and February we do six art projects, each focused on one artist per project. Studying these historical artists is such a fun way to incorporate a little art history into our homeschool week! It’s also a great introduction for the art history...
Learn about the work and career of artist Rick Lowe. Artworks, biography, exhibitions, news, museum exhibitions, press, and more.
Abstract Artist: Alx Fox Medium: Acrylic, Mixed Media, Oil Website: www.alxfox.com Alx Fox is an experimental mixed media artist born in Upstate New York who is driven by an incredible passion for…
Nonrepresentational art is one of the forms of figurative art. It reflects the vision of the artist, and is in total contrast to representational art. Let us now understand nonrepresentational art with its examples.
MALCOLM BRAY Loveseat 48x48”, oil on canvas http://jagfineart.com/malcolm-bray/
About The Artwork The series "Geometric Abstracts" marked a radical departure from portraiture, which I had focused on for over eight years. Wanting to rely solely on internal inspiration, I produced a total of eight paintings. This work on canvas can be hung as-is or framed. Original Created:2016 Subjects:Abstract Materials:Canvas Styles:AbstractAbstract ExpressionismModern Mediums:AcrylicPencilBallpoint Pen Details & Dimensions Painting:Acrylic on Canvas Original:One-of-a-kind Artwork Size:24 W x 24 H x 1.3 D in Frame:Not Framed Ready to Hang:Not applicable Packaging:Ships in a Box Shipping & Returns Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines. Ships From:United States. Have additional questions? Please visit our help section or contact us.
Nonrepresentational work of art done by a fourth grade student. Three fourth graders working hard in class. Students in fourth grade are learning about nonrepresentational art which is another way to refer to Abstract Art. These artworks do not represent or depict a being, a place or a thing in the natural world. In other words, we will not see a car, a house or a person in any of these works of art. We will see lots of lines, shapes and colors. All fourth grade students started with a duplication exercise to copy what types of lines and shapes they see in each square as a warm-up exercise. Some students worked with color patterns. Then students choose one of the 12 mini exercises and enlarged it onto a 12" x 12" white watercolor paper. They redrew the selected image with a pencil and then outline their design with a marker. Students were then given the freedom to paint inside of their nonrepresentational work of art. Beautiful images with lots of colors were produced! This fourth grader is using the warm colors. While this fourth grader choose the cool colors. Materials: *Duplication Exercise paper *Pencil *12" x 12" white watercolor paper *Markers *Watercolor paints *Paint brushes *Water containers Looks like ribbons falling down! Love the designs! Repetition of pattern is cool! Everybody is busy! Beautiful images! We all have our own style in art! He loved mixing colors! Friends help friends during class time in art. Watercolor painting is fun!
Burchfield, The Insect Chorus, 1917. Opaque and transparent watercolor with ink, graphite, and crayon on off-white paper, 20 × 15 7⁄8 in. Sometimes I see an exhibition that completely changes the way I see an artist's work; this happened at the large retrospective of Henri Rousseau in 1985 at the Museum of Modern Art. I had thought of him as a naive painter of no great consequence, but seeing his grand, ambitious, beautiful paintings, of startling originality, made me realize he was an important modern painter. The reassessment can go in the other way, too, as it did for me with Jasper Johns after seeing the 1996 retrospective, also at the Museum of Modern Art. I found his paint quality inert, clumsy, and lacking in feeling or grace, and was sadly disappointed; it turned out that for me, his paintings worked better as ideas and reproductions than actual physical objects. (I know that some of you will be horrified by my appraisal.) The show "Heat Waves in a Swamp: The Paintings of Charles Burchfield" now at The Whitney Museum of American Art until Sunday (!) was a revelation; the painter I'd believed was a modest expressive watercolorist who saw the world of nature as a positive, vivid force, was actually much more complex, interesting, and ambitious. In the first room of paintings, dating from around 1917, small works evidenced an ambivalent view of nature, with some showing feelings of darkness and dread. Burchfield's commentary on some of the paintings made it clear that a full range of emotions motivated him, including painful memories. Another thing I loved was his attempt to paint sound, as in the painting above; his use of shape and line calls up the intense buzzing of insects above and through wildly vigorous greenery. Burchfield, Black Iron, 1935. Watercolor on paper, 28 1⁄8 x 40 in. The biggest surprise were the paintings from the Depression and war years, powerful dark images of working life; they are an interesting interlude in Burchfield's output, but turn out to be far from what painting finally meant to him. Burchfield, Two Ravines, 1934–43. Watercolor on paper, 361⁄2 x 61 1⁄8 in. During the war, when art wasn't selling very well, Burchfield felt that he could go back to some ideas that were more personal, and that might not have a market. He finished two remarkable large watercolors of the same subject: two streams flowing down two ravines, a promise of spring on one side, winter remaining on the other. Though they are closer to naturalism than his later works, there is a pulsing energy in these paintings, a sense of nature as a living force in both its light and dark moods. I don't know if Burchfield was a pantheist, seeing God in nature, but it seems that he might have been, and his God was both bounteous and bleak. Burchfield, An April Mood, 1946–55. Watercolor and charcoal on joined paper, 40 × 54 in. Could Burchfield have been thinking of T.S. Eliot's "The Wasteland"–– April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. ––when working on this painting? It seems to show a prickly place of gloom, far from the coming days of spring. This is a monumental work that rivals the grandest of American landscapes, such as the works of Frederic Church or Albert Bierstadt. Burchfield, Dandelion Seed Heads and the Moon, 1961–65. Watercolor, gouache, charcoal, and graffito on lightly textured white wove paper faced on ¼-inch thick laminated gray cardboard, 56 × 39 5⁄8 in. Dandelions are glowing in fantastical moonlight, as expressive and full of movement as the insects floating above them. In this late work, Burchfield looks at the small plant and sees a large world, one that was supremely inventive and deeply personal. He kept journals and completed many volumes; on May 21, 1945 he wrote It is as difficult to take in all the glory of the dandelion, as it is t0 take in a mountain, or a thunderstorm. He certainly succeeded.
Hildy Maze
Abstract landscape paintings
Learn about the work and career of artist Rick Lowe. Artworks, biography, exhibitions, news, museum exhibitions, press, and more.
Blackwaterfoot is a limited edition giclée print of an Esté MacLeod painting. An atmospheric landscape in blues, deep greys and greens. Painted in Este's signature style on location in Arran Scotland, this image is moody and uplifting. Archival ink printed on archival quality paper. Prints are limited to editions of 50 units. The image size is 40x40cm almost 16x16” on a 42x59cm (paper size). Unmounted prints are rolled in cellophane sleeve and shipped globally in a postal tube.
Hilla von Rebay ‘Composition I’, 1915. German-born Hilla Rebay was an accomplished artist, as well as the founding director and curator of the Museum of Non-Objective Painting, later named the Solomon...
