1. “Addiction” By Jeison Stiven Escobar 2. “Begging For Likes” By Wonyoung Jo 3. “Click Freedom” By Irinei Kalachov 4. “Cyber Addiction” By Paco Afromonkey Puente 5. “Dinner Time” By Monique Cutajar 6. “Facebook Addiction” By Mohammed Benbachir 7. “Facebook” By Yujin No 8. “FB Addiction” By Enzo […]
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Developers of platforms such as Facebook have admitted that they were designed to be addictive. Should we be following the executives’ example and going cold turkey – and is it even possible for mere mortals?
Ignoring social media is no longer an option. Here are six reasons why small businesses should creating a budget for social media marketing.
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This is a REPLICA of our PRINT edition. This issue has been made available online as all print copies have SOLD OUT! The #fakenews issue features: The TIME-TRAVELLING HIPSTER: CANADIAN PHOTO CLICKBAIT by Joshua Cameron, JESSICA THALMANN: Destroy and Reinvent by Cece Scott, Forensic Video Analyst - Michael Plaxton, Goodbye Photography, Hello Computers. by Dolores Gubasta/KlixPix, Timothy Starchuk’s Data – Based ArtBlue_Lagoon.XLSX, Natalia Osmolovskaya, Canadian stock photo companies making waves online: Unsplash + Shutterstock Custom by Nicola Irvin, (POSSIBLY) The last roll of colour Infrared film in Canada by Bob St. Cyr, Emerge: Next Level Canadian photography by Alexis Marie Chute, and HOW-TO: Edit in Adobe Lightroom. Cover by Natalia Osmolovskaya
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Considering that mobile is everywhere nowadays, the opportunity to tap into this growing consumer channel should be obvious to marketers. Yet spending on mobile marketing is small compared to the time consumers spend on their mobile devices. Vice president of Global Media and Consumber Engagement at Mondelēz International, B. Bonin Bough, offered an explanation in
SHE’S an Australian model, who regularly shares pictures and videos of herself on her social media pages. But no-one could predict that influencer Leah Halton’s recent TikTok video woul…
The Palm Springs Art Museum's “Kinesthesia: Latin American Kinetic Art, 1954-1969” delivers a smart examination of a genre often written off as gimmick.
VR headsets, like the Oculus Rift, can immerse you in the action as never before. Here’s how the technology is changing Hollywood—and 7 must-see virtual-reality experiences to try now
This is a reading comprehension worksheet about different uses of the INTERNET in relation to age and purpose. You can find the information about the advantages and disadvantages of using the Internet today. I hope you find it useful. - ESL worksheets
Caption this - 5 February
CSJ is looking for a few enthusiastic people to step into the role of Social Media Moderator. We are looking for mods for the following platforms: Goolge+ Tumblr Instagram Twitter Facebook The role of…
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Baked Salmon in Foil Recipe – Whip up this quick and easy salmon recipe tonight! Salmon and asparagus are baked together with a rich buttery sauce in individual foil packs. The bright lemon f…
French artist Gaëtan de Seguin's (b. 1971, Montpellier, France) latest series "J+...." is a reaction to the terrorists attack on French Satirical magazine Charlie Hebdo that took place in January 2015 and the March that took place later that month in Paris and cities around the world. de Sequin explains, "I immediately wanted my characters to gather and spread out of the canvas. Crowds. Be they dense or sparse, joyful, humble, silent or roaring, moving or obnoxious, etc. Their physical appearance does not matter. It is the combination of their convictions that tinctures the whole group." Each work titled “J+...", represents the number of days after the January 2015 events and when de Seguin began to work on the piece. Within this series, de Sequin employs two artistic methods, paint on canvas and Moucharabieh, a perforated wall composed mostly of geometrical, arabesque motifs, in the form of a screen, to animate his crowds. These anonymous characters, consisting of a multitude of silhouettes almost identical but remain singular, are represented by a unique pattern of markings further illustrates this “mosaic of a society, a patchwork of men”; each having their own fears, anxieties, but also their hopes and desires in a world that bears multiple aspects. These qualities within the painting and sculptural work show the individual as much as it offers him the possibility to melt into a much broader and abstract dimension. Within his sculptural pieces, which employ the principles of the moucharabieh, de Sequin continues to offer a different perspective. Questioning