dark water overprint

Collagraph, 30 x 30cm on Fabriano paper. #printmaking #landscape #handmade

Visual artist and educator based in a studio in Peverell, Plymouth with a practice in painting, drawing and printmaking; a member of Devon Open Studios. Fully qualified and experienced teacher.

#doubleelephant #reliefprinting

#printmaking #collagraph #handcrafted

Collagraph with pastel #printmaking

I’m a printmaker based in Edinburgh. I took up linocut as a hobby two years ago but it has grown arms and legs and is now my mini business. Describe your printmaking process. I mostly create architectural prints of the places I have lived in or visited. In a way it’s my diary! I work from photos which I then flip on my

Hi, I am a painter and printmaker working in London and Italy. Describe your printmaking process. I use almost all printmaking processes and choose between techniques depending on the type of mark that suits the picture I want to make. At the moment I am mostly working in linocut, but I also use drypoint, screenprint,

In this video i talk about and demonstrate all the different materials that you can use to start printmaking. There are so many different materials that you can use for this art form its incredible. But i touch mostly on linolium for printmaking, the use of rubber and erasers and mdf board, additionally there are many different ways that you can aquire mdf board and it is easier to find than you may think!!! Stay creative team and keep making art!

Hi! I’m Jo, working as a printmaker under the name 'Strangford' in Northern Ireland - though I’m originally from South London. Describe your printmaking process. I make large, bright, unusual relief prints from my home studio; mostly of animals. I carve into flooring lino - it’s a pain to sand but it comes in huge roll

printmaking cleanup in the classroom - Google Search

A Puffer Off Arran by Colin Moore, 3 block lino print, edition of 100, image size 18 x 13 cm, sheet size 25 x 19 cm

Explore Hayden Thompson's board "printmaking" on Pinterest.

olga

(via Adrià Ariste Santacreu)

Kirsten Hassenfeld, a New York artist, has created incredibly ornate objects from mostly white paper that are far, far from ordinary. "I learned how to work with paper when I trained in printmaking and book arts as an undergraduate and graduate student. Actually, I learned a lot from a book I had as a kid about constructing…

vs-design: “1966 Lamborghini 400 GT Monza ”

anything I like. or don't like. or see. but mostly cars. (OK, and dogs.)