14c Lady probably of the Le Moyne (Le Moigne) family- Shipton Moyne Gloucestershire
Lady Moyne. Creative project "the Noble style". Alla Lyubimova из города Korolev - доставка по России. The lady's name is Moines (little noble). The head, hands, feet made of papier-mache. The body of the textile. Dressed in the clothing of English women of the 18th century (removable). The dress is made of jacquard satin for lining ta...
Lord och lady Redesdale, ett typiskt engelskt lantadelspar, hade sju barn. Sex av dem var flickor. Som med tiden skulle komma att bli de osannolikt anmärkningsvärda systrarna Mitford.Nancy var äldst av de sex systrarna Mitford. Och mest berömd. Hon skrev bestsellers. Baserade på sin egen uppväxt på gods och gårdar i the Cotswolds. Pamela gjorde föga väsen av sig. Diana var den svindlande vackra och begåvade. Onkel Winston Churchills och Adolf Hitlers särskilda favorit. Den engelska fascismens First Lady. Mor till Trustorhärvans lord Moyne. Unity var rabiat nazist, dyrkade Hitler. Jessica i sin tur blev en glödande kommunist. Deborah, den yngsta, styr på godset Chatsworth som hertiginna av Devonshire. Om dessa systrar har spaltmil skrivits. Och skrivs ännu. Cecilia Hagen började läsa allt hon kom över och var snart fast. Så till den grad att hon rest runt i deras spår, intervjuat närstående och träffat de två som är i livet, Deborah och så Diana. Som vidhöll att Hitler, det var en mycket charmerande herre.ProduktfaktaISBN: 9789173480871Utgivningsdatum: 2007-11-26Språk: SvenskaFörfattare: Cecilia HagenUppläsare: Iréne LindhFörlag: Bonnier AudioLängd: 8h 3minProvläs: Klicka här
Watercolour, A common mallow and a damselfly on the recto; a snowdrop with a lady butterfly on the verso, attributed to Jacques Lemoyne de Morgues, French school, ca. 1575
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This Pendant is a must-have for Le Moyne Dolphins fans. Its polished gold tone adds to its sleek design. Featuring debossed Le Moyne Dolphins graphics, it's a classy addition to your team collection.
Watercolour, A common mallow and a damselfly on the recto; a snowdrop with a lady butterfly on the verso, attributed to Jacques Lemoyne de Morgues, French school, ca. 1575
I have found myself collecting vintage quilt tops with the intention of quilting them. I must have about eight quilt tops and to date had only quilted one of them. As a result, I decided that I really needed to get one quilted to justify adding further quilt tops to my collection. I quilted the following gorgeous 1930's Le Moyne Star quilt which I purchased in Houston in 2011 for a mere $82USD. The quilt measures about 68 inches square. Here is a section of the quilt before quilting:- I designed the quilting on my recently purchased Wacom Cintiq Tablet. I love that you can preview quilting designs onto images of the quilt. This was my quilting design - the final quilting only varies slightly from the original design. I was thrilled with the final result - I love the secondary design which has been created by the quilting lines. Some better close-ups of the quilting:- And a single block:- That is one quilt top down ... at least 7 to go.
The New York Academy of Art is pleased to share a note by Hilary Harkness. Regularly posting her "Notes from Studio Lockdown," Hilary blogs with us as she prepares for her upcoming exhibition at Mary Boone Gallery in New York City, on Thursday, May 5, 5-7pm. Dear friends, As I prepare for my May 5th show (please come! the opening is 5-7pm at the Mary Boone Gallery in midtown, at 745 Fifth Ave.), I find that everything non-essential has dropped from my life. I have always built my life around convenience, trying to live within feet of subway stops. For years I lived within three blocks of the 1,2,3,L, F,M,A,C,E,B & D so I could waste less time. I work at home as close to the kitchen as possible to save on footsteps. I don’t care about clothes as long as I look ok, and will buy a generic wardrobe for a season in an hour at one store. I tell hairdressers to just make me look normal. My life has been designed to eliminate distraction. I am currently finishing a painting of the last night of the Yamato, a Japanese battleship that went on a suicide mission in 1945. The painting began in my head five years ago while listening to a Dolly Parton song of all things. I researched exact battleship plans and drew out the interior on a thin piece of paper. You can see a hundred feet deep into the ship, and I have all the rooms to scale, receding into space. In this painting I wanted to speculate about the different things people might do when faced with certain doom. I knew where to dig for historical details, and how to make the painting make sense. I built a filing system to deal with my thousands of pieces of information. I looked over my past successes and failures at painting to pick approaches to materials that work. I covered the ferrules of my brushes with tape so reflected light wouldn’t disrupt my vision. I made mini-palettes out of plastic lids and taped them to my painting and taped folded bounty paper towel to myself to wipe my brushes on so I wouldn’t distract myself with movement. My goal was to be smart about the process so all my efforts would directly make the painting more pleasurable for the viewer. taping brushes to reduce glare The truth is, the past year and a half of work on this painting has been a disaster, as always. I drew the plans small, then changed the shape of panel so I had to tape extra pieces of paper to the drawing. There were so many perspective guidelines, I couldn’t see what I was doing and had to color things in with markers to visualize the space. muse as avatar I redrew it on a clean piece of paper to the size of my new panel, then wadded up the drawing and carried it around town in my handbag while fretting about conflicting themes. Want to annoy your friends – pull out a 42” drawing at dinner! Want to annoy your non-artist girlfriend - insist she tries painting so she can see how hard it is (she made it look easy)! I have maybe a hundred ideas for sea creatures to add to the flooding bowels of the ship, but the deadline is in a week so my subconscious will have to pick the best five. Despite my best attempts to stick to the appointed story line, my real themes about domesticity have dominated, completely subverting or even sabotaging the painting from within. cat as avatar, atop the sketch I was smart about how I started the painting, streamlining my life and methods. But with a week to go until the art shipper arrives, I’m finding out what’s important: whatever comes out. 90% of my effort has been with playing with things and pushing things around and now I can only trust in the process, that my subconscious has been primed and I can make something effortlessly. It’s as though I’ve practiced making the painting, so when I paint it, I already know what I’m doing and it feels effortless – but not really in my control. So what do I love about deadlines? My friends who believe in me and send their love and support to me as I sit diligently watching my painting unfold. I don’t even have to explain to them how I feel because we all go through this. I can’t be the artist I would like to be, but maybe this experience is what I signed up for when I devoted my life to painting. Yours very truly, Hilary Harkness
Watercolour, Daisies and a lady butterfly on the recto; a species rose on the verso, attributed to Jacques Lemoyne de Morgues, French school, ca. 1575
This Pendant is a must-have for Le Moyne Dolphins fans. Its polished silver tone adds to its sleek design. Featuring debossed Le Moyne Dolphins graphics, it's a classy addition to your team collection.