the individuals and his place into the grander scheme, he inserts negative space with the pieces to create an alternative focus for the viewer. As light moves through the sculptural works, casting a shadow of the crowd, de Sequin shows humankind constituted of individuals who interact as much as they ignore each other with a great humanism. After graduating from school and completing his military service, he studied art in Paris at ESAG Penninghen. Throughout his career, de Seguin’s works have evolved from abstraction towards figuration, which he continues to develop to this day. "I have always been the one who draws and the one who draws “blokes.” As soon as I lay a hand on anything I can draw on, I cover it up with silhouettes. In 40 years, I became responsible for a great bestiary! Each working session in my workshop gives birth to humankind constituted of individuals who interact as much as they ignore each other. All of them are wild and wise at the same time, creative and vain. As far as I offer to anyone the possibility to invent my characters’ own stories, my painting is decisive of a figurative type. “A thread, if need be… January 2015’s events, for instance, I immediately wanted my characters to gather and spread out of the canvas. Crowds… Be they dense or sparse, joyful, humble, silent or roaring, moving or obnoxious, etc.…Their physical appearance does not matter. It is the combination of their convictions that tinctures the whole group. This is what I am currently working on in my latest series “J+…”.I cover my canvas with a dominant, very dense, almost garish coat. This undercoat subsequently gets entirely covered. The general shade lightens up, and the color scheme fades into a monochrome of grey. At this stage, I can start painting, adding or extracting substance. The music I listen to imposes the rhythm for the group to pop up. Scratching with the most various tools, I can paint with all kinds of brushes. Each scratch represents a unique pattern which characterizes the individual as much as it offers him the possibility to melt into a much broader and abstract dimension." - Gaëtan de Seguin
La pandemia cambió por completo todo lo que se sabía del amor. El distanciamiento social y el aislamiento llevaron a algunas parejas a su fin, pero también trajo nuevas lecciones a los amorosos que buscan su media naranja. Es difícil mantener una relación a la distancia, pero no imposible. Quienes
그냥 사복 나들이 느낌 그리다가.. 누구 하나 잡으러 가는 분위기가 되어버림😂 #장미와샴페인
THIS is the incredible moment a cheeky seagull walked into a Co-op store and stole a bag of crisps. The viral clip shared on social media shows the bird stroll into a supermarket in Scotland and gr…
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超てんちゃんすっごく元気！！！ いま何の不安もまったくない！！！配信めちゃくちゃやりまくりたい！みんなといっぱい話したい！ ゲリラになっちゃうけどやっちゃうね！？
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According to some estimates, more than 3.2 billion images and 720,000 hours of video are shared daily. That's a lot. Way more than our social media feeds can show us. So when faced with such an abundance of content, how do we decide what is worthwhile and what's not?
Recuerda a qué olía, cómo era la ropa que llevaba y qué sentiste al ver que se despojaba de ella. Recuerda cómo palpitaba tu corazón, si era de día o de noche
Deze klassieke televisiekastenset is ontworpen om het middelpunt van je kamer te zijn dankzij zijn trendy en toch praktische design. Stevig materiaal: het bewerkte hout is van hoge kwaliteit, heeft een glad oppervlak en is hoogwaardig, sterk, stabiel en vochtbestendig. Voldoende opbergruimte: de tv-meubelset biedt voldoende ruimte om al je tijdschriften, dvd's en andere spulletjes netjes geordend op te bergen. Wandgemonteerde functie: deze tv-kast neemt geen ruimte op de vloer in beslag. Je kunt hem eenvoudig aan de muur hangen. Opmerking: Schroeven en pluggen voor in de muur zijn niet inbegrepen. Gebruik altijd schroeven en pluggen die geschikt zijn voor jouw muur. Raadpleeg bij twijfel een professional. Lees en volg zorgvuldig elke stap van de handleiding. Bij elk product wordt een montagehandleiding in de doos geleverd, voor eenvoudige montage. Kleur: wit Materiaal: bewerkt hout Levering bevat: 1 x televisiemeubel: 30,5 x 30 x 110 cm (L x B x H) 1 x televisiemeubel: 30,5 x 30 x 90 cm (L x B x H) 2 x televisiemeubel: 100 x 30 x 30 cm (L x B x H)
Roger the red kangaroo, from Alice Springs in the Northern Territory, has made a triumphant return to social media - putting on a fearsome flex to show off his bulging biceps and immense forearms.
These social media accounts offer welcome moments of respite on Instagram feeds and a much-needed Twitter timeline cleanse.
New models and concept cars unveiled at China’s showcase event.
