László Moholy-Nagy led an incredible life between World War I and II, pioneering various forms of art and design.
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László Moholy-Nagy led an incredible life between World War I and II, pioneering various forms of art and design.
Item specificsConditionNew: A brand-new, unused, unopened, undamaged item (including handmade items). See the seller's ... Read moreabout the conditionNew: A brand-new, unused, unopened, undamaged item (including handmade items). See the seller's listing for full details. See all condition definitionsopens in a new window or tab SizeMedium (up to 36in.)ArtistAs above or unknownColourMulti-ColourStyleBauhaus/ConstructivismListed ByPosterShackDate of CreationModern reproductionCountryHungarian Born, later work from Germany and U.SUPC5059481007454Year of Production2018Width (Inches)11.7SubjectBauhaus/ConstructivismOriginalityReproductionHeight (Inches)16.5FeaturesUnframed, 250 gsm 4-Star Green Star Eco-Responsibility PaperCharacterNoneCharacter FamilyVintageTypePoster
Nació el 20 de Julio de 1895 en Bácsborsód, Hungría y murió el 24 de Noviembre de 1946, en Chicago, Estados Unidos.Fue abandonado por su padre cuando era un niño. Su madre, sus hermanos, Ákos y Jen…
We take a look at some iconic artists from numerous disciplines who have left an enduring and indelible mark on today’s creators.
László Moholy-Nagy was born in Hungary 1895 and while serving in the German army WWI, was severely wounded. He became involved with painting while convalescing and was influenced by the Russian avant-garde and the German expressionists. In 1923 he was appointed head of the Bauhaus metal workshops and became co-editor of the Bauhaus books. Moholy-Nagy was in London during 1935/37 where he was involved in work on documentary films for two years. In 1937 he took over the direction of the "New Bauhaus" in Chicago, U.S. and then founded his own school in Chicago in 1938, directing it until his death in 1946.
View Bennett Sculpture by László Moholy-Nagy and other Artworks on Artvee
Moholy-Nagy was born László Weisz in Bácsborsód to a Jewish-Hungarian family.[2] His cousin was the conductor Sir Georg Solti. He attended Gymnasium (academic high school) in the city of Szeged. He changed his German-Jewish surname to the Magyar surname of his mother's Christian lawyer friend Nagy, who supported the family and helped raise Moholy-Nagy and his brothers when their Jewish father, Lipót Weisz left the family. Later, he added “Moholy” ("from Mohol") to his surname, after the name of the Hungarian town Mohol in which he grew up. One part of his boyhood was spent in the Hungarian Ada town, near Mohol in family house. In 1918 he formally converted to the Hungarian Reformed Church (Calvinist); his Godfather was his Roman Catholic university friend, the art critic Ivan Hevesy. Immediately before and during World War I he studied law in Budapest and served in the war, where he sustained a serious injury. In Budapest, on leaves and during convalescence, Moholy-Nagy became involved first with the journal Jelenkor (“The Present Age”), edited by Hevesy, and then with the “Activist” circle around Lajos Kassák’s journal Ma (“Today”). After his discharge from the Austro-Hungarian army in October 1918, he attended the private art school of the Hungarian Fauve artist Róbert Berény. He was a supporter of the Communist Dictatorship (known as “Red Terror” and also “Hungarian Soviet Republic”), declared early in 1919, though he assumed no official role in it. After the defeat of the Communist Regime in August, he withdrew to Szeged. An exhibition of his work was held there, before he left for Vienna around November 1919. He left for Berlin early in 1920. en.wikipedia.org/wiki/L%C3%A1szl%C3%B3_Moholy-Nagy Moholy-Nagy taught at the Bauhaus in Germany between 1920 and 1933. He began his career as a painter, but in the mid-1920s he came to regard photography as the universal visual language of the modern era because it was mechanical and impersonal and, therefore, objective—no matter how unexpected the results might be. Perhaps it was precisely the unpredictability of photography that he loved, because it unveiled fresh experiences. In 1925 he published a picture book titled Painting, Photography, Film, which illustrated the many ways in which photography challenged old habits of seeing—by showing very distant or very small things, for example, or by looking up or down. The great majority of the illustrations were the work of scientists, journalists, amateurs, and illustrators—not of artists. The message was clear: photography had revolutionized modern vision without the aid of "art." www.moma.org/collection/browse_results.php?criteria=O%3AA...
The anarchistic manifestations of Moholy-Nagy’s art mean neither the rejection nor the approval of the all-destroying selfish instinct of the bourgeois free enterprise.
Two exhibitions focused around one influential Hungarian photographer, Laszlo Moholy-Nagy.
László Moholy-Nagy, Kinetic sculpture moving, c. 1933. Picture taken from: PAUL, Christiane (2005) - Digital Art. Thames & Hudson (world...
The first retrospective of Moholy-Nagy in the United States in nearly 50 years traces the career of a multimedia artist who was always ahead of his time.
Explore tallerdefoto's 64 photos on Flickr!
Laszlo Moholy-Nagy (1895 ~ 1946)는 Bauhaus에서 학생들을 가르치며, 다양한 분야(photography, typography, sculpture, painting, industrial design, printmaking)에서 technology와 arts의 조화로운 결합을 시도하며, 한 평생을 constructivism을…