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Watercolour, A common mallow and a damselfly on the recto; a snowdrop with a lady butterfly on the verso, attributed to Jacques Lemoyne de Morgues, French school, ca. 1575
Watercolour, a bugloss and a lady butterfly on the recto; a heartease on the verso, attributed to Jacques Lemoyne de Morgues, French school, ca. 1575
Soothing, understated interiors don’t rule out colour - here are eight ideas for fans of neutral decor who want to inject a bit of interest into their home.
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Ein Arrangement aus amberfarbigen Glaskugeln - Glas-Hängeleuchte Varus Die mehrflammige Hängeleuchte Varus ist eine Anordnung von amberfarbenen Glaskugeln an einem runden Deckenbaldachin mit braunem Finish. Die Kugeln sind von unterschiedlicher Größe und an unterschiedlich hohen Abhängungen spiralförmig angebracht, sodass eine tolle dreidimensionale Optik entsteht. Die Glaskugeln sind transparent und geben den Blick auf das einzusetzende Leuchtmittel frei. Sowohl der Materialmix als auch die natürlichen Farbtöne in Braun verleihen der Leuchte eine warme Ausstrahlung, die besonders bei eingeschaltetem Licht für eine wohlige Atmosphäre sorgt.
Hugo Boss, Heinrich Himmler y el logo de la firma. Durante la Segunda Guerra Mundial, una de las tantas fábricas alemanas que producían sin cesar por la grandeza de la Alemania nazi estaba ubicada en la localidad de Metzingen, en el estado de Baden-Wurttemberg. En su interior 180 prisioneros de guerra (140 franceses y 40 polacos) eran utilizados como mano de obra esclava para dar rienda suelta a los trabajos forzosos tan habituales por aquel entonces en la mayorías de las factorías de la Alemania del Tercer Reich. No estaban allí por casualidad y el propietario de la empresa, dedicada a la fabricación de prendas de vestir, bien al tanto que estaba de lo que allí sucedía. Los esclavos franceses y polacos trabajaban día y noche en pos de satisfacer las demandas del dueño de la firma, quien era un entusiasta seguidor del partido nazi y que se asociaba de una manera artera a los jerarcas planificadores de la Solución Final y los campos de concentración. Promediaba la guerra y los esclavos seguían entrando y saliendo (muertos) de la fábrica de ropa de la ciudad Metzingen como si nada, pero la asociación ilícita entre el dueño de la fábrica y los jefes de las SS había comenzado un tiempo antes, a finales de 1933. Aviso de Hugo Boss haciendo referencia a los uniformes nazis en un periódico alemán. Cuando Heinrich Himmler fue encomendado formalmente por Adolf Hitler para encabezar las tenebrosas SS, el conspícuo jerarca se propuso "hacerla bien" y así las cosas también pensó en la estética de la agrupación, algo que era moneda corriente en la filosofía nazi. El aspecto de los oficiales y reclutas de las SS no debía quedar empañado por nada ni nadie. No era aceptable, según Himmler, que sus oficiales lucieran vetustos y "desagradables" uniformes como los de los SA, de modo que convocó a uno de los más fervientes admiradores y afiliado al partido nazi, un tal Hugo Ferdinand Boss, para que sea el encargado de diseñar y fabricar los llamativos nuevos atuendos destinados al nefasto grupo de "seguridad de Hitler". De la mente y talento de Hugo Boss surgieron los negros e intimidantes uniformes adornados con detalles en color plata, tan llamativos (y con calaveras incluídas), que lucieron hasta el final los letales SS. Fue Hugo Boss quien los ideó y quien muy orgullosamente los presentó a la plana mayor del nazismo para que se conviertan desde entonces en la imagen viva de la muerte y la intolerancia personificadas. Hugo Boss no sólo fue productor y proveedor oficial de los uniformes del ejército alemán y las SS, sino que además era un convencido nacionalsocialista, con todas las convicciones y con el total conocimiento de las políticas (y en coincidencia absoluta con las mismas) del régimen de terror implantado por Hitler. Uniformes de las SS. Hace un tiempo, la marca Hugo Boss, emitió un comunicado expresando su "más profundo pesar hacia aquellos que sufrieron daños durante sus trabajos forzados en la empresa de Hugo Ferdinand Boss bajo el régimen nacionalsocialista". Ojalá haya sido sincero.
Watercolour, A common mallow and a damselfly on the recto; a snowdrop with a lady butterfly on the verso, attributed to Jacques Lemoyne de Morgues, French school, ca. 1575
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