Technische Daten: Eingänge: Phono MM+MC; Tuner; Tape; CD Quadro: no Eing. Empfindlichkeit Hochpegel: 150 mV Eing. Impedanz Hochpegel: 47 kΩ Frequenzgang Hochpegel: 2-100,000 (±0.5 dB) HZ Rauschabstand Hochpegel: > 110 db Eing. Empfindlichkeit Phono MM: 2 mV Eing. Impedanz Phono MM: 50 kΩ Frequenzgang Phono MM: RIAA (±0.5 dB) Rauschabstand Phono MM: 90 db Eing. Empfindlichkeit Phono MC: 0.1 mV Eing. Impedanz Phono MC: 0.1; 0.5 kΩ Rauschabstand Phono MC: 80 db Klirrgrad: 0.005 (Phono MM); 0.01 (Phono MC); 0.002 (Tape/AUX) % bei Nennleistung Ausgangssp. Rec Out: 150 mV Impedanz Pre Out: 0.04 kΩ Ausgangssp. Vorverst. Out: 1,500 (max. 1,800) mV Impedanz Aufnahme Out: 0.1 kΩ 2. Physical Größe in Zoll: 18.1 x 5.1 x 17.4 (B) x (H) x (T) Größe in mm: 460 x 130 x 442 (B) x (H) x (T) Gewicht in Pfund: 24.3 lbs Gewicht in Kg: 11 Kg
Limited class A amplifier delivers 30 W per ch. in 8 ohms and in pure class A.
Classic tube amp
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Luxman L31 Amplifier
When Philip O'Hanlon of On a Higher Note, Luxman's US distributor, delivered the B-1000F monoblocks, it took three of us to wrestle their shipping crates into my house and then into the listening room. Once they were unpacked, it still took two of us to maneuver each of them into positionat 141 lbs and 16.9" wide by 11.6" high by 23.3" deep, the B-1000F is far from easy to shift. Fortunately, O'Hanlon had also brought along a pair of Stillpoint stands specifically made for the Luxmans; the B-1000Fs certainly wouldn't have fit into my equipment racks. (The Stillpoints are lovely things.
Luxman sendiri berdiri sejak taun 1925 disaat siaran radio dimulai dinegeri Sakura Jepang. Sebelumnya perusahaan bernama KINSUIDO yang bergerak di bidang bingkai foto, tertarik untuk membikin sebuah departemen radio
LR406
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“オーディオ曼荼羅ですね♪ RT @Henry_C_Prince これで完璧かね LUXMAN C-900u: 116万 計 360万くらい”
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Luxman L30 + T33
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The Luxman pulled off similar feats on Tower of Power's "Ebony Jam," from 1975's In the Slot (LP, Warner Bros. Records BS 2880). Near the track's end, organist Chester Thompson holds a long bass pedal note, radiating what should be massive, Leslie speakergenerated bass frequency swells. Though lacking definition, the SQ-N150 recreated the bass pedal fundamentals with appropriate color, warmth, impressive weight, and low-end growl. This recording also played to the Luxman's spatial strengths, again producing a soundstage that was wider than it was deep.
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