Le incisioni di Max Klinger vanno in mostra al Museo Civico delle Cappuccine di Bagnacavallo.
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This week's Good Things is a celebration of the multi-faceted pleasures of polyhedra
I've been completely enjoying my time in 3rd grade. The kids are a scream! I've been making anchor charts for them because I'm a visual learner. I like to see in print what I am learning. So, I just assume these kids can also benefit - hence the love of anchor charts. I'm literally obsessed with pinning them on my Pinterest account. Anyhow, here's my recent anchor chart for our prefix and suffix lessons coming up: As you can see, I sorta ran out of room with all those suffixes, but it's better in person. It's just a teaching tool....basically so I don't have to keep writing these things on the board each and every day! I know my Phonics chart made a real difference with the kiddos, and that's all the proof I need! It was so handy to scaffold the information from lesson to lesson, and class to class. Frankly, anchor charts make me feel smarter and also make me look good...Why? Because all I have to do to remind myself of the answer is LOOK AT THE CHART! It's all about making things easier for the teacher. At least, that's what I'm discovering each and every day.
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Advice for TOEFL Preparation Hello, I am Max Feo, JD, MBA, Tax LLM. I am foreign-born. English is not my native language. I studied for 3 or 4 weeks and passed TOEFL with the score of about 95% correct. Now, I will share techniques and methods I used to prepare for exam. I also took GMAT … TOEFL Read More »
As a resource for our GCSE Maths students I have produced a few Maths GCSE revision guides that I am claiming are the smallest in the world. Please let me know if this isn’t the case! All the…
Le Musée d'art moderne et contemporain de Strasbourg consacre une exposition, jusqu'au 16 septembre, au graveur allemand, qui reste largement méconnu.
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1 print : col. ; 23 x 29 cm. Gabriel Cornelius Ritter von Max (August 23, 1840 – November 24, 1915) was a Prague-born Austrian painter. He was born Gabriel Cornelius Max, the son of the sculptor Joseph Max and Anna Schumann. He studied between 1855 and 1858 at the Prague Academy of Arts with Eduard von Engerth. His studies included parapsychology (somnambulism, hypnotism, spiritism), Darwinism, Asiatic philosophy, the ideas of Schopenhauer, and various mystical traditions. The spiritual-mystical movement was emphasized by the writings of Carl du Prel, and the Munich painter Albert Keller was also an influence. His first large canvas was painted in 1858 while he was a student at the Prague Academy. He continued his studies at the Viennese Academy of Art with Karl von Blaas, Karl Mayer, Christian Ruben and Carl Wurzinger. From 1863 to 1867 he studied at the Munich Academy with Karl Theodor von Piloty, and also Hans Makart and Franz Defregger. His first critical success was in 1867 with the painting "Martyr at the Cross": that painting transformed the "Unglücksmalerei" (dark palette) of Piloty into a religious-mystical symbolism using a psychological rendering of its subject. He continued to use the dark palette of the Piloty school well into the 1870s, later moving toward a more muted palette, using fewer,clearer colors. From 1869, Gabriel von Max had his studio in Munich; in the summer, he was in the Ammerland at Starnberger Lake. From 1879-1883, Gabriel Max was a professor of Historical Painting at the Munich Academy; he also became a Fellow of The Theosophical Society. In 1900 he was ennobled and became a Ritter. He died in Munich in 1915. His interest in anthropological studies also showed in his work. He owned a large scientific collection of prehistoric ethnological and anthropological finds: the collection and his correspondance now reside in the Reiss-Engelhorn-Museen in Mannheim. At his residence in Starnberger Lake, Gabriel Max surrounded himself with a family of monkeys, which he painted often, sometimes portraying them as human. Max, along with his colleagues, often used photographs to guide painting. The great number of monkey photographs in his archive testify to their use as direct translation into his paintings. In 1908, his painting "The Lion's Bride" became celebrated, and was depicted in motion pictures as an hommage in the Gloria Swanson film, Male and Female, (1919), directed by Cecil B. de Mille. Gabriel von Max was a significant artist to emerge from the Piloty School, because he abandoned the themes of the Grunderzeitliche (genre and history), in order to develop an allegorical-mystical pictorial language, which became typical of Secessionist Art. Characteristic of the ethereal style of Gabriel Max is "The Last Token" (in the Metropolitan Museum), and "Light" (in the Odessa Museum of Western and Eastern Art, Ukraine).
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J.G Ballard, the genre busting English science fiction writer responsible for such novels as The Drowned World, Crash, High Rise and Empire of the Sun as well as some of the finest short stories in…
Night before exams News from the homeland Portrait of a woman, 1893 Reading by the green lamp L.N. Tolstoy reading by a ...
