I Persefone spaccano in sezioni dispari il giovile mattutino montagnolo sul confine andorregno. Tecnicamente è il moderno progressive metal dei Leprous, ma con …. Parliamo di Persefone, Leprous, Marc Martins, Katabasis.

Time traveling heist short animation I'm working on.

This is the cover of katabasis by R.F Kuang #katabasis #rfkuang #bookcoverdesign #booklovers #rfkuangbooks

カパラミプの刺し方①：a Method of Kaparamip①

Caves are a popular setting for games, and it doesn't look like that's changing soon.

A professional and reliable online shopping center providing a variety of hot selling products at reasonable prices and shipping them globally.

About — jgmelon-nyc

ex-chamber memo (overseas): Nov15,2012 THE UNPHOTOGRAPHABLE @Fraenkel Gallery 49 Geary Street, 4th Floor San Francisco, CA 94108 USA 1 Jan 2013 – 23 Mar 2013 ALFRED STIEGLITZ: Equivalent 1931gelatin-silver print IDRIS KHAN: Black Horizon 2012bromide print mounted on aluminum PAUL GRAHAM: Fuji Fujicolor Super HR400, 400asa, Beyond Caring, 1984 2011pigment print ADRIEN MAJEWSKI: Mr. Majewski’s Right Hand. Posed for 20 Minutes. Room Temperature. [Main Droite de Monsieur Majewski. Pose 20 Minutes. Température Ambiante] 1895 - 1900printing-out-paper print JAY DEFEO: Untitled 1973-74gelatin-silver print with incised lines WOLFGANG TILLMANS: Mental Picture #97 2001unique chromogenic print CHRISTIAN MARCLAY: Silence (The Electric Chair) 2006silkscreen ink on paper BRUCE CONNOR: Angel Light 1975gelatin-silver photogram KOTA EZAWA: Lubbock Lights 2012Duratrans transparency & lightbox PHOTOGRAPHER UNKNOWN: Miss Loïe Fuller 1890salbumen silver print (?) TOMORY DODGE @ACME. 6150 Wilshire Blvd. Los Angeles, California 90048 USA SEPTEMBER 8 - OCTOBER 6, 2012 Mumble Core, 2012 oil on canvas 72 x 120 inches The Day's Long Shadow, 2012 oil on canvas 75 x 120 inches Woods, 2012 oil on canvas 72 x 96 inches The Late Show, 2012 oil on canvas 72 x 90 inches High Tonnage Captain, 2012 oil on canvas 72 x 60 inches Radiator, 2012 oil on canvas 60 x 72 inches To Be Somewhere Else, Another Time, 2012 oil on canvas 60 x 60 inches Tantalus, 2012 oil on canvas 60 x 60 inches Tigerlily, 2012 oil on canvas 16 x 32 inches Untitled, 2012 oil on canvas 15 x 15 inches Untitled, 2012 oil on canvas 13 x 12 inches Untitled, 2012 oil on canvas 16 x 15 inches Untitled, 2012 oil on canvas 16 x 15 inches Juana y Sus Hermanas, 2012 oil on canvas 16 x 15 inches Untitled, 2012 oil on canvas 25 1/2 x 24 inches Untitled, 2012 oil on canvas 15 x 16 inches Pyramids, 2012 oil on canvas 16 x 14 inches A Tall Order, 2012 oil on canvas 16 x 14 inches Tal R: The Shlomo @Cheim & Read 547 West 25th Street New York, NY 10001 USA NOVEMBER 15, 2012 - JANUARY 5, 2013 NIGHT AWNING 2012 Rabbit glue and pigment on canvas 67 3/4 x 55 1/8 inches 172 x 140 centimeters THE SHLOMO 2011 Rabbit glue, pigment and crayon on canvas 98 1/2 x 98 1/2 x 1 3/4 inches 250.2 x 250.2 x 4.4 centimeters HOUSE BONNI 2012 Rabbit glue and pigment on canvas 48 x 44 inches 122 x 112 centimeters GIRL AND CAVE 2011 Rabbit glue, pigment and crayon on canvas 67 3/4 x 44 1/8 inches 172 x 112 centimeters MAN FROM S 2012 Rabbit glue and pigment on canvas 67 3/4 x 55 1/8 inches 172 x 140 centimeters HOTEL OPER 2011 Rabbit glue, pigment and crayon on canvas 78 3/4 x 67 3/4 inches 200 x 172 centimeters GIRL SITTING NEXT TO MARIE 2012 Rabbit glue and pigment on canvas 44 1/8 x 34 5/8 inches 112 x 88 centimeters THE SWAN 2012 Rabbit glue and pigment on canvas 67 3/4 x 55 1/8 inches 172 x 140 centimeters TEA TIME 2012 Rabbit glue and pigment on canvas 78 3/4 x 78 3/4 inches 200 x 200 centimeters FRAMER AT NIGHT 2012 Rabbit glue and pigment on canvas 96 x 78 3/4 inches 244 x 200 centimeters SHLOMO TAKING A NAP 2012 Rabbit glue and pigment on canvas 78 3/4 x 67 3/4 inches 200 x 172 centimeters BUBBLE 2012 Rabbit glue and pigment on canvas 40 1/8 x 