Sanctuary of Athena at Megaris
Cerimonia di premiazione per la XXV edizione per chi si è adoperato per il bene della Città di Napoli nel campo delle arti, musica, imprenditoria, giornalismo, sport, sociale, medicina, cultura e promozione culturale Sabato 5 novembre, alle ore 10, al Circolo Nautico Posillipo, si terrà la XXV edizione del Premio Nazionale Megaris. Il Premio è…
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Description Photo is courtesy of Baron Bardulf Rauen (Bill Frazer). [link] Costume was made by myself. It is a representation of a 13th century Byzantine noblewomen in Thessalonike. I was experimenting with the headress design. It is two parts; the roll description is available here: [link] And the second part is the actual dress. Materials used were 100% red/orange linen, purple dupioni silk and greek key-like cotton trim. I used a long tunic pattern (I will update when I find the link..again) Basically it was a long panel for the front/back that was as wide as my body. I didnt have enough length but the sleeves could be an integral part of this. It would look like a "+" with the horizontal section being the thickest. The gores and the gusset were an interesting part of the pattern and I have to say I really like how they were added to the main body. I usually hate gussets and gores. First the gore was cut the length from the armpit (of the main body segment) down to the bottom. It resembled a long trapezoid and not a long triangle (with a point) like ive seen gores. Two for each side are cut and then attached. The next step is to attach the gussets. I incorporated the dupioni for neck line by reversing the fabric and turning right side out then sewing the edges into the sleeve seams after I top stitching the front and back that runs horizontal when worn. The trim is added over the seam that runs between the gore and the main body piece. Kind of works nice that way to hide the seam as well as give the appearance of a "coptic" decoration style. I dont like how the bottom dupioni trim worked out and I ended up making this the over tunic instead of the undertunic and why I added the trim. I need to make an undertunic that is longer than this, the overtunic, but that is for another day. I am in the process of adding glass pearl beads to the trim in a Byzantine-esque arrangement. I will upload a close-up shot of this when I am finished.
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ANTIQUITÉ & MOYEN AGE - La compagnie du costume
La rocca più antica di Napoli sorge su un isolotto, noto fin dall’antichità col nome di «Megaris», posto di fronte al
