León Ferrari
Argentine, 1920–2013.
San Pablo
León Ferrari. Untitled. 1977. Drypoint. plate: 14 7/16 × 10 7/16" (36.7 × 26.5 cm); sheet: 21 5/16 × 15 1/4" (54.2 × 38.7 cm). León Ferrari. León Ferrari. Patricia P. Irgens Larsen Foundation Fund. 251.2007. © 2025 León Ferrari. Drawings & Prints
León Ferrari. Untitled. 1964. Ink on paper. 18 5/8 x 12 1/4" (47.3 x 31.1 cm). Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Mimi Haas. 269.2009. © 2025 León Ferrari. Drawings & Prints
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Visita al taller que guarda gran parte de su variadísima producción. Su obra icónica, “La civilización occidental y cristiana”, aún incomoda al poder que lo celebró como emblema del compromiso.
As peças datam do exílio do artista no Brasil
the museum of modern art in new york is currently showing an 'tangled alphabets' which juxtaposesthe work of artists león ferrari and mira schendel.
Collect painting, collage, sculpture, poetry, and printmaking by Argentine artist León Ferrari. Known internationally for his provocative social and political critiques, Ferrari made work that was highly critical of war, social inequality, discrimination, and abuse of power. Born in 1920 in Buenos Aires, León Ferrari developed an artistic practice that encompassed the media of painting, collage, sculpture, poetry, and printmaking. In the 1950s, Ferrari traveled repeatedly to Italy, where he began making sculpture. In the early 1960s, he began exploring the connections between word and line in Cuadros escritos (Written Paintings) and Dibujos escritos (Written Drawings). Abstract “writings” on canvas and paper combine dry pastel, graphite, watercolor, and colored pencil to make lyrical, almost calligraphic imagery. In 1965, an exhibition including Ferrari’s La civilización occidental y cristiana (Western Christian Civilization) was censored and then closed by the Catholic Church. He challenged the policies of the church and the role of religion in the history of art. During a period of increasing political activism, Ferrari published what would become a famous manifesto and call-to-arms for artists, in which he wrote, “Art is not beauty or novelty, art is effectiveness and disruption….” With the persecution, murder, and disappearances of family members and friends during the Guerra Sucia (Dirty War) in Argentina, Ferrari fled to São Paulo, where he remained from 1976 to 1991. During this political exile, Ferrari created metal sculptures, photocopies, postal art, heliography, and art books, and he continued his explorations in drawing. Upon his return to Buenos Aires in the early 1990s, Ferrari created a series of collages to illustrate the official report about the disappearance of Argentineans during the war; the report, created by the National Commission for the Disappearance of Persons, was titled “Never Again,” and it was published in 1984 and reissued with Ferrari’s collages in 1996. The imagery condemns the relationships between the repressive military regime and the religious establishment.
Bajo la curaduría de Marcelo Pacheco, el Museo Nacional de Bellas Artes inaugurará el martes 29 de noviembre el ciclo de obras espaciales...
León Ferrari
León Ferrari - Sans Titre, Aluminum, 1978
"La Civilisation Occidentale et Chrétienne ", 1965 de León FERRARI - Courtesy Galerie Mitterrand © Photo Éric Simon Du 13 janvier au 10 mars 2018 La Galerie Mitterrand est heureuse d’annoncer la représentation de l’Estate del’artiste argentin León Ferrari...
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