34 5/8 inches 102 x 88 centimeters THE MINUTE 2012 Rabbit glue and pigment on canvas 50 x 34 5/8 inches 127 x 88 centimeters THE SWANS 2012 Rabbit glue and pigment on canvas 67 3/4 x 36 1/4 inches 172 x 92 centimeters THE HOBBY 2012 Rabbit glue and pigment on canvas 48 x 42 1/2 inches 122 x 108 centimeters FLESH AND BONE: DARREN BLACKSTONE FOOTE @DODGE gallery 15 RIVINGTON STREET NEW YORK, NY 10002 USA November 10 — December 22, 2012 Darren Blackstone Foote, Flesh and Bone, 2012, installation view. Photo: Carly Gaebe Linden Frederick @Forum Gallery, Beverly Hills 9897 South Santa Monica Blvd. (opposite the Peninsula Hotel) Beverly Hills, CA 90212 USA October 5, 2012 Open 24, 2011, oil on panel, 6 x 6 inches Picture Window, 2012, oil on panel, 6 x 6 inches Tenant, 2012, oil on panel, 6 x 6 inches Short Order, 2011, oil on panel, 6 x 6 inches Wash and Clean, 2012, oil on panel, 6 x 6 inches Post 6131, 2012 oil on panel 6 x 6 inches Mixed Use, 2012 oil on panel 6 x 6 inches Maine Line, 2012 oil on panel 6 x 6 inches Buick Century, 2012 oil on panel 6 x 6 inches Fast Food, 2012, oil on panel 6 x 6 inches 51 and 949, 2012, oil on panel, 6 x 6 inches Two Family, 2012 oil on panel 6 x 6 inches Crib, 2012, oil on panel, 6 x 6 inches Valentine's Day, 2012, oil on panel, 6 x 6 inches Points West, 2012, oil on panel, 6 x 6 inches Sun Porch, 2011, oil on panel, 6 x 6 inches Below Zero, 2012, oil on panel, 6 x 6 inches Apple Tree, Fall, 2012, oil on panel 6 x 6 inches Apple Tree, Winter, 2012, oil on panel 6 x 6 inches Big Screen, Fall, 2012, oil on panel 6 x 6 inches Cove, 2012, oil on panel, 6 x 6 inches Triple A, 2012 oil on panel 6 x 6 inches MARK BRADFORD @Sikkema Jenkins Co. 530 West 22nd Street New York, NY 10011 USA NOVEMBER 13 - DECEMBER 22, 2012 Them Big Old Titties, 2012 Mixed media collage on canvas 120 x 198.5 inches 304.8 x 504.2 cm Silver and Blue, 2012 Mixed media collage on canvas 120 x 199 inches 304.8 x 505.5 cm Father, You Have Murdered Me, 2012 Mixed media collage on canvas 102 x 144 inches 259.1 x 365.8 cm This is Why We Live in Tribes, 2012 Mixed media collage on canvas 102.25 x 144 inches 259.7 x 365.8 cm Promise Land, 2012 Mixed media collage on canvas 102 x 144 inches 259.1 x 365.8 cm Her Mouth Across the Table, 2012 Mixed media collage on canvas 102 x 144.5 inches 259.1 x 367 cm We May Be Running Out of a Past, 2012 Mixed media collage on canvas 102 x 144 inches 259.1 x 365.8 cm Lead Belly, 2012 Mixed media collage on canvas 102 x 144 inches 259.1 x 365.8 cm Edward Burtynsky: Watermarks @Sundaram Tagore Gallery, Hong Kong 57-59 Hollywood Road Central, Hong Kong NOVEMBER 1 - DECEMBER 15, 2012 Oil Spill #14, Marsh Islands, Gulf of Mexico, June 24, 2010, chromogenic color print, 39 x 52 inches Oil Spill #1, REM Forza, Gulf of Mexico, May 11, 2010, chromogenic color print, 48 x 64 inches Oil Spill #13, Mississippi Delta, Gulf of Mexico, June 24, 2010, chromogenic color print, 48 x 64 inches Oil Spill #11, Nesting Grounds with Oil, Gulf of Mexico, June 24, 2010, chromogenic color print, 48 x 64 inches Dryland Farming #24, Monegros County, Aragon, Spain, 2010, chromogenic color print, 48 x 64 inches Dryland Farming #11, Monegros County, Aragon, Spain, 2010, chromogenic color print, 48 x 64 inches Dryland Farming #31, Monegros County, Aragon, Spain, 2010, chromogenic color print, 48 x 64 inches Dryland Farming #7, Monegros County, Aragon, Spain, 2010, chromogenic color print, 39 x 52 inches Pivot Irrigation #14, High Plains, Texas Panhandle, USA, 2011, chromogenic color print, 34 x 96 inches Pivot Irrigation #11 , High Plains, Texas Panhandle, USA, 2011, chromogenic color print, 48 x 64 inches Pivot Irrigation #18, High Plains, Texas Panhandle, USA, 2012, chromogenic color print, 68 x 33.25 inches Pivot Irrigation #9 , High Plains, Texas Panhandle, USA, 2011, chromogenic color print, 39 x 52 inches

