Stay up to date on the latest yarns, patterns, and more from Gist Yarn.
A gender for those whose gender is sweet and the sweetness feels neverending as well as full of surprises. [Image description: the flag with nine stripes, from top to bottom in order are: blue, oran…
XXV Aniversario Drexel Galería. Mayo 11, 2017. Left, Kapadokya, 2016. Right, Dubai 139, 2016. XII Bienal FEMSA. Centro de las Artes. Monterrey, Mexico. New works at Drexel Galería at DALLAS ART FAIR 2016 Oscar Lozano recent work to be presented at Drexel Galería at DALLAS ART FAIR 2016 Studio, 2015 CROMOGRAMA Drexel Galería Monterrey, 2015 CROMOGRAMA was the latest exhibit I have presented at Drexel Galería. It was the selection of 13 large scale paintings that I've been working for the last four years. The final work was an exploration, research and meticulous reinterpretation of context and lifestyle focused on technology and digital manipulation, having as result an abstract deconstruction of color and repetitions. The exhibit was divided in two parts. In the first part, I started to explore and include geometrical shapes (triangles and squares) into the paintings some of them with a lot of color and other presenting a monochromatic style. In the second part of the exhibit, the pieces got a minimal treatment of color and explores the circle, inviting the lines to become curves, following the path of a radial motion. The simplicity and degradation of color from the center and the almost invisible compositon at the end of the pieces trying to blend whit the wall, to stay static but also in motion at the same time. A peaceful contemplation focusing on especific points of each piece was the first interest when I made the paintings for the second part of the exhibit. CROMOGRAMA Drexel Galería Monterrey, 2015 Working on my exhibit on 2015 at Drexel Galería KIAF Korea International Art Fair Opera Gallery Seoul, 2014 The new studio My work in the catalogue "Abstract Experiences: Beyond the Real" at Opera Gallery Paris. Working day between Dubai and Abu Dhabi GE Galería @ Zona MACO México City, 2014 LIFE_STYLE Installation GE Galería @ Zona MACO 2013 México City Project for the auction/exhibit for the Contemporary Art Museum of Monterrey (MARCO) San Pedro . PULSO . Revisión 01 El Centenario Museum Monterrey, 2012 X Bienal Monterrey FEMSA Contemporary Art Museum of Monterrey (MARCO) June, 2012 GE Galería @ Zona MACO 2012 México DF April, 2012 Cover of the literature magazine Grama Espacio Literario color_code GE Galería May, 2011 Crimen y Ornamento Metropolitan Museum Of Monterrey July, 2008
"The sphinx's eyes stay closed until someone who does not feel his own worth tries to pass by." The Sphinx in The Never Ending Story In the past, this is what the start line of a marathon was like for me. I would cross the start line full of anxiety and self-doubt (although I didn't recognize it as self-doubt at the time) and the sphinx's eyes would open, zapping me as I crossed the start line. About 8-10 miles into the marathon, my body would start to feel as if it had been completely zapped and all of my running abilities magically taken away from me. As I the start line draws closer and closer, complete with sphinx, I am trying my best to prepare so that I don't get hit by the sphinx's rays. Or maybe I'll even be strong enough to remove the sphinx completely. Nearly a year ago, I received a blog comment that the definition of insanity was doing the same thing over and over and expecting a different result. I have to admit that this comment irked me because I wasn't about to give up on the marathon. But I realized that I would continue to have DNFs if something about the equation didn't change. The short story is that I had two marathon blow-ups in a row due to the heat, which made me put extreme pressure on myself to perform at subsequent marathons. So even when heat was removed from the equation, I was still subconsciously worried and doubting myself. And then it became a self-fulfilling prophecy. I became so fearful that I would bonk again that inevitably, I would bonk. What am I doing to take the anxiety/self-doubt out of the equation? Two major things, and they're connected. 1. I "feel my own worth" as a person, not just as a runner. 2. I'm focused primarily on the process of the race, not the outcome. I will feel my own worth when I pass through the sphinx. I value myself based on who I am at my core, not on the the things that I achieve. I'm thoughtful, sensitive, motivated, passionate, and a deep thinker. Nothing will change these core attributes and lately I've been taking the time to recognize them more and more through my actions and thoughts. I bring my passion and drive to my running, and there is no race result that will ever change that. I'm focused on the process, not the PR. Even though I recognized that focusing on my marathon time was contributing to the anxiety, I didn't know how NOT to focus on it. I wanted so badly to run a marathon that reflected all my hard work and I couldn't ignore that desire. Now, I don't need that result to validate my hard work or the fitness level I have attained. I've gotten so much out of my training, as I mentioned in my last post, and nothing will take that away from me. Months and months of hard work are far more meaningful than how my body decides it's going to perform on just one day. And as I said in the previous post, I'm not doing the training with the focus of the marathon as the goal. Although I have structured my workouts so that I will be prepared to run the marathon that I'm registered for, I don't constantly find myself thinking about "what does this workout mean for the marathon"? I just don't think about that anymore. I've stopped speculating. I've proven that I can focus on the process and tie emotion to that. For each race I've run since I recovered from mono, I was primarily focused on my training and my race strategy- not the outcome. I've never really liked the "just do your best" motto because I wanted results. But now I see that there is pride in doing my best and I am not in complete control of the race result. I'm not a machine, and my body performs differently on different days. I've accepted that and have therefore set more realistic expectations. Everything happens for a reason. When my sports psychologist said this to me, I was thinking of it on a spiritual level. For example, I didn't get mono because I caught a virus but because I was supposed to learn something from it. (It's true that I got it from the virus, but when I think of why I got it, I think of what I was supposed to learn). He was talking more on the scientific level: I've had six marathon blow-ups for very specific reasons: heat, lack of sleep, race anxiety, stomach distress, etc. If I remove those elements, then there is no reason for a 7th blow-up. If it's hot, I will adjust my pacing strategy to run slower. I can prevent lack of sleep and anxiety by removing the pressure I put on myself to perform. I now know what I can and can't eat before and during the race, so I can reduce the chances of stomach distress. Things are changing, so there's no reason for me to think I'd have another blow-up. Here's me at my next marathon:
This gallery hosted by SmugMug; your photos look better here.
28 March - 4 May 2013 at Nancy Margolis Gallery, New York.
Explore dontaylor's 3344 photos on Flickr!
The perfect Trippy Cool Never Ending Animated GIF for your conversation. Discover and Share the best GIFs on Tenor.
Hi everyone! Today’s theme for the Neverending Pile Challenge is to use as many untried polishes in one mani as possible. I managed to use no less than ten untried polishes. That’s righ…
by Rolf Brandt -
More about the Paintings as seen in Creator Studios interiors and their creators on Wescover. Childhood, 2023, 16”x20” Oh the days of Sesame Street and the electric company. It became clear very quickly that my mood had swung towards childhood memories of Ernie and possibly a pair of corduroy pant… Explore unique Art & Wall Decor and Paintings by rising artists around Montreal. Find original art such as wall tapestries, wood art, ceramic sculptures, macrame and fabric wall hangings on Wescover.
Freehand, intricate stripe design featuring L'Oreal polishes. For the Neverending Pile Challenge.