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Description Finished reconstruction of the massive raptorial sperm whale Livyatan melvillei, a serious contender for best name for an extinct animal (biblical Leviathan + Herman Melville, author of 'Moby Dick') and one of my favorite Cenozoic creatures. It lived during the Miocene epoch about 10 million years ago, and with some huge teeth was well-adapted for hunting medium-sized whales near the ocean surface.  I looked at pictures of living sperm whales to get the right look for the eye and the overall texture of the skin, scars abound. Pretty happy with this one, it's been on my "wish list" for a while now.  Somewhat related, I'd like to share literally one of the best pieces of writing I've ever read, from a twitter threadby Nate Crowley about modern sperm whales: "Having a think about sperm whales this morning. Specifically, how they routinely make one of the most nightmarish journeys imaginable as part of the ordinary business of living.  For a start, imagine living in a world with no edges - no floor, no ceiling, no walls, and barely ever something large or tangible enough to even bump into. Just water. And then, when you need to eat, you raise the back end of your body and you begin swimming down. Just... down. Into a place so preposterously hostile to air-breathing life that it scares us just to think about. But they just angle their big, battering-ram heads down and plough into it. Until the light vanishes and the temperature plunges and every space inside them crinkles into dense, wet nothing with the pressure. They can spend ninety minutes down there. Ninety minutes in the gelid, crushing blackness, their every muscle dense as wood and black with myoglobin - a sixty tonne sarcophagus keeping a mammal's brain alive. And then they fight. They hunt out creatures we can only comprehend through tired references to old horror stories, and they rip them apart. Arms as long as trees lash out as they die, hooked suckers carving scars that will never leave. But the whales crush the monsters in jaws longer than you are tall, gulping down mounds of frigid, ammoniac jelly in a slurry of icy brine and marine snow. They have broken into hell and they have eaten the demons. And then they make their way slowly back into the light. Back to where the sun snakes through the water, and to the sound of birds. And there they roll, grey bodies scored with years and years of scars, nudging and bumping each other. And so they go on. Not because they are brave, or curious, or pioneering - but because evolution has simultaneously damned them to daily katabasis, and given them the monstrous power to overcome it." -Nate Crowley Gives me chills every time. Sources: en.wikipedia.org/wiki/Livyatan www.deviantart.com/christopher… twitter.com/FrogCroakley/statu…